Victorian Studies 44.1 (2001) 126-129
Other Dickens: Pickwick to Chuzzlewit, by John Bowen; pp. vii + 232. Oxford and New York: Oxford University Press, 2000, £40.00, $70.00.
These two recent studies, both excellent in different ways, offer complementary if quite divergent views of Charles Dickens. Both stress the "modernity" of his writing and of the world in which he lived; both compare him
... [Show full abstract] fruitfully to Charles Baudelaire as an analyst of the city and urban space; and both characterize him as a radical innovator with respect to the form of the novel. The two books differ widely, however, in their critical and theoretical orientation as well as, ultimately, in their underlying assumptions about authorial identity.
Andrew Sanders's Dickens and the Spirit of the Age belongs to a well-established tradition in Dickens criticism. As its title indicates, the book seeks to locate Dickens in the context of his age and to demonstrate the extent to which his novels reflect some of its leading concerns. In this respect, Sanders is revisiting, and to some extent deliberately revising, the pioneering work of Humphry House, whose The Dickens World (1941) remains a valuable resource for readers interested in exploring connections between the imaginative world of Dickens's novels and the society in which he lived. Sanders's book compares favorably to that of House and deserves to be read alongside it as a reliable introduction and guide to social themes and attitudes in Dickens's work.
Sanders has the great advantage over House, whose death in 1955 cut short a valuable scholarly career, of having access to the great Pilgrim edition of Dickens's letters as well as to other critical and scholarly work of the past six decades. Drawing on the full range of Dickens's enormous literary output -- his journalism, speeches, correspondence, minor works, and of course the novels -- Sanders develops a lucid and persuasive analysis of Dickens's attitudes toward some of the major issues of his times. Five relatively brief chapters focus respectively on Dickens's family origins, his response to the political and technological innovations of his age, his depictions of city life, his treatment of class and social mobility, and his complex view of eighteenth-century values and institutions.
To these familiar topics Sanders brings a fresh, balanced perspective and an impressive command not only of Dickens's oeuvre but also of relevant nineteenth-century social documents and backgrounds. In stressing the significance of Dickens's obscure beginnings, for example, Sanders skillfully deploys excerpts from several early biographical accounts of Dickens, showing both how little was actually known about him by his contemporaries and the extent to which his lack of a genteel lineage contributed to their difficulty in placing him socially in relation to his literary peers. "The man from nowhere" (25), Sanders calls him, adapting Jingle's self-characterization in The Pickwick Papers (1836-37). Dickens reacted so perceptively to the circumstances of his age, Sanders argues, in part because he, like it, was new.
The two longest and also best chapters in the book are those on Dickens as a writer of the city and on Dickens and class. Sanders is particularly effective at tracing connections between Dickens's early residence in London and his fictional representations of the city. He makes good use of population figures and other statistical information and offers perceptive comments on the novels' portrayal of the London suburbs as well as on Dickens's fascination with Paris. The chapter on Dickens and class carefully traces the development of Dickens's attitudes toward social distinction, beginning with the disillusionment he experienced on his first visit to the United States and concluding with a finely nuanced comparison of Dickens and Marx. Sanders's discussion of the differences between Marx and Dickens, despite the considerable common ground between them, is the most systematic and comprehensive treatment of this subject in the critical literature to date.
Underlying and uniting the...