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Digital Technology and Pilgrimage: Shiʿi Rituals of
Arbaʿin in Iraq
Babak Rahimi
University of California San Diego, La Jolla, United States
brahimi@ucsd.edu
Mohsen Amin
Allameh Tabatabai University, Tehran, Iran
Mohsen_Amin@ymail.com
Abstract
Since the collapse of the Baathist regime after the U.S.-led invasion of Iraq in 2003,
Shii Muslim rituals, in particular the annual commemorations of Arbain, have seen a
revival in popularity. Based on two eldwork studies conducted during Arbain in 2016
and 2017, the present study attempts to examine the changing characteristics of the
rituals. It does so by studying the increasing digitization of Arbain as a commemora-
tive pilgrimage to Karbala, Iraq, to the shrine of the Prophet’s grandson, Imam Husayn.
This ethnographic study argues for a mediated conception of Arbain pilgrimage in
that digital technologies serve as an embodied site of interaction in shaping shared
experiences based on networked sociability. Examining the intimate connections be-
tween “physical” and “virtual” spaces, as in the case of Mawakib or gatherings shaped
in the form of temporary lodgings in the course of walking processions, the study ar-
gues that various uses of digital technologies for pilgrimage are less about means of
devotional expression than a series of experiences of digital signicance. The paper
makes the nal argument that the digital practices embedded in ritual processions are
acted upon to enhance experience, which increasingly fuses technology with ritual
action.
Keywords
Arbain – Husayn – Shii Islam – ritual – pilgrimage – space – performance – Iraq
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1 Introduction
This paper ofers a study on the increasing digitization of Shii Muslim rituals
of Arbain, observed on the fortieth day after the martyrdom of Husayn, the
grandson of Prophet Muhammad, at the battleeld of Karbala, Iraq; his shrine
here is visited by Shii Muslims around the world. This ethnographic study ar-
gues for a mediated conception of Arbain pilgrimage in that digital technolo-
gies serve as an embodied site of interaction through which ritual experience
undergoes a major change. In the ritual context, digital technologies are less
about communication tools and more about mediated experiences of shared
presence, in which new forms of practicing pilgrimage become realized. The
paper ultimately makes a theoretical argument that digital technology embed-
ded in ritual practice are acted upon to enhance pilgrimage experience, which
increasingly fuses technology with ritual action.
While such mediated processes are part of an increasing shift toward perva-
sive computing, the argument proposed here is that the Arbain rituals in 2016
and 2017 emerge as distinct commemorative experiences that fuse the ritual
and the digital in networked ways. The reference to “fuse” does not imply a
mere interaction between the “material” and “sacred,” as though the two are
inherently distinct. Rather, the digital, in the form of networking and virtual
immersion, has become a new aspect of the experience of pilgrimage in
location-specic ways, enacted by actors who are mobile across localities.
Here, the focus of locality is on the Najaf–Karbala route in Iraq, where Shii
pilgrims across the world observing the commemorative tradition by staging
various ceremonies for the martyred Imam have steadily grown in numbers
since the fall of the Baathist regime in 2003. Karbala, as the place of Imam
Husayn’s burial, plays a paramount role for Arbain, but so do various perfor-
mances that embody the rituals as the most popular ziyarat (visitation) tradi-
tions among Shii Muslims.
The term “fuse” also refers to Arbain, in its current practice in the Najaf–
Karbala route, as a reconstruction of religious action, augmented and mobile
in the ow of information and data marked by enhanced sensibilities and af-
fects across space and time. Changing ritual actions, in particular in their
Arbain form, involves using mediated technologies to bring about shared ex-
periences directed at both the mundane and the transcendental. The mediated
technologies cultivate an environment, or an “ambient commons,” as Malcolm
McCullough describes it, in a rediscovery of “surroundings” enhanced by sen-
sibilities through redistributing and incorporating digital communication in
lived contexts shaped by an inescapable world of information (McCullough,
2015, p. 7). This paper is deeply informed by a philosophical position that views
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journal of religion, media and digital culture 9 (2020) 82-106
religion and technology as inseparable (Stolow, 2005, 2013; Vries & Weber,
2001). Such an approach primarily understands the relationship between reli-
gion and technology in terms of changing experiences in lived contexts, and
the assumed religion and technology divide as epistemological (Stolow, 2013,
p.9). In other words, meaning is constructed through technologies that render
the sacred possible in ritualized practices.
The paper is divided into four sections. While all sections give accounts of
the rituals, the rst section primarily focuses on contextualizing Arbain and
the digitization of the ceremonies since the late 2000s. Arbain is a complex set
of ritual traditions that, depending on the local or national groups, includes
elaborate rituals of informal and formal processional practices. Such tradi-
tions, though, are contingent to changing historical circumstances. Accord-
ingly, the second section provides a theoretical–historical framework of
Arbain in the context of technological transformations since the nineteenth
century, studying how interactive digital devices and sacred/mundane land-
scape become seamless and ultimately inseparable. The third and fourth sec-
tions examine specic cases observed in the eld in 2016 and 2017 of Arbain
practices that have been informed by digital technological practices. The focus
on cellphones in this section underlines distinct shared experiences of ritual
spirituality, while the discussion on Mawakib, as gatherings in the course of
walking procession, primarily as resting venues, focuses on ways such spaces
with gender implications involve digital practices in the experience of Arbain.
These four sections, however, selectively study the relationship between tech-
nology and walking rituals in the days leading up to Arbain.
A note on method: it is important to acknowledge that Arbain studied here
primarily focuses on gender-specic rituals with distinct spatial domains des-
ignated for men in the course of rituals. The ethnography conducted in No-
vember 2016 and 2017 was restricted mostly to male participants, which limited
this study to how male ritual observants performed pilgrimage in close con-
nection with their personal technologies. The study was also limited in a tem-
poral sense, since the calendrical rites take place in a short span of time, al-
though this is an inherent feature of all ritual actions. The temporal feature
underscores patterns of change in ritual performances which an observer can
identify through time. We had the privileged perspective of observing certain
changes in technology use over a span of two years. Yet, such privilege also in-
cludes us as scholars involved in an ethnography of Arbain with an authority
to uncover meaning in the events that we observed. Such ethnographic author-
ity has institutional implications grounded in class, gender, and nationality, as
both authors of this study are of Iranian origin. The positionality mentioned
here is meant to underline an awareness of our situated observations while
attempting to look beyond them for critical analysis of the case in question.
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The present eldwork primarily involved participant observation surveys
with the aim of gathering qualitative accounts of mostly male subjects.
Thoughresearcher engagement involves direct participation in the course of
rituals, the present ethnography includes—based on informed consent of
those interviewed—a series of informal questions and answers gathered dur-
ing the ceremonies by one of the researchers who conducted the ethnography
in Iraq. Such expressions were recorded by cellphone as photos and video. It is
important here to note the role of digital technology in mediating the knowl-
edgeproduced during and acquired through eldwork interviews in our eth-
nography. The digital archival method, we suggest, does not hinder but rather
highlights the argument the study makes, that is, that digital technology in-
creasingly serves as as a new aspect of Arbain complex in terms of how they
are ritually expressed and also archived, recorded, and recalled for diverse
purposes.
2 Contextualizing Arbaʿin Pilgrimage
Arbain marks the fortieth day after ‘Ashura, the tenth day in the Islamic lunar
month of Muharram when Husayn ibn Ali, the grandson of Prophet Muham-
mad, was slain in the battle of Karbala, Iraq, in 680 C.E.. The fortieth day, which
falls in the month of Safar, marks the temporal end of the ritual mourning pe-
riod of Imam Husayn for millions of Shii Muslims around the world, and elab-
orately observed in daily/nightly mourning ceremonies. Performed through
several time-sequenced rituals in devotion to the martyred Imam and his com-
panions and family, Arbain ceremonies reenact a cosmic day of bereavement
during which the loss of the Prophet’s beloved grandson, who is believed to
have fought against the tyrannical forces of the Umayyad ruler Yazid (647–
683), serves in part as a symbol of political resistance and revolutionary zeal for
Shii Muslims throughout history (Dabashi, 2010, 2011). As non-obligatory ritu-
als, mourning performances are also about the ritual armation of a collective
sense of sociocultural solidarity among Shii communities, whose sacred his-
tory have revolved around the tragedy of Karbala and the martyrdom of Hu-
sayn as the rightful inheritor of the Islamic caliphate, in line with the ‘Alid
bloodline. At the core of sociocultural solidarity is the dramatization of
Karbala, which entails complexities in meaning according to individual and
communal experiences and marks the uidity of performance, its ups and
The paper focuses primarily on Twelvers, the largest Shii branch, the majority of which is in
Iran and Iraq, and where Arbain performances take place during the month of Safar.
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journal of religion, media and digital culture 9 (2020) 82-106
downs, according to shifting socio-historical and geographical contexts
(Schubel, 1993; also see Ali, Heinhold, & Shanneik, 2017, pp. 145–157).
The revival of Arbain as a public ritual since 2003 is exemplary of ritual’s
exibility, in line with the growing reach for visibility by Shii traditions after
years of Baathist suppression (Luizard, 2012). Central to such revival has been
the stability of Iraqi democracy, albeit deeply troubled by ethnic and sectarian
politics. The growing popularity of the commemorative ceremonies can be
credited to a rise of open routes to Iraq, where the two greatest shrines of Shii
Islam are located; for many Shii Muslims, however, especially Iranians, such
travel is not always safe. Despite sectarian violence, at its peak in 2006, millions
of Shii pilgrims have taken part in the pilgrimage marches, traveling from
South Asia, Iran, Afghanistan, Pakistan, Lebanon, and Syria to Iraq in com-
memoration of the fortieth day. As large crowds visit the shrines of Husayn and
his half-brother, ‘Abbas ibn Ali (647–680), in Karbala, many congregate rst in
Najaf, where ‘Ali ibn Abi Talib (599–661), the father of Husayn and the Proph-
et’s cousin and son-in-law, is buried.
The symbolic connection between the two cities plays a critical role in the
performance of the annual ceremony. Husayn and his father, the Prophet’s
cousin, ‘Ali, represent the ahl al-bayt (Household of the Prophet), who not only
have direct blood ties to Muhammad through his daughter, Fatima, but also
represent the “socioethical model of sacrice and faith” based on the battle of
Karbala, or what Karen Rue calls “husaini ethics” (2011, pp. 29–30). Based on
this idealized perception of ahl al-bayt, pilgrims march on foot, at times bare-
foot, along the asphalt roads that connect southern Iraqi cities, where Shii
Muslims continue to represent the majority of the population. The celebration
of Arbain reaches its climax on the fortieth day, as pilgrims, in a mix of joy and
sorrow, reach Karbala, where millions perform pilgrimage to the shrine of the
two revered brothers.
The Arbain marches are one of the world’s largest pilgrimage rites—even
larger than Hajj—and also one of the most visible in a collective context. Esti-
mates of Arbain pilgrims vary from 6–7 million to 15–17 million, 2 million of
whom are Iranians, but the numbers are considerably higher than for Hajj,
which was 2.4 million in 2018 (Cockburn, 2017). The marches combine visual
displays of symbolic–physical processions of mourning directed towards the
visitation of Husayn’s shrine in Karbala. Although the place of origin may vary,
the specic marching rituals take place on a road towards Karbala, where the
story is reenacted through sermons, prayers, and commemorative ceremonies
near or inside the shrine. Walking on foot signies a blessing (Amin, 2016,
2018). It stretches sacred temporality into physical space as a path or a road;
thetemporal sequence of walking on foot serves as a performance that com-
binesprayers, songs, and chants, which lead to the site of visitation through
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progressive physical comportment. The ritual walk in many ways constitutes a
(temporary) hold on mundane time and space, a freezing of earthly existence,
with the fortieth day representing the nal phase of a mourning ceremony be-
fore the lunar calendar renews the monthly cycle.
In Shii Islamic tradition, Arbain also holds signicant religious cultural
value (Jafarian, 2013). It is the most celebrated cultural event and ritual along
with Muharram ceremonies: ten days of mourning during which Husayn and
his followers are believed to have died a martyr’s death at Karbala. The number
forty also has sacred signicance. In numerological terms within Abrahamic
traditions, forty is symbolic of a period of penance and rebirth. In Islamic tra-
dition, forty represents a completion period in maturity of intelligence (aql)
(Quran, Surah al-Ahqaf, 46:15) and is also a number associated with awaiting or
preparing to complete a task. The prayers of a faithful individual who has com-
mitted the sinful act of intoxication require forty days of waiting before be-
coming valid, though prayers can be performed during the period as God is
believed to be forgiven and merciful. Certain prayers require forty days to be
performed for their completion. In the prophetic tradition, Moses spent forty
days on Mount Sinai when he received God’s commandments and Muham-
mad received the revelation when he was forty.
As a social event, Arbain is inherently context dependent, and it is impor-
tant to acknowledge the specic time-based settings of Arbain under study.
Depending on the city, as farther cities such as Basra would require an earlier
departure time, the 2016 commemorations occurred four days prior to Sunday
evening, November 20, and ended the evening of Monday, November 21, when
pilgrims walking from Najaf nalized their visitation procession with prayers
and lamentations for Imam Husayn and the Household of the Prophet at
Karbala. Based on the Islamic lunar calendar, with each month changing on
the new lunar cycle, the 2017 ceremonies were observed four days prior to
Thursday, November 9, and Friday, November 10, when millions thronged the
shrine-city of Karbala for Arbain.
The temporal context signicantly appropriates the days of gathering and
walking prior to the day of Arbain. In this sense, the rituals are stretched in
a series of day/night events. The observations and interviews in this study,
therefore, include not just public gatherings at the shrines but, more impor-
tantly, the elaborate walking processions of pilgrims, carrying ags and other
religious material objects, who merge from various localities in a long march
over the span of days. The path of the processions uniquely consists of vari-
ous public services for the pilgrims, which range from public bathrooms to
medical services, many of which are provided by civic religious associations
but also by the Iranian and Iraqi governments, though the latter ofers far less
services.
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Equally important to note is that the 2016 and 2017 Arbain rituals occurred
during a period of relative enhanced security. The October 2017 fall of Raqqa,
the last stronghold of the Islamic State of Iraq and the Levant () in Syria,
had already initiated the Iraqi military forces takeover, with the support of the
Shii militias, of Ramadi in late 2015. The battle for Fallujah in June 2016 and the
beginnings of the battle for Mosul in October of the same year consolidated
Iraqi military power, especially in southern Iraq, where Karbala and Najaf are
located. Iranian military collaboration with the Shii militias in their ght
against had brought to view the increasing ties between Baghdad and Teh-
ran. Since 2017, specically, Iranians have felt safer in Iraq, with many Shii
Iraqis admiring Iran for protecting their country from although national-
ism continues to draw divisions in commerce, politics, and language.
In light of Iraq’s increasing securitization, Iranians have increasingly made
up the largest national group of pilgrims because of safer routes across the bor-
der with Iraq. However, among many Arbain pilgrims, one can nd Afghani,
Bahraini, Indian, Kuwaiti, Lebanese, Pakistani, Saudi, and diaspora groups
from other parts of the world, including Europe and North America. In terms
of gender and social class, pilgrims are relatively equally balanced in number
between men and women and also come from diverse socio- economic back-
grounds, though with growing participation across nationalities in recent years
(Luizard, 2012, pp. 161–162; Hamdan 2012). Iraqi women, though, comprise the
largest segment of the female pilgrim population. In terms of social class, there
are professionals, merchants, and students, mostly in their twenties, who at-
tend the ceremonies individually, with families, or as traveling groups.
3 Mobile Pilgrimage: A Historical-Theoretical Look
The term “mobile pilgrimage” may appear a tautology at best, since one can
argue that pilgrimage is always already “mobile.” Pilgrimage is, after all, a rite of
passage which, as Victor and Edith Turner have famously shown, revolves
around traversing boundaries, regions, and, more importantly, individual and
collective identities in the form of transgression and ultimately reintegration
through the ritual process (Turner, 1974; Turner & Turner, 1978). In ziyarat pil-
grimages, for example, the rite of passage implicates the changing of status for
female and male members of a community. Such identity-transformation pri-
marily takes place on return from pilgrimage travel when a pilgrim undergoes
enhancement of his or her distinct status identity embedded in symbolic sig-
nicance of the experienced ritual, that is, material and spiritual power associ-
ated with the saint, as observed by Eickelman (1976) in his study of shrines in
Boujad, Morocco. To go on pilgrimage, one undergoes a social transformation
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through mobile action that allows change to take place in one’s identity across
time and space (see Nikolaisen, 2004).
Because of its required body-oriented mode of ritual performance, however,
Arbain mobility may seem to defy technological transformation in lived expe-
rience in the ritual context. In the particular case of Karbala visitations, little
technological apparently is employed in the physical processional process.
Likewise, performances of Arbain have partly revolved around the rituality of
processional walking, at times barefoot, but mostly in groups, to the Karbala
shrines. The embodied practice of walking entails a display of penitence that
evokes a sense of authenticity of intention, a testimony to the act of mourning
the martyrdom of the Prophet’s grandson, whose sufering can be felt centu-
ries after the tragedy of Karbala. Arbain mobility, in complex ways, is essen-
tially about physical and emotional expression of grief, performed in the form
of walking on a road (or roads) to Karbala. However, and in particular since the
mid-twentieth century, Arbain processions have been intimately linked with
networks of modern transportation, such as airplanes, buses, and cars, which
have directly enhanced the urban expansion of the Iraqi cities of Karbala and
Najaf despite military conicts since the 1990s.
The advent of transportation technologies has also enhanced connectivity
and, since 2003, has changed the rituals in the way pilgrims experience travel
and visitation. How connectivity can be described in terms of pilgrimage expe-
riences of travel has to do with contraction of space. Yet connectivity, in this
perceptual sense, operates in terms of not merely how pilgrims come to net-
work through diverse media, software, hardware, and interfaces, but also a per-
ceived capacity for interconnection across mundane and spiritual realms
through technologies of transportation (Bunt, 2016, p. 231). This capacity is par-
ticularly true in the case of digital technologies, which, similar to telegraphy in
the nineteenth century, underline connectivity of individuals across networks
in forging an intimate interplay between religion and technology (Stolow,
2005, 2013). Digital mediated action, such as the use of cellphones during the
pilgrimage processional marches, facilitate what Richard Menke describes, in
his reading of Henry James’ In the Cage (1898), as a “collapsing [of] distance
into a proximity that was discursive, technological mediated, and strangely in-
visible” (Menke, 2000, p. 987). The compression of distance underlines a dis-
tinct form of connectivity that heightens a sense of shared spiritual experience
in the performance of pilgrimage.
The 2016 and 2017 performances identify an increase in the digitization
of Arbain, and they do so in terms of not merely advent of electronic com-
putingtechnologies but also shaping of social proximity in the form of the
co- presence of a networked pilgrims across distant regions. By “co- presence,”
we mean an embedded experience of instantaneous and synchronous
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journal of religion, media and digital culture 9 (2020) 82-106
communication, one inherently including practices of reproduction and dis-
semination through archiving and recording. Such forms of presence, rst
and foremost, identify material practices of possession, consumption, and ex-
change. Acellphone carried, used, sold, or even lost or stolen from a pilgrim
underscores a material matrix of technological practices in the ritual process
that overlap with other spheres of life beyond Arbain, where cultural, political,
and social processes intertwine in complex ways.
The notion of co-presence as an extension of digital technology also entails
a phenomenological aspect with socio-cognitive implications. The use of cell-
phones, for example, has become increasingly situated in everyday practices of
pilgrims and their varied modes of sensibilities, emotions, and desires in social
contexts. A pilgrim uses the technology not only to connect, communicate,
record, archive, and even engage in spiritual experience but also to foster
awareness, a sense of desire, and even a dependency on the technology used
for communication. This phenomenological dimension embodies the pilgrim
in a particular way in lived space. It brings about a shared atmosphere that
Malcolm McCullough describes as “ambient common,” or an enhanced pro-
pensity toward a “superabundance” of mediated information grounded in in-
terface cultures (McCullough, 2013, pp. 7–24).
In the case of Arbain observed for this study, there are at least two features
in which “mobile pilgrimage” becomes apparent in its digitized forms: rst,
walking rituals and, second, Mawakib, or gatherings in the form of temporary
lodging for pilgrims. We begin with the mode of walking, as pilgrims’ most es-
sential performance displaying commitment to Husayn’s memory in Arbain. It
is in this stage of ritual performance that we discuss a situated digitization of
rituals in the production of pilgrimage space. Noteworthy here is the interplay
between digital technology and pilgrimage experience in the act of the walk-
ing procession, and accordingly the way embodied spaces of digital interaction
are formed in the situational contexts in which the male Iranian pilgrims nd
themselves.
4 The Arbaʿin Digital Walk
In Shii history, pilgrimage of shrine visitation on foot, especially barefoot, has
symbolized a commitment to sufering in allegiance to the Imams and the
Prophet. Though sufering can be redemptive, the corporeal ordeal of experi-
encing grief includes an embodied expression of loss that renders faith
and devotion to the holy family more transparent on personal and collective
levels(Ayoub, 1978). In a symbolically signicant way, sufering for commemo-
rating the martyrdom of Imams may serve as an act of purication. But,
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moreimportantly, pilgrimage to the shrines of Imams, exemplied by pain and
endurance, also represents a way of staging piety in order to communicate a
spiritual sentiment, one grounded in the cosmic loss of a holy gure, namely,
Husayn.
When in 1601 Shah Abbas I (1571–1629) began his walking pilgrimage from
Isfahan to Mashhad on ziyarat to the shrine of the eighth Imam of Twelver
Shiism, ‘Ali ibn Musa al-Ridha (766–818), astrological and historical accounts
in written texts testify to the ritual performance as a way of legitimizing royal
authority as well as communicating the personal devotion of the king to the
holy Imam. In these devotional observations, despite motivational variations,
staging the rituals as walking pilgrimage serves as a dramatic medium through
which to communicate piety and coagulate personal connection with the holy
Imams. While the 1601 ritual walks found a media stage in the historiographical
texts of Iskandar Beg Munshi (1560–1632), the 2016 and 2017 versions exhibit
ritual performance in “personalized” technologies that self-record for staging
experience of pilgrimage mobility across time and space. The “modern exer-
cise” of mobile usage during the walking rituals appears to involve an individu-
ated set of practices that range from cellphone conversation to taking seles,
staging self-visibility for global accessibility. But what constitutes such indi-
viduated process?
Lee Rainie and Barry Wellman have described such personal connectivity,
enhanced by new technologies, as “networked individualism” (Rainie & Well-
man, 2012, pp. 12–20). The relationships forged according to individuated prac-
tices underline a new form of sociability that fosters personal interaction in
long-distance contexts. Such interactions have become more uid as a result of
not only the advent of new technologies but also the way people reshape their
lived milieus and by extension norms of interaction. Networked relationships
of ritual kinds, in particular in its Arbain form, are no exception.
The walking distance (76 kilometers) from Najaf to Karbala is notable as a
site for the ways networked relations by devotees are fostered through cell-
phones. The extended period of the walk performances is primarily due to the
numerous stops pilgrims make on the way to Karbala, with the duration of the
walks taking on average three days. Cellphones were integral to Arbain in 2016
and 2017. Handsets not only are owned by nearly all (male and female of vari-
ous age groups) pilgrims, but are also increasingly becoming “smarter” and
cheaper with the growing Huawei and Samsung markets in both Iran and Iraq.
The rising use of smart phones, along with tablets, which are also used by
pilgrims, is signicant as they feature mobile applications, in particular social
media apps, which are used for data collection and sharing of personal-
ized visuals through internet connections. The feature of sharing, in this sense,
appears in the form of photos and video for personal networking between
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journal of religion, media and digital culture 9 (2020) 82-106
traveling pilgrims and their friends of family at home. Cellphone usage rein-
forces mobile connectivity as ritual walks create multiple networks in the short
duration of pilgrimage walks.
With the shift to more internet connectivity, cellphones have intervened as
networks of shared experience. Cellphone videos are used by pilgrims to record
their ritual walks from Najaf to Karbala, bringing about a sense of shared me-
dia space between the ritual performers and those who witness the pilgrimage
through audio and visual communication in “real time,” in particular family and
friends. Pilgrims also use cellphone to listen to religious sermons, songs, and
chants in the formation of what Charles Hirschkind calls “sensorium,” a certain
mode of embodied experiences mediated by (audio) technology (2006, p. 27). In
what can be described as “digital pilgrimagescapes,” pilgrimage becomes an ex-
perience of ambient interface with live video streaming, simultaneous and in-
teractive, which has particularly become popular on Facebook since early 2016.
The temporal phases of the rituals include diferent ways of using digital
technologies. For example, the audio use of cellphones is mostly evident
among shabro pilgrims, or those who perform the pilgrimage walk during
nighttime. This acoustic experience in the dark enhances the sensation of spir-
ituality through the audio media landscape constructed by recorded or live
streaming of audio performances such as chants or prayers. However, photo or
video media recording mostly takes place in the daytime, when pilgrims walk
in groups carrying symbolic ags that are meant to evoke a visual experience
for both the participants and their audiences. Seles, in particular, have be-
come a fad in recent years and are now a normal part of the processions,
though they cause displeasure among older pilgrims, who see them as under-
mining the Islamic ethos of humility and self-efacing. Figure 1 shows an Iraqi
teen taking a sele for friends and family.
The idea behind seles is to make “connections” with those back at home,
wherever that may be, and in doing so to encourage their long-distance partici-
pation in the processions. But also, as Figure 1 shows with the man in the back-
ground and in Figure 2, many have other family members take their photos
during the processions and send personal pictures to relatives along with in-
formal texts. Short message services (), through online social media apps
such as Imo, Telegram messenger, or WhatsApp, signicantly play a more
prominent role than Facebook and other social networking apps, keeping pil-
grims busy as they immerse themselves in mobile texting while performing
walks in groups of friends or family.
Though mobile phones are mostly used for personal and at times group
communication in the marching processions on the dusty road to Karbala, the
mere presence of cellphones creates a felt awareness of digital connectivity
with the pilgrims. Beyond use, the technology is perceived as an extension of
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family and friends into the present ritual time. Since the walking rituals are
informal, pilgrims can casually call their loved ones, friends, colleagues, or
neighbors to narrate, report, and engage in small talk about their travel experi-
ences. But use of mobile phones are also an occasion for the exchange of
cards, especially for Iraqi cards, which are cheaper and have better inter-
net reception than Iranian ones. Despite random Wi-Fi drops, the use of
cards plays a key role in the ways pilgrims communicate during the course of
their walking performances, as they purchase bus tickets, though lesser extent
hotel reservations, and other travel-related activities on their cellphones.
Regardless of the kind of internet usage, there is an aspect of entertainment
in the use of cellphones. As a male Iranian described the 2017 ceremonies,
“you can’t just have rowzeh khani [ritual sermons] or sine-zani [ritual of chest
beating]. It gets boring when they walk this long path.” He added, “using these
Photography – especially seles – is a favorite activity for young pilgrims while
elders pay less attention to these activities, though some also do participate.
,
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journal of religion, media and digital culture 9 (2020) 82-106
technologies help the caravans, especially the younger crowd, to slow down
and reect more on Arbain.” As a positive development, the personal features
of mobile connectivity, he suggested, are primarily about letting others who
are absent participate with him in the ceremonies. A 63-year-old male pilgrim
from Varamin, Iran, in his rst pilgrimage walk to Karbala, also echoed a sim-
ilar sentiment but focused on the personal aspect of keeping in touch with
family. Amid the noise of the crowd, he described taking photos of himself as
something deeply personal.
I have three kids who are waiting for my return. My wife is waiting for me.
If I disconnect after three days, they will get worried. They’ll wonder if I’m
alive. Has he arrived nor not? Is he ill or not? In any case, families need to
know about each other and remain in contact. We shouldn’t be thinking
of ourselves and just walk for ten days without regards for our family.
Iranian Pilgrims taking photos on the road.
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The underlying attitude toward connectivity for the sake of family is an im-
portant feature of personal networking evident in the walking rituals.
In recent years, the road between Najaf and Karbala has also undergone
changes in media connectivity. Arbain in both 2016 and 2017 saw a prolifera-
tion of several social media practices that range from live posting of photos
and videos to enhanced internet access, provided by private agencies and also
supported by the Iraqi and Iranian states. For travel from Najaf to Karbala dur-
ing Arbain, several Iranian state agencies provided “free internet” for pilgrims
throughout various pilgrimage routes to Karbala (Gerdab, 2016). These agen-
cies, led by the “Headquarter for the Restoration of Holy Shrines,” work closely
with their Iraqi state counterparts to help pilgrims on the road between Najaf
and Karbala. In the two Arbains under study, several public services, including
free Wi-Fi hotspots, were provided to pilgrims, creating opportunities for Shii
devotees from diferent nationalities to gather for rest and services before con-
tinuing with the walk.
Figure 3 shows internet portals along the Najaf–Karbala route in 2016, with
a poster on the station that reads “dar fazay-i majazi, sarbaz-i imamat bash”
(“in virtual space remain a soldier of Imam”). The statement appears above a
pair of combat boots viewed from above and over an image graphically de-
signed in the shape of a Wi-Fi sign.
“In virtual space remain a soldier of Imam” written on the body of Free wi
stations.
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journal of religion, media and digital culture 9 (2020) 82-106
Although the internet hub was not functioning at the time the photo in
Figure 3 was taken, free internet stations serve as a temporal marker of digital
connection among pilgrims. It is also a reminder that in digital spaces, a devo-
tee should adhere to an ethics of conduct based on the Shii ideal of Imamat,
or the divine rulership of Imams, descendants of the Prophet.
With the adoption of mobile devices in Arbain, intimacy of relations, in
particular among family and friends, has become more coordinated to a great-
er degree of spatial proximity. In a sense, proximity involves a presence of self
that is closely associated with the technological object through which com-
munication across long-distances becomes possible. With three cards and
two cellphones, in the 2016 Arbain a young Iranian man described his cell-
phone in terms of a deep anity with the internet, as his connections with
friends and family relied solely on this personal technology. He joins thousands
of other men who also feel an afective connection with the internet, perceived
as an ultimate means of communication with friends and loved ones. This is
particularly relevant as internet use attains further “live” dimensions through
televising and recording “real time” images and motion on route. Equally im-
portant as the “live” is the archival dimension; as another young Iranian man
described, the recordings during the walks can be used for making personal
memories, not to be shared by others. But the archiving, as he quickly ex-
plained, is also done because large audio and visual data cannot be sent be-
cause of limited mobile data or Wi-Fi speeds.
In what we call “digital walk,” ritual marches, as by and large collective prac-
tices, are simultaneously bound up in close-knit family and friend connections
through personal technology. The digitized is therefore an intimate space to
which pilgrims are bound through the act of walking and afective experiences
of connectivity through media reproduction in the form of audio, photo, ,
and video. Mobile pilgrimage in its digitized form is precisely about the inti-
mate connections between the inseparable lines of technological mobility and
shifting space of pilgrimage, spaces that are inherently intimate and immedi-
ate despite physical distance and temporal delay.
5 Mawkib as Virtual Ziyarat
Arbain walk, in its digital form, is a social practice, centered around the way
digital technology enables ritual participants’ involvement within multiple
networks and, more prominently, personal ones. The personal networking fea-
ture, as demonstrated in the previous examples, does not limit the participants
to engaging with other networks. With multiple modes of communication and
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convergence of media practices, more complex forms of pilgrimage experi-
ence become possible in “real time.” The level of interdependence and connec-
tivity between the so-called online and oine users substantiates the commu-
nicative reach. And such reach can develop around new social spaces where
interpersonal activities become possible beyond face-to-face encounters in a
domain that can be identied as virtual.
The virtual is marked by technology-enhanced experience for alternative
reality. In the case of pilgrimage and the internet, as Christopher Helland and
Mark MacWilliams have shown, ritual observations undergo change from the
everyday-situated context to a distant site of pilgrimage (Helland, 2013; Mac-
Williams, 2004). “Online pilgrimage” serves as a symbolic alternative to the
ritual experience as a physical journey, and more importantly as a shared expe-
rience of rituality through which physical relations with the sacred are altered
in performatively complex ways.
The virtual becomes real primarily because of its shared experience, which
gains validity through interaction with others in the common space of digital
connectivity. Though online pilgrimage involves a distinct internet public,
shared and felt on a networked level, there is also a personalized experience of
pilgrimage space, as Edward Relph would observe in his discussion on urban
space, in constructing geographic imaginaries “by paths and routes which re-
ect the directions and intensities of intentions and experiences, and which
serve as the structural axes of existential space” (1976, pp. 20–21).
As for Arbain, the “axes of existential space” revolve around the sacred site
of Husayn’s martyrdom, Karbala, and also, more importantly, around the paths
and roads where pilgrimage is performed as an act of penitence. These paths
can be “physical” or “virtual,” but nevertheless represent afective ways pil-
grimsimagine their relation to the sacred memory of the Imams. As Sabine
Kalinock has demonstrated, such afective relations with the sacred can also
be foundin“Shia chat” rooms, web logs, and on websites, where repertoires of
self- representation and communication are articulated to make pilgrimage a
shared experience across long distances (Kalinock, 2006). As of the mid-2000s,
websites such as moharram.ir, and www.imamreza.org, and software like Saye-
haye-malakout, have provided the possibility of performing pilgrimagefrom a
distance and, in their most recent forms in social media, in a mostlyinteractive
form. The online pilgrimage experience, both symbolically and performatively,
supplements the physical rituals by which action is limited to gender, class, or
geographical location. Accessibility and anonymity serve as disembodied ex-
periences of pilgrimage that entail a distinct form of communication with
other pilgrims and the sacred. The internetization of pilgrimage,converging
with other media technologies such as satellite TV, ofer both cooperation and
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journal of religion, media and digital culture 9 (2020) 82-106
competition between transnational Shiis in making pilgrimage possible in the
form of digital connectivity (Hasnain, 2015, p. 21).
For Arbain of Iraq, the “social” aspect of the digital walk also entails new
spaces of gathering on the path to Karbala, wherein the “real” and the “virtual”
converge in an ephemeral but signicant way. These gathering spaces, known
as Mawakib (plural of mawkib), imply two distinct meanings as “ritual group”
sites and also processional lodging structures that temporarily provide a range
of public services to pilgrims such as tea, water, food, bathrooms, showers,
beds, and medical support (Chaterlard, 2017, p.7). Similar to caravnasari (trav-
elodge), but varied in terms of architectural features, these stations are make-
shift venues specically designed for Muharram and Arbain processions on a
yearly basis (ibid. p.7). More importantly, Mawakib are spaces of conviviality
where Shii pilgrims across gender, ethnic, and national identities gather to rest
on their way to Karbala.
Mawakib are rest stops, an opportunity to “recharge” in terms of both physi-
cal movement and personal technologies. Ranging from cellphone charging
hubs, where pilgrims can charge their cellphones and engage in communal
chats, conversations, and exchange of goods, to media stations where journal-
ists can reconnect for reporting or broadcasting, Mawakib also serve as me-
diahubs for transnational news dissemination. As digital “hotspots,” Mawakib
serve as spaces of signicant internet and mobile activity, sites of interperson-
al communication in terms of both face-to-face interaction and digital
connections.
Both men and women pilgrims congregate at the Mawakib, though female
pilgrims have their separate quarters, especially for sleep at night. The national
characteristics of these resting stations are more distinct, though all are re-
quired to have licenses from the municipal authorities (Chatelard, 2017, p.7).
Iraqi-made Mawakib are smaller, fewer in number, and mostly frequented by
Iraqi pilgrims. Iranian-made Mawakib are made of larger tent structures and
equipped with better recharging facilities. Iranian Mawakib have free and bet-
ter Wi-Fi and other wireless technologies such as Bluetooth, which appeal to a
wider range of Shii pilgrims from Afghanistan, Pakistan, and India. Groups of
Iranian pilgrims mostly arrive at Iranian-made Mawakib in the form of hiyaat,
or group units based in urban neighborhoods who travel together in the ritual
performance of mourning (see Aghaie, 2004, p. 51; pp. 69–71). These resting
spots are mostly occupied by hiyaat, which are mostly Iranian men of various
ages. The younger generation, from their teens to late thirties, can be seen busy
with personal digital devices (Figures 4). They play video games, chat, text,
post messages and photos on Imo, Telegram, Twitter, and most popular Insta-
gram for friends and relatives, and communicate with fellow pilgrims en route
to Karbala.
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In this social milieu, personal technological devices are a ubiquitous part of the
Mawakib social landscape. More than spaces of rest, Mawakib are ultimate com-
munication hubs. messaging, as the cheapest form of communication, fa-
cilitates an intricate set of connectivity at the Mawakib. One message on a
mobile which I was shown by a young pilgrim, for example, read “Good morning.
It is the fourth day of walking… no place to sleep at Mawakib. We had to sleep
outside.” The text, sent out to a fellow pilgrim, exemplies the use of texting
among pilgrims at diferent locations with Mawakib as the central meeting point.
The Mawakib facilitate a way of locating oneself in relation to other traveling
pilgrims. Although under local government supervision, they also signify liminal
spaces, transition sites where the experience of pilgrimage is enhanced between
the place of departure and arrival in the medium of relaxation and leisure time.
Equally important is the dynamic level of connectivity about the text that
characterizes the Mawkib as a locational identier. The Mawkib is not just a
place of rest, but also a network hub, a focal site of connectivity where friends,
families, and new acquaintances can locate themselves on the pilgrimage
route and engage in mediatized interaction. The Mawkib also accommodates
emerging practices in digital media culture that mark a convergence of difer-
ent spoken and written genres and diferent media practices, ranging from tex-
ting to posting video on social media. Convergence also occurs in what Pierre
Lévy (1997) has famously described as “collective intelligence.” The ritual com-
munity of Arbain leverages the combined knowledge of fellow pilgrims
in what Lévy describes as a knowledge community. Although sharing such
knowledge remains contingent on group of networkers interacting based on
The younger generation, from their teens to late thirties, can be seen busy with
personal digital devices.
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journal of religion, media and digital culture 9 (2020) 82-106
gender and generational identity, such knowledge combines messaging and
sharing practices in a pervasive circulation of audio and visual video texts. The
logic of “many-to-many” communication networks at Mawakib signies a mul-
titude of sharers and producers of media content, producing vibrant mediated
communication across transnational networks.
Mobile communication is not the only digital feature of the various
Mawakib. In 2016 and 2017, virtual reality headsets during Arbain could be
found at the largest Iranian Mawkib, which pilgrims use as a means to perform
alternative pilgrimages to other Shii shrines, such as Imam Ridha’s shrine in
Mashhad. In 2017, for example, I came across a number of pilgrims visiting the
Mawakib who stood in line just to use virtual reality glasses/headsets (see Fig-
ures 5 and 6). The headsets provide an immersive experience of a digitally gen-
erated media space, projecting layers of imagery and information in a person’s
eld of vision.
Reality is augmented by the created computer-sensory, virtual-world envi-
ronment, which supplements “physical reality” for an alternative experience.
Virtual reality glasses are accessible for the visitation experience of other holy
shrines.
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However, the “digital pilgrimage” of virtual reality headsets difers from online
pilgrimage. The experience produced through the mediation of headsets is es-
sentially about immersion in the visited sacred site, a near direct embodied
engagement with the shrine, rather than distant contact with the shrine by
entering an online environment, where pilgrims would gather online to con-
duct pilgrimage activity. The sharp distinction is that online pilgrimage through
a website can be highly interactive through engagement with other pilgrims
and is a hybrid of “digital” and “material objects,” with the computer-screen as
a key medium, while pilgrimage via virtual reality headsets is essentially an
individuated experience that alters the experience by transforming encoun-
tered space and time.
It is precisely because of the individuated experience that an intense afec-
tive dimension can be identied. In one case, a middle-aged Iranian man expe-
rienced “joy” when he put on the headsets and underwent a virtual experience
of visitation of the Imam Redha shrine at Mashhad. In another case, an elder
woman cried after taking of the headset. At the same Iranian Mawkib, an old-
er Iraqi man broke down, sobbing uncontrollably after virtually performing
Some digital content services are ofered for pilgrims in the Mawkib.
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journal of religion, media and digital culture 9 (2020) 82-106
pilgrimage to Mashhad through the headset. When asked about his experi-
ence, he remained speechless. The inexpressible encounter with the sublime
Imam becomes pronounced by emotions aroused through an immediacy of
contact in a virtual environment.
The virtual simulates the shrine, but the experience generated through the
virtual encounter, according to one of the men, is one of bodily presence, as
though the aura of Imam Redha can be felt, touched, even relived. In this case,
the virtual is as “authentic” as the physical experience of the encounter, even
more enhanced precisely because there is profound embodiment. The bodily
connection through sensation occurs with the sacred site, but in an alternative
spatial environment where, according to Ken Hillis, experience is able to ex-
tend subjective reality in producing meaning, as well as creating a diferent
perspective in the form of digital sensation (Hillis, 1999). Pilgrimage via a vir-
tual reality headset is a type of interactive practice that produces a shifting
perception of embodied relations with the sacred.
Not all pilgrims engage with technology for their pilgrimage experience. In
Arbain observations, some pilgrims (mostly male and female of late middle
age or older) viewed the technology as disruptive to the tradition. For example,
they saw using cellphones, especially at the shrine, as a troubling inuence,
especially on younger generations. The same rules they apply to the domestic
domain, that is, complete prohibition of technological use at the house, also
applies to pilgrimage. “All our problem is from internet and satellite TV,” a man
complained. As a clergyman and university professor argued, such technology
is against the spirit of Arbain and the legacy of Karbala. Arriving at theMawkib,
he put away all his devices so he could “relax” and focus on the ceremonies.
Critical dissent against technology is evident, but not on a pervasive level.
For the most part, the use of cellphones and iPads at the shrines testies to a
larger collective that has already made digital technology a matter of everyday
life. On the ritual stage, arrival at Karbala marks the nal phase in walking
performances. As pilgrims gather at Karbala’s shrines, they perform prayers
and chants in reverence to the martyred Imam. The pilgrimage walk attains a
digitized dimension, as some pilgrims entering the shrine raise their cell-
phones toward the tomb of Husayn, allowing their friends and family on the
phone to send their greetings to the grandson of the Prophet. It is as though an
attempt is made to immerse themselves in the encounter with the martyred
Imam through the cellphone, although what is instantly communicated are
the photos and messages sent to families and friends (Figure 7).
The telephony practice carves out a virtual domain wherein the sacred isex-
perienced through instantaneous communication; experience is transformed
across the screen once contact is made. Here visitation becomes a shared
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experience of co-presence between those who are physically at the shrine and
others who are audiences from a distance. Likewise, pilgrims who transfer
data, audio, and visuals, at the shrine or on the road to the shrine, become part
data as shared images, information, and news. What mobile experiences of
pilgrimage shape are afective practices that make the shrine into a shared site
of virtual togetherness.
6 Conclusion
Based on an ethnographic study, the paper argued for a mediated conception
of Arbain pilgrimage as a virtually embedded series of communal practices in
a transnational context. It argued that digital technologies serve as interactive
embodied practices in which Arbain rituals are increasingly becoming digi-
tally mediated in a transnational ow of afective and informative processes.
In the context of increasing transnational connectivity in post-Baathist Iraq,
Photos and video calls are frequently made around the holy shrines at Karbala.
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journal of religion, media and digital culture 9 (2020) 82-106
pilgrimage practices such as Arbain are shaping distinct religious experiences
that fuse ritual and mobile practices, regardless of whether new technologies
such as cellphones are efectively operational across groups of people.
There is something transformative in the fusion of the digital with religious
practice. As Stewart M. Hoover has argued, the relationship between religion
and technology, specically media, is both “transforming and being trans-
formed,” a dynamic process that changes lived situations in private and public
realms with global signicance (Hoover, 2002, p. 2). And it is through this trans-
formation that ritual traditions attain a distinct authenticity to evoke meaning
based on unique forms of connectivity on the perceptual level. Such meaning
underlines that the signicance of technologies can be informed by the way
the sacred is ritually staged in embodied interactions in physical and virtual
spaces, where religious experience gains a mediated reality.
Finally, digital pilgrimage culture also provides a range of translocal connec-
tions. We might argue that the digital inherently entails the transnational, but
this is because of the centrality of enhanced and immediate communication
across local spaces and national borders. Emerging ritual practices such as the
“digital walk” or virtual reenactment at the Mawakib are distinct expressions of
spiritual mourning informed by a nuanced understanding of reality, one based
on pervasive computing spaces and mobile sites of interaction. What denes
the digital Arbain is less what technology can do than how such technologies
are performed and embodied as pilgrimage (Rahimi, 2019).
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