Syria is famous for a historical heritage that spans from prehistoric times until the end of the Ottoman period. This is evidenced by thousands of sites and archaeological monuments scattered all over the country. They represent an open-air museum, containing the traces of some of the oldest civilizations in the world. Today, after more than two years of civil war, the country’s archaeological and cultural heritage is in danger and the situation of the museums, archaeological sites, and monuments such as the old citadels is very worrying. They are often close to combat zones and sometimes even become battlefields and targets.
In this regard, the article by Joris Kila is a masterful synthesis of the procedures one should follow for the protection of cultural property in the event of armed conflict. His method can also be applied in the case of Syria, since many of the examples given by the author can be applied to the case of this country’s heritage. To this scientific approach, we can add documentation of great quality for some of the points mentioned by Kila and other facets that are particular to the Syrian case and not covered in this article.
To begin with, it is worth mentioning that the Syrian government is a signatory to the following conventions:
• Agreement for Facilitating the International Circulation of Visual and Auditory Materials of an Educational, Scientific and Cultural Character with Protocol of Signature and model form of certificate provided for in Article IV of the above-mentioned agreement (1948; signed 1951);
• Convention for the Protection of Cultural Property in the Event of Armed Conflict with Regulations for the Execution of the Convention = the 1954 Hague Convention and the First Protocol (1954; signed 1958);
• Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property (1970; signed 1975);
• Convention Concerning the Protection of the World Cultural and Natural Heritage (1972; signed 1975);
• Agreement on the Importation of Educational, Scientific and Cultural Materials, with Annexes A to E and protocol annexed (1950; signed 1980);
• Convention on Wetlands of International Importance especially as Waterfowl Habitat (1971; signed 1998);
• Convention for the Safeguarding of the Intangible Cultural Heritage (2003; signed 2005);
• International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations (1961; signed 2006); and
• Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2005; signed 2008).
There have been many instances of destruction. Cities, tells, citadels, places of worship, monuments, and natural heritage sites have suffered heavy damage that sometimes is irreversible. Most articles of the conventions and protocols mentioned above are thus not respected either by the Syrian regime or the opposition for various reasons that will be detailed below.
Prior to 2011, there were 138 national and foreign archaeological missions excavating on Syrian sites, while there are more than 10,000 tells in the country, and more than 5,000 of those archaeological mounds are scattered in the region of Jazirain in northeast Syria. Even before the conflict, the lack of necessary funding to hire guards to monitor remote archaeological sites in urban centers was an acute problem. Therefore, the Syrian government often hired a single guard for 50 sites, due to the lack of financial resources.
Archaeological sites in Syrian territory, in particular those not registered as archaeological sites on the lists of the Directorate General of Antiquities and Museums of Syria (DGAM), are subject to illegal excavations by looters often collaborating with the security agencies responsible for safeguarding these sites. Subsequently, these agencies have been involved in the trafficking of illicit antiquities to neighboring countries such as Lebanon, and from there to the Western antiquities markets.
In addition, the 38 museums1 located in the capital and other Syrian governorates are no better off than the archaeological sites because of deficiencies in surveillance, protection, archiving, and storage in adequate conditions of artifacts made of fragile (brittle) materials such as paper, leather, cloth, etc. For example, a YouTube video shows the current state of the Museum of Apamea, where it is clear that the main entrance of the museum is locked by means of a small key lock, as if...