The old-age style in long-lived painters and other artists refers to sharp and unexpected changes in the subject matter, treatment, and other features of later works, a phenomenon that also bears on late-life creativity, aging, and interdisciplinary study. In this entry, two approaches are described, one centered on qualitative case studies of artists and a few seminal works selected because of
... [Show full abstract] their of special status, the other on empirical and quantitative investigations of sets of artists and many examples.