As vozes das mulheres no início do Principado Romano

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Índice general
Introducción
(Manel García Sánchez, Renata S. Garraffoni)
Clío es nombre de mujer
(Manel García Sánchez)
História das Mulheres na Antiguidade Clássica: contribuições brasileiras
(Renata S. Garraffoni)
Grecia/ Grécia
El universo femenino de los poemas homéricos
(Susana Reboreda Morillo)
Liderazgo femenino en la Grecia antigua
(Marta Oller Guzmán)
Humor, nojo, sexo e música: abordagens heterodoxas do erotismo na pintura dos vasos
áticos (séc. VI e V a.C.)
(Fábio Vergara Cerqueira)
Stephanopolides, Vendedoras de coronas en la Antigua Atenas
(Irene Cisneros)
O Simpósio feminino na pintura da cerâmica ática: reexões sobre questões de gênero
(José Geraldo Costa Grillo)
Pues era necesario que también existiera la hembra
(M. Joana Zaragoza Gras)
Gênero, violência e erotismo na cerâmica grega antiga
(Flávia Regina Marquetti)
Riqueza, poder y memoria: Mujeres promotoras de arquitectura en Grecia helenística
(Mª Dolores Mirón Pérez)
Vistiendo a los ξόανα femeninos en los santuarios griegos: ritualidad y vida cotidiana
según Pausanias
(Carmen Alfaro Giner)
Modelando al varón: Macrina vs. Iscómaco
(Mª Teresa Fau Ramos, Montserrat Jufresa Muñoz)
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53
67
85
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107
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139
161

Roma
Domus, mujeres y género. Imágenes y espacios de la dependencia femenina
(Rosa María Cid López)
Representação da mulher em narrativas biográcas e romanescas no período romano-
helenístico
(Pedro Ipiranga Jr.)
Las cartas de las mujeres de la familia de Augusto
(Aurora López López, Andrés Pociña Pérez)
Que viva el que ama: Sexualidad y género en la época de Augusto
(Manel García Sánchez)
In honorem Iuliae Caesaris liae. Luces y sombras en la Domus
(Almudena Domínguez Arranz, Mª Carmen Delia Gregorio Navarro)
As vozes das mulheres no início do Principado Romano: Linguagem, discursos e
escrita
(Renata S. Garraffoni, Pedro Paulo A. Funari)
Entre a Potência e a Fertilidade: As representações de Hermafrodito em Pompeia
(Pérola de Paula de Sanfelice)
Sex in the Ancient World: Pompeii – lo "erótico" romano en las pantallas de
televisión
(Lourdes Conde Feitosa, Victória Regina Vóros)
Jesus e a Mulher Samaritana. O Evangelho do Discípulo que Jesus Amava e as
Experiências Cotidianas no Mediterrâneo
(André Leonardo Chevitarese, Daniel Brasil Justi)
Política y violencia de género en Hispania tardoantigua. Los matrimonios regios
visigodos
(Henar Gallego Franco)
Boudica: una heroína para recordar
(Taís Pagoto Bélo)
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193
205
215
241
281
293
313
321
335
351

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As vozes das mulheres no início do Principado Romano:
Linguagem, discursos e escrita
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 
           queer, 
   
 

queer
 


  
queer


               

            

Satyricon
A matrona de Éfeso

Satyricon sermo humilis, 





 

 
 Satyricon  
            
corpus 



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World Archaeology, 
Gender and Archaeology – contesting the past

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


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

5
  




           


    
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            
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8
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

5A New Companion to Hero-
dotus
Arethusa
Epistemologia Feminista, Gênero e Historia. masculino, feminino, plural
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8Signs

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15
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  
Retratos de Augusto: A Construção de Um Imperador Romano
Revista de Arqueologia
Pública
11Plutarco e Roma: O Mundo Grego no Império
12Cadernos Pagu
Prudentia
The Classical World
Género y Etni-
cidad en la Arqueología Sudamericana
15Revista do Museu de Arqueologia e
EtnologiaHélade

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  
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             
dynamei
agency


    

Satyricon
Matrona de Éfeso.

Satyricon,
                  

  
              


   

18
Matrona quaedam Ephesi
[CXI] “Matrona quaedam Ephesi tam notae erat pudicitiae, ut vicinarum quoque gentium
feminas ad spectaculum sui evocaret. Haec ergo cum virum extulisset, non contenta vulgari more
funus passis prosequi crinibus aut nudatum pectus in conspectu frequentiae plangere, in conditorium


abducere, non propinqui; magistratus ultimo repulsi abierunt, complorataque singularis exempli
The American
Historical Review
Bandidos e Salteardores na Roma Antiga 
 Gênero e conitos no Satyricon: o caso da dama de Éfeso. História. Questões e Debates
18



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simulque et lacrimas commodabat lugenti, et quotienscumque defecerat positum in monumento
lumen renovabat. “Una igitur in tota civitate fabula erat: solum illud adfulsisse verum pudicitiae
         

“Proxima ergo nocte, cum miles, qui cruces asservabat, ne quis ad sepulturam corpus
detraheret, notasset sibi lumen inter monumenta clarius fulgens et gemitum lugentis audisset, vitio
gentis humanae concupiit scire quis aut quid faceret. Descendit igitur in conditorium, visaque
pulcherrima muliere, primo quasi quodam monstro infernisque imaginibus turbatus substitit; deinde
ut et corpus iacentis conspexit et lacrimas consideravit faciemque unguibus sectam, ratus (scilicet
id quod erat) desiderium extincti non posse feminam pati, attulit in monumentum cenulam suam,
coepitque hortari lugentem ne perseveraret in dolore supervacuo, ac nihil profuturo gemitu pectus
diduceret: ‘omnium eumdem esse exitum et idem domicilium’ et cetera quibus exulceratae mentes ad
sanitatem revocantur.
«At illa ignota consolatione percussa laceravit vehementius pectus, ruptosque crines
super corpus iacentis imposuit. Non recessit tamen miles, sed eadem exhortatione temptavit dare
mulierculae cibum, donec ancilla, vini odore corrupta, primum ipsa porrexit ad humanitatem
invitantis victam manum, deinde retecta potione et cibo expugnare dominae pertinaciam coepit et:
‘Quid proderit, inquit, hoc tibi, si soluta inedia fueris, si te vivam sepelieris, si antequam fata poscant


debet ut vivas.’ «Nemo invitus audit, cum cogitur aut cibum sumere aut vivere. Itaque mulier aliquot
dierum abstinentia sicca passa est frangi pertinaciam suam, nec minus avide replevit se cibo quam
ancilla, quae prior victa est.
[CXII] «Ceterum, scitis quid plerumque soleat temptare humanam satietatem. Quibus
blanditiis impetraverat miles ut matrona vellet vivere, iisdem etiam pudicitiam eius aggressus est. Nec
deformis aut infacundus iuvenis castae videbatur, conciliante gratiam ancilla ac subinde dicente:

illa nocte, qua nuptias fecerunt, sed postero etiam ac tertio die, praeclusis videlicet conditorii
foribus, ut quisquis ex notis ignotisque ad monumentum venisset, putasset expirasse super corpus
viri pudicissimam uxorem”.
“Ceterum, delectatus miles et forma mulieris et secreto, quicquid boni per facultates
poterat coemebat et, prima statim nocte, in monumentum ferebat. Itaque unius cruciarii parentes ut
 
circumscriptus dum desidet, ut postero die vidit unam sine cadavere crucem, veritus supplicium,
mulieri quid accidisset exponit: ‘nec se expectaturum iudicis sententiam, sed gladio ius dicturum
ignaviae suae. Commodaret ergo illa perituro locum, et fatale conditorium familiari ac viro faceret.’
Mulier non minus misericors quam pudica: ‘Ne istud, inquit, dii sinant, ut eodem tempore duorum
mihi carissimorum hominum duo funera spectem. Malo mortuum impendere quam vivum occidere.’

«Usus est miles ingenio prudentissimae feminae, posteroque die populus miratus est qua
ratione mortuus isset in crucem19.»





matrona
pudicitiaad spectaculum suifeminae
uir
singularis exempli femina 
matrona 
         pulcherrima muliere 
muliermatrona
monstro
infernisque imaginibus           
feminam
 desiderium extincti 
femina matrona, mulier desiderium

muliercula

homunculus
ancilla
uolo
ancilla. abstinentia sicca 

Sicca
úmida
  
milesmiles
blanditiae
abstinentia
sicca   

     miles 
             

nuptias fecerunt
uxorpudicissima uxor
miles   
delectatus

circumscriptusueritus supplicium
mulier
uirfamiliaris
mulier
carissimi homines duo
homines

288
prudentíssima femina
muliermilesfemina
matrona uiruxormaritus
mulier/milesuxor/maritus matrona/
uir      


status
   
           
     
                









 
  
21
            Aspectos da Antiguidade
Aspects of Antiquity: Discoveries and Controversies)
  
22



              



            


Risu excepere fabulam nautae
21 

Antiguidade como Presença: Antigos, Modernos e usos do passado
22Aspectos da Antiguidade, 

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 corpus
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   
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             
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    
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
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
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     
Cadernos Pagu,
25-
péia,    Corpus Inscriptionum Latinarum 


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              
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             
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

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             
  




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

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            
   
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
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


Op. Cit
WAC - 08 World Archaeological Con-
gress
28Op. Cit

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
            

              


           





               


            



 


ContraStudying gender en Classical 
Hélade
PaceRömische Gesellschaftin unserer Zeit Alte Geschichte ohne Archäologie nicht
mehr denkbar ist

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