ArticlePDF Available

Abstract and Figures

Colours and the spatial properties of the workplace are primarily visually conveyed. The aim of this study determines how colour, area and height influence space perception. 80 interior designers participated in this experiment to evaluate the sixteen workspace images on the internet-based questionnaires. Four factors of space perception; spaciousness, openness, complexity, and order, were assessed using a semantic differential scale. The outcomes revealed that variations in space perception were significantly associated with the difference in colour, area, and height. Neutral colour in all area and height obtained the highest rating of the overall factors, followed by cool colours.
Content may be subject to copyright.
Available Online at www.e-iph.co.uk
ASLI QoL 2017
AQoL2017Kuching
http://www.amerabra.org; https://fspu.uitm.edu.my/cebs
3rd ABRA International Conference on Quality of Life
“Quality of Life 3”
Riverside Majestic Hotel, Kuching, Malaysia, 14-16 Oct 2017
eISSN: 2398-4287© 2017. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-
ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peerreview under responsibility of AMER (Association of Malaysian Environment-Behaviour
Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning &
Surveying, Universiti Teknologi MARA, Malaysia.
https://doi.org/10.21834/e-bpj.v2i6.978
351
Effects of Colour, Area, and Height on Space Perception
Nattha Savavibool 1, Chumporn Moorapun 2,
1 PhD Candidate in Multidisciplinary Design Research Program, Faculty of Architecture,
2 Faculty of Architecture,
King Mongkut’s Institute of Technology Ladkrabang, Bangkok, Thailand
nattha@msn.com
Tel: +6681 8205195
Abstract
Colours and the spatial properties of the workplace are primarily visually conveyed. The aim of this study determines how colour, area and height
influence space perception. 80 interior designers participated in this experiment to evaluate the sixteen workspace images on the internet-based
questionnaires. Four factors of space perception; spaciousness, openness, complexity, and order, were assessed using a semantic differential scale.
The outcomes revealed that variations in space perception were significantly associated with the difference in colour, area, and height. Neutral colour
in all area and height obtained the highest rating of the overall factors, followed by cool colours.
Keywords: Effect of colour, Colour combination, Work environment, Space perception
eISSN: 2398-4287© 2017. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-
ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peerreview under responsibility of AMER (Association of Malaysian Environment-Behaviour
Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning &
Surveying, Universiti Teknologi MARA, Malaysia.
https://doi.org/10.21834/e-bpj.v2i6.978
1.0 Introduction
The physical work environment that can affect human perception is well documented. Certain attributes of the workplace such as room
configuration, office planning, ergonomics, colour or lighting have been conducted. In term of colour, which is one of the interior design
elements that also play a crucial role in influencing either large or small space. However, little research investigates the interaction
effect of colours and spatial-architectural dimension in the work environment on human space perception. Most of them conducted in
the experimental room and focused on examining the effect of each factor separately. Many studies have studied on colours only at
the walls but lack of concentration in the whole space. It should determine the spatial effects with all three planes such as the
horizontal plane, vertical plane, and overhead plane. Moreover, there is a limited amount of research in a wide range of color. There
were almost examined a few prominent colour such as red, blue, green, and particular research have attempted to compare the effect
of one colour with other colour. Therefore, this study aimed to explore the various colour schemes and room proportion in the real
design work environments in Thailand, and then examine how colour, area and height influence space perception. It’s necessary to
understand how the different colour in the various room proportion can affect human perceptions to create a positive workplace. The
findings will provide the essential variables, set of effective colour, implication, and recommendation for further study.
Savavibool, N., & Moorapun, C., / 3rd AQoL2017Kuching, 14-16 Oct 2017 / E-BPJ, 2(6), Nov 2017 (p.351-359)
352
2.0 Literature review
In this study, the perception of space and the work environment were interested in investigating the interaction effect of colours, area,
and height of the workplace on human space perception. The following review aims to establish the theoretical basis, research
framework of relevant variables and their relationships is developed (Fig. 1).
Fig.1. Research Framework
2.1. Colour
Colours and spatial dimensions of the physical environment are primarily visually conveyed. Numerous studies indicate that colour can
have a profound effect on perceived room dimensions. For instance, warm colours, such as red, yellow and orange, tend to make
space seem smaller than it actually is (Yildirim et al., 2012). Warm deep colours on the end walls with a lighter colour wall can make a
long narrow room seem close and appear more evenly proportioned (Pile, 1997). On the other hand, cool colours, such as blue and
green, and lighter colour tend to make space much more spacious (Yildirim et al., 2011). The cool colour space was perceived as
somewhat more openness than the warm colour space.
Neutral colours, such as white, beige, black and gray, are the most commonly used colours for workplace environments. The office
with white painted walls was perceived as more spacious than the monochromatic red and green painted walls (Kwallek, 1996).
Moreover, the mean rating for spaciousness for white lighting was higher than that of green and red as well (Odabaşioğlu & Olguntürk,
2015). A low ceiling will seem less oppressive by a light colour, and the perceived room height tend to increase with wall lightness
(Oberfeld & Hecht, 2010). While a high ceiling can be made to seem lower by a dark blue and black (Pile, 1997). The multicolour room
was found to have a very high complexity and non-unity, whereas the neutral room obtained an opposite effect (Küller et al., 2009).
The achromatic scheme was perceived more harmonious, and the chromatic scheme was indicated a more complex (Öztürk, Yılmaze
& Ural, 2012).
Nevertheless, there is some contradiction in previous studies. For instance, the influence of colour on perceived spaciousness was
reported smaller effect when the amount of light is controlled (Stamp, 2011). There was no difference between colourful and gray
workspace in term of enclosedness (Küller et al., 2009). The floor lightness has no significant effect on perceived height and that the
total brightness of the room is not the critical factor influencing the perceived height (Oberfeld & Hecht, 2010).
The colour combination in the workplace will consider as good because the colours blend nicely between the wall, furniture, and
floor finish. An office has a multicolour scheme where the colours do not mix up together completely, causing conflict between the
colours used (Kamaruzzaman & Zawawi, 2010). However, the previous studies in physical workplace environment have mostly
focused on colours only at the walls but lacking in concentration as a whole space and have some conflicts between the results. For
example, a study found that employee preferred the combination of cool and warm colours than the combination of cool or warm
colours (Poursafar et al., 2016). And another research found that neutral colour with a mixture of cool colour could help enliven
perception. (Kamaruzzaman & Zawawi, 2010). Thus, more research relating to the relation of colour and space perception is needed
to be done to understand differences in effectiveness.
2.2 Horizontal area
Horizontal area or floor area is the most crucial factor that influences perceived spaciousness (Franz and Wiener, 2005; Franz;
Stamps, 2007; Stamps, 2011). The amount visible edges also had a strong effect on judged spaciousness (Benedikt and Burnham,
1985; Franz & Wiener, 2005). The larger area was perceived more positively than, the smaller one (Barucha-Reid and Kiyak, 1982),
and was judged as being more spacious than it seems to be (Stamps, 2009; Stamps, 2011). Primary affective dimensions of spaces
are probably their size (Joedicke, 1985) and rate of the enclosure (Franz et al., 2005; Stamps, 2005).
2.3 Height
There are the influences of boundary height and space perception of the physical environment. The ceiling height might extend
beyond the upper limit of room to increase the perception of its size. Double high space can enhance the volume of space and create
a sense of spaciousness. It appears that people tend to prefer ceilings that are higher than standard and the preference of ceiling
height varied as a function of occupant’s activity in the room (Baird, Cassidy and Kurr, 1978). The lower boundaries could increase the
perception of spaciousness (Stamps, 2011). However, the findings and theories are still not sufficiently empirically backed and
integrated, especially in the context of the work environment. More research has to be investigated.
2.4 Space perception
Many environmental factors are effective in the evaluation and space perception. Appropriate and proper use of physical features can
enhance human satisfaction. Regarding empirical aesthetics, the environmental factors were classified into three categories:
complexity, order and spatial perception (Nasar, 1997). Complexity includes visual richness, decoration accessories, and information
Space Perception
Work Environment
- Colour
- Area
- Height
Savavibool, N., & Moorapun, C., / 3rd AQoL2017Kuching, 14-16 Oct 2017 / E-BPJ, 2(6), Nov 2017 (p.351-359)
353
ratio. The order comprises unity, order, and clarity. Spatial perception provides openness, spatial arrangement, and density. This
study focus on the work environment context and four factors are mainly considered: spaciousness, openness, complexity, and order.
Spaciousness can influence the properties of the physical environment (Stamps, 2007). The potency dimension linked to the size
and spaciousness such as spacious-cramped, low-high. Openness related with the rate of the enclosure. Rectangular architectural
space seems to predict from room proportions, area, and openness ratio (Franz et al., 2005). In term of complexity and order, the
theories suggest that they are essential fundamental factors of architecture (Weber, 1995). The high level of plan complexity is
another factor that influences spatial perception. Complex spaces are perceived darker and confined (Hidayetoglu et al., 2010).
Complexity is represented by the variable simple-complex. Overall building shape, patterns, and compositional elements can enhance
a sense of order. The dependent variables linked to order are harmonious-inharmonious, fit-contrast. The factors and semantic
differential rating scale variables related to space perception are shown in table 1.
Table 1. Factor and dependent variables of the construct space perception
Factor
Dependent variables
Spaciousness
spacious-cramped
high-low
Openness
openness-enclosure
Complexity
simple-complex
Order
harmonious-inharmonious
fit-contrast
Several research tools are used to explore the space perception in previous studies such as photo, experimental room, existing
workplace and virtual reality. Using image as a measure tools instead of real on-site evaluation can predict respondent’s similar
response and can go through the various environment in a short period (Kaplan & Kaplan, 1989; Liu & Chuang, 2014). Due to this
experiment aim to explore and examine the effect of different colour in the difference workspace. Therefore, the photograph was a tool
that suited for this research.
3. Methods
This experimental research was carried out in two stages: a pilot study and main study. A pilot study was conducted to explore colour
in the work environment with the different room proportion, and to come up with the representative stimuli using for the main study.
The sorting task was used to select out workplace images with the primary three attributes: colour, area, and height.
Colour: (C1) Warm colour, (C2) Cool colour, (C3) Colourful, (C4) Neutral colour
Area : (A1) Small open plan (4-9 persons), (A2) Medium-sized open plan (10-24 persons)
Height: (H1) Low ceiling, (H2) High ceiling
3.1 A Pilot study
The first step, four interior design graduate students worked together to select 200 colour photographs of real design workplace. The
selection based on the following criteria:
- The workplaces are locating in Thailand.
- Interior space that can be viewed as a three-dimensional: floor plan, wall, and ceiling plane.
- Images from most popular digital magazine and website for architecture and design domestic and international
(archdaily, designboom, retaildesignblog, dezeen, art4d, etc.)
- Between the year 2000 and 2017
All the inclusion images were standardized in term of size and resolution and printed on A4 Paper. Photographs with poor printing
quality were excluded. Importantly, the stimuli were not controlled by other variables such as light and furniture.
The second step, six experts with year-long practical working experience, three professional interior designers and three lecturers
from interior design departments, were gathered at the expert meeting and picked out the photos that best suit to measure three
attributes in 8 component. Finally, 16 colour images were fit the inclusion criteria and then were used in the main study. See the
sample of workplace images with three attributes below.
Fig. 2. C1- A1- H1. Fig. 3. C1- A1- H2.
Savavibool, N., & Moorapun, C., / 3rd AQoL2017Kuching, 14-16 Oct 2017 / E-BPJ, 2(6), Nov 2017 (p.351-359)
354
Fig. 4. C3- A1- H1. Fig. 5. C2- A1- H1.
Fig. 6. C4- A1- H1. Fig. 7. C4- A1- H2.
Source of each representative image:
Fig.2 https://www.archdaily.com/office/studio-of-design-and-architecture, Fig.3 https://supermachine.co/2016/09/28/hubba-to/,
Fig.4 https://www.archdaily.com/232514/rebirth-of-saatchi-saatchi-thailand-supermachine-studio, Fig.5 https://www10.aeccafe.com/blogs/arch-show
case/2017/04/13/kbtg-kasikorn-business-technology-group-building-in-chaengwattana-thailand-by-pbm-progressive-building-management-co-ltd/, Fig.6
https://www.archdaily.com/558152/rabbit-s-tale-t-dtangstudio, Fig.7 https://www.archdaily.com/641200/zonic-vision-office-stu-d-o-architects.
3.2 The main study
Participants
A total of 80 interior designers (41 females, 39 males) with normal or corrected to normal vision participated in the experiment. The
average age was 25.8 years with a range of 21 to 35 years. All participants were randomly assigned to one of the internet-based
questionnaires and were briefly introduced to the experiment at the beginning. They took approximately 10 minutes to complete each
of the questionnaires. The data were obtained during 2-weeks period
Materials
The two questionnaires were prepared for the experiments consisting of two parts: the first part was composed of question about
general information of the participants relating to the age, education level, and work experience; the second part consisted of 7-point
semantic differential scale about the perception of the work environment. Each questionnaire contained eight workplace photographs
so that it could be completed in an appropriate time frame. The participants were asked to evaluate the differently colour workspace
on each of 6 bipolar adjective pairs on a 7-point semantic differential scale as follows: spacious-cramped, high-low, openness-
enclosure, simple-complex, harmonious-inharmonious and fits-contrast. The differences between participant’s space perceptions in 4
different spaces (small area-low ceiling, medium area-low ceiling, small area-high ceiling and medium area-high ceiling) with four
colour schemes (warm colour, cool colour, colourful, neutral) were tested using three-way ANOVA.
4.0 Results
According to the three-way ANOVA results, the difference between variables; colour and height, were found to be statistically
significant at the level of p<0.05 for all of the semantic differential items (spacious-cramped, high-low, openness-enclosure, simple-
complex, harmonious-inharmonious and fit-contrast). Room area did not reach statistical significance regarding some perceptions.
As shown in table 2, a three-way between groups analysis of variance was conducted to explore the impact of colour, area, and
height on the perception of spaciousness. The interaction effect between colour, area, and height was statistically significant,
Savavibool, N., & Moorapun, C., / 3rd AQoL2017Kuching, 14-16 Oct 2017 / E-BPJ, 2(6), Nov 2017 (p.351-359)
355
F(3, 624)=10.55, p=.00. There was a statistically significant main effect for colour, F(3, 624)=17.72, p=.00; area, F(1, 624)=39.05,
p=.00; and height, F(1, 624)=96.44, p=.00.
The difference colour, area, and height had significant relation effects and were perceived entirely different in spaciousness.
Neutral colour workplaces tended to create more spacious in the medium area with the low ceiling as well as in the small and medium
area with high ceiling. In small room area with the low ceiling, cool colour evoked a feeling of spaciousness while colourful perceived
in the opposite direction.
Table 2. Results of the between-subjects effects test for the perception of spaciousness
Type III Sum
of Squares
df
Mean
Square
F
Sig.
Partial
Eta
Squared
381.494a
15
25.433
19.191
.000
.316
1775.556
1
1775.556
1339.799
.000
.682
70.456
3
23.485
17.722
.000
.079
51.756
1
51.756
39.054
.000
.059
127.806
1
127.806
96.440
.000
.134
35.131
3
11.710
8.836
.000
.041
52.606
3
17.535
13.232
.000
.060
1.806
1
1.806
1.363
.243
.002
41.931
3
13.977
10.547
.000
.048
826.950
624
1.325
2984.000
640
1208.444
639
a. R Squared = .316 (Adjusted R Squared = .299)
According to the result shown in table 3, a three-way between groups analysis of variance was conducted to explore the impact of
colour, area, and height on the perception of height. The interaction effect between colour, area, and height was statistically
significant, F(3, 624)=4.65, p=.03. There was a statistically significant main effect for colour, F(3, 624)=12.15, p=.00, and height,
F(1, 624)=362.12, p=.00. The main effect for the area, F(1, 624)=.80, p=.37, did not reach statistical significance.
The difference colour, area, and height had significant relation effects and were perceived completely different in the perception of
height. In the medium area with both low and high ceiling, neutral colours workplace perceived much higher ceiling than other colour
schemes. In the small area, colourful work environment obtained the high score in a high ceiling workplace but got a low score in a low
ceiling space. Cool colours room were rated to appear higher ceiling than others in the small area.
Table 3. Results of the between-subjects effects test for the perception of height
Type III Sum
of Squares
df
Mean
Square
F
Sig.
Partial
Eta
Squared
590.686a
15
39.379
32.367
.000
.438
1553.139
1
1553.139
1276.595
.000
.672
44.330
3
14.777
12.146
.000
.055
.977
1
.977
.803
.371
.001
440.564
1
440.564
362.119
.000
.367
22.692
3
7.564
6.217
.000
.029
63.655
3
21.218
17.440
.000
.077
1.502
1
1.502
1.234
.267
.002
16.967
3
5.656
4.649
.003
.022
759.175
624
1.217
2903.000
640
1349.861
639
a. R Squared = .438 (Adjusted R Squared = .424)
The results as shown in table 4, a three-way between groups analysis of variance was conducted to explore the impact of colour,
area, and height on the perception of openness. The interaction effect between colour, area, and height was statistically significant,
F(3, 624)=5.55, p=.00. There was a statistically significant main effect for colour, F(3, 624)=10.20, p=.00; area, F(1, 624)=31.45,
p=.00; and height, F(1, 624)=251.21, p=.00.
The difference colour, area, and height had significant relation effects and were found completely different in openness. In the
medium area with both low and high ceiling, neutral colour workplaces perceived higher score in openness than others. Warm colours
in both small and medium area with low ceiling workplace tend to provide the feeling of enclosure. In small room area with the low
ceiling, the cool colour was perceived as being higher in openness than other schemes.
Savavibool, N., & Moorapun, C., / 3rd AQoL2017Kuching, 14-16 Oct 2017 / E-BPJ, 2(6), Nov 2017 (p.351-359)
356
Table 4. Results of the between-subjects effects test for the perception of openness
Type III Sum
of Squares
df
Mean
Square
F
Sig.
Partial
Eta
Squared
757.986a
15
50.532
26.760
.000
.391
972.689
1
972.689
515.102
.000
.452
57.755
3
19.252
10.195
.000
.047
59.414
1
59.414
31.464
.000
.048
474.377
1
474.377
251.213
.000
.287
39.805
3
13.268
7.026
.000
.033
84.442
3
28.147
14.906
.000
.067
10.764
1
10.764
5.700
.017
.009
31.430
3
10.477
5.548
.001
.026
1178.325
624
1.888
2909.000
640
1936.311
639
a. R Squared = .391 (Adjusted R Squared = .377)
According to the result shown in table 5, a three-way between groups analysis of variance was conducted to explore the impact of
colour, area, and height on the perception of complexity. The interaction effect between colour, area, and height was statistically
significant, F(3, 624)=6.84, p=.00. There was a statistically significant main effect for colour, F(3, 624)=89.54, p=.00, and height, F(1,
624)=5.86, p=.02. The main effect for area, F(1, 624)=2.60, p=.11, did not reach statistical significance.
Colour, area, and height had significant relation effects on perception. The difference between colour and height factors were
perceived completely different in complexity. The neutral workplaces in all proportion of space were perceived as the most simplicity.
Warm colour in the medium workplace area with low ceiling perceived to be more complex than small area and other colour schemes.
Colourful space perceived high complexity in all workplace except in the medium area with high ceiling.
Table 5. Results of the between-subjects effects test for the perception of complexity
Type III Sum
of Squares
df
Mean
Square
F
Sig.
Partial
Eta
Squared
896.850a
15
59.790
36.825
.000
.470
810.000
1
810.000
498.880
.000
.444
436.138
3
145.379
89.539
.000
.301
4.225
1
4.225
2.602
.107
.004
9.506
1
9.506
5.855
.016
.009
270.113
3
90.038
55.454
.000
.210
133.056
3
44.352
27.316
.000
.116
10.506
1
10.506
6.471
.011
.010
33.306
3
11.102
6.838
.000
.032
1013.150
624
1.624
2720.000
640
1910.000
639
a. R Squared = .470 (Adjusted R Squared = .457)
As shown in table 6, a three-way between groups analysis of variance was conducted to explore the impact of colour, area, and
height on the perception of harmony. The interaction effect between colour, area, and height was not statistically significant, F(3,
624)=1.70, p=.17. There was a statistically significant main effect for colour, F(3, 624)=139.40, p=.00, and height, F(1, 624)=9.86,
p=.02. The main effect for area, F(1, 624)=3.36, p=.07, did not reach statistical significance.
Colour, area, and height had no statistically significant relation effects on perception. However, the difference between colour and
height factors were perceived completely different in harmony. Neutral colour in small area both low and high ceiling workplace got the
high score in harmony. Cool colour in the small area with high ceiling perceived upper harmony similar to the neutral environment,
while colourful and warm colour tended to create a more non-harmony perception.
Table 6. Results of the between-subjects effects test for the perception of harmony
Type III Sum
of Squares
df
Mean
Square
F
Sig.
Partial
Eta
Squared
876.275a
15
58.418
40.010
.000
.490
950.625
1
950.625
651.070
.000
.511
610.588
3
203.529
139.394
.000
.401
4.900
1
4.900
3.356
.067
.005
14.400
1
14.400
9.862
.002
.016
141.463
3
47.154
32.295
.000
.134
80.588
3
26.863
18.398
.000
.081
16.900
1
16.900
11.575
.001
.018
Savavibool, N., & Moorapun, C., / 3rd AQoL2017Kuching, 14-16 Oct 2017 / E-BPJ, 2(6), Nov 2017 (p.351-359)
357
7.438
3
2.479
1.698
.166
.008
911.100
624
1.460
2738.000
640
1787.375
639
a. R Squared = .490 (Adjusted R Squared = .478)
According to the result shown in table 7, a three-way between groups analysis of variance was conducted to explore the impact of
colour, area, and height on the perception of contrast. The interaction effect between colour, area, and height was not statistically
significant, F(3, 624)=2.38, p=.07. There was a statistically significant main effect for colour, F(3, 624)=65.45, p=.00, and height, F(1,
624)=19.12, p=.00. The main effect for area, F(1, 624)=.25, p=.62, did not reach statistical significance.
Colour, area, and height had no statistically significant relation effects on perception. However, the difference between colour and
height factors were perceived completely different in contrast variable. All of the neutral workplaces were rated as more fit in space
except the small area with the low ceiling. Cool, provide more fit small space. The colourful workplace in small area both low and high
ceiling tended to perceive spatial contrast.
Table 7. Results of the between-subjects effects test for the perception of contrast
Type III Sum
of Squares
df
Mean
Square
F
Sig.
Partial
Eta
Squared
560.100a
15
37.340
23.312
.000
.359
960.400
1
960.400
599.589
.000
.490
314.512
3
104.837
65.451
.000
.239
.400
1
.400
.250
.617
.000
30.625
1
30.625
19.120
.000
.030
106.587
3
35.529
22.181
.000
.096
83.337
3
27.779
17.343
.000
.077
13.225
1
13.225
8.257
.004
.013
11.413
3
3.804
2.375
.069
.011
999.500
624
1.602
2520.000
640
1559.600
639
a. R Squared = .359 (Adjusted R Squared = .344)
In summary, the findings indicated that space perception of the sixteen work environments was different. The three physical work
environment attributes had important effects on human space perception. However, the interaction effect of colour, area, and height
was not significantly difference in two variables: harmony, and contrast. Moreover, room area did not reach statistical significance in
some variables: height, complexity, harmony and contrast. Overall, it appeared that neutral colour in all of area and height obtained
the higher positive score, followed by cool colours. Whereas warm and colourful received the lower rating. Expanding in horizontal
area and ceiling height, the average mean of spatial effects in all variables increased as well.
5. Discussions
This study carried out the experimental research and tested the possible differences among the professional interior designers to
explore the relation effects of colours and spatial-architectural dimension in the work environment. The results indicated that the
variations in space perception were significantly associated with the difference in colour, area, and height. There were both
consistency and contrary on the effects with previous research.
Regarding the colour factor, neutral was perceived the most positively in all factors of space perception. The workspace with
neutral colours tended to perceive more spaciousness, openness, simplicity, and order than other colour schemes. These results
support the previous study of Küller et al. (2009) that the neutral workspace obtained simplicity effect. The findings also support the
studies that room with the achromatic scheme and the white workspace were perceived more harmonious (Kwallek, 1996; Öztürk et
al., 2012). However, Küller et al. (2009) found that there is no difference between colourful and gray workspace in term of
enclosedness, while this study revealed the contrary results. Although neutral seem to make an area appear more spacious than other
colour scheme, it may not be the best colour to use in the workplace. There are several studies found the negative effect of neutral
mainly white on emotional response and work performance. Workers performed worse in the white office space than in office with any
of colours (Kwallek, 1996; Öztürk et al., 2012)
The perception of colourful workspaces accord with the previous studies of Küller et al. (2009) and Öztürk, et al. (2012) that there
were high complexity and non-harmonious score in the colourful room. Additionally, this study has found that the small colourful room
tended to create the negative perception in all variables.
As predicted, cool colours tended to make a space more spacious and openness, while warm colours seem to make space more
cramp, encloses, and complex. This study also found that most of the colour schemes comparing in the small and medium area with
low ceiling obtained a similar level in term of harmonious, complexity and contrast. Ranging from most positive to most negative as
follows: neutral colours, cool colours and colourful. The spatial perception effects may not change between small and medium area.
Savavibool, N., & Moorapun, C., / 3rd AQoL2017Kuching, 14-16 Oct 2017 / E-BPJ, 2(6), Nov 2017 (p.351-359)
358
The findings indicated the more positive effect in increasing horizontal area, and ceiling height also supports the previous research of
Barucha-Reid and Kiyak (1982), Stamps (2009) and Stamps (2011).
The use of the image as the measurement tool was found both pros and cons. Images can be a useful technique to explore the
various colour in the real work environment. However, the different levels of perspective distortion and various elements in those
images might affect the perception. This limitation may explain why room area did not reach statistical significance regarding some
perceptions contrast with the previous studies (Franz and Wiener, 2005; Franz; Stamps, 2007; Stamps, 2011).
6.0 Conclusions and Recommendations
In the work environment context, substantial evidence was established that using the difference colour in the various room proportion
can affect human perception in the difference ways. An appropriate colour scheme in a suitable space can enhance the positive
perception. The results of the study imply that neutral colour is suited to use in all proportion of workspace but should be considered
the functional need and aesthetic response together. Cool colour and warm colour create the opposite perception.
Colourful is not suited to use in small space as those colours can lead to perceiving negative appraisal. In medium space, colourful
can be used and must be careful in selecting of colour combination. Further research is required to examine the colour contradiction,
how difference colour combination is associated with perception for various workplace settings.
A limitation of this study is that only interior designer participated in the experiment. Further studies could also explore the effect of
the different colour scheme in the different work environment on the workers in other professions. Moreover, further research should
be done on the development of measure tools considering three dimensional space.
Acknowledgements
The author would like to thank Ass. Prof Dr Chumporn Moorapun for his encouragement and advice. This study has been supported
by Sripatum University and King Mongkut’s Institute of Technology Ladkrabang.
References
Baird, J. C., Cassidy, B., & Kurr, J. (1978). Room preference as a function of architectural features and user activities. Journal of Applied Psychology, 63(6), 719.
Franz, G., von der Heyde, M., & Bülthoff, H. H. (2004). Predicting experiential qualities of architecture by its spatial properties. In Proceedings of 18th IAPS-Conference
(pp. 1-10).
Franz, G., & Wiener, J. M. (2005, January). Exploring isovist-based correlates of spatial behavior and experience. In Proceedings of the 5th International Space Syntax
Symposium Delft, NL. TU Delft Press. accepted.
Franz, G., Von Der Heyde, M., & Bülthoff, H. H. (2005). An empirical approach to the experience of architectural space in virtual realityExploring relations between
features and affective appraisals of rectangular indoor spaces. Automation in Construction, 14(2), 165-172.
Franz, G. (2006, January). Space, color, and perceived qualities of indoor environments. In Environment, health and sustainable development Proceedings of the 19th
International Association for People-Environment Studies Conference (IAPS 2006). Seattle, WA, USA Hogrefe & Huber.
Hidayetoglu, M. L., Yildirim, K., & Cagatay, K. (2010). The effects of training and spatial experience on the perception of the interior of buildings with a high level of
complexity. Scientific Research and Essays, 5(5), 428-439.
Kaplan, R., & Kaplan, S. (1989). The experience of nature: A psychological perspective. CUP Archive.
Kamaruzzaman, S. N., & Zawawi, E. M. A. (2010). Employees’ Perceptions on Color Preferences Towards Productivity in Malaysian Office Buildings. Journal of
Sustainable Development, 3(3), 283.
Küller, R., Mikellides, B., & Janssens, J. (2009). Color, arousal, and performanceA comparison of three experiments. Color Research & Application, 34(2), 141-152.
Kwallek, N., & Lewis, C. M. (1990). Effects of environmental colour on males and females: A red or white or green office. Applied ergonomics, 21(4), 275-278.
Kwallek, N. (1996). Office wall color: An assessment of spaciousness and preference. Perceptual and Motor Skills, 83(1), 49-50.
Kwallek, N., & Soon, K. (2005). Perception and sensitivity to colour and office space characteristics after a work week. In The 10th Congress of the International Colour
Association. AIC (pp. 159-162).
Liu, S. Y., & Chuang, H. T. (2014). A Study of Aesthetic Factors and Aesthetic Responses of the Interior Environment. International Journal of Research in Humanities,
Arts and Literature, 2(9), 1-8.
Nasar, J. L. (1997). New developments in aesthetics for urban design. Advances in Environment, Behavior and Design, 4, 149-193.
Oberfeld, D., Hecht, H., & Gamer, M. (2010). Surface lightness influences perceived room height. The Quarterly Journal of Experimental Psychology, 63(10), 1999-
2011.
Odabaşioğlu, S., & Olguntürk, N. (2015). Effects of coloured lighting on the perception of interior spaces. Perceptual and motor skills, 120(1), 183-201.
Savavibool, N., & Moorapun, C., / 3rd AQoL2017Kuching, 14-16 Oct 2017 / E-BPJ, 2(6), Nov 2017 (p.351-359)
359
Öztürk, E., Yılmazer, S., & Ural, S. E. (2012). The effects of achromatic and chromatic color schemes on participants' task performance in and appraisals of an office
environment. Color Research & Application, 37(5), 359-366.
Pile, J. (1997). Color in Interior Design CL. McGraw-Hill Professional.
Poursafar, Z., Devi, N. R., & Rodrigues, L. R. (2016). Evaluation of color and lighting preferences in architects' offices for enhancing productivity. International Journal of
Current Research and Review, 8(3), 1.
Stamps, A. E. (2007). Evaluating spaciousness in static and dynamic media. Design Studies, 28(5), 535-557.
Stamps III, A. E. (2011). Effects of area, height, elongation, and color on perceived spaciousness. Environment and Behavior, 43(2), 252-273.
Vartanian, O., Navarrete, G., Chatterjee, A., Fich, L. B., Gonzalez-Mora, J. L., Leder, H. & Skov, M. (2015). Architectural design and the brain: effects of ceiling height
and perceived enclosure on beauty judgments and approach-avoidance decisions. Journal of environmental psychology, 41, 10-18.
Weber, R. (1995). On the Aesthetics of Architecture a Psychological Approach to the Structure and the Order of Perceived Architectural Space.
Yildirim, K., Hidayetoglu, M. L., & Capanoglu, A. (2011). Effects of interior colors on mood and preference: comparisons of two living rooms. Perceptual and motor
skills, 112(2), 509-524.
Yildirim, K., Capanoglu, A., Cagatay, K., & Hidayetoglu, M. L. (2012). Effect of wall colour on the perception of hairdressing salons. JAIC-Journal of the International
Colour Association, 7.
Yildirim, K., Cagatay, K., & Ayalp, N. (2015). Effect of wall colour on the perception of classrooms. Indoor and Built Environment, 24(5), 607-616.
... Bunun yanında soğuk renk kullanılan mekânların, sıcak renk kullanılan mekânlara göre daha yönlendirici etkisinin olduğu ileri sürülmektedir [12]. Ayrıca, nötr renklerin sıcak/soğuk renklere göre sıkıcı, monoton, basit ve yapay olarak değerlendirildiği [19], başka bir çalışmada ise bunun aksine ferahlık, açıklık, sadelik, düzen gibi kavramlarla [20] nitelendirildiği görülmektedir. Bu sonuçlardan hareketle, ortamda kullanılan renklerin mekân algısında etkili bir bağımsız değişken olabileceği açıktır. ...
... Baniani ve Yamamoto [25] iç ve dış mekân boyama eyleminde tasarım eğitimi ile renk tercihi arasındaki ilişkiyi konu alan çalışmasında, sanat ve tasarım eğitimi alan bireylerin almayanlara göre boyama görevinde daha fazla renk çeşidi kullandığını bildirmiştir. Savavibool ve Moorapun [20] seksen tecrübeli içmimar ile yaptığı çalışmasında, nötr renkli çalışma alanının, farklı renk şemalarındaki mekanlardan daha ferah, açık, sade ve düzenli olarak algılandığını belirlemişlerdir. Benzer şekilde Coşgun ve Yıldırım [26] çalışmasında, tasarım eğitimi alan bireylerin fiziksel çevre faktörlerini tasarım eğitimi almayan bireylere göre daha olumsuz yönde değerlendirdikleri bildirilmiştir. ...
... Ayrıca, nötr ve soğuk renk kullanılan ofislerin ise sıcak renk kullanılan ofise göre daha soğuk, resmi, uzak, sınırlı-kısıtlı ve sakinleştirici olarak algılandığı, nötr renk kullanılan ofisin ise diğer ofislere göre daha geniş, ferah, büyük, sade ve seyrek olarak algılandığı görülmektedir. Benzer şekilde Savavibool ve Moorapun[20] çalışmasında da, soğuk ve nötr renklerin ferahlık, açıklık, sadelik, düzen gibi kavramlarla nitelendirildiği bildirilmiştir. Bu sonuçlar, renk türlerinin özellikle mekan fonksiyonuna bağlı olarak kullanıcıda yaratılmak istenen duygu durumuna göre tercih edilmesi gerektiğini açıkça ortaya koymaktadır.Başka bir sonuçta da, tasarım eğitimi almış bireylerin almamış bireylere göre ofislerin fiziksel çevre faktörlerine yönelik mekânsal algılamalarında dört sıfat çifti dışında diğer sıfat çiftleri için daha olumlu yaklaşımlarda bulunduğu tespit edilmiştir. ...
Article
Full-text available
Bu araştırmada, insanların yaşamlarının önemli bir bölümünün geçtiği açık ofislerin duvarlarında ve iç donatı elemanlarında tek renk armonisine göre kullanılan renk türünün (nötr, sıcak, soğuk) katılımcıların algısal değerlendirmeleri üzerindeki etkilerinin belirlenmesi amaçlanmıştır. Daha önceki çalışmalardan farklı olarak renk değişkeni sadece duvarda değil, aynı zamanda donatılarda da kullanılmıştır. Çalışmada, üç farklı renk türüne göre modellenen sanal açık ofis mekânlarının katılımcıların algısal değerlendirmelerini etkileyebileceği düşünülmektedir. Bu araştırma varsayımını test etmek için açık ofis mekanlarını, katılımcıların Google Formlarda oluşturulan anket formu uygulaması üzerinden online değerlendirmeleri istenmiştir. Anket ile toplanan verilere göre, sıcak renk kullanılan mekânın, nötr ve soğuk renk kullanılan mekânlara göre daha olumlu yönde algılandığı, tasarım eğitimi almayan katılımcıların, erkeklerin ve 25-35 yaş grubundaki katılımcıların, tasarım eğitimi alan mimarlara, kadınlara ve 36-45 yaş grubu katılımcılara göre daha olumlu yönde değerlendirmeler yaptığı belirlenmiştir.
... Savavibool ve Moorapun [35] renk, alan ve yüksekliğin iç mekân algısındaki etkilerini araştırmışlardır. Belirlenen 16 iç mekân görseli 7 aşamalı anlamsal farklılaşma ölçeğinde değerlendirilmiştir. ...
... Yani tasarım eğitimi alan bireylerin daha eleştirel bir yaklaşım sergiledikleri görüldüğü belirtilmektedir. Savavibool ve Moorapun [35] rengin iç mekândaki etkisini 80 deneyimli iç mimar ile araştırmış ve nötr renklerdeki çalışma alanı, diğer renk şemalarından daha yüksek ferahlık, açıklık, sadelik ve düzen algısına meyilli olduğu sonucu çıkmıştır. Buna karşılık Öztürk ve ark, [36] benzer çalışmayı Bilkent Üniversitesi idari ve akademik personeli ile yapmış, nötr renklerin mekânda diğer renklere oranla sıkıcı, monoton, basit ve suni olarak nitelendirildiği sonucuna ulaşmışlardır. ...
... Mekânda akromatik, kromatik renk algısı üzerine çeşitli çalışmalara yer verilirken kimi çalışmalarda nötr renklerin kromatik renklere göre daha monoton, sıkıcı, basit ve suni olduğu [36]; kimi çalışmalarda ise tersine ferahlık, açıklık, sadelik, düzen gibi kavramlarla [35] nitelendirildiği görülmüştür. ...
Conference Paper
Full-text available
Özet-Bu çalışmada, iç mekânda kullanılan rengin kullanıcı algısal değerlendirmesi üzerine yapılan literatür çalışmaları gruplandırılarak analiz edilmiştir. Yapılan çalışmalar yüksek oranda renklerin mekân genelindeki algısı üzerinedir. Fakat mekândaki renk birlikteliği ve rengin mekândaki kullanım oranının kullanıcı üzerinde farklı algılar oluşturabileceği düşünülmektedir. Çalışmanın amacı mevcut literatür yayınlarını gruplandırıp analiz ederek elde edilen bulgular ışığında ortaya atılan düşüncenin literatür kaynaklarındaki eksikliğini kanıtlamak ve gelecek çalışmalara kaynak sağlamaktır. Araştırma kapsamında renk algısı üzerine çeşitli akademik mecralarda yayınlanmış 49 makale/teze yer verilmiştir. Yayınlar amaçlarına, yöntemlerine, değerlendirilen değişkenlerine göre gruplandırılarak incelenmiştir. Renk algısı araştırmaları psikolojik yönden ve mekânsal yönden iki gruba ayrılmıştır. Mekânsal yönden renk algısı araştırmaları kendi içerisinde araştırma mekânına göre; sanal, gerçek ve sanal gerçeklik olarak, araştırma sorularına göre; mekânsal kalite değerlendirme, görev tamamlama, fizyolojik tepki ölçümü olarak ve bağımsız değişkenlerine göre: cinsiyet, yaş, mesleki eğitim, kültür, mekânsal deneyim-çağrışım olarak alt gruplara ayrılmıştır. İncelenen yayınlar ilgili başlık altında sonuçlarıyla birlikte verilmiştir. Ayrıca araştırma sonucunda ortaya çıkan bulgular iç mekânda renk birlikteliği ve rengin kullanım yoğunluğu ile ilgili çalışmaların yetersiz olduğunu göstermektedir.
... Savavibool ve Moorapun [35] renk, alan ve yüksekliğin iç mekân algısındaki etkilerini araştırmışlardır. Belirlenen 16 iç mekân görseli 7 aşamalı anlamsal farklılaşma ölçeğinde değerlendirilmiştir. ...
... Yani tasarım eğitimi alan bireylerin daha eleştirel bir yaklaşım sergiledikleri görüldüğü belirtilmektedir. Savavibool ve Moorapun [35] rengin iç mekândaki etkisini 80 deneyimli iç mimar ile araştırmış ve nötr renklerdeki çalışma alanı, diğer renk şemalarından daha yüksek ferahlık, açıklık, sadelik ve düzen algısına meyilli olduğu sonucu çıkmıştır. Buna karşılık Öztürk ve ark, [36] benzer çalışmayı Bilkent Üniversitesi idari ve akademik personeli ile yapmış, nötr renklerin mekânda diğer renklere oranla sıkıcı, monoton, basit ve suni olarak nitelendirildiği sonucuna ulaşmışlardır. ...
... Mekânda akromatik, kromatik renk algısı üzerine çeşitli çalışmalara yer verilirken kimi çalışmalarda nötr renklerin kromatik renklere göre daha monoton, sıkıcı, basit ve suni olduğu [36]; kimi çalışmalarda ise tersine ferahlık, açıklık, sadelik, düzen gibi kavramlarla [35] nitelendirildiği görülmüştür. ...
Conference Paper
Özet-Bu çalışmada, iç mekânda kullanılan rengin kullanıcı algısal değerlendirmesi üzerine yapılan literatür çalışmaları gruplandırılarak analiz edilmiştir. Yapılan çalışmalar yüksek oranda renklerin mekân genelindeki algısı üzerinedir. Fakat mekândaki renk birlikteliği ve rengin mekândaki kullanım oranının kullanıcı üzerinde farklı algılar oluşturabileceği düşünülmektedir. Çalışmanın amacı mevcut literatür yayınlarını gruplandırıp analiz ederek elde edilen bulgular ışığında ortaya atılan düşüncenin literatür kaynaklarındaki eksikliğini kanıtlamak ve gelecek çalışmalara kaynak sağlamaktır. Araştırma kapsamında renk algısı üzerine çeşitli akademik mecralarda yayınlanmış 49 makale/teze yer verilmiştir. Yayınlar amaçlarına, yöntemlerine, değerlendirilen değişkenlerine göre gruplandırılarak incelenmiştir. Renk algısı araştırmaları psikolojik yönden ve mekânsal yönden iki gruba ayrılmıştır. Mekânsal yönden renk algısı araştırmaları kendi içerisinde araştırma mekânına göre; sanal, gerçek ve sanal gerçeklik olarak, araştırma sorularına göre; mekânsal kalite değerlendirme, görev tamamlama, fizyolojik tepki ölçümü olarak ve bağımsız değişkenlerine göre: cinsiyet, yaş, mesleki eğitim, kültür, mekânsal deneyim-çağrışım olarak alt gruplara ayrılmıştır. İncelenen yayınlar ilgili başlık altında sonuçlarıyla birlikte verilmiştir. Ayrıca araştırma sonucunda ortaya çıkan bulgular iç mekânda renk birlikteliği ve rengin kullanım yoğunluğu ile ilgili çalışmaların yetersiz olduğunu göstermektedir. Anahtar Kelimeler-Mekân, mekânsal algı, renk, renk algısı, renk yoğunluğu Abstract-In this study, the literature review on the user perceptual assessment of the colour used in the interior space is analyzed and grouped. Most of the studies are about the perception of colours throughout the space. However, it is thought that the colour combination in the space and the use of colour in the space may create different perceptions on the user. The aim of this study is to group and analyze existing literature publications, to prove the lack of literature in the light of the findings and to provide a source for future studies. Within the scope of the research, 49 articles / thesis on colour perception have been published in various academic media. The studies are grouped according to their aims, methods and evaluated variables. Colour perception research is divided into two groups as psychological and spatial. Studies of spatial color perception is divided into subgroups: According to the research location; virtual, real and virtual reality, according to research questions; spatial quality assessment, task completion, physiological response measurement and according to independent variables: gender, age, vocational education, culture, spatial experience-connotation. The studies reviewed are given with the results under the related title. Results of the research shows that the studies related to the colour combination and the density of colour use in the interior are insufficient.
... Besides these, it is expressed that spaces with cool colors are more directive [22] compared to spaces with warm colors. In a different study, it was seen that they were characterized by concepts such as spaciousness, openness, simplicity and regularity [23]. ...
Article
Full-text available
In this study, it was aimed to determine the effects of color hues and usage rates in interior spaces on the spatial perceptions of users. With this objective, a living space was designed in a manner that would have three different color hues (warm, neutral, and cool) and usage rates at 10%, 50%, and 100% and digital visuals were prepared. A total of 233 subjects participated in the research questionnaire and the data obtained was analyzed. In conclusion, it was determined that the living spaces which were colored at a low rate were perceived more positively according to the Semantic Differentiation Scales compared to the completely colored spaces. The spaces where warm and cool colors were used at the rate of 10% were perceived as more spacious and beautiful compared to the spaces where colors were used at the rates of 50% and 100%, whereas it was observed that when the values received were from positive to negative, they were listed in the form of 10% > 50% > 100%. Despite this, it was determined that the spaces where warm colors were used at the rates of 50% and 100% were perceived as more informal. Furthermore, it was observed that the differences in the color hues used on the walls and the usage rates were changing according to genders and professions. Accordingly, it was determined that especially females and interior architects preferred even more the spaces with warm colors having a low usage rate.
... Furthermore, light colors are repellents. Thus, light and matte colors make the space look bigger, similar to the cold colors (Savavibool & Moorapun 2017). ...
Article
Full-text available
In the present study, a two-tiered research method was adopted. In the first stage, a literature review was conducted to determine the associations that landscape colors evoke in individuals and each association was converted into a statement for each color. The developed 5-point Likert-type scale was submitted for expert opinion (N = 200), and factor analysis was conducted on the findings to determine correlated sub-factors and categorized in the same factor. Thus, three factor groups were determined. Thus, the survey form that will be used in the second study stage was finalized. The factor analysis was also conducted to reduce the number of statements in the scale. Furthermore, 102 statements with a factor load of below 0.30 were excluded. Thus, the final scale included 34 associations in 3 dimensions. In the second stage, the final 5-point Likert-type survey form was applied to the expert group (N = 200) and the participants (N = 200) to determine the agreement of these two groups with the associations. Also, the differences between the agreement levels of the two groups with the associations and the differences between the associations were determined. The statistical analyses revealed that there was a difference between the mean association scores of the participant and the expert groups in 3 factor groups at 0.05 significance level (sig. 0.000, F = 34.432). The direction and size of the correlations between the factors were determined with the correlation analysis, multiple regression analysis was conducted to determine the effect of the factors on others, and it was determined that there was a positive significant correlation between 1st factor and agreement and a negative significant correlation between the 2nd and 3rd factor groups and agreement. The order of the factors that explained the variation in agreement was the 1st factor (ß = .332; p = 0.000), the 2nd factor (ß = − .274; p = 0.000), and the 3rd factor (ß = − .157; p = 0.001), respectively.
... References Harmony of colour based on balanced colour combinations [6,7] Colour scheme in an interior and its functional purpose [8,9] Laws of the contrast of colours [10] The interior colour scheme of an art form under the changing light conditions [11,12] Physical and optical laws of colour [13] The colour's ability to create associations, re-shape and alter objects [5,14] Psychological and physiological perception of colour [2,9] ...
Article
Full-text available
This study was specially tailored to develop an approach to colour scheme evaluation for works of art within an interior with aim to create a comfortable and harmonious living space. To achieve the study objectives, the following methods were applied: article review; systematic review of key compositional and colour links which exist between the interior and an art object; algorithmic modelling. The study has resulted in developing standards of coordinating the interior with works of art, namely: the principles of coordinating the interior colour scheme and the visual art objects; the principle of impact of lighting on perception of colour combinations present in art-objects and the interior; the principle of impact of specific surface materials on perception of colour in an art-object an interior. Based on these standards of typical colour combinations in compositional scenarios were developed and analysed, also they were applied in designing flow charts and developing an algorithmic system. The algorithm underwent preliminary testing. The obtained results are in favour of its practical application in assessing the colour of art-objects with aim to harmonising the overall colour scheme in an interior.
... Research of emotional and associative components of art and creative processes from the standpoint of psychology is relevant [15,16,26,27]. The problems related to the study of interior colour schemes in higher education are examined from the perspective of colour harmony laws, general composition of architectural forms and interior space, influence of colour on the emotional and psychological state of a person [28][29][30][31]. The problems of distance learning in the creative education of artists and designers due to the COVID-19 pandemic are being updated. ...
Conference Paper
Full-text available
ÖZET: İnsanlar, temel ihtiyaçlarını ve özel gereksinimlerini karşılamak için günlük zamanlarının bir kısmını marketlerde alışveriş yaparak geçirmektedir. Belli bir zaman geçirilen marketlerde alışveriş işlemi sonrasında alınan ürünlerin ödemesinin yapılması için ödeme bankosu (kasa) kullanılmaktadır. Ödeme işlemi sırasında gerekli eylem gereksinimlerinin en uygun şekilde karşılanabilmesi için banko tipinin önemli olduğu düşünülmektedir. Ödeme bankosunda oluşan yoğunluk gereği banko tipinin daha işlevsel ve kullanışlı olması katılımcıların algısal ve fonksiyonel değerlendirmelerini olumlu yönde etkileyebilmektedir. Bu araştırmada, katılımcıların marketlerde kullanılan iki farklı tip ödeme bankosunun (I tipi ve L tipi) katılımcıların algısal ve fonksiyonel değerlendirmeleri üzerindeki etkilerinin belirlenmesi amaçlanmıştır. Bu amaçla geliştirilmiş olan araştırma anketi, 200 katılımcıya uygulanmıştır. Elde edilen sonuçlar, iki farklı tip ödeme bankosunun müşterilerin algısal ve fonksiyonel değerlendirmeleri üzerinde önemli etkilere sahip olduğunu göstermiştir. Buna göre, katılımcılar tarafından L tipi ödeme bankosunun, I tipi bankosuna göre daha güzel, davetkâr, düzenli, işlevsel ve kullanışlı bulunduğu tespit edilmiştir. ABSTRACT: People spend some of their daily time shopping in markets to meet their basic and special needs. In the markets where a certain amount of time is spent, a payment counter (cash register) is used to pay for the products purchased after the shopping process. It is thought that the type of payment counter is important in order to meet the required action requirements in the most appropriate way during the
Conference Paper
Full-text available
Günümüzde, ofis çalışanları uyku dışında yaşadıkları zamanın büyük bir kısmını çalıştıkları binaların iç mekânlarında geçirirler. Bu nedenle, ofislerin mekânsal kalitesini etkileyen fiziksel çevre faktörlerinin ve bunları kullanıcı odaklı olarak iyileştirme yollarının bilinmesinde büyük yarar vardır. Açık plan ofislerin tasarımında, mekân organizasyonu, ısıl konfor, görsel konfor, işitsel konfor gibi birçok unsura dikkat etmesi yanında, birde çalışan personelin yaş, cinsiyet, eğitim, kültür gibi karakteristik özelliklerine uygun kararlar alınması da oldukça önemlidir. Bu çalışmada, katılımcıların mesleğinin (tasarım eğitimi almış ve tasarım eğitimi almamış bireyler) üç farklı şekilde düzenlenmiş duvar kaplamasına sahip açık ofislerin çevresel faktörlerine yönelik mekânsal algılamaları üzerindeki etkilerinin belirlenmesi amaçlanmıştır. Bu amaçla geliştirilmiş olan araştırma anketi, 309 katılımcıya uygulanmıştır. Elde edilen sonuçlar, tasarım eğitimi almış bireylerin, almamış bireylere göre üç farklı şekilde düzenlenmiş duvar kaplamasına sahip ofis mekânlarını tüm bağımlı değişkenler (sıfat çiftleri) için daha olumlu yönde algısal değerlendirmelerde bulunduğunu ortaya koymuştur. ABSTRACT Today, office workers spend most of their time outside of sleep in the interiors of the buildings they work in. For this reason, it is of great benefit to know the physical environmental factors that affect the spatial quality of the offices and the ways to improve them in a user-oriented manner. In the design of open-plan offices, it is very important to take decisions in accordance with the characteristics of the working personnel such as age, gender, education, culture, as well as paying attention to many factors such as space organization, thermal comfort, visual comfort, auditory comfort. In this study, it was
Preprint
Full-text available
In the present study, a two-tiered research method was adopted. In the first stage, a literature review was conducted to determine the associations that landscape colors evoke in individuals and each association was converted into a statement for each color. The developed 5-point Likert-type scale was submitted for expert opinion (N = 200) and factor analysis was conducted on the findings to determine correlated sub-factors and categorized in the same factor. Thus, the statements in the 1st factor group were mainly physical associations and named as physical associations. The second factor group was named emotional associations, and the third factor group was named behavioral associations. Thus, the survey form that will be used in the second study stage was finalized. The factor analysis was also conducted to reduce the number of statements in the scale. Furthermore, 102 statements with a factor load of below 0.20 were excluded. Thus, the final scale included 34 physical, emotional and behavioral associations in 3 dimensions. In the second stage, the final 5-point Likert-type survey form was applied to the expert group (N = 200) and the participants (N = 200) to determine the agreement of these two groups with the associations. Also, the differences between the agreement levels of the two groups with the associations and the differences between the associations were determined.The statistical analyses revealed that there was a difference between the mean association scores of the participant and the expert groups in 3 factors (physical association, emotional association and behavioral association) at 0.05 significance level (sig. 0.000, F = 34.432). The direction and size of the correlations between the factors were determined with the correlation analysis, multiple regression analysis was conducted to determine the effect of the factors on others, and it was determined that there was a positive significant correlation between 1 st factor and agreement, and a negative significant correlation between the 2nd and 3rd factor groups and agreement. The order of the factors that explained the variation in agreement was the 1st factor (ß =, 332; p = 0.000), the 2nd factor (ß = -, 274; p = 0.000), and the 3rd factor (ß = -, 157; p = 0.001), respectively.
Article
Full-text available
The perceptions of environmental characteristics in comparing red, green and white offices were evaluated by 124 undergraduate students. In addition, subjects were asked about their general color preferences. Over-all, the white office was favored in terms of several environmental characteristics and also preferred over many other colors as an appropriate office color.
Article
Full-text available
The objective of this research was to assess the effects of three different colours on the interior wall surfaces of hairdressing salons on the perception of women taking into account their age and frequency of use. With this objective, a semantic differential scale composed of ten bipolar adjectives was applied for evaluating photographs of hairdressing salons with cream, lilac and orange wall surfaces by the customers of the EMA Hairdressing Salon, Ankara, Turkey. According to the results, spaces with lilac walls were perceived more positively compared to cream or orange coloured spaces. In addition it was determined that young customers perceived the spaces more positively compared to middle-aged customers. Furthermore, it was determined that the positive / negative perception of the space on the frequency of use of the hairdressing salon by the customers did not have a statistically significant effect.
Article
Full-text available
The high level of complexity that is a compulsory result of the complex plan schemes worsens the perception and usage of locations. It was attempted in this research to determine the effects of education in architecture and spatial experience on the spatial complexity and the evaluations of the perception performance in the education buildings that have a high level of complexity. The research included the Selcuk University, Faculty of Engineering and Architecture Building and the students using this building. The subjects were asked about usage of the location and their spatial perception performance. Experiments were made on their recollection levels of the locations they use. Statistical analyses and reliability tests were made on the data obtained. Consequently, it was determined that training of the students did not cause a statistically significant variety in their perception of the buildings with a high level of complexity. The buildings evaluated as complex were then evaluated as simpler through an increase in experience.
Article
Full-text available
This study explores the effects of chroma on participants' performance and environmental appraisal of an office. The research was conducted in a full-scale experimental room designed as a private office where achromatic and chromatic color schemes with coequal values were applied. Sixty participants were assigned tasks and given a questionnaire to appraise the spatial color schemes. The findings show that chroma significantly affects performance and space appraisal. In terms of accuracy and time spent performance scores measured significantly better in the room with the chromatic scheme than those in the room with the achromatic scheme. The office with the chromatic scheme was found to be more pleasant, attractive, satisfying and dynamic than the one with the achromatic scheme, whereas the achromatic scheme was thought to be more formal and harmonious. Categorization of pleasantness, harmony, dynamism and spaciousness by factor analysis also showed differences between the achromatic and chromatic schemes. © 2011 Wiley Periodicals, Inc. Col Res Appl, 2012
Article
Full-text available
This article reports findings from three experiments, covering 46 environments and 66 participants, on how strongly four properties of the physical environment influence perceived spaciousness.The properties were horizontal area, boundary height, elongation, and color. Ten original findings were reported. Overall, horizontal area had the strongest effect on perceived spaciousness (r = .60; more floor area increases perceived spaciousness), followed by height (r = —.22; lower boundaries increase perceived spaciousness). The effect of color on perceived spaciousness, when amount of light is controlled, was much smaller (r = .14). Findings for elongation were different for concave and convex spaces (r’s of —.22 and +.26). Quantitative syntheses of the current work with previous work are presented, as is numerical guidance for cost-effective future work.
Chapter
Imagine walking through an unfamiliar city. As you proceed, the surroundings change from what you see in Figure 1 to what you see in Figure 2. You might evaluate the change as unpleasant, feel less safe, and change your behavior, walking faster or leaving the area. In contrast, had you passed by the scene in Figure 3, you might evaluate it favorably, feel a calming change in emotion, and you might slow down or enter the area to savor the experience. In each case, environmental cues, which you may not have noticed, affected your appraisal of the scene, emotions, inferences, and behavior. This chapter is predicated on the conviction that the visual character of buildings has important impacts on human experience—aesthetic impacts.
Article
The objective of this research was to assess the effects of three different colours on the interior wall surfaces of classrooms on the perceptual performance of male students, taking into account of their class distinctions. A semantic differential scale composed of 11 bipolar adjectives was applied in order for students of the Incirli Vocational High School, Ankara, Turkey, to evaluate photographs of classrooms with cream, blue and pink wall surfaces. According to the results, spaces with blue walls were perceived to be more positively compared to cream or pink coloured spaces. In addition, it was determined that 9th grade students perceived the spaces more positively compared to 10th, 11th and 12th grade students at level p<0.05. The results of the study clearly indicate that the use of different colours in interior spaces of a classroom has a statistically significant effect on the perceptual performance of the male students.
Article
-Use of coloured lighting in interior spaces has become prevalent in recent years. Considerable importance is ascribed to coloured lighting in interior and lighting design. The effects of colour on the perception of interior spaces have been studied as surface colour; but here, the effects of three different types of chromatic light were investigated. The lighting differed in colour (red, green and white) and perceptions of interior space were assessed. 97 participants (59 women, 38 men; M age = 21.4 yr.) evaluated the experiment room on a questionnaire assessing eight evaluative factors: Pleasantness, Arousal, Aesthetics, Usefulness, Comfort, Spaciousness, Colour, and Lighting quality. Perceptions of the room differed by colour of lighting for some of the evaluative factors, but there was no sex difference in perceptions. Interior spaces may be perceived as equally pleasant under white, green and red lighting. Under white lighting a space is perceived as more useful, spacious, clear, and luminous. Green lighting would make the same effect. Green and white lighting were perceived equally comfortable in an interior space. Chromatic coloured lighting was perceived to be more aesthetic than white lighting. The results support previous findings for some evaluative factors, but differed for others.