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Evolution and Social Life

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... Finally, these conversations also identify some of the other factors that have played a part in changing Ingold's ideas over time. In Conversation 1, he explains that after publishing Evolution and Social Life (Ingold 1986a) and The Appropriation of Nature (1986b), he concluded that his attempts in these books to combine social anthropology, respectively, with evolutionary biology and ecology had 'ended in failure'. What helped him find an alternative path forward was a suggestion from the ecological psychologist Edward Reed that he read the work of James Gibson. ...
... In this he was influenced by works in neo-Marxist anthropology, including Godelier's Rationality and Irrationality in Economics (1972) and Terray's Marxism and 'Primitive' Societies (1972), as well by Gibson's The Ecological Approach to Visual Perception (1979). His book Evolution and Social Life (Ingold 1986a), written in the shadow of Wilson's Sociobiology (1975), was strongly influenced by the philosophical works of Bergson (Creative Evolution, 1911) and Whitehead (Process and Reality, 1929 For reasons of space, Ingold's work on hunter-gatherers, which he mentions towards the end of this interview, is not explored in depth here. Interested readers are referred in particular to Hunters, Pastoralists and Ranchers (Ingold 1980) and Hunters and Gatherers, Vols I: History, Evolution and Social Change, and II: Property, Power and Ideology (Ingold, Riches and Woodburn 1988). ...
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Conversations with Tim Ingold offers a comprehensive and accessible introduction to the work of Tim Ingold, one of the leading anthropologists of our time. Presented as a series of interviews conducted by three anthropologists from the University of Glasgow over a period of two years, the book explores Ingold's key contributions to anthropology and other disciplines. In his responses, Ingold describes the significant influences shaping his life and career, and addresses some of the criticisms that have been made of his ideas. Following an introductory chapter, the book consists of five edited and annotated interviews, each focusing on a specific theme: 'Life and Career,' 'Anthropology, Ethnography, Education and the University,' 'Environment, Perception and Skill,' 'Animals, Lines and Imagination,' and 'Looking Back and Forward.' Each chapter ends with a 'Further Reading' section, referencing Ingold's work and that of other scholars, to assist readers who want to follow up particular issues and debates. It concludes with an ‘Afterword’ authored by Ingold himself.
... Este período de afirmação das soberanias reais teve expressão em fatores internos que propiciaram as separações entre os poderes, nomeadamente, a existência de um exército regular, a manutenção de um sistema fiscal permanente aliado a uma moeda emitida pelo Rei, a aplicação e desenvolvimento da legislação monárquica e a paulatina formação de um sentimento nacional, especialmente em França e Inglaterra (Nay 2004) (Barnard 2022). Esta perspetiva era fruto do contexto histórico que assentava amarras na ideia de Progresso, perspetiva que era anterior à teoria da evolução proposta por Darwin (Ingold 1986). Para a epistemologia da antropologia deste período, esta posição conduziu a uma assunção explícita da superioridade do observador (Gardner 1988) assente numa visão não-relativista extremada. ...
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This work is divided into three sections. The first outlines classical anarchist thought and its proposal to dissolve the state, questioning its legitimacy. Anarchism is primarily a moral philosophy with Aristotelian elements and a concept of individual autonomy rooted in Enlightenment ideals. The second section, drawing on archaeologist Patrick Kirch's analysis of early Hawaiian society, discusses cultural evolution in Hawaii and Polynesia, leading to shifts in ethical structures. Key concepts like mana and kapu signified a transition from a chiefdom society to one founded on sacred sovereignty, merging religious and political realms. In the final section, the emergence of the modern nation-state is examined, emphasizing the split between religious and political spheres in European society. This separation contributed to a rationalized concept of state legitimacy inherited from Greek and Roman traditions. Hawaiian and European social structures are compared to critique the anarchist proposal for state dissolution, concluding that the archaic Hawaiian state was not a random development. Instead, classical anarchism’s notion of the state as a contingent outcome of societal evolution made the idea of state dissolution conceivable. The Enlightenment’s autonomous individual, modernity’s historical context, and secular conditions fostered the transformative possibilities envisioned by classical anarchist thought. Keywords: Anarchism, Sacred Sovereignty, Archaic State, Nation-State, Hawaii, Legitimacy. Available at IUL-ISCTE, Lisbon, Portugal, repository: http://hdl.handle.net/10071/34188
... Some colloids such as foams and gels are relatively frozen into an enduring, 'solid' spatial arrangement of parts; others (typically solid particles in a fluid medium) are dynamic colloids, more 'fluid' in that they have a more-or-less instant response to applied intensive forces. In reference to a definition of the social originally published by Tim Ingold in 1986(Ingold, 2016, I suggested that in especially dynamic colloids, at least sometimes the behaviours of individual iterations within the colloid are not simply individually determined (bottom-up), but neither is there a pre-existing order that 'regulates' the actions (top-down) of the individual iterations; instead, order emerges from a meshwork of causal interactions amongst discrete and continuous matter, solids and fluids, and spatial scales. I concluded that such colloids can be described as 'social' in Ingold's sense -and conversely that the social is itself colloidal; that both what we call colloids and what we call societies share the feature that their dynamic evolution is shaped by how multiple (and thus countable) entities interact with each other and with the continuous (and uncountable) medium in which they immersed. ...
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In this paper I try to identify a minimal definition of culture that might be applicable in the much-more-than-human realm that extends beyond organic matter and human involvement. I speculate that culture conceived in this broad way might be a metapattern or ‘machinic solution’ available to matter of diverse kinds, organic and inorganic. I explore how this idea might apply this to colloids – hybrid forms of matter such as sols, foams and gels that are mixtures of matter in different phase states, some continuous and some discontinuous, and which can behave in complex ways that mix features of solid and fluid behaviour. I conclude by suggesting that attending to both the similarities and differences between ‘culture’ in the organic and in the inorganic realms might force us to rethink our understanding of both.
... Therefore, it is possible to conclude that, being the structure of connections between the words, the language exists in the mind. In his insightful write-ups, Ingold (2016) basically captures this as what Saussure has to say on linguistic theory. As a result, Fiona's condition is problematic not so much because it allows her to freely combine words and objects, signifiers and signified, but rather because it is a mental disease that defies standards that have been socially and historically accepted in terms of language and cognition. ...
... Essa é a criatividade da vida social. Pois a vida social não é algo que a pessoa faz, mas o que a pessoa vivencia: um processo em que os humanos não criam sociedades, mas, vivendo socialmente, criam a si mesmos e uns aos outros (Ingold, 1986;Hallam, 2007, p. 8). ...
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A criatividade é geralmente retratada como um fator X responsável pela geração espontânea do absolutamente novo. No entanto, a obsessão pela novidade implica uma atenção aos produtos finais e uma atribuição retrospectiva das suas formas a ideias sem precedentes na mente dos indivíduos, ignorando os potenciais geradores de forma das relações e processos em que as pessoas e coisas surgem e se desenvolvem. Nesses processos, espera-se tipicamente que o aprendiz copie as obras dos grandes mestres do passado. No entanto, mesmo seguindo um roteiro ou uma partitura, cada praticante tem de improvisar o seu próprio caminho através do conjunto de tarefas que a performance implica. Com exemplos da música, da caligrafia e da confecção de rendas, mostro que a fontes da criatividade não está na cabeça das pessoas, mas em seu envolvimento em um mundo em formação. Nesse tipo de criatividade, mais vivenciada que realizada, a imaginação não é tanto a capacidade de apresentar novas ideias, mas o impulso aspiracional de uma vida que não apenas se vive, mas se conduz. Para onde ela é conduzida, no entanto, não é dado de antemão. Abrindo-se ao desconhecido – se expondo – a imaginação conduz não pela maestria, mas pela submissão. Assim, a criatividade do vivenciar, da ação sem agência, é a criatividade da própria vida. Tradução: Beto Vianna Submissão: 15 mai. 2024 ⊶ Aceite: 3 jun. 2024
... In the Tuscan valleys, productive resources are given as a shared inheritance, a perspective that engages in a form of respect towards the opportunity, the possibility that it historically offers: from nature, man generates things and knowledge "in the progressive unfolding of those relations that are established in the sensorial and active involvement" of the craftsman with the resources at his disposal (Ingold 2016). From the qualitative analysis made through the three case studies taken into consideration, a shared vision emerges on the rapid transition of the Tuscan textile and leather districts towards behaviours and good practices aiming at a lower environmental impact. ...
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The Tuscan territory has been a place of production linked to the theme of recycling-reuse since the Middle Ages: just think of the Prato textile district, which has made regenerated wool its fortune and trademark. This contribution aims to analyse and narrate the current scenario of the Tuscan textile and leather goods industry and its vocation in setting up sustainable production and design models. It aims to introduce the theme of stability—not sustainability—which is the most anthropocentric thing that can exist (Caffo, Velocità di fuga, Einaudi, 2022). The stability of a system that has been going on for centuries and that has made regeneration and recycling its strong point long before these practices became, as we now observe, urgent and indispensable in order to stem climate change. It is this propensity for a “slower pace” and for stabilisation referable to a particular territorial component that leads us to analyse and compare three case studies: the project of ZeroLab, a leather recovery and recycling hub and incubator for emerging designers located in Scandicci; Rifò, brand based in the city of Prato that creates Made in Italy garments from textile waste; Pangaia Grado Zero Group, a venture located in Montelupo Fiorentino, which offers high-tech solutions and materials. This mosaic of experiences testifies to the existence and strength of the innovation engine of a territory, that of Tuscany, where the man-nature relationship has triggered a virtuous mechanism of realities that also interact with the productions of the large international luxury groups present in the area.
... As premissas nas quais este trabalho assenta são claras. Entende-se que a arte rupestre pode ter funcionando como um veículo de comunicação entre comunidades, sendo um fator dinamizador das sociedades do passado (Ingold, 1987;Bradley, 1997), com correspondências aos mitos e às crenças dessas comunidades (Tilley, 1994). Ou seja, atuar sobre a rocha e criar imagens é algo que está imbuído de grande simbolismo e significado, demonstrando uma forte inter-relação das comunidades com o meio envolvente. ...
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O Noroeste português tem-se revelado um terreno fértil no que diz respeito à descoberta de afloramentos gravados de vários períodos cronológicos. Assim sendo, os afloramentos localizados na união de freguesias de Anhões e Luzio, Monção em Viana do Castelo, são mais um exemplo da arte rupestre desta região, sendo que, todos possuem como elemento em comum, a gravação do círculo segmentado, raro no Noroeste. Por consequência, foi realizado o estudo destes afloramentos com o objetivo de os dar a conhecer e de interpretar a funcionalidade e simbologia destes motivos, tendo por base pressupostos da Arqueologia Interpretativa, da Antropologia, bem como uma abordagem que tem em conta o contexto celeste. Com efeito, é plausível colocar a hipótese de que os círculos segmentados correspondem à representação do símbolo solar e que, nos sítios gravados, parecem evidenciar várias fases do calendário solar. Por outro lado, estes lugares seriam carregados de um forte simbolismo, podendo ser lugares de culto e/ou observatórios astronómicos, devido ao seu caráter exclusivo e afastados de outros contextos arqueológicos de cronologia genérica.
... Based on this multi-fold trajectory, I will arrive at the question of the object in-itself and contrast it with the representation of objects to highlight the limits of anthropological approaches to in-between and liminality. I stress that many anthropologists have always found in-betweenness and liminality from a location saturated in representa-tions, correlations, and relations (see Turner 1987;Ingold 1986;Zerubavel 2003;Scott 2009;Stroller 2007) and therefore, objects of anthropologists (things such as books, guns, statues, totems, cars, etc. and concepts such as cultures, languages, memory, society, God, etc.) are subdued to the human access. Third, I elaborate further on the in-betweenness of objects without subduing it to the social construction/becoming of things, mediation, and humans. ...
... Based on this multi-fold trajectory, I will arrive at the question of the object in-itself and contrast it with the representation of objects to highlight the limits of anthropological approaches to in-between and liminality. I stress that many anthropologists have always found in-betweenness and liminality from a location saturated in representa-tions, correlations, and relations (see Turner 1987;Ingold 1986;Zerubavel 2003;Scott 2009;Stroller 2007) and therefore, objects of anthropologists (things such as books, guns, statues, totems, cars, etc. and concepts such as cultures, languages, memory, society, God, etc.) are subdued to the human access. Third, I elaborate further on the in-betweenness of objects without subduing it to the social construction/becoming of things, mediation, and humans. ...
... Delo angleškega antropologa Tima Ingolda je v zadnjih nekaj letih postalo vplivno ne le v antropologiji, temveč tudi v sorodnih disciplinah. Za to sta verjetno dva vzroka: po eni strani v precej obsežnem delu obravnava izjemno raznolike, praviloma modne tematike, kot so razmerje med evolucijo in družbenim življenjem (1986;Ingold in Pàlsson 2013); odnosi med živalmi in ljudmi (1994;2007a);okolje, krajina, gibanje, percepcija, tehnologija, material(nost)i (2000;2007b;2011a;2011b;Ingold in Lee Vergunst 2008;Janowski in Ingold 2012); vzgajanje, ustvarjanje oziroma izdelovanje itd. Hallam in Ingold 2007;, spotoma pa je uredil tudi nekaj pomembnih zbornikov in priročnikov (2005; 2007c). 2 Po drugi strani njegov pristop 1 Podobno kot je v uvodu v Anti-Dühring zapisal Friedrich Engels (1979), pri katerem si sposojam naslov prispevka, moram tudi sam poudariti, da delo ni nastalo (zgolj) zaradi »notranje sle«, temveč po pogovorih s prijatelji. ...
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This chapter reviews the theoretical foundations of critical juncture research and, based on a consideration of how foundational issues should be addressed, suggests that some changes to the core ideas used in this research are needed. The aim of the chapter is to show how the critical juncture framework can be reconstructed on stronger foundations.
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In this paper, I analyze and compare Maria Kronfeldner?s and Tim Ingold?s views on the conceptual relationship between nature and culture. I show that despite the differences, their views remain close, particularly in terms of their integrative potential. The ultimate purpose of this examination is to lay the groundwork for further research on the problem of conceptual integration between sociocultural anthropology and evolutionary psychology. The paper comprises four main sections. First, I briefly explore the history of Darwinism to show how nature and culture were conceptualized within this framework. Second, I deal with Kronfeldner?s separationist stance and Ingold?s holistic perspective on the nature/ culture conceptual relationship. Third, I discuss the implications of their views on the choice of research heuristics in the sciences that study human nature and cultures. While I interpret Ingold as supporting methodological integration, Kronfelder argues for a version of integrative pluralism. Lastly, I provide an outlook for further discussions on conceptual integration and integrative pluralism.
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Generally, the ‘individual’ in the biological disciplines in Britain and France was perceived as an entity in terms of which all else had to be described, analyzed, and explained. This was further enhanced in the transfer from these disciplines to emerging sociology and psychology. Yet I show how from Spencer on, the Spencerian Lamarckism/neo-Lamarckism perspective on adaptation, evolution, and heredity, provided modes of linking individuals and sociality, of collectivizing.
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This chapter provides an overview of memetics, starting with relevant terminology and examples of applications of memetics in other disciplines in Sect. 2.1. Section 2.2 highlights important contributions as well as cornerstones of the so-called “meme’s eye view”. Section 2.3 turns to some of the controversies in meme theory before Sects. 2.4–2.6 give an overview of the central notions of replicators, interactors, and memeplexes.
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This chapter addresses some important issues that have not received sufficient attention in the previous chapters. It should be noted, however, that each topic would justify a full paper or perhaps even a book in its own right. Therefore, this general discussion strives for conciseness rather than completeness. Section 7.1 sets off with arguably one of the most widely debated issues in social science, namely the question of agency versus structure—yet, in this case, with a particular focus on the agency of memes. Section 7.2 addresses the implications of a memetic perspective on creativity and novelty. In Sect. 7.3, we turn to some of the normative implications of the (econo-)memetic approach.
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