ArticlePublisher preview available

The strong poetry of place: a co/auto/ethnographic journey of connoisseurship, criticality and learning

Authors:
To read the full-text of this research, you can request a copy directly from the authors.

Abstract

Through a co/auto/ethnographic approach informed by a theoretical bricolage of critical pedagogy, place-based education, science education, human geography, feminism, and indigenous ways of knowing, the authors demonstrate the power of place in and as pedagogy. Using rich personal narratives, they reclaim their stories as an urban island-dweller and nomadic music-dweller, and they illuminate place as an epistemological, ontological and axiological anchor for the Self in the neoliberal wasteland. Specifically, the authors attend to their familial lineages and reasons for migrating from Southern Europe to the USA’s Northeast section, the Northern Mid-Western and to the Southeast. They examine their and their families’ connections with place in relation to the ideological fictions embedded within their shared narrative of “for a better life,” which is the story that was told to them about their families’ migrations. They probe under the surface by asking, “better than what,” “according to whom,” and “why?” In doing so, they peel back the veil of hegemony and expose the ways that economic disadvantage impacted their families’ relationships with their homelands. The article concludes by conceptualizing critical connoisseurship as a means for guiding students to tap into the embodied knowledge of place in order to notice, question, appreciate and critically reflect upon curricular content and subject matter and resist neoliberalism’s removal of person from place and local knowledge.
ORIGINAL PAPER
The strong poetry of place: a co/auto/ethnographic
journey of connoisseurship, criticality and learning
Tricia M. Kress
1
Robert Lake
2
Received: 26 August 2016 / Accepted: 22 December 2016 / Published online: 6 October 2017
Springer Science+Business Media Dordrecht 2017
Abstract Through a co/auto/ethnographic approach informed by a theoretical bricolage of
critical pedagogy, place-based education, science education, human geography, feminism,
and indigenous ways of knowing, the authors demonstrate the power of place in and as
pedagogy. Using rich personal narratives, they reclaim their stories as an urban island-
dweller and nomadic music-dweller, and they illuminate place as an epistemological,
ontological and axiological anchor for the Self in the neoliberal wasteland. Specifically, the
authors attend to their familial lineages and reasons for migrating from Southern Europe to
the USA’s Northeast section, the Northern Mid-Western and to the Southeast. They
examine their and their families’ connections with place in relation to the ideological
fictions embedded within their shared narrative of ‘‘for a better life,’’ which is the story that
was told to them about their families’ migrations. They probe under the surface by asking,
‘better than what,’’ ‘‘according to whom,’’ and ‘‘why?’’ In doing so, they peel back the veil
of hegemony and expose the ways that economic disadvantage impacted their families’
relationships with their homelands. The article concludes by conceptualizing critical con-
noisseurship as a means for guiding students to tap into the embodied knowledge of place in
order to notice, question, appreciate and critically reflect upon curricular content and subject
matter and resist neoliberalism’s removal of person from place and local knowledge.
Keywords Critical pedagogy Place-based education Co/auto/ethnography Human
geography Connoisseurship
Lead Editor: Alejandro J. Gallard M.
&Tricia M. Kress
Tricia.kress@umb.edu
Robert Lake
boblake@georgiasouthern.edu
1
College of Education and Human Development, The University of Massachusetts Boston, 100
Morrissey Blvd., W-1-77, Boston, MA 02125, USA
2
Georgia Southern University, Statesboro, GA, USA
123
Cult Stud of Sci Educ (2018) 13:945–956
https://doi.org/10.1007/s11422-016-9804-y
Content courtesy of Springer Nature, terms of use apply. Rights reserved.
... Using TEK, the EBCI and other Indigenous societies communicate their authoritative environmental knowledge through their transcendent relationships with their local outdoor environments (Cherokee Preservation Foundation, 2014;McKeon, 2012). Collaborative experiences with Indigenous storytelling can instruct participants about interdependence with natural environments, and increase their factual reasoning in environmental consciousness (Datta, 2018;Goings, 2016;Kress & Lake, 2018). By examining the place-based properties, symbols, and members of an outdoor environment, the interdisciplinary processes and reciprocity of related TEK are defined for students (Gruenewald, 2003;Nesterova, 2020;Sepie, 2017). ...
... The theme of well-being evolved through the students' understandings of the TEK stories and their support of human engagement with nature. As they reflected on the narratives, one participant expressed the realities of human dependency on nature to sustain life "so I do not die" and another explained, "if you need help you could always ask nature" (Datta, 2018;Goings, 2016;Kress & Lake, 2018). These relational benefits to humans extended to the outdoor environment, according to a student's discussion of the TEK because people should be "taking care of all the land around you" (Nesterova, 2020). ...
... The participants' interpretations indicate how the agency of a TEK can potentially synergize knowledge, skills, and relationships through a holistic collaboration with place-based lessons and a local ecological system (Gruenewald, 2008;Nesterova, 2020;Sabet, 2018). Blending these elements can define and inform the strategies necessary for ongoing sustainability that interdependent relationships with outdoor environments require (Kress & Lake, 2018;Vander Ark et al., 2020). By fostering increasing connections about local systems in nature for placebased educative practices through the affirmative inclusion of Indigenous TEK and narratives, contemporary environmental consciousness can be fostered (Nesterova, 2020;Ronen & Kerret, 2020;Sobel, 2014). ...
Article
Indigenous storytelling is a transaction between narrators and audiences that can be expressed through Traditional Ecological Knowledge (TEK). TEK narratives, such as those of the Eastern Band of Cherokee Indians (EBCI), can demonstrate ecological literacy by empowering audiences to co-create their engagement with the local environment of that Indigenous society and its TEK. Place-based education integrates such experiential relationships with ecological systems into progressive learning and holistic well-being. TEK stories can describe how those interactions promote inclusive sustainability with local places prioritized by place-based education. To date, no known research has investigated the integration of Cherokee TEK narratives with place-based curricula for middle school students. This study explored middle school student’s interpretations of a collaborative experience that integrated place-based education, EBCI TEK narratives, and the local environment. As participants reflected on their experience, three major themes emerged through narrative inquiry analysis: cultural literacy, well-being, and respecting nature.
Article
Full-text available
RESUMO: O ensino de ciências não costuma tratar da dimensão filosófica da ciência, que envolve aspectos ontológicos e epistemológicos relacionados a uma concepção de mundo. Apresento uma revisão bibliográfica que é parte de uma pesquisa de mestrado e que tem por objetivo identificar os focos temáticos mobilizados por autores nacionais e estrangeiros da Educação em Ciências sobre aspectos ontológicos e epistemológicos da ciência. Nos 144 artigos selecionados, é recorrente a discussão sobre a natureza da realidade e a possibilidade de conhecê-la, além de uma valorização da abordagem epistemológica. Desse corpus, 11 trabalhos foram analisados com base no materialismo histórico e dialético, apresentando novos olhares da discussão filosófica sobre a realidade para a Educação em Ciências.
Chapter
Creativity is no longer seen as a gift for the few, yet poetry is often still perceived as a subject for a select group of people. Although the definitions of creativity and criticality constantly shift, poetry seems to be a stagnant part of English in the secondary curriculum in the UK. The most recent poem in the anthology is from 2010 and teachers are still struggling to find time to engage learners in a creative and critical way within the constraints of the curriculum, although many voice their concern and are willing to change the way poetry is taught and learnt. In year 7 and year 10 of a school which was observed, it was found that a lot of group work took place to create a space for dialogue and discussion of not only existing interpretations but also the students’ personal experiences and connections with the studied poems. However, the teachers felt that they were unable to be as creative as they would like with poetry due to time constraints, and found they were more focused on teaching the necessary tools for passing exams. This constrained approach removes the focus from students’ creativity, which is concerned with innovative thoughts, and criticality, which questions creative thoughts. These two concepts seem to lie at the heart of teaching and learning poetry if we look at poetry as a ‘vehicle for understanding’ rather than a puzzle to unpick.
Article
In this postformal co-autoethnographic research, the authors explore the changing landscape of American research universities from their respective locations as mid-career, post-tenure critical pedagogy scholars. By using autobiographical narratives in parallel with a running discussion of rodent habits and habitats, they explore the influence of Enlightenment humanism and Western epistemology in a) forming ‘the academy’ as an institution, and b) regulating how research and knowledge production are taken up within a rapidly neoliberalizing context. They recalibrate their ‘theories of change’ to recast critical researchers and critical pedagogy in relation to a volatile and hostile institutional context. By moving away from progress narratives of education for social change, the authors posit that critical pedagogy and critical research can be thought of as akin to ‘wayfinding,’ providing guidance, direction and reprieve while within the disorienting and violent flux of neoliberalization.
Article
Full-text available
In this article we explore the places pre- and primary school (K-6) student teachers associate with their science learning experiences and how they view the relationship between these places and science. In doing so, we use ‘place’ as an analytical entry point to deepen the understanding of pre- and primary school student teachers’ relationship to science. Inspired by theories from human geography we firstly explore how the university science classroom can be conceptualised as a meeting place, where trajectories of people as well as artefacts come together, using this conceptualisation as the stepping stone for arguing the importance of the place-related narrations of science the students bring to this classroom. We thereafter analyse how a sense of place, including affective dimensions, is reflected in Swedish student teachers’ science learning narratives (collected in the form of an essay assignment where the student teachers’ reflected upon their in and out of school science learning experiences). The empirical material consists of 120 student essays. The most prominent feature of the empirical material as a whole is the abundance of affective stories about the student teachers’ experiences in natural environments, often expressing a strong sense of belonging to, and identification with, a particular place. However, the student narratives also give voice to an ambivalent valuing of the affective experiences of natural environments. Sometimes such affective experiences are strongly delineated from what the students consider actual science knowledge, on other occasions, students, in a somewhat contradictious way, stress natural environments as the authentic place for doing science, in contrast to the perceived in-authenticity of teaching science in the classroom. When student teachers explicitly discuss the classroom as a place, this was almost without exception with strong negative emotions, experiences of outsideness and alienation.
Book
In this 1989 book Rorty argues that thinkers such as Nietzsche, Freud, and Wittgenstein have enabled societies to see themselves as historical contingencies, rather than as expressions of underlying, ahistorical human nature or as realizations of suprahistorical goals. This ironic perspective on the human condition is valuable on a private level, although it cannot advance the social or political goals of liberalism. In fact Rorty believes that it is literature not philosophy that can do this, by promoting a genuine sense of human solidarity. A truly liberal culture, acutely aware of its own historical contingency, would fuse the private, individual freedom of the ironic, philosophical perspective with the public project of human solidarity as it is engendered through the insights and sensibilities of great writers. The book has a characteristically wide range of reference from philosophy through social theory to literary criticism. It confirms Rorty's status as a uniquely subtle theorist, whose writing will prove absorbing to academic and nonacademic readers alike.
Book
Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style that Donald Nicholson-Smith's sensitive translation precisely captures.