No full-text available
To read the full-text of this research,
you can request a copy directly from the authors.
Introdução a Realidade Virtual e Aumentada Como citar esta obra Ecossistema XR no Brasil: desafios, ameaças e perspectivas
Abstract
O presenter capitulo apresenta o mapeamento do ecossistema de Realidade Mista e Realidade Estendida em atuaçao no Brasil, com o intuito de contribuir na consolidacao de dados sobre o setor no pais. Foram pesquisadas 138 empresas entre os meses de Julho e Agosto de 2020, retratando dados demograficos, macroeconomicos e macro organizacionais sobre o setor.
ResearchGate has not been able to resolve any citations for this publication.
A cadeia produtiva da economia criativa no Brasil movimentou em torno de 16% do PIB em 2006 aparentemente considerado elevado, mas quando se olha o nucleo representava cerca de 2,59%. Este valor ainda e considerado baixo e, em funcao disso, nao e capaz de colocar o pais entre os 20 maiores produtores de bens e servicos culturais liderados por China, Estados Unidos e Alemanha. Entretanto, acoes de governos, entidades privadas e de ensino e pesquisa comecam a colocar as atividades criativas como importantes para o desenvolvimento regional e nacional. Alem disso, a economia criativa se apresenta como uma forma de introduzir um novo portfolio de produtos com maior valor agregado e competitivos no mercado internacional ao colocar o capital intelectual como um ativo de competitividade e diferencial no mercado externo.
The ‘cultural turn’ has had a profound influence across the humanities and social sciences in the last few decades. In calling into question the universalist basis on which conventional methodological and normative assumptions have been based, the cultural turn has focused on the extent to which specificity and particularity underpin what we can know, how we can know it, and how this affects our being-in-the world. This has opened the way to a range of insights, from issues of pluralism and difference, both within political communities and between them, to the instability if not impossibility of foundations for knowledge. Too few studies embracing this ‘cultural turn’, however, pay more than cursory attention to the culture concept itself. This article suggests that conceptions of culture derived mainly from the discipline of anthropology dominate in political studies, including international relations, while humanist conceptions have been largely ignored or rejected. It argues further that we would do well to reconsider what humanist ideas can contribute to how ‘culture’ is both conceptualized and deployed in political thought and action, especially in countering the overparticularization of social and political phenomena that marks contemporary culturalist approaches.
Rome Reborn is a virtual reconstruction of the entire city of ancient Rome at the height of its urban development in 320 AD. The model consists of two kinds of digital reconstructions: Class I elements (whose position, identification, and design are known with great accuracy); and Class II elements (whose building type and location are known only in a general way). Within the Aurelian walls, there are more than 7000 buildings. Of these, ca. 250 fall into Class I, and the rest into Class II. By their very nature, Class I elements can be digitally modeled with a high level of detail and confidence; Class II elements cannot. The challenge in modeling an entire city such as ancient Rome (and, by extension, many other sites known from incomplete archaeological data) is to harmonize the mode of representation of these two classes of buildings. This paper describes how we utilized procedural and parametric modeling techniques to create visually compelling and detailed models of the Class II elements of the digital model of ancient Rome. Procedural modeling methods made the modeling process very efficient without sacrificing detail or quality. Furthermore, the flexibility of the approach helps to quickly change and regenerate the model as new scholarship or discoveries warrant.
Whereas the central preoccupation of critical social analysis has traditionally been the way in which economic rationality dominates culture, contemporary social theory has been increasingly concerned with the central role of cultural processes and institutions in organising and controlling the economic The cultural turn in recent criticism and social thought THERE HAS been a remarkable rise in the attention paid to culture within recent social thought and critical theory. The 'cultural turn' is manifest across a very wide spectrum of academic disciplines and fields of inquiry. These range from international relations and development studies to various analyses of a new information society or economy in the advanced capitalist world, and from the sociology of gender and ethnic inequalities to studies of consumerism and the role of the media and new communication technologies. This turn to culture has also been very prominent in the expanding field of globalisation studies and across various related debates in cultural and political studies, including debates around the issues of citizenship, identity and multiculturalism. The cultural turn is now manifest and expressed in a massive literature. For its proponents at least, there are a number of specific and significant aspects of recent socio-cultural change that justify and underpin the recent cultural turn. One key strand of this discourse is centred on the idea that culture and the symbolic have now expanded their role and influence in economic processes and that they have become relatively autonomous, even tending to dominate over economic processes and rationalities. This is allied to the claim that the economy itself and the commodities that flow through it are now largely constituted through informational and symbolic processes.
This paper traces the evolution of the concept of the creative industries, arguing that it has transformed via three phases. The first phase, of creative clusters, is the one made famous by the DCMS definition in the UK – a dozen or so 'industries' including advertising, film & TV, software, publishing and design, whose outputs are creative. The second phase, creative services, foregrounds the contribution of creative inputs into other services, from health and government to tourism and education. The third phase, creative citizens, emphasises consumer co-creation, user-led innovation and iterative improvement by community input. It has been accelerating as Web 2.0 increasing the ubiquity, affordability and flexibility of internet affordances.
This is a schools brief style of introduction to evolutionary economics. It addresses the nature of evolutionary theory in relation to economics, and examines why evolutionary economists argue that market-capitalism is an evolutionary system. Finally, it argues that liberal economic philosophy has much stronger and more direct relationship with evolutionary economic analysis than neoclassical economic analysis.
The precarious nature of creative and cultural work is widely acknowledged in academic literature. However, it has often been invisible in the eyes of policy and policymaking. As soon as the spread of Covid-19 started impacting local and national economies across the globe, many industry and policy bodies rushed into researching the impact of Covid-19 on the creative and cultural industries (CCIs) and the workers in the sector. The paper offers an insight into the key concerns of these organizations through the meta-analysis of the survey and research projects that are currently being undertaken in the context of the UK. The results highlight common concerns in relation to visible and invisible issues that need addressing in the sector. The paper concludes by questioning if Covid-19 represents a moment of crisis for the sector or has simply exposed the unsustainable price of creative and cultural work.
Paper available at: http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2682602
The so-called “gig-economy” has been growing exponentially in numbers and importance in recent years but its impact on labour rights has been largely overseen. Work in the “gig-economy” includes “crowd work”, and “work-on-demand via apps”, under which the demand and supply of working activities is matched online or via mobile apps. Whilst these forms of employment present significant differences among themselves, they also share striking similarities. They can provide a good match of job opportunities, allow flexible working schedules and potentially contribute to redefining the boundaries of the firm. However, they can also pave the way to a severe commodification of labour. This paper discusses the implications of this commodification and advocates the recognition of activities in the gig-economy as work, as the risk of labour being hidden under catchphrases such as “gigs”, “tasks”, “rides” etc. is currently extremely high. It shows how the gig-economy is not a separate silo of the economy and how it is part of broader phenomena such as casualization and informalisation of work and the spread of non-standard forms of employment. It then analyses the risks associated to these activities with regard to Fundamental Principles and Rights at Work, as they are defined by the International Labour Organisation (ILO), and addresses the issue of misclassification of the employment status of workers in the gig-economy, based on existing service agreements, business practices and litigation in this sector. Current relevant trends are thus examined, such as the emergence of forms of self-organisation of workers. Finally some policy proposals are critically analysed, such as the possibility of creating an intermediate category between “employee” and “independent contractor” to classify workers in the gig-economy, and other tentative proposals are put forward such as advocacy for the full acknowledgment of activities in this sector as work, extension of fundamental labour rights to all workers irrespective of employment status, and recognition of the role of social partners in this respect, whilst avoiding temptations of hastened deregulation.
This paper is to be presented at the seminar on Crowd-Sourcing, the Gig Economy, and the Law, hold at the Wharton School – University of Pennsylvania, on 7 November 2015. Contributions presented at the seminar will be published, after review, in a special issue of the Comparative Labor Law & Policy Journal, in 2016.
Territorial innovation models and policy practices traditionally tend to associate the emergence, resurgence and growth of start-ups with the development of local industries, either as industrial pioneers or as innovative spinoffs embedded in a regional production system. This approach is in line with a “life cycle” pattern of innovation and of industrialization marked by sequential waves of growth and decline, by technological renewal and by sectorial transitions. In a knowledge and financial economy characterized by combinatorial knowledge dynamics, by even shorter project-based innovations and by global financial and production networks, this approach is called into question.
Through the case of Swiss medical technologies (medtech), this paper highlights how local medtech start-ups’ evolution is shaped, from its early phase on, by the corporate venture strategies of multinational companies. While the economic potential of startups was traditionally perceived in a longer run, they seem to be more often “born to be sold” today. New research avenues and policy issues are finally derived from this particular case to
address territorial innovation and competitiveness in the future.
This article explores growing interest in the term ‘precarity’ within the social sciences and asks whether there is a place for a ‘critical geography of precarity’ amid this emerging field. Referring to life worlds characterised by uncertainty and insecurity, the term precarity is double-edged as it implies both a condition and a possible rallying point for resistance. Such areas should be of concern and interest to human geography yet engagement with the concept in the discipline thus far has not been widespread. This article covers four key aims. First, it reviews where the concept of precarity has made an appearance in work by geographers and in allied disciplines and relates this to the more sustained usage in European social science. Second, an attempt is made to clarify the meaning of the term and elucidate more precisely what it refers to. Third, the term precarity is explored alongside related concepts of risk and vulnerability and questions are asked about the conceptual distinctiveness of the term precarity. Finally, an argument is made for a potential critical geography of precarity through looking at the situation of migrant labourers working in low-paid sectors of the UK economy; individuals who may find themselves at the forefront of precariousness due to their labour conditions.
The paper will present a rationale for distinguishing between notions of cultural and creative industries which have implications for theory, industry and policy analysis. I do this from the standpoint of a researcher and analyst and also from a position of a corporate involvement in a substantial project to grow and diversify a regional economy
through the development of its creative industries. This is a 'creative industries precinct' in inner suburban Brisbane involving my university, QUT, the Queensland state government through its Department of State Development, and a variety of industry players, and retail and property developers. There is theoretical purchase in distinguishing the two terms, in part to put further flesh on the bones of claims about the nature of the knowledge-based economy and its relation to culture and creativity. Shifts in the nature of the industries usually described by the terms also need to be captured effectively, as are different policy regimes that come into play as regulation of and support for cultural and creative industries.
A crise econômica de
- Barbosa
- Filho
- Fernando De Holanda
BARBOSA FILHO, Fernando de Holanda. A crise econômica de 2014/2017. Estudos
Avançados, v. 31, n. 89, p. 51-60, 2017.
Estudo exploratório sobre indústrias criativas no Brasil e no Estado de São Paulo
- Pedro Bendassolli
- Fernando
BENDASSOLLI, Pedro Fernando. Estudo exploratório sobre indústrias criativas no
Brasil e no Estado de São Paulo. 2010.
Pandemia e desemprego no Brasil: consequências e medidas de enfrentamento. Revista de Administração Pública
- Silva Da
- Simone Costa
DA SILVA COSTA, Simone. Pandemia e desemprego no Brasil: consequências e
medidas de enfrentamento. Revista de Administração Pública, v. 54, n. 4, 2020.
O impacto da pandemia do COVID-19 nas relações de emprego nas micro e pequenas empresas. Revista Fatec Sebrae em debate-gestão, tecnologias e negócios
- D E Carvalho
- Monica Cristina Borges
DE CARVALHO, Monica Cristina Borges et al. O impacto da pandemia do COVID-19
nas relações de emprego nas micro e pequenas empresas. Revista Fatec Sebrae em
debate-gestão, tecnologias e negócios, v. 7, n. 12, p. 62-62, 2020.
Mapeamento da indústria criativa no Brasil. Rio de Janeiro: FIRJAN, Dezembro
- Firjan
FIRJAN. Mapeamento da indústria criativa no Brasil. Rio de Janeiro: FIRJAN,
Dezembro, 2014.
A Economia na Pandemia Covid-19: Algumas Considerações/The Economy in Pandemic Covid-19: Some Considerations. ROSA DOS VENTOS-Turismo e Hospitalidade
- Maria Gullo
- Carolina
GULLO, Maria Carolina. A Economia na Pandemia Covid-19: Algumas
Considerações/The Economy in Pandemic Covid-19: Some Considerations. ROSA
DOS VENTOS-Turismo e Hospitalidade, v. 12, n. 3, 2020.
Impactos da Covid-19 na Economia: limites, desafios e políticas
- Santa Rita
- Luciana Peixoto
SANTA RITA, Luciana Peixoto. Impactos da
Covid-19 na Economia: limites, desafios e políticas. Revista Teste, v. 1, n. 7, p. 35-47, 2020.
The Virtual Reality Revolution: The Vision and the Reality. In: Virtual Reality-Human Computer Interaction
- Richard M Levy
LEVY, Richard M. The Virtual Reality Revolution: The Vision and the Reality. In:
Virtual Reality-Human Computer Interaction. InTech, 2012.
A crise econômica decorrente do COVID-19 e as ações da equipe econômica do governo atual
- Lauro Mattei
MATTEI, LAURO. A crise econômica decorrente do COVID-19 e as ações da equipe
econômica do governo atual. Texto para Discussão-Núcleo de Estudos de
Economia Catarinense,(35), p. 1-31, 2020.
- Minc Mercado
- Das
MINC. Mercado das Indústrias Criativas do Brasil 2018. Disponível em:
http://micbr.cultura.gov.br. Acesso em: 06 nov. 2018
The 2015-2016 Brazilian political crisis: diagnostic, lesions and prophylaxis. Relações Internacionais
- Octavio Neto
- Amorim
NETO, Octavio Amorim. The 2015-2016 Brazilian political crisis: diagnostic, lesions
and prophylaxis. Relações Internacionais, Lisboa, n. 52, p. 43-54, dez. 2016.
Disponível em http://www.scielo.mec.pt/scielo.php?script=sci_arttext&pid=S1645-91992016000400004&lng=pt&nrm=iso. Acesso em: 27 maio 2020.
Panorama da economia criativa no Brasil
- Leandro Silva
- Valério
SILVA, Leandro Valério.
Panorama da economia criativa no Brasil. 2013.
Policies for a knoeledge-based economy
- J C Paye
PAYE, JC. Policies for a knoeledge-based economy. OECD Observer, no. 200, p.4-6,
1996.
Economia Criativa: como estratégia de desenvolvimento: uma visão dos países em desenvolvimento/AnaCarla Fonseca Reia (org)
- C F Reis
REIS, C. F. Economia Criativa: como estratégia de desenvolvimento: uma visão
dos países em desenvolvimento/AnaCarla Fonseca Reia (org). São Paulo: Itaú
Cultural, 2008.
Making adaptive resilience real. Arts Council England. Disponível em: www
- M Robinson
ROBINSON, M. (2010). Making adaptive resilience real. Arts Council England.
Disponível
em:
www.projectcoal.org/coal/wp
content/uploads/2012/02/Arts_Resilience.pdf. Acesso em: 10 set. 2020.
The evolution of the creative industries as a model of innovation
- A Solidoro
SOLIDORO, A. The evolution of the creative industries as a model of innovation. In:
Proceedings of the 10th Workshop di Organizzazione Aziendale, 29th-30th
From the information economy to creative economy: moving culture to center of international public policy
- S Venturelli
VENTURELLI, S. From the information economy to creative economy: moving culture
to center of international public policy. Washington D.C.: Center for Arts and
Culture, 2000. Disponível em: http://www.culturalpolicy.org/pdf/venturelli.pdf.