ArticlePDF Available

EXPRESS: Handheld X-ray Fluorescence (XRF) Versus Wavelength Dispersive XRF: Characterization of Chinese Blue and White Porcelain Sherds Using Handheld and Laboratory-Type XRF Instruments

Authors:

Abstract and Figures

Almost all archaeometric studies on Chinese ceramics are carried out on the excavation materials. Therefore, a detailed, comparable database that defines different workshops and production periods already exists. But the masterpieces preserved at museums, art galleries, and/or private collections, which are artistically considered as genuine artifacts, also require similar scientific investigations to define their provenance and authenticity. The research on artworks is only possible with the use of portable, noninvasive techniques that are developing daily concerning their capability of detection limits, rate of measurement, and ease of use. In this study, the results obtained with a handheld X-ray fluorescence (XRF) (also called portable XRF, or portable XRF) and wavelength dispersive XRF (WDXRF) instrument were compared to evidence the efficiency and drawbacks of the portable model. To achieve this goal, twelve sherds, which represent blue-and-white porcelains of Yuan and Ming Dynasties (China), were analyzed and the chemical composition of the body, glaze and blue decor were identified. The comparison of the results with the measurements carried out on the excavation materials, which are produced in both southern and northern China, revealed the authenticity of the artifacts. Even sodium can not be detected with portable XRF, the distinction of different production centers is possible with the detection of major (Mg, Al, Si, K, Ca), minor (Fe, Ti), and trace elements (Zr, Sr, Rb).
Content may be subject to copyright.
Article
Handheld X-ray Fluorescence (XRF)
Versus Wavelength Dispersive XRF:
Characterization of Chinese Blue-and-
White Porcelain Sherds Using Handheld
and Laboratory-Type XRF Instruments
Gulsu Simsek Franci
Abstract
Almost all archaeometric studies on Chinese ceramics are carried out on the excavation materials. Therefore, a detailed,
comparable database that defines different workshops and production periods already exists. But the masterpieces
preserved at museums, art galleries, and/or private collections, which are artistically considered as genuine artifacts,
also require similar scientific investigations to define their provenance and authenticity. The research on artworks is
only possible with the use of portable, noninvasive techniques that are developing daily concerning their capability of
detection limits, rate of measurement, and ease of use. In this study, the results obtained with a handheld X-ray fluores-
cence (XRF) (also called portable XRF) and wavelength dispersive XRF instrument were compared to evidence the
efficiency and drawbacks of the portable model. To achieve this goal, 12 sherds, which represent blue-and-white porcelains
of Yuan and Ming Dynasties (China), were analyzed and the chemical composition of the body, glaze, and blue decor were
identified. The comparison of the results with the measurements carried out on the excavation materials, which are
produced in both southern and northern China, revealed the authenticity of the artifacts. Even sodium cannot be detected
with portable XRF, the distinction of different production centers is possible with the detection of major (Mg, Al, Si, K, Ca),
minor (Fe, Ti), and trace elements (Zr, Sr, Rb).
Keywords
X-ray fluorescence, handheld XRF, wavelength dispersive XRF, WDXRF, blue-and-white porcelain, Chinese wares, Yuan
and Ming Dynasties
Date received: 13 August 2019; accepted: 31 October 2019
Introduction
Archaeometric studies, which are carried out on ancient
ceramics, have developed since the 1950s
1–5
and reached a
high level with Kingery et al.
6,7
They focused on defining the
mineralogical, petrological, chemical composition of the
paste, glaze, slip layers, and coloring agents and were only
performed with laboratory-scale instruments, such as neu-
tron activation analysis (NAA), scanning electron micros-
copy–energy dispersive spectrometry (SEM–EDS),
transmission electron microscopy (TEM), X-ray diffraction
(XRD), wavelength dispersive XRF (WDXRF), confocal
Raman microscopy, and inductively coupled plasma-mass
spectrometry (ICP-MS). Most of these techniques are
destructive, requiring sample preparation for multiscale ana-
lysis of the cross-sections to define major, minor, and trace
elements and mineral phases found in the composition. Only
NAA is a noninvasive method which does not require any
sampling before the measurement.
8
After the development of noninvasive, portable models
of some instruments available since the early 2000s but
extensively used for a few years to study pottery and
glass,
9–15
the on-site analyses of archaeological materials
have been possible to maintain the integrity of the objects.
Portable Raman, portable X-ray fluorescence (XRF), and
fiber optic reflectance spectroscopy are the main portable
Koc¸ University Surface Science and Technology Center (KUYTAM),
Rumelifeneri Yolu, Sariyer 34450 Istanbul, Turkey
Corresponding author:
Gulsu Simsek Franci, Koc¸ University Surface Science and Technology
Center (KUYTAM), Rumelifeneri Yolu, Sariyer, 34450 Istanbul, Turkey.
Email: gusimsek@ku.edu.tr
Applied Spectroscopy
2020, Vol. 74(3) 314–322
!The Author(s) 2019
Article reuse guidelines:
sagepub.com/journals-permissions
DOI: 10.1177/0003702819890645
journals.sagepub.com/home/asp
techniques that can be used on-site. The measurements
with portable systems allow a significant increment of the
number of artifacts studied which enables exhaustive stat-
istical research. Therefore, the studies have become pos-
sible at the excavation sites, museums, art galleries, and
private collections.
The portable XRF method is a complementary tech-
nique that gives information about the elemental compos-
ition of the artifacts studied. It allows the distinction of the
different production centers in Europe, in Ottoman and
Islamic countries, and the Chinese world, as well as the
authentication of the ceramic objects. Previous studies
proved the success of the technique by comparing the
data obtained from large-scale instruments, such as time-
of-flight ICP-MS with laser ablation (LA), ICP-optical emis-
sion spectrometry (ICP-OES), NAA, and energy dispersive
XRF.
8,16–21
Since the 1990s, almost all studies on Chinese ceramics
were carried out in the research centers housing a labora-
tory-scale infrastructure, which ranges from conventional
XRD, XRF, SEM–EDS, electron probe microanalysis, ICP-
MS, Raman, ultraviolet–visible spectroscopy
22–34
to more
sophisticated techniques such as TEM, NAA, thermal ion-
ization mass spectrometry, proton-induced X-ray emission
(PIXE), Mo
¨ssbauer spectroscopy, full-field transmission
X-ray microspectrometry, and X-ray absorption spectros-
copy.
35–39
As mentioned above, the analyses aim to identify
the body, glaze, and coloring agent constituents, as well as
to resolve the discussion of the authenticity of the objects.
Most studies focus on excavated materials,
24,40–47
which
are more reliable for authenticity and provenance deter-
mination, but generally consist of kiln waste remains.
Masterpieces preserved at museums, art galleries, and/or
private collections, which are artistically considered as
the most representative artifacts, also require similar
scientific investigations and comparison using measure-
ments on excavated kiln waste. Of course, noninvasive
techniques are needed as well as on-site measurements
because the priceless masterpieces lead to huge costs
for transportation and insurance when they are moving
from their secured place of exhibition to the research
laboratory. Furthermore, even for excavated materials, eth-
ical rules are changing and limited sampling techniques and
destructive analyses at the laboratory are required.
Therefore, on-site analysis methodologies need to be cre-
ated to continue research on the cultural heritage objects
to highlight the evolutionary history of human culture.
Moreover, the data collected from the well-documented
reference material might shed some light on the identifica-
tion of the masterpieces, which are conserved at museums
and/or private collections. Unfortunately, studies on
entire objects are lacking in the literature corresponding
to the Chinese ceramics. Therefore, archaeometric
investigations, where noninvasive, portable, and fast analyt-
ical techniques are used, gain much more importance for
the artworks of private collections and/or galleries. The
patterns applied on Chinese porcelains are repeated for
centuries by different workshops, and these similar art-
works which are dispersed around the world can be
found in national museums (Topkapi Palace Museum,
Istanbul; Iran Bastan Museum, Iran; Victoria and Albert
Museum, UK, etc.).
To study the reliability of the mobile XRF system, the
measurements were carried out using WDXRF and hand-
held XRF on the glaze, blue decor, and body layers of a
group of Chinese blue-and-white porcelain. The studied
sherds are representatives of the fragmentary ceramic
objects pertaining to the collections of Art and Science
Endowment (ASET, Stiftung, Berlin, Germany) Holdings,
the Bolourforoushan Family, the Estate of the Heirs of
Rudolf Wissell (1869–1962), and Otto Friedrich Bach
(1899–1981). While seven sherds are part of the produc-
tions of the Yuan Dynasty (early and mid-14th century), five
sherds involve the production periods of the Ming Dynasty
(Xuande AD 1425–1435 and Chenghua AD 1465–1487
periods).
46
There are fewer studies carried out using WDXRF
47–52
than with ED-XRF,
11,53–57
which is used more frequently for
the analysis of archaeological ceramics. The superiority of
WDXRF arises from the detection of light elements (LE)
with better precision and resolution. It can also more read-
ily measure rare earth elements. Therefore, the consistency
of the handheld XRF instrument will be preferably con-
firmed by WDXRF.
Experimental
Sherds
Supplemental Material Fig. S1 shows representative views of
12 sherds that correspond to the productions of blue-and-
white porcelains from Yuan (Y) and Ming (M) Dynasties.
Detailed information about the sherds is given in Table
S1. There are two exceptional samples in which one (Y6)
is completely decorated in white and the other (Y5) in
three colors: blue, red, and white. The sherds, which
were selected from the collection of ASET, are subject to
the detailed scientific studies within the Blue Print
Monographic Program. The main objective of this program
is to identify and investigate the critical questions that have
a significant bearing on the origin, development, diffusion,
and transmission of the knowledge of high-fired ceramics
(in this paper, porcelains).
The studied sherds have been sliced with a Buehler dia-
mond wafering blade used in a Buehler cutting machine
(IsoMet 5000). A 3–10 mm-thick wafer with two parallel
faces allowed a good examination with a Leica s9i stereo
microscope (Fig. S2) as well as a better measurement of
cross-sections representing the body composition with
XRF instruments.
Franci 315
XRF Spectrometry
Two different XRF spectrometers, handheld or portable
XRF and WDXRF, were used for the identification of the
transparent/white glaze, body, and blue colored area. The
aim is to compare the data obtained from a lab-scale,
high-resolution system with noninvasive, portable instru-
mentation. The advantages and disadvantages of these
two instruments are summarized in Table I.
The WDXRF analyses were carried out using a BRUKER
S8 Tiger instrument on the surface to identify the compos-
ition of the glaze and blue decor, as well as the cross-sec-
tion for determining the body composition (see Figs. S1 and
S2). X-rays were generated using a 4 kW rhodium (Rh)
anode X-ray tube under vacuum. The measurements
were performed at 50 kV and 60 mA. The ‘‘best detection’’
analysis mode, which lasts for 18 min, was chosen. Due to
the small size of the samples, a 5 mm mask was used to
determine the elemental compositions. A macromeasure-
ment was performed on the samples, rather than a spot
analysis, because of the larger aperture size (0.5 cm).
Therefore, with the WDXRF instrument, the analyses of
thin-sectioned samples may interfere the paste with the
glaze and/or decor composition.
Handheld XRF analyses were performed by hand on the
sherds under laboratory conditions using a Hitachi X-MET
8000 Expert Geo (Oxford Instruments) instrument. It is
equipped with an Rh target X-ray tube of 4 W, 50 kV max-
imum, and a silicon drift detector. For quantitative meas-
urement, the Mining LE method, which uses low energy at
10 keV for determining low Z-elements and high energy at
40 keV to identify the network modifiers and blue coloring
agent found on the decor and paste composition, was
chosen. The beam size on the surface is 10.7 mm 9.4 mm,
and a camera is used for controlling the measured area with
the handheld XRF instrument. Contrary to the WDXRF
system, the presence of the camera enables a more precise
distinction between the colored areas on the sherds.
Further studies may be carried out with a collimator
attached handheld XRF instrument for the measurements
of micron-level (10 mm) spots. Due to the heterogeneity
in composition and variation in the glaze thickness, the
measurements were carried out on at least three different
areas of the same colored area (blue) or transparent glaze
with 30 s of radiation time. The paste composition was
determined similarly to the WDXRF measurement, from
the cross-sections of the sherds by using the sample stand
attachment.
Evaluation of the XRF Data
Both instruments were calibrated with proper standards
for ceramic analysis before measurement. The calibration
of BRUKER S8 Tiger WDXRF was carried out regularly
with four special silicate glasses (BR SQ1, 2, 3, STG2),
which were provided by Breitla
¨nder GMBH. For the
evaluation of the XRF data recorded using WDXRF, the
results were converted from elements concentration
ratios to oxide values and normalized to 100% with the
software Spectra Plus (BRUKER).
The Hitachi X-MET8000 Expert Geo handheld XRF
instrument was calibrated at the factory with proper stand-
ards for each measurement mode (soil, mining, Mining LE,
rare earth elements, and alloy). The mode (Mining LE) that
we used was calibrated using certified reference materials,
GBM911-14 (provided by Geostats Pty. Ltd) and ECRM
683-1. The detection limit for lighter elements (Mg, Al, Si,
K, etc.) is between 100 and 1000 parts per million (ppm),
while the detection limit for heavier elements (Rb, Sr, Zr,
Pb, etc.) increases up to 5 ppm. The silicon semiconductor
detector allows a better detection capability on the low
Z-elements without using an external vacuum pump
which is connected to the instrument.
58
The data obtained
with handheld XRF are reported in elementary compos-
ition. The weight percent (wt%) of the elements were con-
verted to oxide concentrations using an Excel file
(Microsoft Office). The sum of the oxides calculated using
handheld XRF is closer to 100%. Therefore, the normal-
ization procedure was not conducted. The remaining
amount of the data refers to the approximate concentra-
tion of sodium which cannot be detected with portable
systems. As described previously,
17–19
this handheld XRF
can measure higher Z-elements starting from Mg. The
elemental composition of Na and lower Z-elements can
be calculated using this WDXRF instrument. Even the
low Z-elements (e.g., Mg, Al, Si, P) require a vacuum envir-
onment created with a helium purge. A previous study on
‘‘Iznik’’ tiles showed that although sodium cannot be mea-
sured with a handheld XRF instrument, it can be calculated
in these samples by subtracting the sum of the other oxides
from 100. The amount remaining is referred to as an
approximate content of Na
2
O. It should be noted that
this procedure might be valid only for ‘‘ideal’’ materials. In
the presence of any corrosion products and/or soil resi-
dues, sodium cannot be estimated. The detection of sodium
is important in the identification of glazed ceramics, but it is
not a prerequisite for the distinction of different production
centers. Only the detection of trace elements, which is
enabled by the new generation portable XRFs, may distinct-
ively display the provenance of the artifacts analyzed.
All the data, which were converted to the oxide for-
mulas, were normalized using SiO
2
to achieve a similar
scale of the results and to limit errors due to the experi-
mental procedure. The size of the samples, as well as the
curvature, influences the reproducibility of the data.
Therefore, this normalization procedure, as before
described,
18,26
eliminates the probable errors resulting
from the measurement that depends on the instrument
tip-surface artifact distance. Another method is to normal-
ize the elemental results using the X-ray tube’s Compton
peak, but the normalization with Si is a more appropriate
316 Applied Spectroscopy 74(3)
procedure to use for objects made of the same material to
account for geometry effects only.
To interpret the data comprehensively, it was obtained
using handheld XRF and WDXRF as shown in binary and
tertiary scatter diagrams plotted with Statistica 13
Academic software (TIBCO Software Inc.) (see Figs. 1 to
6, and Figs. S3 and S4). The efficiency of the scatter plots for
discriminating different groups of ancient ceramics is evi-
denced in previous publications.
18,26,58
For this study, the
results were also compared with the reference data already
published by other researchers who worked on the cer-
amic materials produced in both northern and southern
China (see Figs. 1 and 4, and Fig. S3).
59–62
Results and Discussion
In this study, handheld XRF analyses of the sherds were
compared with the analyses carried out using WDXRF, as
well as the reference data already published. The previous
measurements were performed with different techniques,
including a similar portable XRF, ED-XRF, and PIXE.
59–62
The body measurements were carried out from the
cross-sections of the sherds, with both XRF techniques.
The analysis area is larger in WDXRF than handheld XRF
where the elements found in the glaze and colored areas
may influence the results of the paste composition. The
glaze composition is determined from the glazed surface
but still, as the analysis area is larger for WDXRF, a precise
determination of the transparent glaze may not be possible.
The coloring agents found in blue colored areas will influ-
ence the results of the glaze.
Body
Previous studies carried out using XRF
26,60–63
showed that
major (Al, Si, K, Ca), minor (Fe, Ti), and trace elements (Zr,
Rb, Sr) related to the raw materials used on the body and
fluxes are characteristic of the body composition. Chinese
productions are mainly divided into two groups: southern
porcelain made of porcelain stone (China stone, petuntze)
and northern porcelain made of kaolinite and fluxing mater-
ials (such as quartz and feldspar).
63
In the productions of
northern China, intentional additions of fluxing agents or
quartz in the body were minimal or absent because the raw
materials were prepared after a ‘‘washing’’ process.
64
Figure 1 presents clear evidence that the body composition
of the productions of northern China is rich in alumina and
poor in potassium, while the Yuan and Ming wares are rich
in potassium and poor in alumina. Even the data obtained
with WDXRF shifts slightly towards higher values, they fall
in the same group when compared to the reference data
obtained from the southern China porcelains.
59–62
The flow
counter used in our WDXRF is connected to a continuous
supply of counting gas, P10 gas (10% methane, 90% argon),
that has the advantage of being able to be equipped with a
very thin window (equal or less than 0.6 mm). The flow
counter is therefore suitable for measuring the LE (Na,
Mg, Si, Al) and is very stable. The intensity of X-rays
diminishes when they pass through the solid ceramic mater-
ial. This diminishment depends on both the radiation
energy and the chemical composition of the absorbing
material (in this case, ceramics).
65
The radiation energies
of portable systems are always lower than the laboratory-
scale XRF instruments. However, heavier elements absorb
better radiation energy than light ones. Therefore, the dif-
ference of the content of heavier elements, Rb, Sr, and Zr
(see Figs. 2 and 5) found as trace elements in the body
composition, which is measured with WDXRF and hand-
held XRF, is less than the lighter elements. The analysis of
trace elements plays a more important role than the major
elements because the major elements form the structural
constituents of the dominant minerals present in the clay
sources, which show only a relatively limited variation in
composition. However, trace elements depend on the
source rock compositions which are more variable, and
they allow better discrimination on the provenance of the
sherds analyzed. The sherd, M4, is only measured with
handheld XRF because the section is too thin for the meas-
urement with our WDXRF. This sample is out of the main
group, having a higher content of SrO in the body than the
other sherds.
Glaze
Because of the heterogeneous structure of the glaze, which
depends on the thickness, color diffusion, and surface
imperfections, the difference between handheld XRF and
WDXRF measurements is larger than in the body compos-
ition (Figs. 3 and 4, and Fig. S3). The wt% of the lighter
elements found in the glaze, which are measured with hand-
held XRF, are relatively shifted to lower values compared to
WDXRF analyses. However, the sherds M4 and Y6 have
Figure 1. Binary scatter plots of the weight % ratios of K
2
O
versus Al
2
O
3
normalized by SiO
2
found in the body. Reference
data are added for comparison.
59–64
Franci 317
monochromatically colored (blue and transparent, respect-
ively), which are more homogeneous than the other sherds.
The contents of potassium and calcium measured with
WDXRF and handheld XRF are very close to each other.
Moreover, the sherd M4 is also rich in strontium found in
the composition of the glaze, which differs from the Yuan
and Ming sherds. The huge discrepancy of zirconium con-
tent found in the glaze of Y4, which is measured with
WDXRF and handheld XRF, may arise from the heterogen-
eity of the glaze structure. The higher iron content found in
the glaze of Y4 with WDXRF (see Fig. S4) shows that the
analyzed area comprises both transparent and
blue decorated areas. Therefore, the content of iron and
zirconium are related to the coloring agent found in the
blue decor.
The comparison with the reference data obtained from
the glaze composition clearly shows that the productions of
northern China are well differentiated from the
productions of southern China (Fig. 4), which are rich in
alumina and relatively low in potassium.
64
Blue Decor
Previous studies
66–71
carried out on the blue color of the
Chinese blue-and-white porcelain shows the use of differ-
ent cobalt sources depending on the production period, as
follows:
(i) Yuan dynasty (AD 1206–1368): The previous studies
mention that cobalt blue pigments contain high ratios of
wt% Fe/wt% Co (2-24) and low wt% Mn/wt% Co (0.005-
0.15).
60
The typical cobalt of the Yuan dynasty contains
arsenic and sulfur, but copper and nickel are usually
absent. The researchers found that the blue pigment,
which is used during Yuan dynasty, was similar in com-
position to the blue color of Middle Eastern ceramics.
71
Figure 2. Ternary scatter plots of trace elements, ZrO
2
,Rb
2
O,
and SrO normalized by SiO
2
found in the body.
Figure 5. Ternary scatter plots of trace elements, ZrO
2
,Rb
2
O,
and SrO normalized by SiO
2
found in the glaze.
Figure 3. Binary scatter plots of the weight % ratios of K
2
O
versus CaO normalized by SiO
2
, found in the glaze.
Figure 4. Binary scatter plots of K
2
O versus Al
2
O
3
normalized
by SiO
2
, found in the glaze. Reference data are added for
comparison.
59–64
318 Applied Spectroscopy 74(3)
(ii) Ming dynasty (AD 1368–1644): This period is divided
into four sub-groups in which different cobalt sources
were used. The early productions of Ming ware, also
known as Hongwu and Yongle blue-and-white porcel-
ains (AD 1368–1425), contain the same cobalt pigment
as the Yuan dynasty in the blue decorated areas.
Different from the early Ming productions, a local
Chinese cobalt ore was used during the Xuande
period (AD 1426–1435). This ore has a relatively
higher Mn/Co ratios (4.5–8) and lower Fe/Co
(0.7–2). The composition suggests that a mineral
such as asbolite was used as the blue color source.
70
In this blue color, arsenic (100–300 ppm) and nickel
(300–800 ppm) were found as trace elements.
60
After
Xuande period, the so-called Chenghua productions
(AD 1465–1487) evidence the use of two different
cobalt sources: (1) Mn/Co: 0.5–2.5, Fe/Co: 1.5–5.5
and (2) Mn/Co: 4.5–7.5, Fe/Co: 0.5–1.5. The blue pig-
ment used in the late period of the Ming dynasty,
known as Jiajing productions, has a closer ratio of
Mn/Co (0.2–1.3) and Fe/Co (0.2–3.2).
In this study, the blue color was applied as either under-
glaze or glaze decoration, on the porcelain, except the
sherd Y6 of which a transparent glaze was applied over
the porcelain body. The ternary scatter plot in Fig. 6
shows the distribution of the major blue coloring elements,
Co, Mn, and Fe normalized by Si.
The composition of the blue coloring agent in M3 and
M4 is almost the same, rich in cobalt with a slight content of
iron but almost without manganese. For these sherds, the
ratio of Mn/Co is 0.02 and Fe/Co is 0.36 (see Table S4)
which differs from the other blue decorations. Moreover,
the composition of the blue pigment found in the decor of
the sherd Y7 is also different, which has closer ratios of Mn/
Co (1) and Fe/Co (1.6). These calculated ratios are consist-
ent with the blue pigment used in Jiajing blue-and-white
porcelains. It can be assumed that Y7, which is considered
as a product of the Yuan dynasty (see Table S1), may be
produced in the late Ming period.
As mentioned previously, handheld XRF measurements
are more successful for the detection of high-Z-elements
because of the higher linear absorption coefficient of hea-
vier elements.
65
The analyses of colored areas with a
WDXRF is less accurate than the portable XRF technique
because the measurement is carried out by mapping the
area rather than the spot analysis, but with the camera of
handheld XRF, it is possible to focus the area, even on the
very thin colored decors. The high variance of the data
obtained with WDXRF and handheld XRF on the blue
color of the sherds, M2, Y1, Y2, Y3, Y4, and Y5, may
also show the heterogeneity of the glaze, depending
on the thickness and diffusion of the blue color. The meas-
urements carried out with these two techniques differenti-
ate barely for the sherds M1, M3, M4, M5, and Y7. This
is assumable for the sherds M3, M4, and Y7, because
these samples have a solid blue colored glaze contrary
to an underglaze decoration. But the results show clearly
that the sherds M1 and M5, which are decorated in blue-
and-white colors, have a homogeneous structure, different
from the other blue-and-white porcelains. The sherd
M5, which is attributed to the Chenghua production, is
consistent with the reference data matching the amount
of Mn, Co, and Fe.
60
However, the sherd M1 is attributed
to the production of Xuande but the ratios of Mn/Co and
Table I. Advantages and disadvantages of the techniques used in this study.
Study instrument Advantages Disadvantages
WDXRF (BRUKER S8 Tiger) Sensitivity on measuring lighter
elements (from B to Na)
Lack of the camera
Large area of measurement
(mapping)
Handheld XRF (HITACHI
X-MET 8000 Expert Geo)
Camera system to visualize
the analysis area
Spot analysis, possible
Sodium (Na) not measurable
Figure 6. Ternary scatter plots of the main blue coloring agents,
Co, Mn, and Fe normalized by Si, found in the decor.
Franci 319
Fe/Co is more compatible with the blue decor of
Chenghua.
60
Conclusion
This study presented the body, glaze, and blue decor ana-
lyses carried out with two different models of an XRF
instrument, WDXRF and handheld XRF on a group of
Chinese blue-and-white porcelain sherds. There are many
studies on the excavated Chinese ceramics but almost none
on the artworks which are conserved at museums, gal-
leries, and/or private collections. The studied sherds apper-
tain to the fragmentary artworks which are under
investigation of an international research program (Blue
Print) led by ASET Stiftung (Berlin). With this study, the
interpretation of the results obtained from XRF spectrom-
etry has been possible by comparing the data with the ref-
erence studies already published. The analysis results
showed that the studied sherds were produced in southern
China, differing from the productions of northern China.
The elemental measurements carried out with handheld
XRF were also compared to the WDXRF measurements
to show the reliability of the instrument. Nowadays, port-
able, noninvasive techniques are much more required due
to the necessity of the nondestructive analyses of the
immovable objects in place or exclusive objects preserved
in the private collections or secure rooms of galleries/
museums which requires huge costs of security and trans-
portation to the laboratories. The analyses of the body and
glaze layers showed a slight variation on the results
obtained with handheld XRF and WDXRF. However, hand-
held XRF is perfectly accurate in the measurements of
higher Z-elements (Rb, Sr, Zr for trace elements; Co, Fe,
Mn for blue pigment). The homogeneity of the structure
promotes the efficiency of the portable XRF. The on-site
analyses with portable XRF instruments at the museums
and/or art galleries may enable creating a database, which
includes the weight percent of elements found in the glaze
and colored areas, and if possible in the bodies in order to
clarify the questions of provenance and authenticity.
Acknowledgments
Noyan O
¨zdemir and Tuna Erog
˘lu from TROY-MET (Istanbul) is
gratefully acknowledged for making Hitachi X-MET 8000 Expert
Geo portable XRF instrument available in KUYTAM (Koc¸
University Surface Science and Technology Center), Buket Alkan
for her assistance in the revision of the manuscript, Tug
˘c¸e Akkas¸
for the literature research, and Dr. Philippe Colomban for his
valuable contributions. The studied sherds were provided by
ASET Stiftung in May and July 2016.
Declaration of Conflicting Interests
The author(s) declared no potential conflicts of interest with
respect to the research, authorship, and/or publication of this
article.
Funding
This work was supported by the Scientific and Technological
Research Council of Turkey (TU
¨Bl
.TAK) through 1001-Scientific
and Technological Research Projects Funding Program (Grant
No: MAG 217M625).
ORCID iD
Gulsu Simsek Franci https://orcid.org/0000-0001-9050-5819
Supplemental Material
The supplemental material mentioned in the text, consisting of
Figs. S1 to S4 and Tables S1 to S4, is available in the online version
of the journal.
References
1. Ch. Kiefer. ‘‘Les Ce
´ramiques Siliceuses d’Anatolie et du Moyen-
Orient’’. B. Soc. Fr. Ceram. 1956. 30: 3–24.
2. Ch. Kiefer. ‘‘Les Ce
´ramiques Siliceuses d’Anatolie et du Moyen-
Orient’’. B. Soc. Fr. Ceram. 1956. 31: 17–34.
3. M. Tite. ‘‘Determination of the Firing Temperature of Ancient
Ceramics by Measurement of Thermal Expansion: A Reassessment’’.
Archaeometry. 1969. 11(1): 131–143.
4. D.P.S. Peacock. ‘‘The Scientific Analysis of Ancient Ceramics: A
Review’’. World Archaeol. 1970. 1(3): 375–389.
5. A.O. Shepard. Ceramics for the Archaeologist. Publication 609.
Washington, DC: Carnegie Institution of Washington, 1985.
6. D.W. Kingery, D. Smith. ‘‘Ancient Technology to Modern Science’’.
In: D.W. Kingery, E. Lense, editors. Ceramics and Civilization. Vol 1,
p. 273, Columbus, OH: American Ceramic Society, 1984.
7. W.D. Kingery, H.K. Bowen, D.R. Uhlmann. Introduction to Ceramics.
New York: John Wiley and Sons, 1976.
8. F. Koleini, P. Colomban, I. Pikirayi, et al. ‘‘Glass Beads, Markers of
Ancient Trade in Sub-Saharan Africa: Methodology, State of the Art
and Perspectives’’. Heritage. 2019. 2(3): 2343–2369.
9. A.M. Cuevas, H.P. Gravie. ‘‘Portable Energy Dispersive X-ray
Fluorescence and X-ray Diffraction and Radiography System for
Archaeometry’’. Nucl. Instrum. Meth. A. 2011. 633(1): 72–78.
10. A. Dominguez-Vidal, M.J. de la Torre-Lopez, R. Rubio-Domene, et al.
‘‘In Situ Non Invasive Raman Microspectroscopic Investigation of
Polychrome Plasterworks in the Alhambra’’. Analyst. 2012. 137(24):
5763–5769.
11. P. Holakooei, F. Tisato, C. Vaccaro, et al. ‘‘Haft Rang or Cuerda Seca?
Spectroscopic Approaches to the Study of Overglaze Polychrome
Tiles from Seventeenth Century Persia’’. J. Archaeol. Sci. 2014. 41:
447–460.
12. G. Simsek, P. Colomban, F. Casadio, et al. ‘‘On-Site Identification of
Early Bo
¨ttger Red Stoneware Using Portable XRF/Raman Instruments:
2, Glaze and Gilding Analysis’’. J. Eur. Ceram. Soc. 2015. 98(10):
3006–3013.
13. N. Fischbach, A.T. Ngo, P. Colomban, et al. ‘‘Beads Excavated from
Antsiraka Boira Necropolis (Mayotte Island, 12th–13th Centuries):
Colouring Agents and Glass Matrix Composition Comparison with
Contemporary Southern Africa Sites’’. Archeosciences-Rev A. 2016.
40: 83–102.
14. D. Mancini, C. Dupont-Logie, P. Colomban. ‘‘On-Site Identification of
Sceaux Porcelain and Faience Using a Portable Raman Instrument’’.
Ceram. Int. 2016. 42(13): 14918–14927.
15. M. El Amraoui, M. Haddad, L. Bejjit, et al. ‘‘On-Site XRF
Characterization of Archaeological Materials in CERA Center of
Rissani (Morocco)’’. In: XII Maghreb Days of Material Sciences
JMSM’2015, Maghreb, 19-21 November 2015.
320 Applied Spectroscopy 74(3)
16. G. Shalvi, S. Shoval, S. Bar, et al. ‘‘On the Potential of Microbeam
Analyses in Study of the Ceramics, Slip and Paint of Late Bronze
Age White Slip II Ware: An Example from the Canaanite Site Tel
Esur’’. Appl. Clay Sci. 2019. 168: 324–339.
17. G. Simsek, B. Demirsar Arlı, S. Kaya, et al. ‘‘On-Site portable XRF
Analysis of Body, Glaze and Colouring Agents of the Tiles at the
Excavation Site of Iznik Kilns’’. J. Eur. Ceram. Soc. 2019. 39(6):
2199–2209.
18. G. Simsek, O. Unsalan, K. Bayraktar, et al. ‘‘On-Site portable XRF
Analysis of Glaze Composition and Colouring Agents of ‘Iznik’ Tiles
at Edirne Mosques (15th and 16th Centuries)’’. Ceram. Int. 2019.
45(1): 595–605.
19. G. Simsek. ‘‘P-XRF’in Ku¨ltu¨rel Miras Eseleri U
¨zerine Yapilan
C¸ alis¸malarda Kullanimi [Use of p-XRF on the Studies of Cultural
Heritage Objects]’’. SDU
¨ART-E Gu¨zel Sanatlar Faku¨ltesi Sanat
Dergisi. 2018. 11(22): 406–415.
20. J.R. Ferguson, S.V. Keuren, S. Bender. ‘‘Rapid Qualitative
Compositional Analysis of Ceramic Paints’’. J. Archaeol. Sci. Rep.
2015. 3: 321–327.
21. D. Mitchell, P. Grave, M. Maccheroni, et al. ‘‘Geochemical
Characterisation of North Asian Glazed Stonewares: A Comparative
Analysis of NAA, ICP-OES and Non-Destructive portable XRF’’.
J. Archaeol. Sci. 2012. 39(9): 2921–2933.
22. M. Yin, T. Rehren, J. Zheng. ‘‘The Earliest High-Fired Glazed Ceramics
in China: The Composition of the Proto-Porcelain from Zhejiang
During the Shang and Zhou Periods (c. 1700–221 BC)’’. J. Archaeol.
Sci. 2011. 38(9): 2352–2365.
23. P.-L. Leung, H. Luo. ‘‘A Study of Provenance and Dating of Ancient
Chinese Porcelain by X-ray Fluorescence Spectrometry’’. X-ray
Spectrom. 2000. 29(1): 34–38.
24. S. Tripati, G. Parthiban, J.-N. Pattan, et al. ‘‘Chemical Composition and
Provenance of Chinese Porcelain Shards Recovered from Old Goa,
West Coast of India’’. J. Archaeol. Sci. Rep. 2017. 14: 467–478.
25. H. Ma, J. Zhu, J. Henderson, et al. ‘‘Provenance of Zhangzhou Export
Blue-and-White and Its Clay Source’’. J. Archaeol. Sci. 2012. 39(5):
1218–1226.
26. G. Simsek, P. Colomban, S. Wong, et al. ‘‘Toward a Fast Non-
Destructive Identification of Pottery: The Sourcing of 14th–16th
Century Vietnamese and Chinese Ceramic Shards’’. J. Cult. Herit.
2015. 16(2): 159–172.
27. W. Li, J. Li, Z. Deng, et al. ‘‘Study on Ru Ware Glaze of the Northern
Song Dynasty: One of the Earliest Crystalline-Phase Separated Glazes
in China’’. Ceram. Int. 2005. 31(3): 487–494.
28. Y. Yang, M. Feng, X. Ling, et al. ‘‘Microstructural Analysis of the Color-
Generating Mechanism in Ru Ware, Modern Copies and Its
Differentiation with Jun Ware’’ J. Archaeol. Sci. 2005. 32(2): 301–310.
29. B.-P. Li, A. Greig, J.-X. Zhao, et al. ‘‘ICP-MS Trace Element Analysis of
Song Dynasty Porcelains from Ding, Jiexiu and Guantai Kilns, North
China’’. J. Archeol. Sci. 2005. 32(2): 251–259.
30. P. Colomban, F. Treppoz. ‘‘Identification and Differentiation of Ancient
and Modern European Porcelains by Raman Macro- and Micro-
Spectroscopy’’. J. Raman Spectrosc. 2001. 32(2): 93–102.
31. P. Colomban, G. Sagon, L.-Q. Huy, et al. ‘‘Vietnamese (15th Century)
Blue-and-White, Tam Thai and Lustre Porcelains/Stonewares: Glaze
Composition and Decoration Techniques’’. Archaeometry. 2004.
46(1): 125–136.
32. P. Colomban, N.Q. Liem, G. Sagon, et al. ‘‘Microstructure,
Composition, and Processing of 15th Century Vietnamese
Porcelains and Celadones’’. J. Cult. Herit. 2003. 4(3): 187–197.
33. K.-N. Yu, J.-M. Miao. ‘‘Characterization of Blue and White Porcelains
Using the Mn/Fe Ratio from EDXRF, with Particular Reference to
Porcelains of the Xuande Period (1426 to 1435 A.D.)’’. Appl. Radiat.
Isotopes. 1999. 51(3): 279–283.
34. N.-Q. Liem, N.-T. Thanh, P. Colomban. ‘‘Reliability of Raman Micro-
Spectroscopy in Analysing Ancient Ceramics: The Case of Ancient
Vietnamese Porcelain and Celadon Glazes’’. J. Raman Spectrosc.
2002. 33(4): 287–294.
35. P. Sciau, T. Wang. ‘‘Full-Field Transmission X-ray Microspectroscopy
(FF-XANES) Applied to Cultural Heritage Materials: The Case of
Ancient Ceramics’’. In: D. Joseph, editor. Synchrotron Radiation:
Useful and Interesting Applications. London, UK: IntechOpen, 2019.
doi:10.5772/intechopen.83633.
36. Z. Bin, G. Zhengyao, Z. Weijuan, et al. ‘‘Mo
¨ssbauer Spectroscopy and
Neutron Activation Analysis of Ancient Chinese Glazes’’. Appl. Clay.
2004. 25(3–4): 161–165.
37. M.-O. Figueiredo, T.-P. Silva, J.-P. Veiga. ‘‘A XANES Study of Cobalt
Speciation State in Blue-and-White Glazes From 16th to 17th Century
Chinese Porcelains’’. Electron Spectros. Relat. Phenomena. 2012.
185(3–4): 97–102.
38. V. Crupi, S. D’Amico, L. Denaro, et al. ‘‘Mobile Spectroscopy in
Archaeometry: Some Case Study’’. J. Spectrosc. 2018. https://www.
hindawi.com/journals/jspec/2018/8295291/ [accessed Nov 4 2019].
39. P. Vandenabeele, M.-K. Donais. ‘‘Mobile Spectroscopic
Instrumentation in Archaeometry Research’’. Appl. Spectrosc. 2016.
70(1): 27–41.
40. J. Hou, T. Pradell, Y. Li, et al. ‘‘Jun Ware Glazes: Chemistry,
Nanostructure and Optical Properties’’. J. Eur. Ceram. Soc. 2018.
38(12): 4290–4302.
41. W. Li, H. Luo, J. Li, et al. ‘‘Studies on the Microstructure of the Black-
Glazed Bowl Sherds Excavated from the Jian Kiln Site of Ancient
China’’. Ceram Int. 2008. 34(6): 1473–1480.
42. J. Needham. ‘‘Science and Civilisation in China’’ In: R. Kerr, N. Wood,
editors. Volume 12: Ceramic Technology, Cambridge University Press,
2004, pp.164–181.
43. J. Wu, T. Hou, M. Zhang, et al. ‘‘A Technical Comparison of Three
Chinese White Porcelains: Ding, Shufu, and Dehua’’. Stud Conserv.
2014. 59(5): 341–349.
44. J. Wu, P.L. Leung, J.Z. Li, et al. ‘‘EDXRF Studies on Blue and White
Chinese Jingdezhen Porcelain Samples from the Yuan, Ming and Qing
Dynasties’’. X-ray Spectrom. 2000. 29(3): 239–244.
45. Y. Xu, Y. Qin, F. Ding. ‘‘Characterization of the Rare Oil Spot Glazed
Bowl Excavated from the Xiao Kiln Site of North China’’. Ceram Int.
2017. 43(12): 8636–8642.
46. D.V. Hill, P. Sciau, G. Simsek, et al. ‘‘PHASE I Sample Groups 1.0–8.0
Research Protocol. Topic II, Phase I (2016–2017), Sample Groups 1.0–
8.0, Topics II. The Origin of Pre-Ming Blue-and-White Research
Outline Protocols’’. 2018. ASET Stiftung. http://aset-stiftung.org/pro-
grammes/phase1-samplegr1-8-research-prot-topic2.php [accessed
Nov 23 2019].
47. T.-Q. Zhu, Y.-C. Zhang, H. Xiong, et al. ‘‘Comparison of the
Different Types of Qinghua Porcelain from Jingdezhen in the Yuan
Dynasty of China (AD 1271-1368) by Micro X-ray Fluorescence
Spectroscopy (m-XRF) and Microscopy’’. Archaeometry. 2106. 58(6):
966–978.
48. X. Charalambidou, E. Kiriatzi, N.S. Mu¨ ller, et al. ‘‘Eretrian Ceramic
Products Through Time: Investigating the Early History of Greek
Metropolis’’. J. Archaeol. Sci. Rep. 2016. 7: 530–535.
49. A. Barba, M.F. Gazulla, M.P. Gomez, et al. ‘‘Characterisation of Cobalt-
Containing Ceramic Pigments by WDXRF and XRD’’. X-ray
Spectrom. 35(6): 383–389.
50. M. Georgakopoulou, A. Hein, N.S. Mu¨ ller, et al. ‘‘Development
and Calibration of a WDXRF Routine Applied to Provenance
Studies on Archaeological Ceramics’’. X-ray Spectrom. 2017. 46(3):
186–199.
51. J.J. Aimers, D.J. Farthing, A.N. Shugar. ‘‘Handheld XRF Analysis of Maya
Ceramics: A Pilot Study Presenting Issues Related to Quantification
and Calibration’’. In: A.N. Shugar, J.L. Mass, editors. Handheld XRF for
Art and Archaeology. Leuven, Belgium: Leuven University Press, 2012.
Chap. 13, Pp. 423–448.
Franci 321
52. A. Al-Shorman, L. El-Khouri. ‘‘Archaeometric Characterization of the
Byzantine and Umayyad Pottery at Barsinia, North Jordan’’. Mediterr.
Archaeol. Archaeom. 2013. 13(2): 207–220.
53. A.M.W. Hunt, R.J. Speakman. ‘‘Portable XRF Analysis of
Archaeological Sediments and Ceramics’’. J. Archaeol. Sci. 2015. 53:
626–638.
54. M.B. Toffolo, E. Klein, R. Elbaum, et al. ‘‘An Early Iron Age Assemblage
of Faience Beads from Ashkelon, Israel: Chemical Composition and
Manufacturing Process’’. J. Archaeol. Sci. 2013. 40: 3626–3635.
55. J.L. Meanwell, E.H. Paris, W.C. Alvarado, et al. ‘‘Metallurgical Ceramics
from Mayapan, Yucatan, Mexico’’. J. Archaeol. Sci. 2013. 40:
4306–4318.
56. L. Bonizzoni, A. Galli, M. Gondola, et al. ‘‘Comparison Between XRF,
TXRF, and PXRF Analyses for Provenance Classification of
Archaeological Bricks’’. X-ray Spectrom. 2013. 42(4): 262–267.
57. C.R. Appoloni, F.R. Espinoza Quinones, P.H.A. Aragao, et al. ‘‘EDXRF
Study of Tupi-Guarani Archaeological Ceramics’’. Radiat Phys Chem.
2001. 61(3–6): 711–712.
58. G. Simsek, F. Casadio, P. Colomban, et al. ‘‘On-Site Identification of
Early BO
¨TTGER Red Stoneware Made at Meissen Using Portable XRF:
1, Body Analysis’’. J. Am. Ceram. Soc. 2014. 97(9): 2745–2754.
59. C. Fischer, E. Hsieh. ‘‘Export Chinese Blue-and-White Porcelain:
Compositional Analysis and Sourcing Using Non-Invasive Portable
XRF and Reflectance Spectroscopy’’. J. Archaeol. Sci. 2017. 80: 14–26.
60. H.S. Cheng, Z.Q. Zhang, H.N. Xia, et al. ‘‘Non-Destructive Analysis
and Appraisal of Ancient Chinese Porcelain by PIXE’’. Nucl. Instrum.
Methods Phys. Res., Sect. B. 2002. 190(1–4): 488–491.
61. C.T. Yap, Y. Hua. ‘‘Raw Materials for Making Jingdezhen Porcelain from
the Five Dynasties to The Qing Dynasty’’. Appl. Spectrosc. 1992.
46(10): 1488–1494.
62. G. Yanyi. ‘‘Raw Materials for Making Porcelain and the Characteristics
of Porcelain Wares in North and South China in Ancient Times’’.
Archaeometry. 1987. 29(1): 3–19.
63. T. Chen, G. Rapp, Z. Jing, et al. ‘‘Provenance Studies of the Earliest
Chinese Protoporcelain Using Instrumental Neutron Activation
Analysis’’. J. Archaeol. Sci. 1999. 26(8): 1003–1015.
64. N. Wood. Chinese Glazes: Their Origins, Chemistry, and Recreation.
London, UK: A and C Black Publishers, 2011.
65. Bruker Advanced X-ray Solutions. ‘‘Introduction to X-ray
Fluorescence’’. 2006. http://www.fem.unicamp.br/liqcqits/facilities/
xrf/%5BBruker_2006%5D%20Introduction%20to%20X-ray%
20Fluorescence%20(XRF).pdf [accessed Oct 14 2019].
66. R. Montanari, N. Murakami, M.F. Alberghina, et al. ‘‘The Origin of
Overglaze-Blue Enamelling in Japan: New Discoveries and a
Reassessment’’. J. Cult. Herit. 2019. 37: 94–102.
67. S. Coentro, J.M. Mimoso, A.M. Lima, et al. ‘‘Multi-Analytical
Identification of Pigments and Pigment Mixtures Used in 17th
Century Portuguese Azulejos’’. J. Eur. Ceram. Soc. 2012. 32(1): 37–48.
68. C. Fischer, E. Hsieh. ‘‘Export Chinese Blue-and-White Porcelain:
Compositional Analysis and Sourcing Using Non-Invasive Portable
XRF and Reflectance Spectroscopy’’. J. Archaeol. Sci. 2017. 80: 14–26.
69. M. Matin, A.M. Pollard. ‘‘From Ore to Pigment: A Description of the
Minerals and an Experimental Study of Cobalt Ore Processing from
the Kashan Mine, Iran’’. Archaeometry. 2017. 59(4): 731–746.
70. A.T.Kessler.SongBlueandWhitePorcelainontheSilkRoad.Studiesin
Asian Art and Archaeology. Vol. 27, Leiden, The Netherlands: Brill, 2012.
71. R. Wen, C.S. Wang, Z.W. Mao, et al. ‘‘The Chemical Composition of
Blue Pigment on Chinese Blue-and-White Porcelain of the Yuan and
Ming Dynasties (AD 1271–1644)’’. Archaeometry. 2007. 49(1):
101–115.
322 Applied Spectroscopy 74(3)
... The minor and trace elements also depend from the ore or pigment processing. For instance the precipitation of Au° NPs with arsenic or tin or the preparation of different yellow pigments, 'simple' lead-tin yellow, complex Naples yellow, etc. Examination of the diagrams concerning cobalt shows the differences in composition of the blue colour precursor, containing arsenic for the decorations and manganese for the marks, due to the use of two different sources of cobalt, that of the decorations having all the characteristics of the cobalts used in France [53], while that of the marks is identical to that used in Jingdezhen under the Ming Dynasty [178,179]. Figure 18.11 shows the results of the imperial objects from the mnaa-Guimet collection (left side) [58] but the same results were obtained with the imperial objects from the Baur Foundation (right side) [53]. The presence of nickel in association with cobalt is one of the criteria for identifying European origin. ...
... The Yttrium-Rubidium-Strontium diagram (normalized relative to the peak of the rhodium source to avoid small variations in measurement conditions) shows a distribution on a line parallel to the Y-Rb side due to a certain constancy of the relative proportions silica/lime (SiO 2 )/CaO and CaO/(Na 2 O + K 2 O) in the glazes/glazes and mixtures made between the two poles, the one rich in yttrium where the data for French soft porcelains are found, the sand used being rich in traces of yttrium, and the rubidium-rich pole where data from Chinese Ming porcelains [179] and contemporary ones from Vietnam [178] are located. We observe that the data acquired for the enamels of productions attributed to Canton are more in the group of Ming references. ...
... Examination of the ternary diagram of the intensities for the elements Pb, K and Ca (normalized with the silicon signal to avoid variations due to the use of different XRF instruments) for the blue zones clearly shows the separation between underglaze decorations (blue-and-white Yuan and Ming) [178,179] and lead 'overglaze' enamels whether for European (example of Meissen [57]) or Qing productions [58]. Chinese enamels are more calcium-rich than Meissen enamels. ...
Chapter
The role of Jesuit missionaries from Europe (predominantly Portugal, Spain and France) to the Imperial Courts of Japan and China in the seventeenth and eighteenth centuries and their influence upon the production and decoration of Japanese and Chinese porcelains imported into Europe. The critical revelation of the composition and production processes of Chinese porcelains at Jingdezhen by Father Xavier Dentrecolles to his superior Father Orry in Paris in the first two decades of the eighteenth century and its impetus on European porcelain manufacture thereafter. The Jesuits and their diplomatic gifts of Limoges, Blois and Paris enamelled metalwares to the Emperor Kangxi and the resultant upsurge in the Chinese polychrome porcelain decoration and trade with Europe in pigments, especially cobalt blue, gold rose and Naples yellow: the rise of famille verte and famille rose decorated porcelains.
... Painted enamel decorations, as opposed to ceramics decorated under glaze (typically blue-and-white porcelain) and by monochrome enamels or made by nearly homogeneous colored areas are particularly complex because, to represent sophisticated compositions as in oil painting, the glazes must be heterogeneous at different scales (overlay of layers, distribution of pigments and coloring agents). We will then compare the results with those obtained on similar pieces from the Chinese museum of the Château de Fontainebleau [13,14] and the Swiss museums of the Baur Foundation and the Ariana museum [15,16] as well as with sets of Chinese and Vietnamese ceramics from previous dynasties (Ming and Yuan) [17][18][19]. Such a set of exceptional Qing artifacts has never been analyzed or discussed hitherto. ...
... Except for a recent study on imperial teapots [20], previous XRF studies are related to shards [21][22][23][24][25], and more common pieces [26][27][28][29]. The number of pieces considered is around 60 for Qing objects, and several dozen for objects from Europe (see reference [30] and references herein) or from earlier Chinese (and Vietnamese) periods [17][18][19]. A few comparable shards have also been analyzed in depth at the laboratory using many techniques [31][32][33]. ...
... Ceramics 2023, 6, FOR PEER REVIEW 23 Blue Figure 10. Comparison of signal of elements associated with the blue colored areas for artifacts from different origins: Yuan and Ming Dynasty Private Museum Collection [17,18], archaeological shards issued from sites from Ming Dynasty period [19], Baur Foundation Collection [15,16], Ariana Museum Collection [15,16], French porcelain [30] and present study (Louvre and mnaa-Guimet museum Collections). A comparison is made with other colored areas. ...
Article
Full-text available
On-site pXRF analysis in various French collections (Musée du Louvre, Musée national des Arts asiatiques-Guimet, Paris) of porcelains decorated with painted enamels from the Qing Dynasty, in particular porcelains bearing an imperial mark, identifies the types of enamels/glazes, the ions and coloring phases or the opacifier. The study of the elements associated with cobalt (nickel, manganese, arsenic, etc.) and of the impurities of the silicate matrix (yttrium, rubidium and strontium) differentiates the use of ‘Chinese/Asian’ raw materials from ones imported from Europe by the initiative of the European missionaries (chiefly Jesuits) present at the Court (Bei-jing). Particular attention is paid to the analysis of the blue color of the marks and to the elements associated with the use of gold or copper nanoparticles as well as to the compositions of the pyrochlore phases (tin yellow, Naples yellow). The comparison is extended to pXRF and Raman microspectroscopy measurements previously made on other Qing imperial porcelains as well as on Cantonese productions (on porcelain or metal) from different Swiss and French museums and blue-and-white wares of the Ming and Yuan Dynasties (archaeological and private collections).
... Comparison of the net number of photons of the major (Ca, K) and related trace elements (Y, Rb, Sr, Zr) measured on the colored areas. The data of white and enamel/glaze analyses are plotted separately and compared with the previous data of Chinese and Vietnamese (blue star) artifacts excavated on the kiln site and other places [96][97][98][99]. Objects with special characteristics are indicated (see Table 1). ...
... The comparison with the Sr-Y/Zr-Rb data ( Figure 13) characteristic of the silicate matrix of enamels/glazes and concerning Chinese blue-and-white porcelains attributed to the Yuan and Ming periods [96][97][98][99], but also contemporary Vietnamese productions from the same periods [99], distinguishes very well the different origins, which is consistent with the use of different raw materials (clays, sand, feldspars, etc.) for each group concerned. Remember that the Sr and Rb elements are flux impurities (K, Ca, Na), while Y and Zr are impurities in refractory materials bringing aluminum and silicon, forming the silicate network. ...
... Samples labeled with AR are porcelains from Jingdezhen kilns enameled at Guangzhou or Jingdezhen [52]. Reference data (open and solid red triangle referring to Yuan and Ming artifacts [96][97][98], open red circle to French soft-paste porcelain [66], and blue star referring to Vietnamese and Chinese artifacts [96,99]) are added for comparison. Objects with special characteristics are indicated (see Table 1). ...
Article
Full-text available
The combined use of non-invasive on-site portable techniques, Raman microscopy, and X-ray fluorescence spectroscopy on seven imperial bowls and two decorated dishes, attributed to the reigns of the Kangxi, Yongzheng, Qianlong, and Daoguang emperors (Qing Dynasty), allows the identification of the coloring agents/opacifiers and composition types of the glazes and painted enamels. Particular attention is paid to the analysis of the elements used in the (blue) marks and those found in the blue, yellow, red, and honey/gilded backgrounds on which, or in reserve, a floral motif is principally drawn. The honey-colored background is made with gold nanoparticles associated with a lead- and arsenic-based flux. One of the red backgrounds is also based on gold nanoparticles, the second containing copper nanoparticles, both in lead-based silicate enamels like the blue and yellow backgrounds. Tin and arsenic are observed, but cassiterite (SnO2) is clearly observed in one of the painted decors (dish) and in A676 yellow, whereas lead (calcium/potassium) arsenate is identified in most of the enamels. Yellow color is achieved with Pb-Sn-Sb pyrochlore (Naples yellow) with various Sb contents, although green color is mainly based on lead-tin oxide mixed with blue enamel. The technical solutions appear very different from one object to another, which leads one to think that each bowl is really a unique object and not an item produced in small series. The visual examination of some marks shows that they were made in overglaze (A608, A616, A630, A672). It is obvious that different types of cobalt sources were used for the imprinting of the marks: cobalt rich in manganese for bowl A615 (Yongzheng reign), cobalt rich in arsenic for bowl A613 (but not the blue mark), cobalt with copper (A616), and cobalt rich in arsenic and copper (A672). Thus, we have a variety of cobalt sources/mixtures. The high purity of cobalt used for A677 bowl indicates a production after ~1830–1850.
... In agreement with the historical context and stylistic analysis, elemental data obtained with pXRF on the transparent glaze confirm a Jingdezhen production for the blue-and-white plates based on the concentrations of some discriminative elements such as zirconium, thorium and titanium ( Table 2). Values for these elements are close to the ones measured with pXRF and other techniques in previous studies despite the different time periods [81,[85][86][87][88][89]; such compositional similarities could correspond to a relative constancy in the procurement of raw materials and processing technologies from the middle to late-Ming period. However, variations in rubidium levels, i.e. the higher values reported in the present study, also found for the Guanyinge and other unspecified late-Ming kiln sites (Rb: 428 ± 78 ppm, [86]; Rb: 436 ± 84 ppm, [85]), compared to the lower averages measured on Jingdezhen blue-and-white ware from the Nan'ao One shipwreck in China (Rb: ~ 270 ppm, [86]) and sherds from the Philippines and Indonesia (315 ± 40 ppm, [81]) dated to the late-Ming and early-Qing periods, might reflect some intra-site variability among the numerous folk kilns in Jingdezhen. ...
... As expected, the chemistry of the glaze analyzed in the 'white' area corresponds to an aluminosilicate glassy network containing calcium and potassium added as fluxing agents and network modifiers. The average amounts of Ca (CaO ~ 6.1 ± 0.9) and K (K 2 O ~ 4.3 ± 0.4) are higher and lower, respectively, than those obtained with pXRF on sherds from the Xuande and Chenghua periods [89] but still in the range of Ca values known to have significantly varied (from a few to more than twelve percent CaO) throughout the Ming (and Qing) dynasty [68,81,87,88,[90][91][92][93]. It should also be mentioned that because of the X-rays emission depth for Ca and K (about a few tenths of micrometers in this type of matrix) [94,95], these two elements could be underestimated if the glaze is corroded on the surface. ...
Article
Full-text available
Color variations and sometimes the frosted appearance of Chinese blue-and-white porcelain produced in folk kilns and recovered in underwater archaeological contexts are usually reported without further investigation. This study focuses on the causes responsible for the appearance of the glaze and blue decorations of late fifteenth-century blue-and-white porcelain from the Santa Cruz, one of the most important mid-Ming shipwrecks discovered in Asian waters. Besides detailed visual observations, chemical composition and colorimetric data were collected on a set of similarly shaped plates showing significant differences in the aspect of the glaze and tones and shades of the blue color. Results from portable X-ray fluorescence (pXRF) analysis confirmed the Jingdezhen origin of the ware and the use of domestic asbolane ores for the Co-based blue pigment. Visual and microstructural analysis has shown that the degree of opacity of the glaze is primarily linked to the crystallization of anorthite, which in some cases has pushed the pigment layer towards the surface, contributing to the development of white-brownish weathering spots. The colorimetric data acquired with fiber optics reflectance spectroscopy (FORS) allowed us to quantify chromaticity parameters and confirm the visual perception of a ‘not-so-blue’ color of the decoration. Without excluding a possible contribution of the underwater environment, the observed variations can be mainly attributed to the ware’s production and more specifically to pigment characteristics, manufacturing processes, and firing conditions even though the connection with these factors is not straightforward and prompts further research and broader discussions. From a historical perspective, it is suggested that the atypical hues are correlated with the progressive switch from foreign to domestic pigment sources during the Chenghua period (1465–87 CE) and the subsequent technological adaptations required by an ever-increasing demand for Chinese blue-and-white porcelain at the turn of the sixteenth century.
... Some shards from the nineteenth and twentieth century (among the shards from Hoa Luu, the Vietnamese medieval capital) and a Japanese shard from the twentieth century have been included. For objects from the Blue Print collection (Yuan and Ming dynasties) [90] the data calculated in the compositions and those of the intensities are indicated on the diagrams. The positions are shifted but the clustering is preserved. ...
Chapter
The cobalt blues, cobalt sources and their mining, European, Middle Eastern and Chinese origins of cobalt blue pigments on porcelains from analytical studies and presence of minor components such as manganese, bismuth, zinc and arsenic. Extraction of cobalt from mined ores. Smalt, zaffre, natural and synthetic ultramarine. Modern equivalents.
... The body's elemental composition provided evidence that all samples belonged to a type of porcelain produced in southern China. The same finding was supported by the elemental composition of glaze, while the blue decor showed a variable Co content, the Mn/Co and Fe/Co ratios being good indexes for discrimination purposes [67]. ...
Chapter
With the development of portable, handheld energy-dispersive x-ray fluorescence (EDXRF) spectrometers, this noninvasive, contactless analytical technique has demonstrated its remarkable advantages in the investigation of many types of artwork, from Paleolithic cave wall paintings to the most recent human artifacts. EDXRF is well suited to the simultaneous identification of more than 70 elements that are the main constituents of any material with a sensitivity reaching the order of 1–10 mg kg−1. Together with Fourier transform IR (FTIR) and Fourier transform Raman (FTR) spectroscopy techniques, EDXRF can provide an almost complete characterization of the pigments, binders, and substrates of a great variety of works of art. This chapter presents the basic principle of x-ray fluorescence spectroscopy as well as representative examples in which EDXRF has proved its utility.
... , 폐광산 등 여러 현장에서의 토양 오염도 측정 (Choi et al., 2009;Lee et al., 2016;Lee and Choi, 2014;Suh et al., 2016), 생활용품의 중금속 측정 (Kim et al., 2013), 문화재 및 고고학 시료 분석 (Aimers et al., 2012;Boo, 2021;Franci, 2020;Frahm, 2018;Kim et al., 2023) Gazley et al., 2015;Lemière, 2018;Pang et al., 2022;Simandl et al., 2014;Suh et al., 2016;Le Vaillant et al., 2014). 이로 인해 특히 광물 탐사 및 채광시 품위관리를 위한 정량 분석에 중요한 장비로 점차 자리잡 는 추세이다 (Burnett et al., 2016;Durance et al., 2014;Fisher et al., 2014;Gazley et al., 2015;Hall et al., 2016;Pang et al., 2022;Quiniou and Laperche, 2014;Zou et al., 2022) (15, 30, 50 kV), 9.4~15.7 µA(9.4, ...
... The data obtained from the test was firstly analyzed by the software and then compared with the existing element database. The X-Ray Fluorescence (XRF) analysis was performed using the Zetium (XRF) instrument from PANalytical, the Netherlands, as shown in Figure 2. Refer to the literature for XRF test process [44][45][46][47]. ...
Article
Full-text available
In this study, the relationship between four expansion indices and the expansion potential of gypsum rock was studied; on this basis, a criterion for judging expansion potential is established for gypsum rock. The results show that the free expansion rate is unsuitable for grading gypsum rocks’ expansion potential. Setting the gypsum rock in the Wuzhishan tunnel as the research subject, the ultimate expansion rate is 24.28% on the 7th day and 34.08% on the 30th day; the ultimate expansion rate on the 7th day of the indoor rock sample can be estimated by the fitting formula on the 30th day, the ultimate expansion force is 304.51 kPa, and the BET-specific surface area is 6.31 m²/g. The ultimate expansion ratio and BET-specific surface area have an excellent linear relationship with the ultimate expansion force. Setting the ultimate expansion force, ultimate expansion ratio and BET-specific surface area as the standard, the criterion for judging the expansion potential of gypsum rock is determined, which is more convenient and accurate than existing standards. The standard in this paper can predict the potential disasters that may occur in underground engineering.
Article
Hand-held X-ray fluorescence (XRF) instrumentation has become widely used in a broad range of applications for problem solving. When used for in situ measurements (that is, instrumentation placed in contact...
Article
Full-text available
Glass beads have been produced and traded for millennia all over the world for use as everyday items of adornment, ceremonial costumes or objects of barter. The preservation of glass beads is good and large hoards have been found in archaeological sites across the world. The variety of shape, size and colour as well as the composition and production technologies of glass beads led to the motivation to use them as markers of exchange pathways covering the Indian Ocean, Africa, Asia, Middle East, the Mediterranean world, Europe and America and also as chronological milestones. This review addresses the history of glass production, the methodology of identification (morphology, colour, elemental composition, glass nanostructure, colouring and opacifying agents and secondary phases) by means of laboratory based instruments (LA-ICP-MS, SEM-EDS, XRF, NAA, Raman microspectroscopy) as well as the mobile instruments (pXRF, Raman) used to study glass beads excavated from sub-Saharan African sites. Attention is paid to the problems neglected such as the heterogeneity of glass (recycled and locally reprocessed glass). The review addresses the potential information that could be extracted using advanced portable methods of analysis. OPEN ACCESS at https://www.mdpi.com/2571-9408/2/3/144/pdf
Chapter
Full-text available
Synchrotrons provide more and more significant analytical techniques to investigate ancient materials from cultural heritages. New ways to visualize the complex structure of these materials are developed on the basis of elemental, density, and refraction contrasts. The tunability of synchrotron beams owing to the high flux and high spectral resolution of photon sources is at the origin of the main chemical speciation capabilities of synchrotron-based techniques. Among them the full-field X-ray absorption near-edge structure (XANES) imaging technique using hard X-rays is particularly efficient. It allows investigating a significant volume of material with a very good spatial resolution, which is invaluable for ancient material because of their heterogeneity and complexity. After presenting the technique and its variants, we will show its ability to study cultural heritage materials through a few examples.
Article
Full-text available
The scientific studies, which are carried out on the cultural heritage items, identify the provenance and authenticity of the studied artifacts as well as shedding some light on the technology of production period. Besides, the studies lead to choosing both the appropriate materials and techniques for the restoration and conservation treatments. Nowadays, non-destructive models of some destructive techniques (Raman spectroscopy, X-rays fluorescence spectroscopy) by on-site measurements, due to it renders to possible, increased studying the number of archaeometric works on the cultural heritage artifacts, in the excavation sites, museums, and private collections. In this study, I analysed two porcelain plates of Limoges production with a portable X-rays fluorescence (p-XRF) instrument revealing the compositional differences between the yellow coloured places are intact and renovated adornments. The restorator was able to obtain a very similar hued yellow colour by a very different composition from the original decor. Notwithstanding, visually, light and dark shade differences are apparent. Material analysis to be performed before renovation ensure the restoration to be aesthetically and physically permanent and sustained.
Article
Full-text available
We provide an overview of recent results obtained by the innovative application of mobile spectroscopy for in situ investigation in archaeometry. Its growing relevance is linked to the great advantages of avoiding the transport and eventual damage of precious artifacts and of allowing the analysis of those specimens that are, for example, built into infrastructures or in some way permanently affixed. In this context, some case studies of combined instrumental approaches, involving X-ray fluorescence (XRF) and Raman spectroscopy, integrated by infrared thermography (IRT), are, in particular, discussed: the archaeological site of Scifì (Forza d’Agrò, province of Messina, Italy) and the Abbey of SS. Pietro e Paolo d’Agrò (Casalvecchio Siculo, province of Messina, Italy). In the first case, the elemental composition, as obtained by XRF, of two types of mortars belonging to two different chronological phases, dated back between the 3rd and the 5th century AD, allowed us to hypothesize a same origin area of their raw materials and a different production technique. Again, the combined use of XRF and Raman spectroscopies, supported by IRT technique, on pottery fragments of Greek-Hellenistic age and late imperial period, furnished important information concerning the receipts for the pigmenting agents of the finishing layer, allowing in some cases their unambiguous identification. In the second case, XRF data collected on bricks and stones from the external facade of the abbey allowed us to make some hypothesis concerning the provenance of their constituents materials, supposed to be in the area of valley of the river Agrò.
Article
Microbeam Analyses using EPMA, pXRF, LA-ICP-MS and FT-IR were conducted in this study of Late Bronze Age (LBA) White Slip II ware (WS-ware) imports at the Canaanite site Tel Esur (Tel Esur WS). The WS-ware is typically decorated with black-brown geometric patterns painted over a white slip layer. The study of the WS-ware provides useful information and a multi-analytical database regarding the composition, ceramic technology, raw materials, origin and cultural issues. The results demonstrate that the LBA potters select raw materials suitable for production of ceramics, slip and paint. The ceramic-body of the WS-ware was made of raw material that has been an appropriate selection to produce a hard and thin-walled vessel. For accentuating the black decoration over the dark reddish-grey ceramic-body, the latter was covered with white slip layer. The black decoration was made of ferromanganese-based pigment, which allows black decoration through firing of the vessels at an oxidizing atmosphere. The raw materials for the production of the ceramics, slip and paint were selected from Cypriot red basaltic clay of weathered basalt province, white hydrothermal clay of altered basalt zone and umber ore, respectively. The Tel Esur White Slip II ware is proved analytically to be imported from Cyprus.
Article
The excavation at Iznik tiles kilns continues as the third period of the field mission. We present here the first on-site, non-invasive analyses performed with portable XRF instrument on twenty-five excavated tiles and two residue materials of the kiln. The shards studied were attributed to the productions from 14th- to 17th-centuries. The comparison was made by the discussion of characteristic elemental ratios selected from the ceramic technology criteria and PCA/Euclidean distances analysis. Three groups of body and glaze technologies were evidenced. We encountered that the amount of tin oxide in the glaze decreased over the centuries. Besides, two different types of fluxes were used in the glaze, some containing only potassium, and the others having potassium and calcium. The decors, which were investigated in this study were blue, turquoise, green, red colours, and black lines. A copper-iron mixture in the red areas was documented, which reflects the use of bornite.
Article
The production of overglaze-blue decorated porcelains in Japan has traditionally been associated with Chinese technology, but the puzzling issue of the early firing of a striking overglaze-blue enamel has remained unresolved for almost a century. This work presents the first systematic scientific study of shards excavated at kiln sites in Arita, the center of porcelain production in Japan. The study was carried out in an attempt to resolve the issue of the origin of overglaze-blue enameling on early polychrome Imari wares (Shoki Iro-e) which started around 1640, way before the same technology spread in Jingdezhen in the late Kangxi period (1700). In particular shards excavated at the Yanbeta kiln site, where it has recently been discovered that polychrome overglaze decoration started, and shards from other early kilns were analyzed for the first time. Energy-dispersive X-ray fluorescence (ED-XRF) was used to identify the chemical composition of the coloring agents present in the overglaze-blue enamels in order to determine their geographical area of origin. Experimental results provide groundbreaking information regarding the materials and technologies used in the different kilns, and show how the earliest attempts at firing overglaze-blue enamels in Arita involved the use of imported cobalt ores. For the first time, it has been scientifically proved that the successful use of an overglaze-blue decoration was a precise effect Japanese potters aimed at achieving by means of selected materials and technologies obtained from Europe, thus resolving the issues that emerged from the traditional approach of a Chinese origin for all technologies. Furthermore, comparisons between scientific analysis of late-16th and early-17th century Japanese paintings in Western style and the results presented in this work revealed that materials used for overglaze-enameling were also used for pigments employed in traditional paintings. Technologies from distant geographical areas proved crucial in pre-modern Japan.
Article
The production of the tiles in Ottoman Empire had begun as a continued workshop of Seldjuk ceramic art, and after this initial phase, its own technology was introduced into Ottoman art by local craftsmen. Iznik tiles are among the most appreciated pottery masterpieces, and wall decoration in tiles is a significant asset of Unesco World Heritage Edirne mosques. Rare glaze composition studies have been made, which justify the need for more comprehensive studies. We present here the first on-site elemental analyses performed with portable XRF instrument in four of the most representative mosques in Edirne (Şah Melek Paşa (1429), Muradiye (1435-1436), Üç Şerefeli (1410-1447) and Selimiye (1569-1575)). A handheld 785 nm Raman spectrometer was used as a complementary technique to identify some pigments. About forty tiles have been analysed in this research. Additionally, two tiles from Yeşilce Mosque (1442, Edirne) have been analysed at the Selimiye Foundation Museum. The weight percent of the elements measured with pXRF are normalised by Si amount in order to eliminate the variation due to the positioning shifts. Different glazing technologies are evidenced (Master of Tabriz Sn-free glazed tiles, Hünkar Mahfili Sn-poor glazed tiles, and Sn-(Bi) rich ones). At least three different cobalt ores have been used (with characteristic Cu, Ni, Mn and Bi content) in blue decors. Use of a chromium-based ore is demonstrated for some Selimiye Hünkar Mahfili tiles. The link between Şah Melek Paşa and polychrome (mihrab) Muradiye tiles and Seldjuk production is established. On the contrary, the technology of Üç Şerefeli and blue-and-white Muradiye tiles is unique and appears a precursor of 16th-century Iznik production. Bismuth, Sn/Pb, Co/Mn, and Co/Ni ratio appears very useful to compare the different glazes and to identify mining sources of cobalt.
Article
A set of the Classic and official Jun ware shards found at various kilns at Yuzhou (Henan) are analyzed. The blue color and milky appearance of the glazes subject of intense debate as being due to either the glaze nanostructure or chemistry. The presence of submillimetre areas showing different color and opacity gives to the glazes a three dimensional cloudy sky appearance. Nanostructure and chemistry of the glazes, oxidation state of iron and nature of the copper nanoprecipitates are studied at a submillimetre level. Images of the glaze nanostructures are obtained using a Focus Ion Beam and Scanning Electron Microscope with nanometric resolution. The size and volume fraction of the nanostructures determined by image treatment are related to the chemical composition of the glazes. Differences between kiln productions are found and the origin of the color and opacity of the glazes discussed in terms of the chemistry and nanostructure.
Article
During recent archaeological explorations at Old Goa, west coast of India, twenty three Chinese porcelain shards of the Ming (Middle to late 16th century), Qing (17th century) and late Qing period (late 17th century) have been recovered. In order to understand the nature and source of raw material and kilns, these shards were analysed for major elements with X-ray fluorescence (XRF), trace and rare earth elements by Inductively Coupled Plasma-Mass Spectrometer (ICP-MS). The analysis suggests that porcelain shards are siliceous in nature (SiO2 ~ 70%) and contain high Al2O3 (21.6%), Rb (388 ppm) and Ba (160 ppm) but have low Sr (48 ppm). This composition suggests that the raw materials used for producing porcelain were silica, kaolinite and sericite which are characteristics of porcelains manufactured in Southern China. Comparatively, high Al2O3 (kaolinite) content in porcelains of the Qing Dynasty suggest improvement of quality, particularly mechanical strength, of Jingdezhen porcelain. In general, major element composition, trace metals, total rare earth elements (∑ REE-67 ppm) and their chondrite - normalized pattern of the Ming, Qing and late Qing period are nearly similar and appear to be made of identical raw materials.