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The Dangers of Writing: Being Written

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Abstract

Derrida’s logocentrism thesis, tenability of the Derridean project; phonocentrism; metaphysics and hierarchies; debasement of writing; history of the debasement of writing; the order of the sign; privileging of the phonic; the order of the sign as metaphysics’ Other; soul writing and physical writing; analogy between the soul and the book; writing as enfixing, writing as mimesis; painting as writing’s double; writing as reifying representation and limitation; the ranking of signifiers by their proximity to truth and presence; writing as sorcery; living memory and dead memory; writing as alien to the soul; ontology of writing; the mnemic space (living memory) as the aletheic space; writing as contamination of the aletheic space, as concealment, as forgottenness, as death.

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Roland Barthes, the French critic and semiotician, was one of the most important critics and essayists of this century. His work continues to influence contemporary literary theory and cultural studies. Image-Music-Text collects Barthes's best writings on photography and the cinema, as well as fascinating articles on the relationship between images and sound. Two of Barthes's most important essays, "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included in this fine anthology, an excellent introduction to his thought. These essays, as selected and translated by Stephen Heath, are among the finest writings Barthes ever published on film and photography, and on the phenomena of sound and image. The classic pieces "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included.
Article
Acknowledgements. Abbreviations. Apologia. 1. Phenomenology. 2. Structuralism. 3. Language: Speech and Writing. 4. Deconstructing the Text: Literature and Philosophy. 5. Deconstruction and Psychoanalysis. 6. The Ethics and Politics of Deconstruction and the Deconstruction of Ethics and Politics. Notes. Bibliography. Index.
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