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Testing the impact of images in environmental campaigns

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Abstract

Images are commonly used in environmental advocacy campaigns that are designed to promote collective action. However, the effects of different types of images have rarely been examined. In three experiments (combined N = 1426), we tested the impact of commonly used campaign images (meeting, protest, or no image) on willingness to engage in collective action against coal mining. Further, we examined whether images influence known drivers of collective action. Results support the Social Identity Model of Collective Action in environmental contexts: efficacy, identification and anger were strongly associated with collective action intentions and (less so) behaviour. Identification was the strongest predictor of actual behaviour. The effects of images were inconsistent. Image presence and type sometimes affected collective action responses, either directly or indirectly. The presence of an image sometimes increased perceptions of descriptive norms for action, which in turn increased perceived efficacy and collective action intentions.

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... The final measure 2 was designed to provide an index of actual pro-environmental behavior, borrowing a technique used by Gulliver et al. (2020). Participants were asked to volunteer their time to answer a hundred questions comprised of simple math problems (for example "9 x 8 = ?") ...
... If this is true, approaches that rely on analytic forms of reasoningin which people are educated through facts and argumentation about why their individual actions can make a difference might struggle to have an impact. Consistent with this notion, it is notable that certain imageswhich appeal to non-analytic reasoning processesare associated with increased efficacy ratings (Gulliver et al., 2020;Hart & Feldman, 2016b;Metag, Schäfer, Füchslin, Barsuhn, & Königslöw, 2016;Ockwell et al., 2009;O'Neill, Boykoff, Niemeyer, & Day, 2013). ...
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... The findings lend support to the idea that images are often the first thing people focus on when looking at a campaign message and that this affects subsequent verbal message processing (Gulliver et al., 2020;Sajjacholapunt & Ball, 2014). We therefore recommend future research to further explore interaction effects between gaze direction and verbal text. ...
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Whereas the role of social media in political activism has received much attention in recent years, the role of social media images remains largely understudied. Given the potential of emotional and efficacy-related visual content for motivating activism, this exploratory content analysis examined the content of Twitter images of the 2011 Egyptian revolution. The analysis of 581 images revealed more efficacy-eliciting (crowds, protest activities, national and religious symbols) than emotionally arousing (violent) content, especially posted by Egyptian users. However, emotionally arousing content decreased, whereas efficacy-eliciting content increased at times of instability. Furthermore, popularity of images was more associated with user information than the content itself. Images posted by activists and users outside Egypt received the most attention. The findings are discussed in terms of possible explanations for the content patterns and their potential impact on Twitter audience, as well as their contributions toward establishing a theory of user-generated content during political movements.
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Images of climate change and global warming - including tens of thousands of photographs, charts, graphs, cartoons, illustrations, and moving images - have been spread across magazines, television, and films, and are scrolling down the growing array of websites devoted to some aspect of environmental news and climate change. The content of climate imagery falls into several broad categories, and not all of them have been effective in educating people about the dangers and causes of climate change or encouraging civic action and involvement. A new framing of local climate impacts and positive actions may encourage more people to take action. © The Author(s) 2013 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav.
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Viewing images of terrorism can have a powerful impact on individuals' emotional and political responses, yet little is known about the psychological processes underlying these effects. We hypothesized that the content of terrorism images will shape viewers' appraisals of the event, which will elicit specific emotions and political attitudes. British citizens viewed photographs of the 2005 London bombings, either focusing on victims or terrorists. Exposure to images of victims increased appraisals of victim suffering, which predicted feelings of sympathy. Exposure to images of terrorists increased appraisals of terrorists as dangerous, which predicted fear; and of the attack as unjust, which predicted anger. Each emotion predicted support for a distinct counterterrorism policy. Theoretical and practical implications are discussed.
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Negative climate change imagery is often criticised on the grounds that it provokes and promotes disempowering responses and psychological distancing. We investigated people's associations with climate change, and their affective content on multiple dimensions, through two studies. In Study 1, we administered an image-elicitation task to 2502 people across Australia to examine the mental images most commonly associated with climate change. We used these common responses from the image-elicitation task to compile 82 actual images. In Study 2, these images were presented to participants at a series of four workshops (N = 52). Participants selected the images they most closely associated with climate change, rated them for affective content on an emotion circumplex, and later discussed evocative images in small groups. The findings suggest (i) a significant proportion of people struggle to form concrete associations; (ii) common associations are typically psychologically distant and iconographic, but some national-level impacts are also salient; and (iii) associations with climate change impacts differ in their affective content: Specifically, associations related to drought and denuded landscapes provoke lower arousal, whereas associations related to disasters and extremes provoke higher arousal. The importance of considering motivated reasoning and multi-dimensional affect in the psychological distancing of climate change is discussed. Copyright © 2014 John Wiley & Sons, Ltd.
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Collective action against collective disadvantage is a theoretically and socially relevant phenomenon that has received increased scientific attention in recent years. Because recent work combines different theoretical traditions, the last decade can be rightly called an ‘age of integration’. In this article, I take stock and look ahead by briefly reviewing four core social‐psychological motivations for undertaking collective action (based on identity, morality, emotion, and efficacy). I then review recent accumulating evidence for an encompassing social‐psychological model of collective action that integrates all four core motivations. Based on this model's shortcomings, I close by calling for an ‘age of innovation’ for which I propose a theoretical and research agenda.
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Many actors—including scientists, journalists, artists, and campaigning organizations—create visualizations of climate change. In doing so, they evoke climate change in particular ways, and make the issue meaningful in everyday discourse. While a diversity of climate change imagery exists, particular types of climate imagery appear to have gained dominance, promoting particular ways of knowing about climate change (and marginalizing others). This imagery, and public engagement with this imagery, helps to shape the cultural politics of climate change in important ways. This article critically reviews the nascent research area of the visual representations of climate change, and public engagement with visual imagery. It synthesizes a diverse body of research to explore visual representations and engagement across the news media, NGO communications, advertising, and marketing, climate science, art, and virtual reality systems. The discussion brings together three themes which occur throughout the review: time, truth, and power. The article concludes by suggesting fruitful directions for future research in the visual communication of climate change. WIREs Clim Change 2014, 5:73–87. doi: 10.1002/wcc.249 Conflict of interest: The authors have declared no conflicts of interest for this article. For further resources related to this article, please visit the WIREs website.
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A strong environmental self-identity increases the likelihood of a wide range of proenvironmental actions. But which factors influence identity and can we strengthen it? We propose that the environmental self-identity depends on biospheric values and on past behavior and that the strength of one’s environmental self-identity can be changed somewhat by reminding people of their past environmental behavior. We tested our model in a series of studies and show that biospheric values and past environmental behavior influence the environmental self-identity, which is in turn related to subsequent environmental judgments and intentions. Furthermore, we found that although the strength of the environmental self-identity changed when we reminded people of their past environmental actions, biospheric values remained an important predictor of self-identity, suggesting that the environmental self-identity has a stable core. Our results further suggest that environmental-friendly behavior can be promoted by reminding people of their past proenvironmental actions as this will strengthen one’s environmental self-identity.
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Images act to draw in audiences through vivid and emotive portrayals, and in doing so, they facilitate both cognitive and affective processing. Yet images are not neutral – they can portray highly ideological messages, and act as normative statements portraying a particular way of viewing the world. Whilst climate imagery proliferates, media analysis of climate to date has focused almost exclusively on textual representations. Here, a two-part study was designed to explore climate change imagery in newspapers. First, a content analysis of visual images attached to online articles about climate change during 2010 from 13 US, UK and Australian newspapers, was undertaken. Analysis of the image concourse (n = 1603) shows broad patterns across all newspapers in the visualization of climate change, and sheds light on how multinational media ownership influences climate imagery portrayals. Second, a frame analysis was undertaken, by examining the composition and tone of particularly salient images in their cultural and political contexts. Together, these analyses indicate that two visual frames are prominent, a ‘contested’ visual frame and a ‘distancing’ visual frame; with Australian newspapers particularly relying on the ‘contested’ visual frame. These visual framings support particular interactions with the issue of climate change whilst marginalizing others, actively shaping the cultural politics of climate change in important ways.
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A news report on an Appalachian tick disease was differently illustrated. It either contained no images, an image of ticks, or this tick image plus three child victims. The victims were ethnically balanced (two White, one Black) or not (either all White or all Black). The text did not make any reference to the victims' ethnicity. Respondents assessed the risk of contracting the disease for children of different ethnicity. Partiality in pictorially representing a particular ethnic group fostered the relative overestimation of risk for that group. Inclusion of the image of ticks, especially when combined with victim images, prompted higher risk assessment overall.
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This study compared the effects of a photograph versus two artistic renditions of a beach scene contained in a direct-response print ad for a fictional Caribbean resort island. The two impressionistic artistic renditions included a watercolour painting based on the photograph and an electronically altered version of the photograph. Results indicate that the artistic renderings of the scene were superior to the photograph in drawing attention. The photograph was found to be better for evoking greater quantity, more vivid and more affectively positive mental imagery. The photograph was also superior in generating more favourable attitudes towards the ad and the resort and stronger behavioural intent, but not better recall of the resort name. Theoretical explanations and managerial implications are offered for this pattern of results.
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Two studies provided support for the proposal that the role of norms in attitude-behavior relations can be usefully reconceptualized from the perspective of social identity/self-categorization theory. The first study revealed that the perceived norms of a behaviorally relevant reference group influenced intentions to engage in regular exercise, but only for subjects who identified strongly with the group, whereas the effect of perceived behavioral control (a personal factor) was strongest for low identifiers. Similarly, Study 2 revealed that the effect of group norms on females' intentions to engage in sun-protective behavior was evident only for high identifiers and that the effects of one of the personal variables (attitude) was stronger for low than for high identifiers. Additional results revealed that the perceived group norm predicted subjects' attitude, as did the perceived consequences of performing the behavior. The latter result was evident only for low identifiers.