Chapter

Not So Easily Dismissed:: The Intellectual Influences and Rhetorical Voice of Dorothy Day—“Servant of God”

May 2019

DOI:10.2307/j.ctv7r41pr.17

In book: Remembering Women Differently (pp.206-221)

Authors:

ResearchGate has not been able to resolve any citations for this publication.

ResearchGate has not been able to resolve any references for this publication.

Article

Quotation and imitation in Hadewijch's Visioenen the visionary and the vernacular Voice of Christ

September 2012

B. Zimbalist

This essay argues that Hadewijch's Visioenen represent Christ's visionary speech as a mode of vernacular devotional instruction. By drawing on the rhetorical construct of oratio recta to represent Christ's increasingly abstract Voice in dialogue with Hadewijch's increasingly sophisticated narrative voice, the Visioenen offer readers an opportunity for engagement with the vernacular Word of God. ... [Show full abstract] Hadewijch's Visioenen thus represent an early example of the generic category of visionary texts produced by women which prioritize verbal engagement with Christ as a mode of imitatio Christi.

Chapter

Their Eyes Were Watching God (1937): Bildung and the Rhetoric and Politics of Voice

April 2013

James Phelan

With Their Eyes Were Watching God, this chapter turns to a novel that puts the experiences of African Americans, and, more specifically, an African American woman, front and center. The chapter demonstrates how rhetorical reading can address the politics of technique. More specifically, it argues that Zora Neale Hurston's larger purposes justify her shift to the narrator's voice, even as her ... [Show full abstract] initiation signals that something valuable is lost in that shift. In addition, it argues that the progression calls for her to represent Janie's actual speech at the trial, but that Hurston's decision not to render the speech results in a passage of deficient narration that is a small flaw in her generally powerful design.

Article

Estudios y ensayos gongorinos / D. Alonso.

January 1970

Dámaso Alonso

Dámaso Alonso (1898-1989) forma parte de la brillante Generación del 27 que revaloró el barroco y renovó sustancialmente la poesía española. Sus obras poéticas incluyen: Poemas puros: poemillas de la ciudad (1921); Oscura noticia (1944); Hijos de la ira (1944); Hombre y Dios (1955); Gozos de la vista (1981), entre otros. En ensayo destaca La lengua poética de Góngora (1935); Estudios y ensayos ... [Show full abstract] gongorinos (1955); Seis calas en la expresión literaria española (1951). Obtuvo el Premio Cervantes en 1978. En los textos presentes estudia la obra de Luis de Góngora y Argote (1561-1627), cuya poesía se caracteriza por el uso de metáforas insólitas, figuras retóricas rebuscadas y voces latinas en desuso. Góngora es el creador del llamado culteranismo o gongorismo, corriente que polemizó con el conceptismo de Francisco de Quevedo; al margen de la polémica, ambos constituyen los máximos representantes de la literatura barroca en España. Las obras de Góngora son: La fábula de Polifemo y Galatea; Las soledades; Panegírico al Duque de Lerma; y otras obras menores, como Angélica y Medoro, Las firmezas de Isabela, El doctor Carlino.

Article

The register of divine speech in Genesis A

December 2012 · Anglo-Saxon England

Mark Griffith

The article argues from an empirical study of the alliterative and metrical characteristics of the speeches of Genesis A that the poet made a concerted attempt to differentiate between the spoken language of God and that of mortal speakers. In particular the analysis shows that divine language is highly patterned, alliteratively ornate and unusually hypermetric. The most extreme effects are ... [Show full abstract] generated by the genres of benediction and malediction. The evidence shows that the poet was also able to use the rules of his poetics effectively for rhetorical ends. An attempt is made finally to link this characterising of the divine voice with the Biblical vox tonantis.

Not So Easily Dismissed:: The Intellectual Influences and Rhetorical Voice of Dorothy Day—“Servant of God”

No full-text available

Recommended publications

Quotation and imitation in Hadewijch's Visioenen the visionary and the vernacular Voice of Christ

Their Eyes Were Watching God (1937): Bildung and the Rhetoric and Politics of Voice

Estudios y ensayos gongorinos / D. Alonso.

The register of divine speech in Genesis A