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HERIe: A Web-Based Decision-Supporting Tool for Assessing Risk of Physical Damage Using Various Failure Criteria

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HERIe is a web-based decision-supporting software tool to facilitate the management of collection environments by precise assessment of climate-induced risk of physical damage to vulnerable objects. The software translates the relative humidity and temperature data recorded in the environment of the analysed object into a strain history experienced by it, and estimates the risk of physical damage using selected failure criteria. As all information is pre-calculated for the user, no engagement in complex and time-consuming numerical simulations is required. HERIe is available for testing at herie.mnk.pl. Detailed information on the methodologies used by the software is available at the above website which also contains tutorial climates. The current work aims at refining HERIe by selecting the damage criteria not only from laboratory studies but also from direct monitoring damage accumulation in objects, especially using the acoustic emission method. The software has been expanded to include moisture-induced response of parchment to support managing environments in libraries and archives.
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Studies in Conservation 2018, VOL. 63, NO. S1, S151-S155
https://doi.org/10.1080/00393630.2018.1504447
HERIe - a web-based decision-supporting tool for assessing risk of
physical damage using various failure criteria
Arkadiusz Kupczak1, Mariusz Jędrychowski2, Marcin Strojecki1, Leszek
Krzemień1, Łukasz Bratasz3, Michał Łukomski4, Roman Kozłowski1
1 Jerzy Haber Institute of Catalysis and Surface Chemistry, Polish Academy of Sciences,
Krakow, Poland
2 The National Museum in Krakow, Poland
3 Institute for the Preservation of Cultural Heritage, Yale University, New Haven, USA
4 The Getty Conservation Institute, Los Angeles, USA
Contact: Jerzy Haber Institute of Catalysis and Surface Chemistry, Polish Academy of
Sciences, Niezapominajek 8, PL-30239 Kraków, Poland, nckupcza@cyf-kr.edu.pl
ABSTRACT:
HERIe is a web-based decision-supporting software tool to facilitate the management of
collection environments by precise assessment of climate-induced risk of physical
damage to vulnerable objects. The software translates the relative humidity and
temperature data recorded in the environment of the analysed object into a strain history
experienced by it, and estimates the risk of physical damage using selected failure
criteria. As all information is pre-calculated for the user, no engagement in complex and
time-consuming numerical simulations is required. HERIe is available for testing at
herie.mnk.pl. Detailed information on the methodologies used by the software is
available at the above website which also contains tutorial climates. The current work
aims at refining HERIe by selecting the damage criteria not only from laboratory studies
but also from direct monitoring damage accumulation in objects, especially using the
acoustic emission method. The software has been expanded to include moisture-induced
response of parchment to support managing environments in libraries and archives.
Keywords: damage; risk-assessment; software; decision making; indoor climate;
acoustic emission; painted wood; parchment
Introduction
To ensure appropriate indoor environmental conditions in buildings housing collections
to maintain high standards of collection care while reducing energy use is currently in
the spotlight of cultural heritage institutions worldwide (Staniforth 2014). To reduce
energy consumption would mean ‘greening’ memory institutions so that they preserve
cultural heritage while respecting the natural environment and resources. This attitude
has been succinctly summarized in the IIC/ICOM-CC Declaration on environmental
Guidelines (2014):
Care of collections should be achieved in a way that does not assume air conditioning
(HVAC). Passive methods, simple technology that is easy to maintain, air circulation
and lower energy solutions should be considered. Risk management should be
embedded in museum management processes.
Climate-induced damage of materials sensitive to relative humidity (RH) is an
important type of risk in most museum and library collections as such materials undergo
dimensional change when they lose or gain moisture. The constraint from free
movement or the mismatch in the response of individual materials induces tensile or
compressive stresses in the objects, which can cause deformation, cracking and
delamination of the materials. In the 1990s, the dimensional response of the objects to
changes in temperature and RH (termed ‘strain’ from here on) and the critical strain
levels at which materials begin to deform or fail were systematically examined by
Mecklenburg, Tumosa, and Erhardt (1998). The yield stress/strain of materials was
proposed as a conservative ‘failure criterion’, that is, moisture-induced strains in
materials should stay at all times in the elastic (reversible) region. Consequently,
rational and science-based specifications and standards for the control of climate in
museums and historic buildings were formulated (Bratasz 2013).
However, universal standards can be just a starting point for specifications of
environmental conditions addressing individual risks in storage, display and loans of
collections, or in preservation of decoration, fittings and finishes in historic buildings, of
varying climatic sensitivity and acclimatized to a particular local environment. Moving
to variable guidelines requires more evidence-based decision-making, which is time
consuming and often requires engagement in highly specialised modelling and
monitoring of response of objects to microclimatic variations. To overcome the barrier,
HERIe a decision-supporting software tool for a quantitative assessment of risk of
physical damage for various categories of cultural objects vulnerable to real-world
climates has been developed by a collaborative effort of several institutions.
The software examines the impact of one-year (or multi-year) temperature and RH
microclimate data measured in a given room, or simulated for various climate-control
scenarios. Thermal expansion or contraction have a minor effect on the overall
dimensional changes of sensitive historical materials as compared to their responses to
moisture. Therefore, only yearly or multi-year RH variations are decomposed, in the
first step of the HERIe algorithm, into a set of elementary sinusoidal RH cycles of
variable amplitude and duration using Fourier transformation. The elementary RH
cycles are then translated into elementary strain cycles of the selected object, using the
pre-calculated elementary strain cycle database, which constitutes the core of HERIe. In
the next step, the full strain-time history of an object is obtained by summing up the
elementary strain cycles. It has been verified that the superposition of the elementary
strain cycles performed by HERIe is in agreement with the outcome of the full
numerical simulation of response of the object to moisture. In the final step of the
analysis, the damage criterion is selected by the user and the environmental risk index
for the object stored and exhibited in the analysed environment is calculated.
Managing collection environments by precise risk assessment
The HERIe environmental data analysis tool facilitates quantitative assessment of risk
of physical damage induced by real-world microclimates, measured or simulated. The
software application to managing the collection environments will be illustrated by risk
of physical failure of the gesso layer on an unrestrained wooden panel subjected to RH
variations recorded in one of the galleries in the National Museum in Krakow (NMK),
Poland, in 2013 (Figure 1). Strain at break of 0.2% was assumed for stiff and brittle
gessoes at the RH low- and mid-range, considered the worst case conditions for the
gesso’s vulnerability to fracture (Rachwał et al. 2012).
Jan 1 Mar 1 May 1 Jul 1 Sep 1 Nov 1
20
25
30
35
40
45
50
55
60
65
70
75
80
RH (%)
Date
yearly average RH 45%
Jan 1 Mar 1 May 1 Jul 1 Sep 1 Nov 1
-0.2
-0.1
0.0
0.1
0.2
Strain (%)
Figure 1. Strain versus time history (right) experienced by a 0.4 mm thick gesso layer
laid on a 10 mm, tangentially-cut wooden panel open to a water vapor flow just through
the bare wood surface opposite to the painted face, exposed to RH variations (left) in a
gallery in the National Museum in Krakow in 2013. It was assumed in the calculations
of strain that no internal stresses were present in the object at the long-term average RH
of 45%. The ranges of RH and strain, recommended as safe, are marked with orange
lines.
The RH variations in the gallery stayed most of the time within the range of 3555%
which can be interpreted as safe for objects containing hygroscopic material
(IIC/ICOM-CC 2014), however, with one exception. In March, two repeated falls in
indoor RH to below 25% were recorded due to insufficient humidification by the
climate-control system. However, the calculated strain which would be experienced by
a gesso layer laid on a wooden panel exposed to such RH variations just stayed below
the critical strain of 0.2% during the panel shrinkage induced by the episode and,
therefore, the variations were assumed not to involve any risk of gesso fracture for the
type of object analysed. The risk index was derived from the strain histories by the
HERIe software. When absolute maximum magnitude of strain experienced by the
gesso layer did not exceed the critical strain of 0.2%, the risk index was 0. When
absolute maximum magnitude of strain experienced by the gesso layer exceeded 0.4%,
or double the strain at break, the risk index was 1. The risk index increased linearly
between 0 and 1 for maximum strain magnitudes of between 0.2% and 0.4%.
The assessment of the risk of damage to the gesso layer on a wooden panel can be used
in analysis of RH variations simulated for what-if scenarios of interest to a museum or
other institution. Quick reaction to a failure of a climate control system in a gallery can
reduce the damage risk as the RH variations are only damaging to painted wood when
they last longer than the response time of the given panel. Figure 2 shows again the
shrinkage experienced by the gesso during the first episode of indoor RH in March,
2013 but the actual dimensional change profile is compared with those simulated for
prolonged duration of the low RH condition. During the actual episode, RH stayed
below 30% between March 15 and 18, and reached its minimal value of below 25% on
March 17 at 8 pm. The duration of the episode in the RH data was numerically
prolonged by maintaining RH on this minimal level for an increasing number of days.
The plots demonstrate that increasing duration of the fall in RH gradually augmented
damaging impact as the panel came closer to its full shrinkage in equilibrium with the
new dry condition in the environment. The risk index reflecting this damaging impact
increased from 0 to approximately 0.3 and allowed those caring for the collection to
assess quantitatively the relative risk related to time interval between the failure of the
climate-control system and the reaction of the staff dealing with the failure. The
response time of objects, specific for each object category, is an important factor for the
reduction of the risk of mechanical damage created by the climate control failures.
Detailed knowledge of the response on the time of exposure facilitates planning the
collection environment management process.
-0.3
-0.2
-0.1
0.0
0.1
Strain (%)
as recorded
1 day
2 days
4 days
7 days
Feb 27 Mar 6 Mar 13 Mar 20 Mar 27
Date
Figure 2. Strain versus time history as in Fig. 1, induced by an episode in RH fall in
March 2013 and simulated for prolonged duration of the low RH condition by one to
seven days.
Refining the damage criteria
As discussed above, critical strains of materials, derived from laboratory studies of
moisture-related and mechanical properties of wood and gesso, have been used so far in
the software to quantify the risk of damage. However, laboratory analyses are
predominantly carried out for new materials which do not necessarily reflect the
material properties and vulnerability to damage of historical objects which have
acclimatized to a particular indoor environment. Additionally, mechanical studies of art
and artists’ materials often yield discrete values of thresholds of the environmental
variations, whereas in real-world conditions the failure of historical objects visible to
those caring for the collection is preceded by the progressive evolution of micro-
damage. Therefore, the assessment of risk of damage of objects acclimatized to their
long-term storage or display conditions has been increasingly supported by recording
climate-induced damage directly in a continuous way or at a specified time interval. The
acoustic emission (AE) method, which is based on monitoring the energy released as
sound waves during fracture processes in materials, has been particularly successful in
monitoring the fracturing intensity in wood (Łukomski et al. 2017).
Figure 3 shows magnitudes of crack propagation in wooden elements of the eighteenth-
century pieces of furniture monitored for more than one year in the NMK (Strojecki et
al. 2014) and the Victoria & Albert Museum in London (Pretzel 2014) as a function of
amplitude for the episodes of restrained shrinkage induced by decreases in the indoor
RH. The plot demonstrates that no fracturing occurs for shrinkage strains below 0.2%
but also at higher strains the crack propagation is minute for any practical assessment of
damage, and could be recorded only owing to the amazing sensitivity and
reproducibility of the AE sensors. Studies of fracturing intensity in several wooden
objects exposed to larger RH variations in the laboratory further confirmed the
observations that climate-induced cracking of wood was minute that is in the range of
mm2 in historical objects which experienced uncontrolled environments in its past
(Łukomski et al. 2018).
The data collected so far can be interpreted by the ‘acclimatization’ of wood objects
monitored to presumably large RH fluctuations in the past which caused fracturing. The
existing cracks open and close reducing the stress and the risk of physical damage
beyond that already accumulated in the past. Conservation treatments can erase safety
margins of objects achieved by their acclimatization to unstable past climates. If cracks
in polychrome sculpture, furniture, or panel paintings act as expansion joints relieving
stress in the objects, their consolidation may make the objects more vulnerable to
climate fluctuations (Michalski 2009).
0.00 0.05 0.10 0.15 0.20 0.25 0.30 0.35 0.40 0.45
-0.5
0.0
0.5
1.0
1.5
2.0
Crack propagation (mm)
Strain (%)
Figure 3. Crack propagation as a function of shrinkage strain experienced by wooden
elements in furniture (left). The data were obtained from the AE monitoring using
sensors located close to the tips of the existing cracks (right).
Managing environments in libraries and archives the case of parchment
Research into moisture response and mechanics of art and artists’ materials has so far
predominantly focused on objects of fine and decorative art. This has been an important
drawback when it comes to historical hygroscopic materials relevant to library and
archival collections paper, board, parchment and leather. For example, leather over
wooden covers for incunabula or attached with animal glue to boards for book bindings
may experience deformation or physical failure because of restraint on its moisture-
induced dimensional response. As a further stage of HERIe software development,
parchment was encompassed as a library material particularly vulnerable to moisture
which can be regarded as the worst case concern guiding requirements for safe
environmental conditions for the library and archival collections.
010 20 30 40 50 60 70 80 90
0
1
2
3
4
5
6
7
Dimensional change (%)
RH (%)
Figure 4. The experimental data for moisture-induced swelling of historical parchment
specimens are compared with the average curve calculated from the least-square
regression of the data to the second order polynomial.
In Figure 4, the experimental data for moisture related swelling of four samples of
historical parchment are compared with average strain vs. RH relationship for
parchment obtained by fitting the entire set of data to the second order polynomial of
the form: strain in % = 1.0335×10-1·RH–3.796×10-4·RH2. The measurements were
done in two perpendicular directions in each sample to take into account the possible
effect of collagen fibre preferred orientation, and the larger response was considered.
The yield strain of parchment that is to say the strain beyond which parchment
undergoes permanent deformation was determined as the upper limit of the elastic
range in the stress-strain curves recorded in the laboratory. The deformation coincided
with the point where the curve began to deviate from the straight line. The average
value of 1.9% was obtained from the measurements in the RH range between 20% and
90% which encompasses conditions of interest for the preservation of library collections
indoors, as at low RH parchment dehydrates and becomes brittle and at high RH risk of
mould growth increases (Wess and Orgel 2000). The rate of water vapour uptake or
release by parchment is high when compared to the duration of RH fluctuations the
new equilibrium moisture content in the material is established on an RH change in less
than one hour. Therefore, RH variations were translated into the strain vs. time history
by assuming that parchment reaches its full dimensional response at each instant of the
variation. The strain of parchment calculated for the RH variations illustrated in Figure
1 very slightly exceeded the critical strain of 1.9% during the shrinkage induced by the
drying episodes in March 2013. During these episodes, therefore, parchment sheets
restrained in their movement by mounting into a rigid protective system or attachment
to boards of a book binding may undergo excessive tensile strain and deformation
(Figure 5).
Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Jan
-2.5
-2.0
-1.5
-1.0
-0.5
0.0
0.5
1.0
1.5
2.0
2.5
Strain (%)
Date
Figure 5. Strain versus time history experienced by parchment exposed to RH variations
as in Fig.1. The strain range, recommended as safe, is marked with orange lines.
Conclusions
A web-based decision-supporting software tool HERIe aims at gathering growing
experimental evidence on the environmental response of historic materials and objects
so that precise assessment of risk of climate induced physical damage is facilitated for
conservation and museum community. The HERIe software is an open-source tool
with progress in research, the data base of the cultural heritage objects analysed will be
enlarged and the modelling algorithms refined. Further damage monitoring on freshly
treated/consolidated objects is necessary to refine the damage criteria available in the
software as such objects maybe particularly vulnerable to RH variations. In particular,
scarce data on critical strains are available for library and archival objects. Therefore,
monitoring of moisture-induced deformation of historical parchments is necessary to
refine the damage criteria used by the software. HERIe is available for testing at
herie.mnk.pl. Detailed information on the methodologies used by the software is
available at that website which also contains tutorial climates. Conservation
professionals, researchers, scientists and decisions-makers are encouraged to test the
tool. The feedback gained from the users is vital for its continuous development of the
tool.
Funding
The research was supported by Grant PBS2/A9/24/2013 from the Polish National
Centre for Research and Development and the Getty Conservation Institute’s Managing
Collection Environments Initiative.
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... There is no guarantee that the prediction will come true, but it helps to adjust the temperature and the relative humidity to be able to lower the risks. Simulating potential failure and being able to adjust the parameters accordingly is a very much solution oriented (Kupczak et al., 2018). 4.3.1 Ships in museums 4.3.1.1 ...
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This experimental program, implemented by the Managing Collection Environment Initiative at the Getty Conservation Institute, has provided data about the response of historic objects to changes in relative humidity (RH). Alongside other less sensitive documentation techniques (visual observation, physical measurements, photography, and 3D scanning), acoustic emission (AE) was monitored for six historic, museum-like wooden objects exposed to gradually increasing RH variations. Quantitative calibration of AE sensors and an anti-correlation measuring scheme to reduce environmental noise allowed the AE system to effectively trace micro-damage development caused by environmentally induced stress. Using an epidemiological approach, with respect to sample selection and experimental protocol, the obtained results can be used to explore the acceptable range of climate fluctuations for museum collections. The study’s well-controlled environmental protocol also allowed for the examination of the concept of ‘proofed fluctuation’ by the analysis of object response to reoccurring conditions.
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Acoustic emission (AE) is a method with great potential for monitoring the development of micro-damage in objects exposed to the potentially harmful conditions of temperature (T) and relative humidity (RH). It allows one to directly record damage growth while changes remain invisible to those caring for the collection, as opposed to monitoring and inferring damage indirectly due to undesired interactions with local climates or waiting for visible damage to develop. As a consequence, AE can be used to record environmentally-induced physical changes directly in historic materials and, hence, can support the assessment of strategies for the indoor climate management of museums. However, applying AE to museum collections requires specific measures to deal with issues such as the uniqueness and fragility of the monitored objects, the diversity of construction materials and the measurement of signals in an often noisy environment. Systematic tests of the propagation and attenuation of AE signals in wood were performed to better understand the monitoring results in terms of damage location and to assess the ability of various high-pass filters to reduce the background noise. This paper offers an insight into monitoring methodologies for wooden art objects to effectively manage the museum climate.
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Environmental standards for cultural heritage collections have been much debated in recent years. The interest in the issue has been driven by the growing movement towards green museums, that is, managing indoor museum environments in a responsible and efficient manner, especially in terms of reducing energy consumption and carbon emissions but at the same time maintaining high standards of collection care. Painted wood is among the category of heritage objects most vulnerable to relative humidity and temperature fluctuations. Therefore, scientific understanding of how changes in environmental conditions ultimately affect painted wood is crucial to the development of rational guidelines for the control of climate in museums and historic buildings. This review provides a systematic progression through two fundamental approaches to establish the allowable ranges of climatic variations – an analysis of the mechanical response of painted wood as a complex, multilayer system to climate variations, and an analysis of the historic climate to which the objects have acclimatized. The climate specifications and standards based on both these approaches are reviewed.
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The on-site monitoring of acoustic emission (AE) has allowed the direct tracing of climate-induced crack propagation in an eighteenth-century wardrobe displayed in the Gallery of Decorative Art in the National Museum in Krakow, Poland. The anti-correlation measuring scheme and frequency filtering allowed very low levels of physical damage to the wardrobe to be detected in spite of the high background noise typical of the museum environment. The total AE energy recorded during two years of monitoring corresponded to a fractured area of 12 mm2 or a total crack propagation of 1.2 mm for two10-mm-thick panels. Although the total damage recorded was minute, correlation between the events of fracturing and falls in indoor relative humidity (RH) in winter due to insufficient humidification was evident. The risk of damage, expressed in terms of crack propagation, was quantified as a function of the magnitude of the RH falls of the duration compatible with the response time of the object. The data allow acceptable RH falls to be identified if a conservation professional or a curator selects a ‘tolerable’ yearly propagation of the fracture, in other words the progress of damage considered insignificant.
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Numerical modelling was used to follow the moisture movement and strain in a composite system – an unrestrained, single wood panel coated with a layer of gesso, in response to cyclic sinusoidal variations in relative humidity (RH). The allowable magnitude of the variations, below which physical damage of the gesso layer on the wood does not occur over a selected time of exposure, was derived as a function of cycle duration, panel thickness and moisture diffusion configuration. The dimensional response of wood substrate becomes subject to restraint by the applied layer of gesso. The panels do not respond significantly to diurnal fluctuations or shorter irrespectively of the panel thickness. The panels respond more and more significantly when the duration of the fluctuations increases until a certain critical period at which the panel fully responds to each cycle. The analysis of the data obtained indicates that moderate RH variations within the approximate range 50 ± 15% are safe. This safe range was derived using the extremes of conservative criteria of the gesso’s fatigue fracture and assumption of worst‐case wooden substrate response. The reduction of allowable amplitude of RH cycles because of decrease in the gesso’s modulus of elasticity and thickness is discussed.
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This paper sets out the role of the International Institute for Conservation of Historic and Artistic Works (IIC) in facilitating the current international debate on the selection of appropriate environmental conditions for collections to optimise their future condition while minimising energy consumption. It looks back 35 years to when Garry Thomson first published The Museum Environment and forward 35 years to demonstrate how IIC can care for the future as well as care for the past. It asks whether we are posing the right questions in this debate, draws attention to leadership in the cultural sector, and suggests that more conservation professionals should aspire to leadership positions directing museums and heritage organisations.
Proofed Fluctuations, and Towards a Full Risk Analysis Model
  • S Michalski
Reasonable-Broadening Acceptable Climate Parameters for Furniture on Open Display
  • B Pretzel