In Rio de Janeiro and in Brazil in general, the favelas are seen as the places of poverty and low living standards par excellence. However, labeling favelas as poverty pockets is only pertinent in a certain strategy of spatial aggregation and dimensioning of census data – that is, a certain geographic scale. In this case, the whole city is the unit of analysis. On the other hand, when we narrow the scope of the analysis to the limits of an individual favela, what emerges is a mosaic of income strata, just like at the city scale. The hypothesis of this work is that the favelas have a socio-spatial structure that – although it results from dynamics that are not exactly the same as those on the city scale – characterizes it as a kind of “city within city”, insofar as it reproduces the urban socio-spatial structure. The methodology is based on calculating the Moran Index for the income variable and, considering the income groups, to analyze the social and infrastructure data, comparing the years 2000 and 2010. We choose this period because of Lula’s government, which implemented public policies to combat urban poverty and inequality. We studied three groups of favelas located in distinct areas of the city of Rio de Janeiro: Complexo do Alemão in the North Zone, Rocinha in the South Zone and Coqueiro Fazenda in the West Zone. The results indicate that favelas, in general, reproduce in their socio-spatial structure the differentiations observed at the city scale. In Rio de Janeiro, the group with the highest income is mostly composed of white population, with higher schooling and higher life expectancy, besides having more access to better urban equipment, services and infrastructure. As the favelas are articulated to this structure of cities, we conclude that they behave as fractals, insofar as they reproduce - although with a much smaller discrepancy between the groups - the urban structure.
Keywords: Inequality. Favelas. Fractal. Socio-spatial Structure. Lula’s government.
Figures - uploaded by
Camila CarvalhoAuthor contentAll figure content in this area was uploaded by Camila Carvalho
Content may be subject to copyright.