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Golden ratio and Klein bottle Logophysics: the Keys of the Codes of Life and Cognition (Spurred by Liu & Sumpter, “Is the golden ratio a universal constant for self-replication?”) -comment: final revised version in press in Quantum Biosystems

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Abstract : We present 1) a novel unified conception of science, cognition and phenomenology in terms of the Klein Bottle logophysics, 2) as a supradual creative agency based on self and hetero-reference and multistate logic associated to the non-orientable topologies of the Möbius strip and Klein Bottle surfaces, 3) related to the Golden ratio in several areas of biology (particularly genomics), cognition, perception, physics and music, and the multiple biochemical codes of life , 4) semiosis and topological folding in the genesis of life , 5) the torsion geometries and non-orientable topologies, their relation to active time and chronomes, standing waves and cyclical process, providing an ontology for “chance” and apply them to 6) human-bodyplan, neurosciences, music cognition, structure and processes of thinking, particularly Quantum Mechanics, creativity and the logics of the psyche; 7) a universal principle of self-organization and the genesis of life, the π-related visual cortex and holography; 8) as an harmonic principle in the brain’s pattern formation, pattern recognition and morphogenesis, and the topological paradigm to neuroscience proposing an explanation for the higher dimensional organization of brain connectomes based on the Klein Bottle as the metaform for patterns; 9) higher-order cybernetics, ontopoiesis and autopoiesis in Systems Biology,the psyche’s bi-logic; 10) the supradual nature of phenomenology, its relation to cosmological cycles, and an examination of the forceful omission of supraduality in academic philosophy vis-à-vis the foundations of science and philosophy in ancient Greece; 11) a rebuttal of Dr. Liu et all’s PLOS article claiming the appearance of Phi in genomes as accidental, in terms of the supradual ontopoiesis hereby presented and by reviewing several codes of life discovered by Pérez, which elicit their unity already starting at the level of the periodic table of elements and Life compounds atomic mass; and 12) the Golden mean in the rituals of whales and the supradual logophysics of social organization
Left: The Tritone Paradox of Perception of Music, represented as a disk-shape real projective plane, with antipodes being identified, and tones further synesthesically associated to colours (From (Merrick, 2011) ©, courtesy of R. Merrick). Right: The Möbius strip and Klein Bottle structure of music perception of the Tritone Paradox: In the perception of a tritone (half an octave) appear the perceptual pairings B-F, C-F#, C#-G, D-G#, D#-A and E-A# which are naturally represented along the edge of a Möbius strip with the opposite points joined by lines representing the tritone perceptual identification. This represents the fundamental 2:1 resonance: A complete rotation on the circular pitch space of an octave perceptually translates into two complete rotations on the Möbius strip, say B-C-C#-D-D#--E-F-F# followed by F#-G-G#-A-A#-B completing the single edge of the Möbius strip. The perceptual space turns to be the Klein Bottle surface, on identifying the antipodal points -depicted by lines on joining the antipodal pitches on the edge of the Möbius strip-as perceptual identities. Therefore, perceptual space -according to the Tritone Paradox -is a Klein Bottle surface. In distinction with Merrick who rules out the Möbius strip for its "inorganic" character, it is its wholeness which makes these identifications to appear, in the first place. So what is usefully called as an example of an "impossible figure" depicted by Escher in his reknown "Ascending and Descending" 1958 litograph and "House of Stairs" 1960 litograph, a stunning curiosity, is actually an embodiment of the mind.
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The first 8 Chromosomes (1 to 8) of the whole HUMAN GENOME. Notes related to Figure 9: In each graph, the base unit analyzed in X (horizontally) is the million base pairs: 3266 units representing 3.266 billion bases. Of these, 3075 million bases are significant, while the remaining 191 million relate to GAPs (indeterminate "N" bases), especially the centromeric regions of chromosomes. The vertical lines delimit the boundaries between chromosomes as well as their centromere regions. The 2 variations represented correspond respectively to the DNA textures (Genomics) and the amino acid textures (Proteomics). They are calculated independently for each of the millions of bases analyzed, i.e "one point" per million bases on the genomics curve and "one point" per million bases on the proteomics curve. Although the two Genomics and Proteomics variation curves are very strongly correlated (96.63% on average throughout the genome), their respective "textures" are radically different! In fact, the GENOMICS texture is "ANALOGIC modulated" around an average value close to 60% (graduation 6000) ... which would seem to be phi = 0.618. On the other hand, the PROTEOMICS texture (although calculated in exactly the same way and on highly correlated curves), is "modulated according to a BINARY LOGIC", oscillating permanently between 2 attractors whose respective values are: Floor = FLOOR = 30% on average, or Ceiling = CEILING = 60% on average. The ratio between these 2 attractors is therefore very close to the number "TWO". The "clouds" of points perfectly illustrate the reality of these two 0/1 bit attractors or "FLOOR / CEILING".
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