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Original Communication
From Creative Potential to
Creative Achievements
Do Emotional Traits Foster Creativity?
Natia Sordia
1
, Khatuna Martskvishvili
1
, and Aljoscha Neubauer
2
1
Department of Psychology, Faculty of Psychology and Educational Sciences, Ivane Javakhishvili Tbilisi State University, Tiblisi, Georgia
2
Institute of Psychology, Karl Franzens University of Graz, Austria
Abstract: Creative potential realized in creative achievement changes the world and defines progress. Accordingly, the investigation of factors
that contribute to the process of achieving creative accomplishments seems essential. The relationship between creativity and personality was
a thoroughly studied subject almost from the very beginning of creativity research, yet even today it is still unclear whether emotion-related
personality traits –specifically, trait emotional intelligence and emotional creativity –are the driving factors that help individuals with creative
potential to gain creative achievements. In this study, 342 participants (M
age
= 21.87, SD = 5.84) took the Alternative Uses and Instances tasks
(creative potential); the Inventory of Creative Activities and Achievements (ICAA); the Trait Emotional Intelligence Questionnaire (TEIQue); and
the Emotional Creativity Inventory (ECI). Results show that trait emotional intelligence (specifically, the sociability factor) and emotional
creativity (namely, the novelty aspect) moderate the relationship between creative potential and creative achievements, while this relationship
is mediated by creative activities. The study provides insight into which emotional personality traits can facilitate the path from creative
potential to real-life creative achievements.
Keywords: creative potential, creative activities, creative achievements, trait emotional intelligence, emotional creativity
Creativity is the ability to produce work that is original, use-
ful, and generative (Sternberg & Lubart, 1996). It has been
under study for many years and from different perspectives.
Different aspects of the concept –person, process, press,
product, persuasion, and potential (Kozbelt, Beghetto, &
Runco, 2010)–found their way into theories. These aspects
can in turn be classified into two categories: creative poten-
tial and creative performance. Creative performance is
related to product and persuasion and is expressed in unam-
biguous creative behavior. Personality and press theories of
creativity are united in creative potential (Runco, 2008),
which can be described as yet-unfulfilled ability and
subjective processes that are not acknowledged by others.
The ideas generated by people with creative potential
(Barron, 1955; Runco & Jaeger, 2012) are not always
transformed into creative achievements (Eysenck, 1995;
Jauk, Benedek, & Neubauer, 2013). Realization of creative
potential depends on various factors, including motivation,
ability, courage to do something original and useful, and a
love for what you are doing (Torrance, 2003). A number
of different personality traits have been found to determine
real-life creative accomplishments (Jauk et al., 2013;
Torrance, 1969; Torrance, 2003), but it is still not clear
whether emotional personality traits help individuals with
creative potential to accomplish creative achievements.
The current study examines which emotional personality
traits help people to promote and transform creative poten-
tial into creative achievements.
Creative Potential and Creative
Performance
Creative potential is a normally distributed trait (Eysenck,
1995), related to an individual’s cognitive ability to generate
something that is useful and original (Barron, 1955; Runco
& Jaeger, 2012). The potential to be original and at the same
time useful is related to divergent thinking and is assessed
by means of ill-structured problems where many possible
solutions can be found (Guilford, 1950; Runco, 2010).
The amount of possible solutions –quantity of given ideas
–provides one of the indicators of creative potential: flu-
ency. Another indicator –originality –is related to the
uniqueness of the given ideas (Wallach & Kogan, 1965)or
the expert-rated quality of the ideas (Silvia et al., 2008).
For creativity, it is important to distinguish between
creative potential, creative activities, and creative achieve-
ments. People with creative potential may realize this
potential in everyday creative activities and creative
Ó2019 Hogrefe Swiss Journal of Psychology (2019), 78(3–4), 115–123
https://doi.org/10.1024/1421-0185/a000227
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