Leonardo da Vinci: A Memory of His Childhood
... A well-known example is the zoomorphic pareidolia in The Virgin and Child with Saint Anne by Leonardo da Vinci (1452−1519), depicted in figure 8a. In this painting, the Virgin's garment reveals the profile of a bird (kite or vulture), which Sigmund Freud used as the basis for a psychoanalytic examination of da Vinci [74]. Figure 8b,c shows two examples of anthropomorphic pareidolia in the works of another Italian Renaissance painter, Giuseppe Arcimboldo (1527−1593), renowned for his imaginative portraits composed of a wide range of elements such as animals, fruits, plants, flowers, candles and books [75]. ...
For centuries, naturalist philosophers and scientists have studied the form and function of living organisms, striving to propose theories that describe the interplay between these two essential components of biological entities. This historically significant scientific quest has also emerged as a fundamental question in the design of man-made systems. In particular, humanity’s long-standing ambition to create machines and structures that imitate living organisms has driven the development of the interdisciplinary field of biomimetics. In this work, we explore and formalize various avenues for bioinspiration in engineering and industrial design, aiming to classify different types of formal and functional bioinspiration during early-stage design processes. Furthermore, we critically evaluate the evolution of the form–function relationship in vehicle design from the early twentieth century to the present era, with a particular focus on automobiles. This effort to envision the future culminates in the introduction of a framework proposed as the fifth historical phase of automobile design, where intelligent computation plays a pivotal role in integrating styling and engineering into a unified design environment. We anticipate this work to serve as a starting point for the formalization of the role of artificial intelligence in shaping the future of the design industry.
... To address these research questions, this study introduces the Analytic-Critical Method (Fig.2), a four-step framework designed to construct the AI-driven Father character and interactive experience. First, we employed psychobiography to collect personal historical data and explore unconscious desires [13]. Through interviews, monologues, and archival materials, we documented the artist's father's memories, reconstructing his early life and emotional landscape. ...
This paper introduces the art project The Dream Within Huang Long Cave, an AI-driven interactive and immersive narrative experience. The project offers new insights into AI technology, artistic practice, and psychoanalysis. Inspired by actual geographical landscapes and familial archetypes, the work combines psychoanalytic theory and computational technology, providing an artistic response to the concept of the non-existence of the Big Other. The narrative is driven by a combination of a large language model (LLM) and a realistic digital character, forming a virtual agent named YELL. Through dialogue and exploration within a cave automatic virtual environment (CAVE), the audience is invited to unravel the language puzzles presented by YELL and help him overcome his life challenges. YELL is a fictional embodiment of the Big Other, modeled after the artist's real father. Through a cross-temporal interaction with this digital father, the project seeks to deconstruct complex familial relationships. By demonstrating the non-existence of the Big Other, we aim to underscore the authenticity of interpersonal emotions, positioning art as a bridge for emotional connection and understanding within family dynamics.
... Indigenous leadership researchers, on the other hand, have developed techniques that depart significantly from historiographic practice. From the very beginning, the subjects' biography was treated as a special form of case study; that is, the investigator would interpret the historical information as if it came from an actual session with the research (Erikson, 1958;1969;Freud, 1964). The only genuine difference arises from the fact that the biographer is engaged in classical assessment "at a distance"-necessarily so when the subject is a deceased historical celebrity. ...
... No início do século XX, a crítica psicanalítica, influenciada por Sigmund Freud e Jacques Lacan, apresenta uma abordagem que interpreta a arte através da lente da psicanálise, explorando os desejos inconscientes e os traumas dos artistas. Em Leonardo da Vinci and a Memory of His Childhood, escrita em 1910, Freud analisa as obras de Leonardo à luz de sua teoria psicanalítica, sugerindo que a arte pode revelar os desejos e conflitos internos do artista (Freud, 1910). (2014) ...
O presente artigo tem como objetivo principal analisar a Crítica de Arte e a cultura como atividades e práticas sociais, de modo a buscar entender como a crítica de arte se configura como um julgamento estético e um conjunto de práticas que envolvem questões éticas, políticas e sociais. Trata-se de uma revisão bibliográfica fundamentada em pesquisas, correntes de estudos e teóricos das áreas da Educação, Psicologia, Ciências Sociais e Cultura Popular. Conforme discutido, a Crítica de Arte tem sido uma área de estudo que evoluiu significativamente ao longo dos séculos, adaptando-se às mudanças culturais, sociais e tecnológicas, de modo que suas principais teorias e abordagens moldaram a Crítica de Arte ao longo dos séculos com base em seus principais teóricos e nas suas respectivas contribuições para o campo. Assim concluiu-se a partir das reflexões teóricas que a Crítica de Arte pode influenciar percepções públicas e contribuir para a transformação social a partir também da interação entre cultura e sociedade, compreendendo a importância das práticas culturais na formação da identidade individual e coletiva e na promoção da coesão social. Palavras-chave: crítica de arte; prática cultural; prática social.
İnsanın en önemli serüveni, anlam arayışıdır. İnsan; yaşadığı dünyaya, karşılaştığı olaylara, sorunlara, eşyalara, varlıklara vb. hep bir anlam vermeye çalışmıştır. İnsanın bu süreçteki en büyük çabası, belki de kendisini anlamlandırma ihtiyacıdır. İnsan, kendisini anlamlandırma sürecinde; “Ben kimim? Nasıl meydana geldim? Yaşam amacım ne? Neden yaşamalıyım? Yaşadığım dünya nasıl oluştu? Varlıklar nasıl oluştu?” gibi sorulara cevap vermeye çalışmıştır. Elbette bu sorular, cevabını çok rahat bulabileceğimiz bir yapıya sahip değildir. Bu soruların cevabını vermek derin bir bilgiye, anlayışa, düşünüşe sahip olmayı gerektirir. Her şeyden önce büyük bir çaba gerektirir. Bu, biraz insanın konfor alanıyla da ilişkili bir süreçtir. İnsan bu gibi soruların cevabını vermeye çalışırken, bir gayret içerisinde olacaktır, belki de bulduğu cevaplarla beraber değişmesi gerekecektir. Değişim ise beraberinde yeni birtakım davranışlar seti gerektirir. Bu davranışlar setine göre davranmak, konfor alanımızdan çıkmayı sağlar.
Aslında bu gibi soruların cevabını vermek, Tanrı inancıyla da ilişkili olabilir. Eğer biz bir tanrının olabileceğini varsayarsak, özellikle de bu tanrıyı antropomorfizik bir yaklaşımla, kendinde olan özellikle ilişkilendirirsek yukarıda dile getirilen soruların cevabını çok rahatlıkla verebiliriz. Tanrı inancı belki de insanın pragmatist bir anlayışla ve kolaycılığından dolayı sahip olduğu bir düşünce sistemidir. Tanrı inancı, insanın yaşadığı ve algılayabildiği, olduğunu varsaydığı evrenin yaratıcısı/yaratıcıları(ları) ve idare eden (ler)i olduğunu kabul etmesidir. Bu varlık, insanoğlu tarafından antropomorfizik bir şekilde sahip olduklarıyla ilişkilendirilmeye çalışılmıştır.
İnsanın yaşantısında var olan her şey, yok değil vardır. Yok olan bir şey yoktur. Her şey var edilmiştir. O zaman bunları var eden bir varlık vardır. İnsanların bu şekilde bir düşünceye sahip olması da onları, Tanrı inancına yönlendirebilir.
İnsan, yeryüzünde kendisi dışındaki varlıkların yardımına ve bakımına en fazla ihtiyaç duyan canlıdır. İnsan, başkaları olmadan, yaşamakta zorlanabilecek bir varlıktır. İnsan, kavram olarak, bir boyutu ile ünsiyet yani yakınlık kavramından gelir. İnsan, ünsiyeti sağlayamadığı takdirde varoluşsal sorun yaşar. Çünkü insan, doğası gereği, sosyal ve başkalarına muhtaç bir varlıktır (Aktaş, 2020). İnsan bu yönü ile aciz bir varlıktır. Bu acizliğinden kurtulmak için kendisinden daha üst ve yüce güçlere sahip bir varlığı kabul etmek, bu varlıktan medet ummak yaklaşımlarına başvurabilir. Bu yaklaşım, insanların Tanrı inancına sahip olmalarını sağlayabilir.
İnsanların Tanrı inancına sahip olmalarını sağlayan diğer durum, sosyal gözlemleridir. İnsan; çevresindeki insanların, en yakınlarının Tanrı’ya inandığını, ondan gelen buyruk ve ödevlere göre yaşadığını gözlemler. Bu gözlem ve deneyimler, insanda bir Tanrı inancının gelişimini sağlayabilir.
Dinlerin yapılanması da insanların ontolojik, epistemolojik sorulara verdikleri cevaplarla ilişkili olabilir. İnsan, Tanrı inancına ulaştığı zaman, kabul ettiği Tanrı’dan buyruklar ve ödevler almaya başlar. Tan’a (2010) göre din, tüm ödevlerimizin tanrısal buyruklarmış gibi öngörülmesi ile yapılanır. Bu varsayıma göre insan, inandığı Tanrı’dan gelen buyruklar ve ödevlerle dini düşüncesini yapılandırır. İnsanın sahip olduğu bu din anlayışı; onun, dünyaya, hayata, kendisine ve başkalarına bakışını etkilemeye başlar (Özdemir, 2003).
İnanç, kabul ediş sürecidir. Ama bu, sadece Tanrı varlığını kabul ediş süreci midir? Her şey zıddı ile vardır. Ama bu, inanç için varsayılabilecek bir düşünce midir? Tanrıya inanmamak da bir inanç mıdır? Bu açıdan inanç, zıddı ile var olmaz. Her ne şekilde olursa olsun Tanrı inancı, bir inançtır. Ama Tanrı varlığı inancı, zıddı ile vardır. Yani Tanrı’nın varlığı ya da yokluğu... Pazarlı’ya (1972) göre inanmak bir ihtiyaçtır. Çünkü insan ontolojik olarak kendini anlamlandırmaya çalışan ve düşünen bir varlıktır. İnsan bu inanma ihtiyacını birtakım sorular ve bu sorulara vermeye çalıştığı cevaplar kapsamında gerçekleştirir.
İnsan bir Tanrı inancına ve bunun ardından bir din anlayışına neden ihtiyaç duyar? İnsan, kendi varlığı ile ilgili sorulara cevap veremezse belirsiz ve amaçsız bir hayat sürdürebilir. Bu belirsizlikle baş edebilmesi insana acı ve kaygı verici bir durum oluşturabilir. Bu belirsizlikle baş etmenin en rahat yolu, Bir Tanrı inancı ve o Tanrı’nın etrafında oluşan öğretiler olabilir.
İnsan; düşünen, üreten ve doğaya müdahale edebilen bir varlıktır. Bu üretme, yeni şeyler ortaya koyabilme özelliği; insanın, içinde yaşadığı çevreyi, doğayı, dünyayı ve evreni de birilerinin oluşturması gerektiği düşüncesine sahip olmasını sağlayabilir. Bu düşünce biçimi insanı Tanrı inancına ve bir dini öğretiye yönlendirebilir.
İnsanın Tanrı inancına sahip oluş ve olmayış sürecini ne etkiliyor? Bu süreç, inanç alanında çalışan bilim insanlarının devamlı merak ettiği bir konu olmuştur. Tanrı inancı, dini inanışların merkezinde olan bir konudur. Tanrı’ya verdiğimiz anlam; O’nun sahip olduğu nitelikler, onun bize buyrukları ve ödevleriyle, O’nunla olan ilişkilerimizi düzenler. Bu ilişkilerle gerçekleşen buyruklar ve ödevler dini düşüncemizi yapılandırır. Tabi Tanrı inancına sahip olan insanlar, onun insana buyruk ve ödevler sunmayacağına da inanabilir. Bu çalışmada bireylerin Tanrı inanç biçimlerini etkileyen değişkenler açıklanmaya çalışılmıştır. Tanrı inancının gelişimi karmaşık bir süreçtir. Bu süreci etkileyen birçok değişken vardır. Bunları betimlemek ve önem sırasına göre nitelendirmek bu sürecin daha iyi açıklanmasını sağlayacaktır.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.
This theoretical essay aims to present a metapsychological synthesis for the sublimation concept in a Freudian framework. Two discourses on sublimation are presented and it is proposed that they integrate distinct moments in a general process: secondary sublimation, related to the first drive dualism, in which the sublimation concerns desexualization of drives through object and goal substitution; primary sublimation, related to the second drive dualism, in which the sublimation concerns the erotization of death drives, through nar-cissistic identifications. The implications for the relation between desire and culture, as well as for the psychoanalytic concept of subjectivity, are discussed.
Анотація. На початку даної доповіді концептуально та історично розглядаються різні феноменології, що їх охоплює термін «несвідома фантазія». Продемонстровано, що цей термін вказує на низку різних, хоча й перехресних концептуальних ділянок. Зокрема: фантазія як сцена; фантазія як репрезентація потягу; фантазія як репрезентація бажання в якості його здійснення; фантазія як відщеплена діяльність психіки, що функціонує під егідою принципу задоволення; фантазія як репрезентація власної діяльності психіки (за визначенням Воллхайма, «те, як психіка сама собі репрезентує власну діяльність»). І зрештою, несвідома фантазія розуміється як базова підвалина всього ментального життя, в тому числі потягів, імпульсів, всіх ситуацій тривоги та захистів. Автор окреслив цю територію, відслідкувавши розвиток даної концепції в працях Фройда та Кляйн, і далі звертається до робіт філософа Річарда Воллхайма, який, за твердженням автора, зробив фундаментальний внесок у наше концептуальне розуміння несвідомої фантазії. В прикінцевому розділі доповіді автор встановлює відмінність між тим, що він називає «об’єктами» (а саме, психічними об’єктами»), і тим, що він називає «фактами». Він припускає, що це розрізнення, в нашій праці зазвичай неявне, корисно озвучити, і при цьому висвітлює важливий вимір аналітичної праці. Наша мета полягає в тому, щоб допомогти пацієнту дізнатися, хто він є, зрозуміти, яким чином він сприймає себе, правильно і неправильно, розкрити фактичний бік його самого і його світу, виходячи з «об’єктних якостей» цього світу, і встановити відмінність між несвідомою фантазією та реальністю.
Sistematik bir bilim dalı olarak ortaya çıktığı ilk zamanlarda soyut konuları araştırma alanı dışında bırakan modern psikoloji, postmodernizmin etkisiyle değişime uğramış ve insanın sadece gözlenebilen davranışlarını değil zihinsel iç yaşantılarını da araştırma alanına dahil etmiştir. Öte yandan küreselleşmenin teknolojik gelişmeleri de beraberinde getirdiği günümüzde bilimin olanakları kullanılarak dinsel deneyimin bireyin manevi gelişimine olan katkısını nöropsikolojik olarak incelemenin mümkün olabileceği kanısı zihinlere gelmiştir. Nöropsikoloji alanında yapılan çalışmalar, tıbbi beyin görüntüleme cihazları aracılığıyla insan beyninin çalışma sistemi hakkında detaylı bilgi vererek olumlu-olumsuz duygulanımların beynin hangi bölgelerinde ne tür etkiler oluşturduğunu anlaşılır hale getirmiştir. Böylece nöroteolojik çalışmalar, dini tecrübe yaşayan bireylerin beyin yapılarında meydana gelen değişimleri ortaya çıkarabilmektedir. Ayrıca yapılan bu çalışmalar, manevi danışmanlık ve rehberlik alanında yenilikçi ve bütüncül bir perspektif sunarak bireylerin yaşam kalitesini artırmada önemli bir rol oynamaktadır. Bu makale, dinsel deneyim esnasında beyin yapısında meydana gelen olumlu değişimlerden yola çıkarak dini tecrübenin bireyin dikey gelişimine olan katkısını ortaya koyarak dinsel deneyim yaşayan bireylerin, psikotik vakalardan ayırt edilmesinin bireylerin ruh-beden sağlığı, yaşam kalitesi ve manevi gelişimi açısından öneme sahip olduğunun altını çizmek amacıyla yazılmıştır. Çalışmada nitel araştırma yöntemlerinden literatür taramasına başvurulmuştur. Makalede ilk olarak dini tecrübe ve mistik tecrübenin tanımına, sınırlarına, özelliklerine, çeşitlerine ve manevi gelişime olan katkısına yer verilmiştir. Daha sonra psikolojinin alt dallarından olup dinsel deneyimi destekleyen transpersonel psikoloji, pozitif psikoloji ve sufi psikolojisine değinilmiştir. Ardından dini tecrübenin “ne olmadığı” tartışılıp psikotik vakalardan farkının neler olduğu ortaya konulmuştur. Son başlıkta ise nöroteoloji ve nöropsikoloji hakkında bilgi verilip dinsel deneyim esnasında beynin prefontal-singulat korteksi, otonom sistemi, hipokampal-amigdala ve serotonerjik aktivasyonunda meydana gelen değişimler üzerinde durulmuştur. Yapılan araştırmalar ışığında dinsel deneyimin bireyin dikey gelişimine katkıda bulunduğu fakat psikotik vaka ve psikospiritüel kriz deneyimleyen bireylerin başlangıç süreçlerinin bazı durumlarda benzerlik göstermesi dolayısıyla, bireyin ruhsal gelişimi doğrultusunda durumun doğru analiz edilebilmesi ve rehabilite edilebilmesi için manevi danışmanlık ve rehberlik hizmetine ihtiyaç duyulabileceği sonucuna ulaşılmıştır.
This paper discusses through the prism of psychoanalysis some specific peculiarities of the poetics of the American artist Félix González-Torres. In particular, the text seeks to highlight how the concept of “burial work”, taken here from the work of the French psychoanalyst Pierre Fédida, is central to understanding the ways in which González-Torres has been able to hold together public and private, autobiographical experience and the involvement of the spectator in order to construct a shared memory that develops along the lines of dynamism and imprecision, renouncing common expectations of the representation of a memory.
The paper comments on Mark Solms' Revised Standard Edition of the Complete Psychological Works of Sigmund Freud and the challenges to grasp the subtleties and ambiguity of Freud's language. It argues that "translation" is not something that just "occurs"' to a text which is already completed, but an ongoing process that carries forward and explores different layers of meaning. The author tries to show that Freud saw himself as a "translator" and that "translation" reaches at the very core of the psychoanalytical endeavour. The multiple meanings of "transference", and the translation of terms like "Nachträglichkeit" and "Zweizeitigkeit" (bi-temporality), are presented as examples of this. To conclude, Freud's dwelling in two different epistemological models, the language of neurophysiology and the language of meaning, as well as the limits of translation are discussed.
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