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The Archaeology of Knowledge

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... Madness is a power and freedom of speech for Hamlet. Foucault (1972Foucault ( , 2001 showed how madness, the body, life, death, and human beings progressively have become objects of observation and scientific discourses. These discourses aim to reveal a truth but instead create and control the objects they claim to know. ...
... These discourses aim to reveal a truth but instead create and control the objects they claim to know. The social world is organized and normalized in specific ways through discursive practices (Foucault, 1972). Foucault (2001) asserts that the persons or ideas that we cannot grasp in our day-to-day sense, the ideas that are foreign to us, and the words that are strictly forbidden and forsaken in our socalled civilized world can be decreed as lunatic or madness. ...
... It doesn't necessarily come from sterile, detached science but rather from political fabrication. According to Foucault, "it is in discourse that power and knowledge are joined together," (Foucault, 1972). Moreover, Foucault recognizes individuals as moral agents, responsible for their individual behavior and able to find satisfaction in constraining situations through ethics, technologies, and care of the self. ...
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For the Western consciousness, madness has always welled up simultaneously at multiple points, forming a constellation that slowly shifts from one form to another, its face perhaps hiding an enigmatic truth. Meaning here is always fractured. Will-iam Shakespeare is renowned for his capacity to manufacture imagination and a great master of his use of psychological studies in the portrayals of insanity. In general, his artwork shows a keen knowledge of human nature. He has a thorough understanding of the human psyche, personality, and actions. Shakespeare's protagonist Hamlet assimilates madness in the most obstinate wisdom. This wisdom may be thin, but it reigns supreme. It presupposes and requires a perpetual doubling of the consciousness of madness, which disappears beneath the surface of madness, only to reappear again on the other side. The paper is an attempt to explore the mindscape of Prince Hamlet using the theoretical base of Michel Foucault's discourse on madness and the formation of power dichotomy. The paper also envisions a Lacanian regeneration of desire, sexuality, and narrative hegemony.
... Hyperreality is a discursive question, as discourses grant humans lenses they can use to understand phenomena, which do not by themselves fixate and determine meaning (see Foucault [1969Foucault [ ] 1972Laclau and Mouffe 1985;Fairclough 2013). Therefore, a discourse may abolish the distinction between reality and simulation. ...
... Hyperreality is a discursive question, as discourses grant humans lenses they can use to understand phenomena, which do not by themselves fixate and determine meaning (see Foucault [1969Foucault [ ] 1972Laclau and Mouffe 1985;Fairclough 2013). Therefore, a discourse may abolish the distinction between reality and simulation. ...
... A discourse-the hyperreal discourse in this text-is analyzed based on the logic regulating specific statements (Foucault [1969(Foucault [ ] 1972. As a discourse is a structured manner of thinking and speaking, so it has a structure. ...
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The digital revolution has partly disembodied humanity, as evermore time and effort are spent on cyberspace, where virtual simulations of the real increasingly preoccupy our minds. The AI is the last simulator joining the party, now also simulating “love” and “romance.” Today, millions of people are entering “love relationships” with the algorithm. Using a discourse analysis and insights on hyperreality from Jean Baudrillard, Mark Slouka, and others, I analyze how “AI-human relationships” are discursively constructed, and how this discourse establishes hyperreality, as the AI and its simulation of intimacy are represented as equivalent to human partners and real love. Love, the codification of intimacy, is deconstructed by this discourse, as the idea of “AI-human love” displaces intimacy and other signs we associate with love, essentially transforming love into the codification of satisfaction, unrelated to the human touch. La révolution numérique a en partie désincarné l'humanité, car de plus en plus de temps et d'efforts sont consacrés au cyberespace, où les simulations virtuelles du réel occupent de plus en plus nos esprits. L'IA est le dernier simulateur à rejoindre la fête, simulant désormais également "l'amour" et la "romance". Aujourd'hui, des millions de personnes entrent dans des "relations amoureuses" avec l'algorithme. En utilisant une analyse du discours et des perspectives sur l'hyperréalité de Jean Baudrillard, Mark Slouka et d'autres, j'analyse comment les "relations IA-humaines" sont construites discursivement, et comment ce discours établit l'hyperréalité, car l'IA et sa simulation de l'intimité sont représentées comme équivalentes aux partenaires humains et à l'amour réel. L'amour, la codification de l'intimité, est déconstruit par ce discours, car l'idée de "l'amour IA-humain" déplace l'intimité et d'autres signes que nous associons à l'amour, transformant essentiellement l'amour en codification de la satisfaction, sans rapport avec le contact humain.
... The second most frequently cited scholar, Elinor Ostrom, is known for developing the Social-Ecological Systems (SES) Framework, a widely used approach for analyzing sustainability within social-ecological contexts. Foucault (1972) ranks third, having established a foundational methodology for discourse analysis. His work remains influential in critical theory and the social sciences, contributing to extensive citation and co-citation networks across disciplines. ...
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This study offers a bibliometric meta-analysis of eco-discourse and discourse analysis within Scopus-indexed journals from 2010 to 2020, focusing on how language frames environmental challenges in global scholarly conversations. Using a systematic PRISMA-based approach, the study integrates bibliometric tools (VOSviewer and Scopus analysis) to trace publication trends, key countries, influential sources, and frequently cited references. Keyword co-occurrence analysis highlights central themes such as discourse analysis, sustainability, ecology, climate change, and Critical Discourse Analysis (CDA) illuminating the evolving intersections of these topics across disciplines. Crucially, this study foregrounds how discourse operates as a social practice in shaping perceptions and actions around ecological crises, revealing ideological framings and power dynamics within environmental discourses. Co-citation analysis further elucidates the field’s theoretical and methodological convergences with sociolinguistics, media studies, and environmental policy discourse. By synthesizing these diverse threads, the study advances critical reflections on the role of discourse in mediating environmental knowledge and action, offering insights relevant for scholars in discourse studies, environmental communication, and beyond.
... Для нашого дослідження ключовими є три підходи до розуміння дискурсу, які спільно висвітлюють складний діалектичний зв'язок між цим поняттям і текстом. Згідно з першим, викладеним у працях французького філософа М. Фуко, дискурс визначається як сукупність текстів, об'єднаних за певними критеріями та пов'язаних між собою специфічними відношеннями (Foucault, 2002). ...
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The article explores universal and idiosyncratic features of interdiscursivity, represented in the selected works of Nobel laureate J. M. Coetzee. Interdiscursivity is defined as a cognitive-communicative strategy for the semantic and structural construction of a literary text, aimed at ensuring the interaction with the reader. It is established that in the examined works, interdiscursivity forms a new model of meaning- and text-creation, characterized by its epistemic properties. These properties are differentiated based on the developed prototype model of discourse, which includes the following features: (1) the type of knowledge underlying the formation of discourse; (2) the pragmatic orientation; (3) the features of linguistic-stylistic, plot-compositional, and narrative organization; (4) the tonal system; (5) the communicative goal. Changes in the epistemic traits of discourse signal a discursive "shift," which is accompanied by the emergence of pragma-stylistic effects such as cognitive-emotional tension, cognitive-emotional dissonance, intensification of reader engagement, semantic gaps/distortion, cognitive overload, etc.
... Discourse analysis exposed and revealed those taken-for-granted assumptions that are truly enclosed in the gendered experiences of men. The informants' discourses were specific, and logical and empirical evidence supported the outcomes of accepted facts in their lives (Billig, 1997;Foucault, 1972). Hence, the voices of informants based on discourses are taken as logical, persuasive, and practical in their lived experiences (Hall, 1990;Potter and Wetherell, 1995). ...
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This study explores the sociocultural and emotional experiences of men with the identity of sole bread earner for their families in Islamabad, Pakistan. Patriarchy as a social systems positionmen as dominant figures in both public and private spheres, yet simultaneously impose standardized sociocultural burdens on men for societal approval, enforces them to play the role of head of the household after the death of a father. Drawing upon the feminist lens, this research critically examines how men internalizes institutionalized norms during the process of gendered socialization and perform socially constructed masculine ideals through emotional regulation, suppression, and resilience. Using a Foucauldian discourse analysis, an approach typically considered one of the main qualitative data analysis methods. Interviews were conducted by taking life histories of 20 men having diverse sociocultural orientation and social status. The study underscores the social and emotional cost of conforming to rigid gender roles, focusing on how emotional burdens are ignored at the name of meeting societal expectations and maintaining masculine identity. This research contributes to sociological literature on sociology of men by expanding the discourse on male emotional labor and mental health, advocating for more inclusive gender-sensitive policies.
... It is well documented by Indigenous scholars, such as Madi Day (2021), that notions of the 'body, health and wellness' have longstanding significance for settler colonial regimes of racialised power and practices of governing. First established under imperial Britain and its colonial regimes of local population management, eugenics was a core discursive practice of biopolitical governance (see Foucault, 2002) across the British empire to assert the authority of white coloniality upon First Nations peoples and normalise settler colonial practices of power (Bashford, 2004). Eugenics had two purposes (Blacker, 1952). ...
... The research design for this study employed a qualitative approach centered on discourse analysis, specifically utilizing Foucauldian discourse analysis (FDA) to explore the representation of homosexuality in Indian news media. This approach was particularly relevant as it allowed for an examination of how language and power intersect in shaping societal perceptions of LGBTQ+ identities (Foucault, 1972;Dasgupta, 2021). By analyzing media narratives, we revealed the underlying power dynamics that inform public discourse and societal attitudes toward homosexuality (Das, 2021). ...
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India’s historical approach to homosexuality has been shaped by colonial-era laws and enduring cultural norms, most notably Section 377 of the Indian Penal Code, which criminalized same-sex relations until its repeal in 2018. Despite this legal milestone, social acceptance remains inconsistent, and media continues to play a crucial role in shaping public discourse. This study explores how Indian news media constructs narratives around homosexuality and how these narratives influence the perceptions of heterosexual young adults aged 18–25. Adopting a qualitative approach rooted in Foucauldian discourse analysis, the research includes secondary analysis of mainstream and independent media sources, alongside in-depth interviews with six college students. Thematic analysis revealed key patterns of marginalization, symbolic representation, cultural gatekeeping, and selective framing. While certain media outlets advocate for inclusivity, others perpetuate stereotypes aligned with traditional and religious ideologies. Participants indicated that their perspectives were shaped by both the inclusivity of digital platforms and the conservatism of traditional news media. The study underscores the dual role of media as both a platform for advocacy and a tool for reinforcing societal biases, highlighting the need for more authentic, diverse, and responsible portrayals of LGBTQIA+ individuals in Indian journalism.
... Rather than following an empirical or formal linguistic approach, the paper advances a conceptual inquiry into the ontological and aesthetic conditions of language under algorithmic mediation. The methodology aligns with what Foucault (1972) describes as an archaeology of knowledge, a mode of analysis that interrogates not only what is said but the conditions that make certain kinds of statements, practices, and systems of sense possible. ...
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This paper examines the epistemological and ontological implications of large language models (LLMs) through the lens of Antonin Artaud's theory of expression. Drawing on Artaud's concept of glossolalia and its refusal of semantic coherence, the study critiques the smoothing, optimization, and datafication of language in AI systems. Engaging with theorists including Gilles Deleuze, Félix Guattari, Byung-Chul Han, Mark Fisher, Georges Bataille, and Shoshana Zuboff, the paper argues that LLMs instantiate a necrosyntax, a metaphysical condition wherein language circulates without living intensity. The work calls for new expressive paradigms that affirm linguistic rupture, waste, and corporeality as sites of resistance to machinic rationalization.
... The main criterion that qualifies a discursive statement as true is no longer a universal epistemic dictum. It is, rather, the contexts in which the statement emerges, circulates and is recognised by institutionally embedded communities of professionals (Foucault, 1972). ...
... Michel Foucault (1972) defined discourse as systems of thought, knowledge, and social practice that shape and constrain understanding and interaction with the world. ...
... In the case of the Lower Silesian folk costume, this approach opens up unexplored areas of inquiry, such as contemporary variations of the costume and, most importantly, its perception by users and the emotions it evokes. Like the editors of the volume Folk Dress mentioned above, I consider the Lower Silesian costume a cultural phenomenon, a form of dissonant heritage (Tunbridge & Ashworth, 1996) related to cultural memory (Assmann, 2011), and an element of discourse to be deconstructed and interpreted (Foucault, 1972). The adopted research perspective, which moves from specific details (the Lower Silesian costume) to broader contexts, provides insights into the processes of institutionalizing folk culture in the so-called Recovered Territories and the conscious or unconscious acts of heritage-making. ...
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Viewed as “correct and authentic” by some, yet criticized as ugly and inconsistent with the Polish imaginary of folk culture by others, the Lower Silesian costume is a simplified and unified version of the pre-World War II regional dress of the Karkonosze Mountains. It was popularized in Lower Silesia after the war to fill the folkloric void caused by the almost complete population exchange. Currently, it is used by professional and amateur folk groups. I analyze the phenomenon of the Lower Silesian costume through its cultural biography. As presented in this article, it is divided into three chronological parts: before World War II, when the costume was worn by the German inhabitants of the region and local enthusiasts in a spirit of romanticized nationalism; after the war, when it was (re)introduced as an element of institutionally created folklore and propaganda Polishness of the region; and today, when the costume is perceived as full of contradictions. I conclude the analysis by proposing the concept of cultural transposition, which is the relocation of cultural elements or phenomena into new socio-political frameworks, leading to their (not necessarily harmonious) mutation.
... Nachhaltigkeitstransformationen umfassen damit zwei sich gegenseitig stützende Dimensionen: Diskurse und Materialitäten, die von spezifischen Rahmenbedingungen wie etwa Normen, Gesetzen und Institutionen geprägt werden (Brand 2016). Diskurse und Materialität stehen über Praktiken miteinander in Verbindung (Foucault 1972). Nach poststrukturalistischem Verständnis werden Diskurse erst durch ihre materielle Wirkung "realisiert" (Mattissek & Wiertz 2014, S. 159), während Materialität erst durch diskursive Praktiken ihre Bedeutung erhält (Bacchi & Bonham 2014, S. 188). ...
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https://doi.org/10.26092/elib/3609 Diskussionen um die Nachhaltigkeit von Kreuzfahrten wurden und werden intensiv geführt. Meistens geht es dabei um Aspekte des Umweltschutzes oder des Overtourism. Ein für die Passagiere besonders bedeutsamer Faktor ist die Verpflegung an Bord. Der vorliegende Beitrag untersucht, inwiefern dieser Bereich nachhaltiger gestaltet werden. Auf der Basis von Experteninterviews werden konkrete Handlungsempfehlungen für die Branche abgeleitet.
... This control extends to defining social norms and behaviors. (Foucault, 1972). The introduction of language models have radically changed the scope of discussion over the limitations of free speech. ...
Article
The paper analyses Kazuo Ishiguro's novel Klara and the Sun in the context of language of communication between Artificial Intelligence and human beings. Klara is a humanoid robot who functions as an Artificial Friend, whose role is to assist children in their daily life. Yet, Klara exceeds human expectations and learns to love the girl she works for. The analysis focuses on the nature of communication in dystopian fiction and the challenges it involves. The author conducts a comparative analysis of newspeak and its equivalences in other dystopian works. Sapir-Whorf hypothesis, Foucault's theory on power and discourse, or linguistic determinism and linguistic relativity will be employed as sources of methodological background. It will also be pointed out that Ishiguro's AI character resembles language models which currently interact with humans on a daily basis.
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Literacy is important foundational knowledge for all teaching areas and classroom settings. Language and Literacy covers the building blocks of literacy, as well as the developmental skills all pre-service and in-service teachers need to teach effectively and meaningfully across the Australian curriculum. Part one moves chronologically from the early years to the secondary years, covering phonological, phonemic and morphological awareness, word and sentence-level grammar, language use in social contexts, and a discussion on English language diversity and change. Part two introduces the metalanguage, content knowledge and teaching methods required to develop students' competence in vocabulary, text types and grammar, as well as oracy, reading, writing and critical literacy. Each chapter includes discussion points and further resources to engage students, with key terms linked to the comprehensive glossary. Written by experienced educators, Language and Literacy is an essential resource, offering a focused exploration of language and literacy knowledge for pre-service and in-service teachers.
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Teaching is reconsidered as a form of staging that is ordered by the idea of pedagogy as a powerful, though elusive, dimension of the Symbolic order of education. Is pedagogy as straightforward as the standard transmission and active engagement models suggest? Essentializing developmental models are put into question, and the easy assumption of the activation of pedagogy is approached through psychoanalytic rethinking of the dynamics of institutional space. The role of ‘lack’ is considered in terms of the teacher’s experience of pleasure in teaching while the general order of knowledge is reviewed from a Lacanian perspective giving an emphasis to the interplay between discourse and incompletion. Finally, the role of the idea of potential is deliberated in relation to the dynamic function of lack in education while the governing role of education, through various ‘points de capiton’ gets foregrounded.
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As the world’s second-largest economy and the second most populous country, China hosts numerous international schools, some of which allow Chinese citizens to attend. In addition to foreign-owned international schools, there are many private bilingual schools (Chinese internationalized schools) and dual-curriculum international departments affiliated with Chinese public schools that are open to Chinese citizens. These for-profit schools often use affective storytelling to market their expertise in international education. Using a cultural studies approach and drawing on an affect lens, this study investigates how private international schools’ websites use colonial discourse and affective storytelling to attract prospective students and shape social imaginaries of Western educational supremacy. First, this study provides a literature review on themes related to the identities, curriculum, and tensions surrounding K-12 international schooling in China. Next, it introduces cultural studies and affect theory, and explains their interconnections as the theoretical foundations of this research. The methodology of Multimodal Critical Colonial Discourse Analysis (MCCDA) is also detailed to outline how textual and visual contents on the websites of Chinese internationalized schools are analyzed. Based on a systematic investigation of these schools’ websites, this paper argues that Chinese internationalized schools use their websites as forms of affective infrastructure to shape and normalize colonial logics and the supremacy of Western educational hegemony globally while marginalizing other ways of learning, knowing, and being.
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This study investigates the deconstruction of historical truth in Yesenibit Kelemat, literally translated as Farewell Colors. Employing a postmodern framework, the analysis utilizes concepts of textuality, historical metafiction, fabulation, and irrealism to demonstrate the novel's multifaceted depiction of history. Farewell Colors is positioned as a text that recontextualizes the past, weaving together elements of myth, legend, and diverse historical narratives (pre-modern and modern). Through this approach, the “grand narratives” of traditional history are fractured, privileging the emergence of “small narratives” and emphasizing the active interpretation between “events” and “epistemes” within specific ideological and cultural contexts. The study concludes that Farewell Colors dismantles the idea of a singular, objective historical truth, instead presenting a dynamic interplay between historical fact, fiction, and individual interpretations. የዚህ ጥናት ዓላማ የታሪክን ዕውነት ፈድለተቃርኗዊ ጠባይ በየስንብት ቀለማት ውስጥ ተንትኖ ማሳየት ነው፡፡ በዘዴነት ፈድለተቃርኖን ተጠቅሞ የድኅረዘመናዊነትን የአተያይ ብዝኃነት (multiple perspective) እየታገገ በልቦለዱ ውስጥ የታሪክን አስተማስሎ ለማስተንተን ተሞክሯል፡፡ በድኅረዘመናዊ ልቦለድ ውስጥ ታሪክን ለማስተንተን የሚያስችሉ እንደ ቴክስታዊነት፣ የታሪክ ዲበልቦለዳዊነት (Historical Metafiction)፣ የታሪክ ፍጥርነት (historical fabulation) እና ብዝኃግህደት (Irrealism) እንደመነሻ መታገጊያነት አገልግለዋል፡፡ በጥናቱ የስንብት ቀለማት ታሪክን እንደ አሃድ ወስዶ በተለያዩ ክፍሎቹ ከድኅረዘመናዊነት አንጻር እንዳቀረበው ለመመልከት ተችሏል፡፡ በዚህም ታሪክ ከሚትና አፈታሪክ ጋር በአቻዊነት እንደሚዋደድ፣ የቅድመዘመናዊና ጊዜ ዘመናዊ የታሪክ ሐቲቶች በትይዩነት እየተስተጋዎሩ ከሁለቱም ቅሩንነት አዲስ ታሪካዊ ሐቲት እንደሚዋለዱበት፣ ምስለ ግሁድ ገጸባህርያት በአዳዲስ ታሪካዊ ሐቲቶች እንደሚከሰቱበት፣ የ3000 ዘመን የነጻነትና የቅኝ ግዛት በሚል የፖለቲካ ፈድለተቃርኖዎች እንደሚካተቱበት፤ በዚህም ታሪክ ብዝኃግሁድ፣ ፍጥር፣ ለትርጓሜ ክፍት የሆነና በአውድ የሚገራ “ቴክስት” እንደሆነ ለመመልከት ተሞክሯል፡፡ ስለሆነም፣ በየስንብት ቀለማት ውስጥ ታሪክ በየዘመኑ የሚገራና ከታላቅ ሐተታ ተናጥቦ የትንንሽ ተረኮች ጣጣ በ“events” እና “epistemes” መካከል በሚነቃ የተረክ ትርጓሜ (narrative interpretation) ኅልው እንደሚሆን ለመገንዘብ ተችሏል፡፡ የየዘመኑ ሐቲት ይዞት የሚነሳው ርእዮተዓለማዊና ባህላዊ ቁመናዎች ታሪክን ሲገሩትም ተስተውሏል፡፡
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This article uses perspectives from cultural theory and my own writing practice to argue that contemporary historical fictions can function similarly to archives as the systems in which historical discourse operates, by containing and reframing real-life historical documents within invented narratives. I discuss my work-in-progress, a novella titled The Thorns, which rewrites Perceval Landon’s 1908 ghost story “Thurnley Abbey” and seeks to engage with one of its implied historical contexts: the fraught and often bloody history of Roman Catholicism in England, specifically during the Reformation and the Dissolution of the Monasteries. I contextualise this writing project with detailed reference to literary and cultural theories of fiction’s relationship to historical discourse, specifically the idea of the archive itself, and describe some of the ways in which my novella engages with the histories behind the original text’s focus on representations of silence, death and fear resulting from a disavowed past.
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Print media has a huge impact over societal psychological perception of the world. Advertisements are a very imperative source within it. The depiction of the male gender has seen a massive upheaval over time and advertisements have had a vital role to play in it. In this paper we will scrutinize how select advertisements are showcasing a skewed ideal image of the 'perfect man' and aligned appropriate behavior. We will try to highlight the problematic ideologies that are served to readers under the guise of popularity. To serve this aim I will make use of select tools of Discourse Analysis like, vocabulary, presuppositions, implications, speech act etc. For my analysis, we will look at how through the medium of advertisements, one of the most far reaching and impressionable, the text producers are creating and in the process excluding what a man should be like. The paper will also venture into the arena of Critical Discourse Analysis to explore the power relations that are established in terms of age, gender, sex or class.
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