The construction of the Other as a form of globalization through texts and engravings in colonial America. The texts on Brasil in the 16th and 17th Centuries ave portraits that are part of a collection. The disclosure of these artifacts conform in that way, an emblematic reality, in which it is possible to distinguish the singularities as well as the generalities of the territory and American
... [Show full abstract] humanity. The intrepretation of America, therefore, is like a composition in which imagination prevails over text and image.