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Employing Ontology to Capture Expert Intelligence within GEOBIA: Automation of the Interpretation Process

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Abstract

The importance of remote sensing image analysis is ever increasing due to its ability to supply meaningful geographic information that informs local and global problems, such as measuring urban sprawl, mapping vegetation communities, monitoring the impacts of global climate change, and managing natural resources and urban planning. In this process of geo-object extraction, geographic object-based image analysis (GEOBIA) provides a method to identify real-world geographic objects from remotely sensed imagery. GEOBIA uses techniques analogous to those used by humans to perceive and distinguish geo-objects in imagery, usually acquired from satellite or airborne platforms. Experts use domain knowledge and measurement data extracted from remote sensing images for object-based analysis. This signifies a need for human involvement in the form of applying expert knowledge at the time of image object identification. The need for such human intervention acts as a barrier to the automation of GEOBIA processes. In this regard, knowledge representation techniques such as the use of ontologies provide possibilities for modeling expert knowledge in a manner that contributes to the further development of GEOBIA. In this chapter, we will discuss the importance of the human factors in GEOBIA. To this end, we will draw on literature from both GEOBIA and ontology use.

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... Remote Sens. 2019, 11, 503 2 of 25 with real-world features into the GEOBIA process [1,3,4] in a manner that is formal, objective and transferable. One approach to this challenge is to employ an ontology to formally capture and represent the expert knowledge [4,5], referred to here as Ontology-driven GEOBIA (O-GEOBIA). Ontology helps to reduce semantic gap between high-level knowledge and low-level information. ...
... The forest-type mapping in this work is accomplished extending an Ontology-driven GEOBIA (O-GEOBIA) framework [5,6]. For this ontological framework, the ontology is developed using the structural group classification (Figure 2). ...
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ABSTRACT Studies in scene ,perception ,have ,shown ,that observers,recognize ,a real-world ,scene ,at a ,single glance. During this expeditious process of seeing, the visual system ,forms ,a spatial ,representation ,of the outside world,that is rich enough,to grasp the meaning of the scene, recognizing a few objects and other salient information in the image, to facilitate object detection and the deployment ,of attention. This representation refers to the gist of a scene, which includes all levels of processing, from low-level features (e.g., color, spatial frequencies) to intermediate image properties (e.g., surface, volume) and high-level information (e.g., objects, activation of semantic knowledge). Therefore, gist can be studied,at both,perceptual,and conceptual levels. I. WHAT IS THE “GIST OF A SCENE”?
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The landscape concept in geography has recently been adopted by humanistic writers because of its holistic and subjective implications. But the history of the landscape idea suggests that its origins lie in the renaissance humanists' search for certainty rather than a vehicle of individual subjectivity. Landscape was a 'way of seeing' that was bourgeois, individualist and related to the exercise of power over space. The basic theory and technique of the landscape way of seeing was linear perspective, as important for the history of the graphic image as printing was for that of the written word. Alberti's perspective was the foundation of realism in art until the nineteenth century, and is closely related by him to social class and spatial hierarchy. It employs the same geometry as merchant trading and accounting, navigation, land survey, mapping and artillery. Perspective is first applied in the city and then to a country subjugated to urban control and viewed as landscape. The evolution of landscape painting parallels that of geometry just as it does the changing social relations on the land in Tudor, Stuart and Georgian England. The visual power given by the landscape way of seeing complements the real power humans exert over land as property. Landscape as a geographical concept cannot be free of the ideological overlays of its history as a visual concept unless it subjects landscape to historical interrogation. Only as an unexamined concept in a geography which neglects its own visual foundations can landscape be appropriated for an antiscientific humanistic geography.
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