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Other Mothers: Encountering In/Visible Femininities in Migration and Urban Contexts

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Abstract

Whereas much has been written about migrants’ visibility, the multiple and complex layers of migrants’ invisibility invite further exploration. Migrants’ in/visibility is not clear-cut: it differs across various locations and, as such, demands a comparative, intersectional analysis. This paper seeks to explore it by investigating how recent migrants make sense of their own appearance, as well as those of others they encounter in their new places of residence. Specifically, I inquire into the notion of femininity as it is performed and perceived by Polish migrant mothers living in German and British cities. I discuss whose performances of femininity are visible and whose femininity is rendered invisible in the eyes of my research participants, and what implications this may carry for urban and migration research. Strikingly, the women I interviewed only seem to recognise white British and German women’s performances of femininity for what they are. Non-white and Muslim femininities remain, at best, invisible or, in the not infrequent cases of racism and Islamophobia, are stripped not only of their unique gendered features, but of humanity altogether. As seemingly peaceful interactions in urban space do not exclude privately harboured racial, ethnic, religious and class prejudice, a feminist revision of encounters with diversity provides valuable insight into the structure of such metropolitan paradoxes, yielding new understandings of how racism, classism and sexism persist alongside ostensibly inclusive urban cultures.

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... The study of Woramon Sinsuwan (2017) among Thai women in Berlin, for example, demonstrates that these women, despite having higher education and long-term professional experience, are perceived through the lens of a stereotype of Asian workers in Europe and offered jobs related to domestic care or beauty; in turn, they face the choice of unemployment or deskilling. Such racialised and gendered role expectations are mirrored in migrants' ideas on femininity of the self and others (Lisiak 2017(Lisiak , 2018. As home-space is the externalisation of the self (Jacobs and Malpas 2013), the idea of femininity shaped by migrants' socialisation correspond with their home-keeping practices. ...
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The London Borough of Hackney is one of the most diverse places in the United Kingdom. It is characterized not only by a multiplicity of ethnic minorities but also by differentiations in terms of migration histories, religions and educational and economic backgrounds, both among long-term residents and newcomers. This article attempts to describe how people negotiate social interactions in such a 'super-diverse' context. It develops the notion of 'commonplace diversity', referring to ethnic, religious and linguistic diversity being experienced as a normal part of social life by local residents. This commonplace diversity has resulted in people acting with 'civility towards diversity'. While in public space people do not change their behaviour according to other people's backgrounds, in semi-public spaces, such as associations and local institutions, here conceptualized as 'parochial space', people's different backgrounds are acknowledged and sometimes talked about. The article discusses how people negotiate their differences in these two different kinds of spaces. It shows how civility towards diversity is used as a strategy to both engage with difference as well as avoid deeper contact. Civility thus facilitates the negotiation of both positive relations and possible tensions.
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This essay interrogates the emergence of a new moment in the unfolding of contemporary neoliberal hegemony which sees the political potential in creating strong connections with liberal feminism, updating this while also retaining some of its most salient features dating back to the mid to late 1970s. At the same time this process, which can be traced through the very contemporary entanglements of political culture, visual media and new social media, finds concretisation through the figure of the middle-class mother who is slim and youthful in appearance. This persona, whether in full time work or a 'stay home Mum' is accredited a more substantial professional status than was the case in the era of the 'housewife'. With feminism 'taken into account' she is considered an equal partner in marriage and thus charged with making the right choices and decisions for her family needs. In this neoliberal version of past notions of 'maternal citizenship' a number of socio-political processes can be seen at work, she is compared favourably for her well-planned and healthy life in comparison to her less advantaged, low income, single parent counterparts. Her lifestyle and childcare choices mark a strong departure, indeed an entirely different trajectory to previous generations of mothers, who across the boundaries of class and ethnicity, benefited from a feminist post-war welfare ethos which regarded nursery provision for pre-school children, toddlers and indeed babies as a social good. And finally her presence and visibility in a number of campaigning and online organisations suggests a stronger class divide than was the case in the past and with this the eclipsing of the egalitarian principles of social democracy. The essay reflects on the film Revolutionary Road (2009) and the recent book by Facebook COO Sheryl Sandberg as conduits for this new 'maternalfeminine'.
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Inspired by and responding to Avtar Brah's 'The Scent of Memory', this piece attempts to reinscribe race into an auto-ethnographic narrative where previously whiteness was unmarked. It explores the dynamics of gender, race and class through the author's personal history as a white English woman and class migrant, and through discussion of the broader political and historical context of that trajectory. The discussion includes analysis of the impact of British Conservative politician Enoch Powell's infamous 'rivers of blood' speech in 1968 on the author's white English working-class culture of origin in Wolverhampton, where Powell was a Member of Parliament. The article considers the speech's continuing ramifications in the twenty-first century and in more middle-class contexts, as evidenced by the recent evocation of the speech by historian David Starkey in discussion of the 'riots' of August 2011 in British cities. The personal history is reconstructed through a series of memory scenes that trace and retrace the author's experience and understanding of race and its intersections with class and gender; this is attempted in full cognisance of the constructed nature of memory, and of the performance of identity that autobiography entails. The piece draws on the work of the class migrant white French writer Annie Ernaux, with whom the author has been in dialogue since 1997.