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Abstract

In this article, three prevailing myths about team and organisational culture – an increasingly popular topic in applied sport psychology research and practice – are identified, reviewed and challenged. These are; that culture is characterised only by what is shared, that culture is a variable and therefore something that a particular group has, and that culture change involves moving from the old culture to an entirely new one. We present a challenge to each myth through the introduction of alternative theoretical and empirical material and discuss the implications for sport psychology research and practice. The intent of this endeavour is to stimulate debate on how to best conceptualise and study culture. More broadly, we aim to encourage sport psychologists to consider team and organisational culture in new and/or varied ways, beyond current conceptualisations of consensus, clarity, integration and as a management tool to facilitate operational excellence and on-field athletic success.
Running Head: Culture myths and sport psychology
Three Team and Organisational Culture Myths and their Consequences for
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Sport Psychology Research and Practice
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Michael McDougalla,b, Noora Ronkainenc, David
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Richardsona, Martin Littlewooda, and Mark Nestia
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a School of Sport and Exercise Sciences, Liverpool John Moores University, Liverpool, UK
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b Turock School of Arts & Sciences, Keystone College, Pennsylvania, USA
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c Department of Psychology, University of Jyväskylä, Finland
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Contact Author: Michael McDougall. m.mcdougall@2011.ljmu.ac.uk
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This is a ‘pre-corrections’ manuscript. The Version of Record of this manuscript has been
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published and is available in the International Review of Sport and Exercise Psychology
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4th July, 2019 https://doi.org/10.1080/1750984X.2019.1638433
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Culture myths and sport psychology
Three Team and Organisational Culture Myths and their Consequences for Sport
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Psychology Research and Practice
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Abstract
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In this article, three prevailing myths about team and organisational culture an increasingly
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popular topic in applied sport psychology research and practice - are identified, reviewed and
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challenged. These are; that culture is characterised only by what is shared, that culture is a variable
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and therefore something that a particular group has, and that culture change involves moving from
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the old culture to an entirely new one. We present a challenge to each myth through the
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introduction of alternative theoretical and empirical material and discuss the implications for sport
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psychology research and practice. The intent of this endeavour is to stimulate debate on how to
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best conceptualise and study culture. More broadly, we aim to encourage sport psychologists to
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consider team and organisational culture in new and/or varied ways, beyond current
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conceptualisations of consensus, clarity, integration and as a management tool to facilitate
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operational excellence and on-field athletic success.
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Keywords: Elite sport; applied practice; critical realism; interpretation; conflict
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Culture myths and sport psychology
Three Team and Organisational Culture Myths and their Consequences for Sport
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Psychology Research and Practice
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Myths, in at least in one sense of the word, are beliefs and ideas that are widely held but
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which are ultimately false, exaggerated or idealised (Cohen, 1969). As they are told and re-told,
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myths are perpetuated and over time often become the starting point for all discussion in a
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particular area. It is only when subjected to empirical scrutiny and critical evaluation, that they
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are revealed as tenuous and less definite than they originally seemed or was claimed.
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There has been a tradition of challenging well-established perspectives, or myths in sport
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psychology. For instance, Professor Lew Hardy in his Coleman Griffith Address and subsequent
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article (1997) outlined the myths of applied consultancy work. Hardy challenged existing
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thought in three areas: that cognitive anxiety is always harmful to performance and should be
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reduced whenever possible, that outcome goals and ego orientations have a detrimental effect on
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a number of performance-related variables, and that internal visual imagery is more beneficial to
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performance than external visual imagery. More recently, Professor Dave Collins - on award of
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the ‘DSEP Distinguished Contribution Award for 2013’ and in the related paper (2014) -
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described ‘Three More Myths of Applied Sport Psychology Practice’. This comprised a
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constructive challenge to the widely held assumptions that we are an applied science, that we are
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focused on client experience, and that we do have a secure basis for development through our
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literature base. Challenging myths is an essential endeavour because it is through the critical
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appraisal of current literature, that we can ensure ‘our educated guesses are truly educated’
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(Hardy, 1997, p. 291). Moreover, it is a process that can ‘stimulate debate’ and ‘take things
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forward’ (Collins, 2014, p. 37). In this article, we build on this important tradition and challenge
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Culture myths and sport psychology
three myths in an area that increasingly fascinates both research and applied sport psychologists
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team and organisational culture.
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While we acknowledge that some authors (e.g., Cruickshank & Collins, 2012;
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Cruickshank, Collins, & Minten, 2013a, 2013b) have attempted to delineate their research on
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team culture from an organisational level focus (in accordance with their precise aims of study),
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our review incorporates sport psychology literature from both team culture and organisational
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culture levels of analysis. We do this primarily on the grounds that we focus on and describe
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observed commonalities that link this culture literature in terms of definition, conceptualisation
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and operationalisation. For instance, and as one example of necessary conflation, some sport
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psychology researchers have acknowledged their reliance on Edgar Schein’s well-cited definition
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(cf. Cruickshank & Collins, 2012) and conceptualisation (cf. Henriksen, 2015) of organisational
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culture to ground and advance empirical research at the team level within sport. The
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development of team culture literature and culture change research (e.g., Cruickshank et al.,
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2013a, 2013b; Cruickshank, Collins, & Minten, 2014, 2015; Henriksen, 2015) in sport
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psychology has therefore been abstracted from ideas of organisational culture in other domains.
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Thus, no matter the level of foci, these associations and origins are not easy to disregard, because
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they have provided a base from which subsequent work has emerged.
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Regardless of the line of cultural inquiry, the extant team and organisational culture
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literature in sport psychology has also been bound by a similar research agenda, which has
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typically been one of performance enhancement and culture change. There are other
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commonalities: most of this research has been explicitly leader-centric and managerialist,
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whereby scholars have developed a view of culture as a singular, uniformed and easily
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Culture myths and sport psychology
manipulatable entity. These commonalities bind the body of work and, we think, challenge the
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idea that team and organisational culture are completely distinct lines of inquiry.1 Given that we
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focus closely on these congruities in the myths we present and challenge, we feel it is appropriate
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(and necessary) to refer to both team and organisational culture literature within sport
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psychology as part of our broader critique. We therefore primarily adopt the term culture
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throughout the article but make distinctions to guide readership and denote the level of analysis,
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or particular focus of research, where appropriate.2
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Moreover, and acknowledging that the meanings of culture are numerous and debated
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(Geertz, 1973; Martin, 2002) for the purposes of this paper, we use the term to refer broadly to
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cultural symbolic phenomena that people interpret and ascribe meaning to (Alvesson, 2002;
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Geertz, 1973; Maxwell, 2012). In this way culture is fundamental to an understanding of
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everyday practices, ideas, events, structures and processes, but is also the setting in which such
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phenomena are grasped and found meaningful (Alvesson, 2002).
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In our critique of identified myths, we draw on critical realist positioning, combining
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ontological realism (the world is how it is) and constructivist epistemology (our theories and
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explanations are social constructions) (cf. Maxwell, 2012). From this perspective then, we
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assume that culture is real it is embedded in the action and processes of real life and has
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consequences for how we live and see ourselves (Ortner, 1999) but that our knowledge of it is
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far from straightforward and inevitably predicated on interpretation. Consistent with many forms
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of realism, we do not seek a single correct or authoritative understanding (Maxwell, 2012) of
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culture; but do think it critical that the sport psychology community, still in the early stages of
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research in this area, searches rigorously and creatively for theories and interpretations that can
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Culture myths and sport psychology
more accurately explain, depict and make novel use of the culture concept. We consider this a
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vital endeavour, since there is a general complacency that underlies the uniform approaches to
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team and organisational culture within sport psychology, and because the very fate of culture is
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argued to hinge on its uses and the diversity with which it is located and examined (cf. Alvesson,
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Kärreman, & Ybema 2017; Ortner, 1999). Where appropriate, we also integrate critique from
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interpretive positions (e.g., Alvesson, 2002; Geertz, 1973; Smircich, 1983) that have contributed
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to challenging positivist conceptualisations of culture. Interpretivist approaches are generally
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accepted to stem from traditions in hermeneutics and phenomenology and are grounded in a
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concern with meaning, and the subjective experiences and meaning-making activities of social
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actors that are to be made sense of through interpretation (Schwandt, 1994). While different in
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ontological positioning, contemporary realist (critical or otherwise) and interpretivist scholars
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often share assumptions about the importance of meaning, complexity of social phenomena and
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theory-laden knowledge, and realist conceptualisations of culture are in many ways similar to
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those advanced in interpretivist and postmodernist approaches (Maxwell, 1999, 2012). Research
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and commentary from these approaches have consistently offered original critique and
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alternatives to stagnant and well-worn conceptualisations and accounts of culture. They retain
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the capacity to do the same for sport psychology research into team and organisational culture.
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Team and Organisational Culture Research in Sport Psychology
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The study of culture in the performance enhancement discourses of sport psychology has
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emerged from the growing realisation that individual-focused traditional methods of sport
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psychology were limited in their capacity to help applied practitioners to understand and
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influence team and organisational performance issues (e.g., Hardy, Jones, & Gould, 1996, Jones,
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Culture myths and sport psychology
2002; Nesti, 2004). A number of scholars have since highlighted that expertise in team and
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organisational culture, as it relates to performance, is necessary for effective sport psychology
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delivery (e.g., Cruickshank & Collins, 2012, 2013; Cruickshank et al., 2013a, 2014, 2015;
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Eubank, Nesti, & Cruickshank, 2014; Fletcher & Arnold, 2011; Fletcher & Wagstaff, 2009;
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Henriksen, 2015; McDougall & Ronkainen, 2019; Nesti, 2010; Wagstaff & Burton-Wylie, 2018,
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2019); particularly at the elite-professional levels of sport where more than the application of
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mental skills techniques is demanded (McDougall, Nesti, & Richardson, 2015; McDougall,
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Nesti, Richardson & Littlewood, 2017; Nesti, 2010). Working in a broader capacity across the
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team or organisation, the sport psychologist has often been portrayed as an agent of culture
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change, intentionally influencing culture (or at least supporting others, such as performance
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leaders in this task), to facilitate athletic and operational excellence (e.g., Cruickshank & Collins,
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2012, 2013; Cruickshank et al., 2013a; Eubank et al., 2014; Fletcher & Arnold, 2011; Henriksen,
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2015).
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While the literature on team and organisational culture has grown steadily, a
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preoccupation with how to use culture for high performing ends has preceded more focused
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attempts at first trying to understand what culture is or might be. Aside from some recent
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attempts to clarify the concept and expand its meaning(s) (McDougall et al., 2017; McDougall &
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Ronkainen, 2019; Wagstaff & Burton-Wylie, 2018, 2019), a number of assumptions about
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culture (i.e., the myths we will subsequently outline) seem to have been widely accepted within
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sport psychology without much discussion. This typical line of inquiry has arguably fostered a
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superficial appreciation of what is widely regarded as a notoriously complex concept (cf.
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Alvesson, 2002; Geertz, 1973; Martin, 2002; Schein, 2010). As McDougall and Ronkainen
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Culture myths and sport psychology
(2019) noted, shallow understandings of culture operating in tandem with leader-led and
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managerialist perspectives have already contributed to considerable intellectual stagnation within
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wider organisational and management culture scholarship. They urged the sport psychology
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community to be mindful of this point and to recognise that as a discipline we are presently
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travelling on the same path that led to the decline of culture study (both in volume and
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intellectual vitality) in organisational studies almost three decades ago. Alongside Wagstaff and
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Burton-Wylie (2019), they further recommended that sport psychology scholars do not
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oversimplify culture, and continue to cultivate a deeper appreciation of it, its foundations, and
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the variety of perspectives that can be used to understand and communicate its meanings.
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Our primary aim within this paper is to support a progression of understanding of culture
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by identifying and challenging three myths that have gathered significant traction within the
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team and organisational literature. These are: that culture is defined and characterised only by
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what is shared; that culture is a variable and therefore something that a group has; and finally,
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that culture change involves creating a completely new culture. We offer observations
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constructively in the hope they will stimulate debate and dialogue among scholars and
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practitioners and encourage others to question taken for granted threads that run through the
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spine of our discipline’s team and organisational culture literature.
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Myth 1: Culture is Defined and Characterised ‘Only’ by what is Shared
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There is almost complete consensus in the performance discourses of sport psychology
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literature that culture is characterised purely by what is shared (e.g., Bailey, Benson, & Bruner,
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2017; Cruickshank & Collins, 2012, 2013; Cruickshank et al., 2013a, 2014, 2015; Fletcher &
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Culture myths and sport psychology
Arnold, 2011; Henriksen, 2015; McCalla & Fitzpatrick, 2016). In a study of performance
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leadership, Fletcher and Arnold referred to culture as ‘shared beliefs and expectations’ (2012, p.
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228), while Bailey and colleagues (2017, p. 228) in an examination of the organisational culture
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of CrossFit used the extensively cited work of organisational scholar Edgar Schein (2010) to
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define organisational culture as:
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a pattern of shared basic assumptions that the group learned as it solved its problems of
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external adaption and internal integration, which has worked well enough to be considered
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valid and, therefore, to be taught to new members as the correct way to perceive, think, and
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feel in relation to those problems. (Schein, 2010, p. 18)
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Cruickshank and Collins (2012) also drew upon the scholarship of Schein to help define
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team culture as ‘a dynamic process characterised by the shared values, beliefs, expectations, and
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practices across the members and generations of a defined group’ (p. 340). This latter definition
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is one that has been utilised frequently in research and commentary (including our own), as a
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base from which to further examine ideas of team and organisational culture and associatively
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ideas of culture change (e.g., Cruickshank et al., 2013a, 2014, 2015; Eubank, Nesti, &
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Littlewood, 2017; McCalla & Fitzpatrick, 2016; McDougall, et al., 2015; McDougall et al,
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2017).
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Following these definitions, successful cultures, at any level of analysis (e.g., team,
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performance department, organisation), are argued to be ones built on the creation and regulation
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of shared cultural elements such as beliefs, expectations, values and practices (e.g., Bailey et al.,
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2017; Cruickshank & Collins, 2012, 2013; Henriksen, 2015). Themes of unity, togetherness,
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Culture myths and sport psychology
cohesion, coherence, clarity and commonality of goals and vision are frequently extolled (e.g.,
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Bailey et al., 2017, Cruickshank & Collins, 2012, 2013; Cruickshank et al., 2013a, 2013b, 2014,
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2015; Fletcher & Arnold, 2011; Henriksen, 2015). There are now also specific courses of action,
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models and guides to best practice that performance leaders (and supporting sport psychologists)
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can adopt to maximise these themes to facilitate a high performing and shared inculture
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(Cruickshank et al., 2013a, 2014, 2015; Henriksen, 2015).
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The precise strategies and practices recommended within these guidelines and
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frameworks to engender a high performing culture within a team or organisation are varied,
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spanning a range of planning, evaluation and management activities that help to promote shared
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perceptions and acceptance of change (Cruickshank et al., 2014, 2015; Henriksen, 2015). Such
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activities include, for instance, embedding agreedupon group values into day-to-day existence
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and behaviours (Henriksen, 2015); the subtle and covert shaping of the physical, structural, and
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psychosocial context in which culture members make choices (Cruickshank et al., 2014); and
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increasing political influence through seeking social allies and cultural architects and aligning the
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perceptions of key personnel (Cruickshank et al., 2014, 2015). Those who toe the line and live
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the desired values will likely be rewarded (Henriksen, 2015). Conversely, it is suggested that
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some cultural members should be ignored so as to subliminally create shared expectations and
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adherence to the focus and principles of the performance programme (Cruickshank et al., 2014).
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From this view, culture involves ‘singing from the same hymn sheet’ (Cruickshank et al., 2015 p.
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46), and is labelled as ‘the way things are done around here’ (Cruickshank & Collins, 2013, p. 9;
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Cruickshank et al., 2013b, p. 323), ‘the way we do things here’ (Bailey et al., 2017, p. 2) or ‘how
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we do things’ (Henriksen, 2015, p. 146).
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Culture myths and sport psychology
This way of describing culture is a cross-discipline commonality indicative of excessive
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reliance (either knowingly or unwittingly, but often unacknowledged) upon structural-
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functionalist traditions that were developed within British social anthropology (Radcliffe-Brown,
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1952) from the social theory of Emile Durkheim (1893/1984). Central to this school of thought is
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the idea that social systems have a high degree of cohesion and stability, with unity, consistency
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and harmony characterising relationships between members of a given group or society. While
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anthropology and sociology became increasingly critical of this idea of culture, structural-
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functionalism found new life in its profound, even overbearing influence on the rapid
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development of the organisational culture concept in the 1980s (Meek, 1988; Ouchi & Wilkins,
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1985). It is highly visible in the lifetime work of influential organisational culture authority
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Edgar Schein (cf. 2010), and therefore often present within a significant body of academic
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literature that adopts Schein’s work as an intellectual default position from which to consider
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culture. In essence, the premises of structural-functionalism while not always translated
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faithfully have been melded to a distinctly managerialist approach which has seen the concept
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of culture frequently equated with social cohesion on the one hand and group functioning and
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effectiveness on the other (Meek, 1988).
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The Challenge
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In the described conceptualisation of culture, there is limited room for contestation,
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ambiguity and variability of interpretation. For example, in a critique of Cruickshank et al.’s
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(2013a) study of culture change within a professional sport team, Gilmore (2013) observed that
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the creative capacity by which group members as culture-makers can resist the dominant culture
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is missing from the account. It is an omission that we believe extends throughout sport
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Culture myths and sport psychology
psychology team and organisational culture research to date. Yet, as Gilmore (2013) noted,
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athlete autobiographies are replete with stories of resistance and rebellion to cultural and
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managerial regimes. Elite sport environments are also consistently distinguished as socially
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complex, volatile and ridden with conflict and unique flows of power (Cruickshank & Collins,
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2012; Cruickshank et al., 2014; 2015; Nesti, 2010); characteristics that would seem to necessitate
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a closer cultural inspection of contestation and uncertainty. However, it seems as though
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anything not clearly shared in by all group members is viewed in performance enhancement
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discourses as somehow lying outside of culture. The implicit assumption is that culture is a
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naturally homogenized and homogenizing phenomenon and that anything that is not sharedin
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is not cultural, but rather a temporaryblip to be managed out on the road to unity.
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There are other established traditions in wider culture scholarship that resist such neat
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presentations of culture. For instance, in his phenomenally influential book Interpretation of
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Cultures (1973), anthropologist Clifford Geertz declared that nothing has done more to discredit
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cultural analysis than the construction of impeccable depictions of formal order in whose actual
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existence nobody can quite believe(p. 18). Indeed, anthropologists have become increasingly at
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ease with the need to rethink culture in terms of being a singular, shared set of meanings that
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distinguish one culture from another (Abu-Lughod, 1999) and have offered persistent theoretical
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and empirical challenges to this outdated conceptualisation (cf. Maxwell, 2012). In
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organisational domains, many well-known culture researchers have also been sceptical of
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definitions and accounts of culture that are devoid of attention to difference, variability, conflict,
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contestation and ambiguity (e.g., Alvesson, 2002; Martin, 2002, 2004; Meyerson & Martin,
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1987; Willmott, 1993). Joanne Martin, for example, suggested that what the shared culture
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Culture myths and sport psychology
position actually offers is ‘a seductive promise of harmony and value homogeneity that is
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empirically unmerited and unlikely to be fulfilled’ (Martin, 2004, p. 7). In cross-cultural
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literature (e.g., Triandis, 1995), scholars have also pointed out that conflict and variability of
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interpretation are not only present but also sometimes valued in individualistic cultures (the main
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context of team and organisational culture research in sport). These challenges denote a common
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critique directed at impeccableaccounts of culture; that a concept of culture wed to ideas of
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consensus and clarity is simply too undifferentiated, too homogeneous. Given various forms of
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social difference and inequality, how could everyone within a group hold the same worldview
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and orientation towards it (Ortner, 2005)?
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The implication of this challenge is that regardless of the unit of cultural analysis (e.g.,
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team, performance department, or organisation), the conceptualisation and operationalisation of
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culture must include more than what is coherent and shared simply because cultural members
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interpret, evaluate and enact it in various ways. Many organisational management researchers
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have therefore recognised the purposeful existence and development of sub-cultures and
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countercultures which can support, contest, or be indifferent to the culture articulated and
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espoused by upper management (e.g., Martin, 2002). Elite sport, having undergone rapid
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professionalisation and expansion within global economies and multicultural societies, are
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increasingly acknowledged as diverse - occupationally, demographically and culturally (Nesti,
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2010; Ronkainen & Blodgett, in press; Ryba, Schinke, Stambulova, & Elbe, 2018). It follows
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that the existence of multiple subcultures imbued with alternative interpretations of how things
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are - rather than one unitary culture - is likely in most sporting contexts. We may also reasonably
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add that people are usually part of a number of cultures (both within and outside of an
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Culture myths and sport psychology
organisation or team) and derive their identity(s) and values from many sources. Various
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identities and identifications can include, for instance, gender, sexuality, race, ethnicity, politics,
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religion, spirituality, family, class, and meaningful experiences (Blodgett, Schinke, McGannon,
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& Fisher, 2015). Cultural learning and the identities that stem from these important sources are
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unlikely to be completely dissolved, forgotten or entirely ignored, even in the face of managerial
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processes and the forceful promotion of a unitary culture and a way things are around here
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philosophy.
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Together, these ideas challenge notions of a single, shared, monolithic culture;
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highlighting the very premise as unrealistic and even harmful. For example, in cultural sport
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psychology (CSP) literature, it has been suggested that athletes negotiate their identities in
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relation to multiple sources; but that identity can become oppressed and marginalised within
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sport cultures or particular contexts, such as in the face of discrimination and social exclusion
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(Blodgett, Ge, Schinke & McGannon, 2017). CSP scholars (e.g., Schinke & Hanrahan, 2009)
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and applied practitioners (e.g., Nesti, 2004) within our discipline have therefore called for the
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development of more nuanced understandings of cultural variability in motivation,
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communication, and meanings that athletes ascribe to sport.
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There are also concerns outlined in non-sport psychology organisational culture literature
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that consultants who cultivate a perspective of culture based only on what is sharedrisk
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developing a narrow approach replete with a number of cultural blind spots (cf. Maitland, Hills,
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& Rhind, 2015; Martin, 2002). Specifically, these might include downplaying, dismissing or
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misunderstanding other types and sources of cultural content that are not shared, clear, or
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coherent (Martin, 2002). Without this broader view, the complexity of day-to-day cultural life as
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Culture myths and sport psychology
experienced by coaches, managers, and athletes with marginalised identities or lower status and
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authority is potentially excluded (Maitland et al., 2015). We suggest that Martin and Meyerson’s
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organisational culture scholarship (cf. Martin, 2002) and their distinction between integration
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(what is shared), differentiation (what is contested), and fragmentation (what is unclear and
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ambiguous), is particularly useful for sport psychology researchers and practitioners who are
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looking for practical ways to consider culture beyond patterns of sharedness. For an excellent
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overview of this influential work and its adoption in wider sport literature, we also direct
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readership to Maitland et al.’s recent (2015) systematic review of organisational culture in sport.
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Myth 2: Culture is a Variable and Therefore Something that a Team or Organisation has
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In sport psychology team and organisational culture research and commentary, culture is
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primarily treated as something that a group has rather than as something a group is (i.e., that
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permeates its whole existence) (McDougall et al., 2017; Ronkainen & Blodgett, in press). In this
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way, culture is considered as something that a group has ownership over. As property of a group,
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culture is framed as a clear entity that is out there in the environment, and therefore easily
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discoverable. In part, what renders culture discoverable is the distinct features and processes that
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it is assumed to be comprised of. In sport psychology, the most commonly identified core
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elements of culture are values, practices, expectations and beliefs that group members share
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(Cruickshank & Collins, 2012, 2013; Cruickshank et al., 2013a, 2014, 2015; Fletcher & Arnold,
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2011; McCalla & Fitzpatrick, 2016). It is through the identification of these, and similar
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elements, that culture is seemingly transformed from a slightly ethereal phenomenon with non-
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observable properties into something more concrete and that a group can possess.
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Culture myths and sport psychology
From this acceptance of a somewhat positivist view of social reality, culture has
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frequently been operationalised in a manner comparable to how experimental scientists treat
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variables. As a variable, culture can be isolated, regulated, mechanically manipulated and
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ultimately changed through strategy, planning and intervention to support the aims and agendas
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of decision makers. Research within this perspective primarily adopts a functional approach
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(Alvesson, 2002), whereby the emphasis becomes how the cultural parts that comprise the whole
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(such as beliefs, values, and practices) function to maintain social control (Ouchi & Wilkins,
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1985). Following in this structural-functionalist tradition, sport and organisational researchers
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have attempted to distinguish between cultures that are more or less functional (e.g., Cruickshank
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& Collins, 2012; Henriksen, 2015; Schein, 2010). Certain types of cultures are assumed to lead
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to desirable outcomes such as employee commitment, motivation, adherence to values and
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effectiveness. In this way, culture is framed as the critical variable to improve or reinvigorate
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performance.
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The intuitive value of thinking about culture in this manner is continually reinforced by
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the sport media and performance leaders, who regularly espouse the benefits of getting a
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strong, right, or another particular type of culture in place as if it is easily manoeuvrable. At
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the same time, those who do not fit the idealised culture are often marginalised and could be
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labelled in various ways such as team cancer (McGannon, Hoffmann, Metz, & Schinke, 2012)
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or lacking mental toughness (Coulter, Mallett, & Singer, 2016). Typically and in relation to Myth
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1, this often revolves around the desire for having cultures that are underpinned and regulated by
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consensus, unity, and coordinated action.
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The Challenge
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Culture myths and sport psychology
Outside of sport psychology, many researchers discuss the idea that culture is a root-
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metaphor for group understanding. This means that a group is a culture, or rather, can be seen as
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if it is one (e.g., Alvesson, 2002; Smircich, 1983; Willmott, 1993). Organisations then, for
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example, are therefore not ‘understood and analysed in material terms, of which culture is a part
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but in terms of their expressive, ideational, and symbolic aspects’ (Smircich, 1983, p. 348). This
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is a perspective more aligned to the way many anthropologists - especially from the 1970s
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onwards have treated culture (Meek, 1988; Willmott, 1993). It is also more commensurate with
351
how researchers in the CSP movement a distinct, yet parallel track to culture research in high-
352
performance sport (e.g., Ryba & Wright, 2005; Schinke & Hanrahan, 2009) have considered
353
culture.
354
From this alternative position on culture, the social world is conferred a far less concrete
355
(though not necessarily less real) status. As a more fluid and evolving entity culture is no longer
356
viewed as readily quantifiable or easily identifiable (Alvesson, 2002; Geertz, 1973; Smircich,
357
1983). Instead, it is seen as a creation of people; a product of the network of symbols and
358
meanings that cultural members negotiate, produce and reproduce over time (Alvesson, 2002;
359
Geertz, 1973; Meek, 1988; Smircich, 1983). Culture is thus assumed to be borne of social
360
interaction and deeply embedded in and entwined with the contextual richness of the social life
361
of cultural members (Meek, 1988; Smircich, 1983). It is the degree of this embeddedness that
362
renders culture less easy to discover and why it cannot be mechanically moved around (Meek
363
1988) as if it is a thing in the natural world.
364
Neither is culture seen as something that can be imported into a group or created by
365
leadership or consultants with expertise (Meek, 1988), as culture change researchers in sport
366
Culture myths and sport psychology
psychology have been inclined to imply (e.g., Cruickshank et al., 2014, 2015; Henriksen, 2015).
367
Rather, because all members of a group are culture makers (Gilmore, 2013), its creation is
368
emphasised as layered and complex, rather than originating or developing from any one person
369
or source (Meek, 1988). Proponents of the root-metaphor view of culture are thus inclined to
370
play down the leadership-driven practical usages of culture that are sought by management; a
371
pursuit that many culture purists have historically deemed unworthy of academic attention
372
(Willmott, 1993). Although this outlook may seem pessimistic and even combative, the link
373
between culture and group performance - while seemingly intuitive has been elusive, difficult
374
to establish and lacks empirical support (Gregory, Harris, Armenakis, & Shook, 2009; Siehl &
375
Martin, 1990).
376
There is perhaps some valuable middle ground between these two traditions in the study
377
of culture that can be intentionally explored. Awareness and acknowledgement of alternative
378
positions do have practical implications for sport psychologists: Firstly, because theory should
379
inform our practices (and cyclically, practice should also inform theory, so that organic and
380
phenomenological everyday experiences of social actors within sport contexts are reflected in
381
research); and secondly because culture no matter the orientation towards it - affects social
382
matters and people in deeply profound and practical ways. Moreover, if culture is not fetishised
383
as a variable, then it is immediately rendered messier, more complex, and troublesome. If not a
384
variable, then culture cannot be identified, controlled, or regulated (Alvesson, 2002; Martin,
385
2002; Meek, 1988) to the extent suggested in sport psychology culture change literature (e.g.,
386
Cruickshank et al., 2014, 2015; Henriksen, 2015). This, in turn, affects how sport psychologists
387
sell their culture expertise and indeed, their overall competency. Sport psychologists who are
388
Culture myths and sport psychology
less inclined to describe and operationalise culture as a variable may find that there is
389
substantially less receptivity to their culture views from sport organisations and performance
390
leaders who are seeking cultural solutions to practical problems (Wagstaff & Burton-Wylie,
391
2018).
392
Although the harder realities of elite sport may seem incompatible with this alternative
393
concept of culture, we believe that cultivation of this perspective also affords an opportunity for
394
sport psychologists. A less mechanistic conceptualisation of culture need not be mutually
395
exclusive with the view that it is important and influences people. Nor does it mean that aspects
396
of it cannot be shaped by individual action (Meek, 1988). Conceivably, sport psychologists may
397
actually be able to deploy their culture expertise more effectively once they have accepted
398
culture cannot be consciously manipulated as a whole, and that it does not stop and start on
399
command. Centralising meaning making and prioritising understanding above concerns with
400
function (e.g., Geertz, 1973) can also inspire both subtle and deep analyses of culture that
401
manage to tease out the contextual richness, cultural diversity as well as the importance of
402
subjectivity and the agency of intentional social actors (e.g., Ortner, 1999). From a consulting
403
perspective, this point of difference with the culture-as-a-variable view is substantial. It
404
suggests that the central concern is not to locate culture and link it to other analytically distinct
405
variables, but to understand how culture is already interwoven with and influencing important
406
practical matters such as leadership, strategy, group member behaviour and team/organisational
407
performance.
408
Myth 3: Culture Change Involves Creating a new Culture
409
Culture myths and sport psychology
Central to the functional concerns of team and organisational culture scholars in sport
410
psychology is the process of culture change and in particular, the move towards a new culture. It
411
is a fascination induced by growing interest in organisational and management processes,
412
performance leadership and the need for sport psychologists to be more effective with groups
413
(e.g., Cruickshank & Collins, 2012; Fletcher & Arnold, 2011). Culture change is viewed as a
414
way for performance leaders and supporting sport psychologists to meet unrelenting demands for
415
success and avoid the consequences for not delivering it, such as termination of employment
416
(Cruickshank & Collins, 2012). According to Cruickshank and Collins (2012), this process
417
typically involves a change in culture (i.e., doing what’s already being done but better) or a
418
change of culture (i.e., introducing new principles/practices). It is in the latter that the idea of an
419
entirely new culture is most evident. Change and successful optimisation of an underperforming
420
culture depend on group member acceptance that the old (singular) culture is no longer working
421
or supporting goal attainment, or that the new culture is more rewarding or appealing
422
(Cruickshank & Collins, 2013; Henriksen, 2015).
423
For instance, in a detailed case study of culture change in the Danish orienteering team,
424
Henriksen (2015) repeatedly referred to the shift from the old culture to a new culture. He
425
described ‘the rocky road to the new culture’ (p. 146), ‘designing the pillars of the new culture’
426
(p. 147), and a ‘ritualistic goodbye to the old culture’ (p. 149). During the change journey -
427
spanning initial needs assessment to change program evaluation - anything that opposed this
428
change was cast as villainous, while the new values to be inculcated into the team were heralded
429
as better and heroic. New values described were ultimately positive, inspiring and agreed upon,
430
and became accepted as the team’s espoused values. For culture change to succeed, it was
431
Culture myths and sport psychology
advised that these espoused values must be enacted by team members in daily practices and
432
normal routines so that they become part of the team’s identity and basic assumptions.
433
Reflecting on the case study, the culture change (i.e., from old to new) was assessed as
434
successful by Henriksen (2015). One year after the new culture had been completely embedded,
435
the program was evaluated, with group members in agreement that the problematic old culture
436
was no longer a troublesome characteristic of the team. In other work, Fletcher and Arnold
437
(2011) also articulated ‘the creation of a culture’ (p. 234); as did Cruickshank and colleagues
438
across a number of articles, while emphasising that the process of culture change is never-ending
439
(Cruickshank et al., 2014, 2015).
440
The Challenge
441
The myth being perpetuated here is that culture change involves moving from an old
442
culture to an entirely new one. This is an appealing, but a particularly misleading myth, even if it
443
is meant in more symbolic, rather than literal terms. Wider literature and theory from
444
anthropology, sociology and organisational management offers several points of understanding
445
that do not support the premise of culture shifting so completely whenever some form of change
446
or new practice is implemented (e.g., Martin, 2002; Meek, 1988). While recognising that culture
447
is not a static entity, but fluid, importantly, all cultures nonetheless retain elements that have
448
been historically important and that support the group’s existence, growth, and sense of meaning
449
and tradition (e.g., Geertz, 1973; Schein, 2010).
450
Sport lends itself easily to the sourcing of such examples. The New Zealand All Blacks
451
are unimaginable without the Haka. In football, the legendary This is Anfield sign that Liverpool
452
Culture myths and sport psychology
FC players ritually touch as they take the field has endured redesign, restoration and refinement
453
of tradition, but has nonetheless remained (both physically and with regards to symbolic
454
performance). For instance and most recently, Liverpool FC manager Jurgen Klopp ordered
455
players not to touch the sign before a game. It was his opinion that the current squad of players -
456
in trying to emulate the glory of previous generations - must earn the right to touch the sign as
457
they take the field. In this example, new practice indicates how cultural meaning is preserved
458
even in the face of new and amended practices and rituals.
459
Cultural symbols and artefacts are valued and protected by a group because they relate to
460
identity (Hatch, 1993), traditions, customs and a way of life (Harris, 1964). As such, they will not
461
be given up easily even under demands from authority, suggesting that culture cannot be
462
changed as a whole and may not be malleable or entirely susceptible to leader or practitioner-led
463
change. If some of these inner workings of culture seem incompatible with agendas of carefully
464
planned change, then in part, this is because they are tied to concepts of structure, hierarchy
465
power and resistance. By affording these ideas minimal attention, or grounding them primarily in
466
leader-centric points of view, sport psychology literature and particularly culture change
467
literature - has arguably provided unrealistic expectations that practitioners can easily change a
468
culture in deliberate ways, even into an entirely new one if that is what is required. The danger,
469
however, of such an action-orientated approach, is that the sport psychologist risks
470
misunderstanding the meanings that people in the sporting environment assign, which can lead to
471
a loss of trust in the practitioner (Balague, 1999). Experienced organisational culture consultants
472
try to access important cultural assumptions before seeking to change what they do not yet
473
understand (Schein, 2010). Nesti (2010) referred to this in the context of sport psychology
474
Culture myths and sport psychology
delivery and emphasised the importance of reading the cultural matrix and delivering a service
475
that is informed by the existing culture.
476
With regard to this last point, sport psychologists must be mindful not to fall foul of a
477
progressive mindset, where new is always seen as better, and old is automatically thought of as
478
bad or somehow burdensome. The dangers of this type of thinking have been critiqued
479
extensively by some of our finest minds of the last few centuries, including Nietzsche, Erich
480
Fromm and Karl Marx, amongst others. In studies of culture and change which in many ways
481
seek to bridge the past, present and future - traditions and history can also be viewed as (at least
482
potentially) good, powerful and worth preserving. To support the development of this type of
483
thinking, sport psychology researchers and practitioners might seek to first become more familiar
484
with the concept of culture itself and how its many forms, such as stories, myths, rituals and
485
language contain, carry and symbolise cultural meaning. Correspondingly, they will have to
486
sharpen the tools of interpretation that will help them to analyse and decipher layered cultural
487
symbols and what they might mean in terms of local knowledge. This could be done, for
488
example, through greater education and training in the ethnographic methods of the
489
anthropologist, or wider incorporation of contemporary organisational methods of understanding
490
complex environments, such as organisational sensemaking (cf. Weick, 1995). More generally, it
491
perhaps also speaks to the willingness and need to locate cultural analysis within and alongside
492
analyses of broader socio-political events and processes; which often necessitate attention to
493
forms of cultural history and ideas of struggle and change (Ortner, 1999). Work in this area may
494
benefit considerably from critical realist ideas of more lasting ideational and material structures
495
that constrain or enable the actions of individual actors. For example, Layder (as cited in Sealey,
496
Culture myths and sport psychology
2007) argued that while social structures are undeniably created and shaped by human
497
endeavours, they are noted to pre-exist and endure beyond the lifespan of the individuals who
498
create them through their actions and intentions; and in this way are hard to change and not
499
always readily apparent at the everyday level of experience, meaning that we cannot be
500
completely sure what the effects of our actions upon them will be. A critical realist approach to
501
culture and associated ideas of change therefore enables researchers to challenge positivist ideas
502
of culture as a variable that is easy to isolate and modify, while encouraging greater focus on
503
social structures, that while not always directly observable are nonetheless theorised and shown
504
to be real with real consequences for the actors involved.
505
Concluding Remarks
506
In this article, we have identified three team and organisational culture myths that are
507
consistently presented in sport psychology literature and have outlined their potential
508
problematic consequences for research and practice. These are (1) that culture is defined and
509
characterised only by what is shared; (2) that culture is a variable and something a team or an
510
organisation has; and (3) that culture change involves a complete transformation from the old
511
culture to an entirely new one. Unquestioned, these myths have the potential to constrain rather
512
than broaden sport psychology understanding of culture. With this in mind, we have discussed
513
alternative culture ideas and theories from wider sources of cultural research. We suggested that
514
conceptualisations of culture must also include attention to what is different, contested and
515
ambiguous; that culture is not a variable but rather permeates all aspects of the groups’ existence;
516
and lastly, that culture does not shift from an old one to an entirely new one whenever new
517
practices and principles are introduced.
518
Culture myths and sport psychology
There are a number of ways researchers and practitioners could build on or examine some
519
of these counterarguments, should they wish to. For instance, they could draw on the
520
organisational scholarship of Martin and Meyerson (e.g., Martin, 2002; Martin & Meyerson,
521
1988) to garner a broader perspective on what might be considered cultural; mitigating the
522
tautological risk of defining culture in terms of what is shared and obvious and then only seeking
523
out confirming evidence, while omitting the rest. Indeed, in sport psychology, CSP has emerged
524
in response to the need to engage with sociocultural difference and diversity (Ronkainen &
525
Blodgett, in press; Schinke & Hanrahan, 2009). In line with recent observations (McDougall &
526
Ronkainen, 2019; Ronkainen & Blodgett, in press; Wagstaff & Burton-Wylie, 2018), we suggest
527
that CSP literature and perspectives can become a valuable resource for sport psychologists
528
seeking to capture the ways in which culture is not necessarily shared within sport contexts.
529
Sport psychologists might also become more familiar with the anthropological essays and theory
530
of Clifford Geertz and the subsequent work that his interpretivist re-theorisation of the culture
531
concept inspired across the social sciences. Understanding this important movement and modern
532
iterations of it that address important issues of agency, power, identity and so forth, will help to
533
develop studies and applied practices capable of producing more rigorous, sophisticated and
534
thick rather than thin cultural analyses. More broadly, we encourage greater use of realist
535
approaches to the study of culture, which have been used effectively as a basis for noteworthy
536
social and cultural research in anthropology (e.g., Barth, 1987) and are increasingly utilised
537
effectively in organisation and management studies (cf. Fleetwood & Ackroyd, 2004). A
538
consideration of some of these suggestions can help to challenge the underlying positivist tones
539
within functional conceptualisations of culture that are presently dominating sport psychology
540
Culture myths and sport psychology
research into team and organisational culture: for example, that culture is a tool or variable that
541
leaders and sport psychologists can use to easily manipulate the environment and those in it
542
to achieve unity, consensus and ultimately high performance on the athletic field and wider
543
operational/organisational excellence off it.
544
Finally, we reiterate the call for all culture scholars in sport psychology to outline more
545
clearly, and thoroughly, their epistemological position and what conceptualisation(s) of culture
546
has informed their work (McDougall et al., 2017; McDougall & Ronkainen, 2019; Wagstaff &
547
Burton-Wylie, 2018). This will sharpen our cultural dialogue and practices. Ultimately, perhaps
548
this also speaks to the need to place greater emphasis on the philosophy upon which our
549
understanding rests if we are to make some sense of the multifaceted, difficult concept that is
550
culture. That is, while a diversity of theory is necessary to do justice to the variety, complexity,
551
and richness of culture we must also start with reality; a phenomenology of culture that considers
552
what it is before we compartmentalise, categorise, measure and try to utilise it.
553
Notes
554
1 We direct interested readership to a valuable exchange on the matter (cf. Cruickshank et al.,
555
2013a, 2013b; Gilmore, 2013).
556
2 We wish to acknowledge and thank the reviewers for their encouragement to include this
557
section on the delineation of team and organisational culture literature and their helpful
558
suggestions in developing it.
559
Acknowledgements
560
Thank you to the anonymous reviewers for their time and constructive comments.
561
Disclosure Statement
562
Culture myths and sport psychology
There is no conflict of interest to report.
563
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... Because an operationalized definition of team culture in sport has yet to be determined, it is important to have a theoretical understanding of what team culture is and how it can be experienced (McDougall et al., 2020). The construct of team culture in sport is understood similarly to organizational culture in industrial/organizational (I/O) psychology. ...
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... The actions of peer leaders are not independent of the actions of their head coach; such interrelated behaviors are important to account for when discussing team culture (McDougall et al., 2020). The results of a simultaneous analysis of the perceptions of the two leadership levels showed the perception of head coach instructional behavior had the most significant influence on athlete perceptions of culture. ...
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Culture is a key concept that can provide deep insight into how people work and live together in groups. Applied to organisations, it offers a means of studying the textures of organisational life and of working out what is socially significant and why. Most commonly, though, this capacity to elevate awareness of the implicit understandings that make things mean what they do for organisational members has often taken a back seat to a focus on the instrumental and assumed practical applications that connect culture with desirable organisational outcomes. Here, ‘organisational culture’ is primarily treated as a way to resolve fundamental problems that organisations deal with (including those in sport and exercise settings), such as how to improve performance, develop talent, navigate change, and enhance member well-being. Consequently, in the last decade, interest has surged in organisational culture, with several sport researchers recognising that expertise in this area is an essential component of the modern sports practitioners’ arsenal (e.g., Cruickshank & Collins, 2012; Feddersen, Morris, Storm et al., 2021; Fletcher & Arnold, 2011; Henriksen, 2015; McDougall et al., 2020b; Wagstaff & Burton-Wylie, 2018).
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Adolescents and young adults continue to develop rapidly, especially in their high cognitive functions such as working memory. Sleep and regular exercise have been shown to affect brain and cognitive functions, and we investigated the interplay between these two factors on working memory. One hundred participants completed a sleep-exercise log, wore an acti-watch for five days and performed a working memory task on the sixth day. Regular exercisers were found to have significantly faster response time on the working memory task than non-regular exercisers, and such effect was moderated by actigraphy-measured total sleep time. In other words, regular exercisers had faster reaction time than non-regular exercisers only when they had sufficient sleep (>6.5hours). Our findings showed that both healthy sleep and regular exercise habits should he promoted among adolescents and young adults to optimize cognitive development.
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The purpose of the current paper is to explore the importance of culture in the development of Mental Toughness (MT). This is done by means of a critical review of the current literature that exists in relation to the conceptualisation, definition and development of the concept. We argue that despite recent advances in our understanding, most research into MT has focused on the characteristics of mentally tough individuals. Although important and useful, the role of the environment (e.g., Bull et al. 2005; Hardy et al. 2015), culture (e.g., Tibbert et al. 2015), and context (e.g., Fawcett 2011), and how these impact MT and its development has been given somewhat less attention and is perhaps not well integrated into practice. This relative oversight has occurred because of three specific issues; an exclusive focus on the individual; a top down approach to research and the conceptualisation of MT; a lack of awareness that the athlete is always located in a specific organisation and sport culture with its own processes, systems, values and beliefs. In order to more fully capture how MT is constituted and developed, we suggest that future research needs to adopt a wider perspective by drawing on work around the importance of culture in sport, and make greater use of qualitative methodologies, such as grounded theory, narrative, ethnography and phenomenology to capture the culturally rich accounts of participants. Such a shift, as advocated in this paper, provides a primary point of reference to offer fresh insight in our research efforts, and will also have a major influence on practitioner development and training to assist applied sport psychologists and coaches in the practical task of building and supporting MT development in athletes.