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A Millennium of Identity Formation and Maintenance in the Jornada Mogollon Region. In Life on the Boundaries: Constructing Identity in Edge Regions of the North American Southwest (Karen G. Harry and Sarah A Herr, eds.)

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Abstract

Cover page, TOC, and introductory page of chapter. Chapter examines the origin and maintenance of social identity over multiple centuries in the Jornada region of southern New Mexico.
... There are some differences between these styles and the Red Linear, and one of these is that the styles in the Jornada area all include bighorn sheep while the ones in the Lower Pecos do not. Jornada Mogollon images often include: terrace or step-fret elements, "blanket designs," naturalistic human and animal figures, goggleeyed figures, and cloud terraces with "rainbow" arcs, faces or masks, horned serpents, and animal tracks (Miller 2018;Schaafsma 1980 and1992;Sutherland 1996). Date ranges proposed by Schaafsma (1980:235;1992:171) and (Brody 1991:71) are from AD 1000 to 1400. ...
... Sutherland suggests that some figures with large horns are a combination of hunting symbolism with Mesoamerican-derived masks (1996: 18). Rain making is central to the theories of much of the Jornada Mogollon interpretations (Miller, 2018). Keyser and Whitley assert that a sheep horn headdress is impractical and likely could not have been fashioned (2006:19). ...
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The Jornada Mogollon region is known for its rich body of rock art. Researchers have suggested that elements such as cloud terraces, masks, goggle-eyed figures and horned serpents are associated with ceremony. Although hundreds of bighorn sheep images exist in the regional rock art these figures aren't usually mentioned except in a general inventory of frequently found motifs. None the less, there are some unusual anthropomorphs with bighorn sheep headdresses that suggest a possible ceremonial use. These images appear mostly in the eastern Jornada Mogollon as delineated by Lehmer (1948). Other highly stylized bighorn sheep images as well as artifacts and a few examples of bighorn sheep on Mimbres pottery contribute to the evidence that bighorn sheep also had ceremonial use.
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The discovery and detention of a hidden pot hunter near the border of Southwest New Mexico has led to a fascinating hill top site. Several episodes of unusual petroglyph production, and rock art features were documented. Tracings of photographs from the site reveal interesting details that are sometimes missed with just photography. Having explored a large portion of the Jornada Mogollon regions of Southern New Mexico, Texas and part of Northern Mexico it is inspiring to find a new piece of the puzzle. This documentation is part of a long term project to update the Southern New Mexico rock art site information for the Bureau of Land Management and the state.
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