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The brass Parables of Vincent Persichetti [microform] /

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Thesis (D.M.A.)--Arizona State University, 1985. Vita. Includes bibliographical references (p. [94]-98). Microfilm. s

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... Nelson also noted in the horn and trumpet parables that linear intervallic motion leads to tonal centers. 99 The melodic ideas around which the work is centered are several and varied as The previous examples show little variation in the treatment of the general material. Notice, however, that the material is not developed in a traditional sense. ...
... This 18 Hans Werner Henze, Bohemian Fifths,(Princeton, NJ: Princeton University Press, 1998); Music and Politics: Collected Writings 1953-1981, (Ithaca, NY: Cornell University Press, 1982.19 GerhardKoch, Hans Werner Henze: List of Works, (New York: Schott, 1980-1985.39 analysis will show the basis of the music and the use of subtle changes in existing techniques. One of the first considerations present with this piece is that there are two different performing editions; the original publication in 1976 by Dunster Music 20 and the modern edition published by Schott Musik International. ...
Article
Unaccompanied literature has been gaining a world-wide reputation and importance in the trumpet performance repertoire. This study examined how analysis of these pieces contributed not only to the knowledge of the performer, but to the performance itself. Three compositions were analyzed in this document: Variation Movements (1967) by Robert Henderson (b. 1948), Sonatina (1974) by Hans Werner Henze (b. 1926) and Calls and Echoes (unpublished) by Verne Reynolds (b. 1926). These composers used a variety of compositional devices that were discussed in detail and showed how knowledge of these techniques benefited the performer. Variation Movements was derived from a nine-note motive that was utilized throughout the piece. The Sonatina incorporated set classes and twelve-tone serialism. Calls and Echoes also utilized set classes as well as motivic development. The first chapter of this document provides a discussion of unaccompanied trumpet literature and previous scholarly research on the topic. The second chapter focuses on Robert Henderson’s Variation Movements. The third chapter examines Hans Werner Henze’s Sonatina and the fourth chapter studies Verne Reynolds’ Calls and Echoes. The concluding chapter provides a summary. Advisor: Darryl White
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