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Art as lived: Art for life. 2019 CASAE Proceedings

July 2019

Authors:

Natalia Balyasnikova

York University

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Blast furnace relining strategies for campaign lives of more than 20 years

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Owing to the concentration of hot-metal production on a few large-capacity blast furnaces only, it is imperative to fully use all technical opportunities for extending the blast furnace campaigns. The design and the layout of blast furnaces together with the blast furnace operation are the most important criteria for the campaign life. The admittedly high level of the state of the art, at the ... [Show full abstract] same time be regarded as a challenge for the future to expand the available know-how to ensure minimization of the abrasive, thermal and chemical wear and as such to massively extend the service life of all units of an integrated furnace plant.

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URBAN BLACK LIVING AND WORKING CONDITIONS IN JOHANNESBURG, DEPICTED BY TOWNSHIP ART (1940s TO 1970s)

January 1970

Stedelike swartes se lewens-en werksomstandighede in Johannesburg, soos uitgebeeld deur Township-kuns (1940's tot 1970's) Die doel van hierdie artikel is om beter begrip vir die lewe in swart stedelike gebiede te bewerkstellig deur gebruik te maak van kunswerke deur swart kunstenaars wat van die vroeë 1940's tot die middel van die 1970's in Soweto en die omliggende gebiede gewoon en gewerk het. ... [Show full abstract] Hierdie kunstenaars het die volgende ingesluit: Gerard Sekoto, Durant Sihlali en John Mohl. Werke deur hierdie kunstenaars sal ontleed word ten einde die lewe in die woonbuurtes uit te beeld, veral die lewens-en werksomstandighede van die swart inwoners. 'n Ontleding van hierdie werke, wat deel van Township-kuns uitmaak, behoort die leser aan 'n belewenis van die lewe in die woonbuurtes bekend te stel en kan as 'n beginpunt vir verdere ondersoek dien. Dit kan die leser en aanskouer van die kuns voorts ook tot beter begrip vir die sosiologie van verstedeliking in die woonbuurtes lei. Dié artikel sal die kultuurhistoriese waarde van Township-kuns onomwonde beklemtoon. Sleutelwoorde: Durant Sihlali, Gerard Sekoto, Johannesburg se stedelike swart woonbuurtes, John Mohl, lewensomstandighede van stedelike swartes, Soweto, Township-kuns; werksomstandighede van stedelike swartes The aim of this article is to form a better understanding of life in black urban areas, using art that was created by black artists who lived and worked in Soweto and surrounding areas from the early 1940s up to the mid 1970s. These artists included Gerard Sekoto, Durant Sihlali and John Mohl. Works created by these black artists will be analysed in order to formulate an idea of what life was like in the townships, especially the living and working conditions of the black inhabitants. An analysis of these works, which form part of Township Art, ought to introduce the reader to an experience of township life and serve as a doorway for further investigation. It 2 can also provide the reader and the viewer of the art with some understanding of the sociology of urbanisation in the townships. This article will clearly emphasise the cultural-historical value of Township Art.

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