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Media Entrepreneurship: A Consensual Definition

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Media Entrepreneurship has been an ambiguous, unclear and controversial concept and despite of growing academic efforts in the last decade, it is still a poorly defined subject. This paper is an effort to fill this gap by providing a comprehensive definition of media entrepreneurship. Firstly, a literature review conducted and entrepreneurship, media, opportunity and innovation as building blocks of media entrepreneurship explained. Then by using of a mixed of bibliographic method and a Delphi method with multi-stage analysis process, a consensual definition of media entrepreneurship proposed. This definition integrates some key features of the emerging media environment such as distinction of content and platform, value delivery, opportunity development, non-monetary benefit, etc. It is expected that the findings of this research clear the ground for further researches in the field of media entrepreneurship.
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ABSTRACT
Media Entrepreneurship has been an ambiguous, unclear and controversial concept and despite of
growing academic efforts in the last decade, it is still a poorly defined subject. This paper is an effort
to fill this gap by providing a comprehensive definition of media entrepreneurship. Firstly, a literature
review conducted and entrepreneurship, media, opportunity and innovation as building blocks of media
entrepreneurship explained. Then by using of a mixed of bibliographic method and a Delphi method with
multi-stage analysis process, a consensual definition of media entrepreneurship proposed. This definition
integrates some key features of the emerging media environment such as distinction of content and
platform, value delivery, opportunity development, non-monetary benefit, etc. It is expected that the
findings of this research clear the ground for further researches in the field of media entrepreneurship.
KEYWORDS
Media Entrepreneurship; Media Management; Venture Creation; Media Firm; Delphi Method; Consensual
Definition; Consensus.
RESUMEN
El emprendimiento mediático ha sido un concepto ambiguo, confuso y controversial y a pesar de los
crecientes esfuerzos académicos de la última década, sigue siendo una materia de estudio no muy bien
definida. Este artículo es un esfuerzo por llenar esta brecha al proveer una definición amplia sobre el
emprendimiento mediático. En primer lugar, se lleva a cabo una revisión de la literatura y se ponen el em-
prendimiento, los medios de comunicación, las oportunidades y la innovación como elementos básicos
de la explicación del emprendimiento mediático. Luego, utilizando un método bibliográfico combinado
y un método Delphi con un proceso de análisis de múltiples etapas, se propone una definición consen-
suada del emprendimiento mediático. Esta definición integra algunas de las principales características
del naciente entorno mediático tales como la distinción entre “contenido” y “plataforma”, “valor entre-
gado”, “desarrollo de oportunidad”, “beneficio no monetario”, etc. Se espera que los hallazgos de esta
investigación allanen el camino para futuros investigadores en el campo del emprendimiento mediático
PALABRAS CLAVE
Emprendimiento mediático; gestión mediática; creación de empresas; empresa mediática; método Del-
phi; definición consensuada; consenso.
MEDIA ENTREPRENEURSHIP: A CONSENSUAL DEFINITION
EMPRENDIMIENTO MEDIÁTICO: UNA DEFINICIÓN CONSENSUADA
DATIS KHAJEHEIAN
JEL: O, L
Received: 19-10-2016
Modified: 15-11-2016
Accepted: 22-12-2016
DOI: 10.17230/ad-minister.30.5
www.eafit.edu.co/ad-minister
Creative Commons (CC BY-NC- SA)
1 Assistant Professor in University of Tehran, and a visiting lecturer in the Center for Communication,
Media and Information Technologies in Aalborg University of Denmark. He also periodically delivers
lectures in Stuttgart Media University of Germany. Datis earned his PhD in Media Management and
MA in Entrepreneurship with specialty in New Venture Creation. He is the head of the special interest
group of ‘Emerging Media Markets’ in European Media Management Association. Datis is author of
many academic articles in media management and entrepreneurship both in Persian and English, and
has edited more than 70 academic papers at the time of writing this paper. Institutional Email address:
datiskh@ut.ac.ir
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INTRODUCTION
In 2008 Achtenhagen wrote: “As the area of media entrepreneurship is still a young
and undeveloped field, this phenomenon is poorly understood” (p. 124). In 2017, no
significant progress can be seen. The number of publications on the subject of media
entrepreneurship has increased, but the field is not clear enough yet, and there is no
consensus among the experts of the field.
In the short number of published research papers, some definitions of media
entrepreneurship can be found. Anne Hoag defined media entrepreneurship as “the
creation and ownership of a small enterprise or organization whose activity adds at
least one voice or innovation to the media marketplace” (2008, p.74). She argued that
her definition supports important characteristics: first, it covers a broad spectrum of
media sectors; second, it considers both new entrants and existing firms; third, this
definition include both for-profit and non-commercial forms of media enterprise.
Achtenhagen criticized Hoag’s definition by pointing out that any person starting
a blog would be a new voice in the media marketplace, while he is not principally
an entrepreneur (2008, p.126). She defines media entrepreneurship as “how new
ventures aimed at bringing into existence future media goods and services are
initially conceived of and subsequently developed, by whom, and with what
consequences” (Ibid, p.126). Khajeheian and Roshandel Arbatani (2011) defined media
entrepreneurship as “the creation and ownership of a small enterprise or organization
whose activity adds at least one voice or innovation to the media marketplace”.
In 2013 Khajeheian provided a specific definition for Media Entrepreneurship:
“Individuals or small firms of which use their own or others’ resources to create value
by extracting opportunities via oering a service or product that is consist of any type
of innovation in any of product/service characteristics, process, distribution channel
or place, or dierent innovative usage, to the media market, or any other market that
media is its main channel of interaction”. (2013, p.128). However, none of definitions
presented are comprehensive enough to shed light on aspects of entrepreneurial
activities in fast changing and evolving media industry.
Considering the importance of entrepreneurship in the national and global
economies; the increasing role of communication technologies in the provision of
possibilities for entrepreneurs; and also with respect to the poor literature in the field
of entrepreneurship in media industries, this paper aims to provide a consolidated
definition and a consensual conceptualization of media entrepreneurship. Such
achievement can create a ground for further researches and more progresses in
our knowledge of the field.
For this purpose, two major means have been implied. Firstly, literature of the
field reviewed and any possible connection that found, extracted. Then, a panel of
scholars and academic experts in the field have questioned this concept and what it
implies. "When a field is fragmented and its boundaries are blurred, it is legitimate to
ask scholars what they perceive to be the defining elements of their field" (Kuckertz
and Mandl, 2016, p.418). Following these steps, the next part presents the literature
review and past eorts in understanding media entrepreneurship.
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LITERATURE REVIEW
In the word “Media Entrepreneurship”, Media is an adjective for the noun of
“Entrepreneurship”, implying that Entrepreneurship is the core of this process.
Therefore, to understand media entrepreneurship well, the first requirement is to
clearly depict what is entrepreneurship. As there are numerous researches published
on the subject of entrepreneurship and its dierent aspects, this paper is benefiting
from the existing knowledge and by extracting the main attributes of entrepreneurship,
explores how they contributes in our perception of media entrepreneurship.
Entrepreneurship
"As a scientific field of research, entrepreneurship has strong relevance to the media"
(Hang and van Weezel, 2007). The word entrepreneurship is widely used, but it is still
fragmented (Anderson and Starnawska, 2008) ambiguous (Hang and van Weezel,
2007) and context related (Zahra et al, 2014). "This is not because the definition is not
available, but because there are too many, and even these definitions rarely agree
with each other on some essential characteristics of the entrepreneurship" (Hang
and van Weezel,2005, p.2).
Various characteristics have been articulated with respect to entrepreneurship.
New Business Creation: Carland et al (1996) explicitly explained that the outcome
of entrepreneurship is the creation of new venture. Vivarelli (2010, p.1456) defines
entrepreneurship from an industrial organization perspective: "entrepreneurship is
the process by which new enterprises are founded and become viable". Opportunity:
"Entrepreneurship is the activity of opportunity development to introduce new good
or service, way of organizing, market, process and raw materials through organizing
eorts that previously had not existed" (Shane & Venkataraman, 2000, p.4). Economic
Growth: Stevenson and Jarillo (2007) explains that an entrepreneur’s actions have an
eect on economic environment and improve society economically via innovation.
Birch (1979,1987) stressed on job creation as an output of entrepreneurship. Drucker
(1985) associated entrepreneurship with economic growth and innovation. Eciency:
Eciency is a vital element of entrepreneurship. Leibenstein (1968) argued that the
basic function is to destruct pockets of ineciency in a system. Hirschman (1958,
p.5) also argued that entrepreneurship fundamental function is “to call forth and
enlisting of resources and abilities that are hidden, scattered, or badly utilized, rather
than finding the optimal combination for given resources and factors of production”.
Another important characteristic of entrepreneurship is Risk-taking: "Wu and Knott
(2006) argue that entrepreneurship is a risk seeking activity, when the risk is related to
the entrepreneurs’ own ability". Entrepreneurship is also associated with Innovation
(Beckman, 1983), and flexibility (Birch, 1987), and many other important factors that
play positive role in value creation and economic development of societies. However,
the most important aspect of entrepreneurship, in relationship with the current study,
is its association with small enterprises and possibility of involvement of individuals
with low amount of capital.
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Media
And what does the word “media” in media entrepreneurship imply? As mentioned,
it is an adjective and it implies the context in which entrepreneurial activities are
conducted. According to Hoag (2008), "this word refers to the traditional mass
communications systems and content genres as well as other technologies for
mediated human speech. This includes traditional publishing, traditional electronic
media, motion pictures, video gaming, recorded music, advertising, etc". Hang
and van Weezel (2007, p.54), define media as "the industries that produce and sell
information as well as entertainment products and services".
The Internet and then Web 2.0 by reduction of entry barriers, production cost,
distance working, possibility to direct contact with consumers, etc.- revolutionized the
way companies do their businesses and led in the creation of new firms. The Internet
also oered the artists an indispensable tool to work as independent entrepreneur
(Tuomola, 2004). Media entrepreneurs can compete in the markets without the need
for extensive resources (Derham et a, 2011) because the internet covers their lack of
skills, resources, and technical knowledge, as well as the cost of marketing and the
connection with partners and to market their products, services, and brands (Harris
and Rae, 2009).
Media industry, especially in the sections that SMEs are active, has significantly
aected by advances in communication technologies. With the dramatic reduction
in the cost of devices, software and knowledge required to produce the media
content and provision of channels to reach target customers, small companies and
individual entrepreneurs found a new context for the creation and delivery of value
by production of media content and distribution.
Media as a creative industry is characterized by uncertainty (Reca, 2006, Medina
et al,2016; Napoli, 2016), risk (Doyle,2016, Pickard, 2004), complexity (Napoli, 2016),
timeliness (Turow, 2011), autonomy (Lund, 2016), proactiveness (Hang and van
Weezel, 2007), changing demand (Pickard, 2004). Such characteristics are very much
aligned to the dimensions of the entrepreneurial process. These dimensions represent
the entrepreneurial orientation of the firm, that includes processes, practices, and
decision making activities that lead firms to decide to enter a new market or launch
a new product (Lumpkin and Dess, 1996). As explained, media companies are urged
to be particularly risk taking, innovative and associated with novel ways of thinking.
Such entrepreneurial approach is undoubtedly extremely important for media firms
(Hang and van Weezel, 2007).
Media SMEs
SMEs play an important role in national economies, by collectively contributing
an average of 90% of national economic output (Wielicki & Arendt, 2010). There is
growing evidence that smaller businesses can gain business value from the use of
social media for internal and external purposes (Geho et al, 2010). Smaller businesses
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are often regarded as key in encouraging the development of a country’s enterprise
culture and in promoting business growth (Dyerson et al, 2010).
SMEs are not homogenous groups, but they dier from many dierent
perspectives (Chua et al. 2009; Parker and Castleman, 2007; Derham et al. 2011) and
that is applicable for media entrepreneurs too. "Changes in the media industries
have created various windows of opportunities. Opportunities appear in dierent
sectors of the media industries" (Hang, 2016, p.15).
“The rationale for new media business creation first comes from an intention to
adapt to the changing media environment. Market shifts and environment dyna-
mics call for innovative new business to meet dierent consumers’ needs, con-
tent needs and advertising requirements. It also includes the desires to gain new
revenue streams, to spread risks, to strengthen content creation and audience
advertising relationships, to achieve the first mover advantages and to increase
learning and innovation” (Hang, 2016, p.14).
Dubini, & Provera (2008) argue that media companies require content to sustain
their value proposition (p49). They articulate three major reasons for the increase of
media content titles. First, a series of innovations in content production; second, the
growth in the number of indies under reduction of production cost; and third, the
increase in the number of distribution channels under of digital technologies. Those
three reasons; innovation, low production cost and abundant distribution channels
are the incentives for creation and growth of SMEs in media industry.
Opportunity: The Foundation of Media Entrepreneurship
Opportunity is the central concept of entrepreneurship (Shane and Venkataraman
2000, p.220; Singh, 2001, p.11; Lumpkin and Lichtenstein, 2005, p.457; Shane et al,
2010, p.291) and the understanding of opportunity evaluation process represents
a core intellectual question in entrepreneurship research (Foss and Klein, 2012;
Emami, 2017). Therefore, opportunity identification (recognition), evaluation and
exploitation is a core concept in the media entrepreneurship.
In one of the most cited definition of entrepreneurship by more than 9700
citations at the time of writing this article, Shane and Venkataraman associated
entrepreneurship with discovery, evaluation and exploitation of profitable
opportunities and the set of individuals who process them (2000, p.218). Shane
(2003, p.18) then describes entrepreneurial opportunity as a situation in which a
person can create a new “means-end” framework for recombining resources that
the entrepreneur believes will yield a profit. Fuduric (2008), using Shane definition,
defined entrepreneurial opportunity as two-sided: something changing in the
environment (external) and a creation or recombination of resources happen by an
entrepreneur (internal).
A fundamental understanding of opportunity with respect to media
entrepreneurship comes from the distinction between opportunity creation
(Shumpeterian approach) and opportunity discovery (Kirznerian approach). In
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Schumpeter view, entrepreneurs create opportunities by creative destruction; a
radical innovation or invention that disequilibria market by creation of new demands
for introducing innovation. In contrast, Kirznerian view argues that opportunities
are already existing in the market, because of consistent shift in demand and
entrepreneurs discover those opportunities earlier than the others. These approaches
come into use towards understanding if media entrepreneurs create opportunities
for value delivery, and they discover existed needs and demand for a type of media
product or service (Fuduric, 2008). "In the Schumpeterian view, the entrepreneur
moves the economy by disequilibrating it, while in the Kirznerian view the movement
is equilibration" (Keyhani, 2016, p.123).
The discovery perspective assumes that opportunities pre-exist and are
awaiting discovery (opportunity is independent of the entrepreneur); Whereas
the creation perspective assumes that opportunities do not exist without the
entrepreneur (Will et al,2016, p.195). With respect to this dierence, in discovery
approach entrepreneurs search, both actively and passively; while Schumpeterian
entrepreneurs observe, learn, act and create opportunities (Ibid). Dimov believes
that opportunity creation encompasses a social learning process whereby new
knowledge continuously emerges to resolve the uncertainty inherent to each stage
of opportunity development (2007, p. 714).
In understanding of opportunity in media entrepreneurship, based on an
inspiration from Shane and Venkataraman (2000, p.218), three questions must be
answered: why, when and how opportunities for the delivery of a media good or
service comes into existence?; why, when and how media entrepreneurs discover and
exploit opportunities?; and why, when and how media entrepreneurs use dierent
modes of action to exploit opportunities.
Khajeheian (2013) argues that an opportunity in the media industry is to identify
the unmet needs in a niche market that is willing to pay to receive the value that
satisfies their need. Based on this definition, media entrepreneurs base their activities
on recognition of a need in a segment of media markets and they satisfy the need by
delivery of value. This definition is based in many other researches that tie opportunity
with value, such as Lumpkin and Lichtenstein’s definition of opportunity: the ability
to identify a good idea and transform it into a business concept that adds value and
generates revenues (2005, p.457).
The question is that what approach is more appropriate for media entrepreneurs.
To what extent they are creators or discoverers of opportunities? The answer to this
question is dicult, because media entrepreneurs dier along the value chain. If we
classify media entrepreneurs as cultural entrepreneurs, based on Dana (1995), they are
opportunity seekers and Kirznerian identifiers of opportunity that actively taking risk
of economic uncertainty. If we consider some technological entrepreneurs that create
opportunities by their radical innovations. Such opportunity creator entrepreneurs are
few and considerably lower in number, and it should be noted that the nature of most of
innovations of media entrepreneurs is incremental innovation, or imitative innovation.
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The question of how entrepreneurs discover business opportunities is the critical
concern in entrepreneurial studies (Bernhard and Karlsson, 2014). The process of
opportunity-discovery includes both the active and passive search. Passive search is
based on Kirzner’s “entrepreneurial alertness”, while active search integrates with a
systematic search approach (Will et al, 2016, p. 194-195). Vaghely and Julien (2010)
believe that in identifying opportunities, entrepreneurs process information by using
of both approaches; thus entrepreneurial opportunities are both discovered and
created in dependence to combinations of information. Such conclusion is supported
by Venkataraman (1997) that opportunity identification depends on the information
and the way it is processed by individuals. Using Ardichvili et al (2003, p.106), major
factors that influence the core process of opportunity recognition and development
for media entrepreneurs include: entrepreneurial alertness; information asymmetry
and prior knowledge; social networks; personality traits such as optimism, self-
ecacy and creativity; and type of opportunity itself.
One of the main sources of opportunity identification for media entrepreneurs
comes from social sources of information, such as industry and personal networks.
Ozgon and Baron (2007) argue that informal networks have a direct eect on
entrepreneurial alertness toward new opportunities. They articulate the four factors
of mentor, family and close friend, informal industry network, and professional
forums. Gibcus et al (2008) showed that many business owners acquire information
from their contacts and Filion (2004, p.45) stresses on the role of information in
opportunity identification too, by depicting that opportunity recognition requires
intuition, intuition requires understanding and understanding needs a certain level
of knowledge. Rae (2002) emphasizes on the role of social sources of information by
arguing that the entrepreneurs in creative industries are immersed in the environment
and culture of the society of which they work, and this immersion enables them to
recognize opportunities that might not be apparent for “The Outsiders”.
Innovation
"The concept of innovation and newness, as act of introducing something new and
relevant, is an integral part of entrepreneurship." (Hisrich and Ramadani, 2017, p.4)
and inevitably of media entrepreneurship. Khajeheian (2014) articulates innovation
in characteristics, process, distribution channel, usage, etc. Ireland et al. (2003, p. 981)
introduce disruptive and sustaining innovations. Taken from definition of Tushman and
O’Reilly (cited in Ireland et al. 2003), disruptive innovation "produces a revolutionary
change in markets while sustaining innovation leads to incremental change. Sustaining
innovation, also has said as incremental innovation, is the exploitation of existing
capabilities that contribute to the competitive advantage of the firm".
Based on Khajeheian (2013, p.128), radical or disruptive innovation is derived from
identifying and exploiting entrepreneurial opportunities through new combination
of resources to create new capabilities that lead to competitive advantages. According
to him, this type of innovation requires a high R&D budget and a mentality of
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failure acceptance. Such attributes rarely existed in developing countries and mostly
existed in knowledge societies and leading organizations; so in contrast to the radical
innovation, imitative innovation is the more common and successful type of innovation
in developing societies or organizations with low R&D budgets, such as SMEs, family
businesses, public organizations and most types of organizations and enterprises that
cannot invest on research and development. Imitative innovation is one of the key
success factors for media entrepreneurs, because they launch a previously successfully
tested the product/service in a new market without taking major risks of investment
on a radical or even incremental innovation. Present article suggests that imitative
innovation is one of the most important drivers of media entrepreneurship, by showing
an opportunity of value delivery in a market with low risk and investment.
Khajeheian and Tadayoni (2016) explained another aspect of media entrepreneurs:
their advantage in the contract. Their study on public service broadcast showed that
large media companies do not outsource the production to the users or small media
firms, mainly for the reason of distrust on delivery of professional quality. Rather, they
prefer to commission parts of their product provision to medium-size enterprises
that entitle reputation, history and brand. Such media enterprises commission the
contract to the smaller enterprises. The advantage of large companies is in their
resource and operations; the advantage of small enterprises is innovation (Eliasson
and Eliasson, 2005); and the advantage of medium size enterprises is their ability to
produce contracts (Khajeheian and Tadayoni, 2016). As Baumol (2002) expressed,
most revolutionary new ideas have been provided preponderantly by independent
innovators and it is very likely to be continued in the future. So investing on user
innovation provides media companies with sources of creativity and may lead the
enterprises to have access to successful innovations, and then to use their resources
towards the marketing and commercialization of those innovations, as Hoag explicitly
argues that “there is no denying that big media corporations can be innovative, but
they are better capitalized to commercialize innovation” (2008, 75) and Fuerst (2010)
supports her arguing that expansion of media companies to larger sizes provides
new business opportunities for small media firms. The connection of users with large
media companies, is a complex process that mostly happens by intermediators and
media entrepreneurs, who reduce the risk and facilitate cooperation between large
media companies and small enterprises; and by such activities, increase eciency
and eectiveness of media markets.
RESEARCH METHOD
As the aim of this research is to obtain a specific and detailed definition for media
Entrepreneurship, a Delphi method was selected as a research method. The reason
for this selection is the success of this research method in similar cases e.g. Omer
Attali and Yemini (2016), Capra et al (2014), Lohuis et al (2013). The Delphi technique
is a widely used and accepted method for gathering data from respondents within
their domain of expertise (Hsu and Sandford, 2007).
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To achieve the research purpose and based on the knowledge acquired from
literature, a multiple-stage analytical process was designed and conducted. In
the first phase, a selected group of scholars and researchers were being asked
for the provision of a definition of media entrepreneurship. After collecting the
primary definitions, the building elements were extracted. In the second phase, the
extracted elements were oered to the sample and then asked for proposals towards
a revised definition. In the third phase, they were being asked to read an abstract
of 27 papers on the subject of entrepreneurial activities in media industries; and to
revise their definition again. Finally, the results collected and used for a consensual
definition of media entrepreneurship.
The study sample were scholars, alumni and researchers in the fields of media
management, entrepreneurship and occasionally some related fields. The sample
were selected from scholars with personal and academic relationship with the
researcher - so they accepted the invitation to participate in the panel, either in the
physical presence or via video conferencing.
FINDINGS
First phase: The most frequent words in definitions of research sample is presented
in the Table 1.
Table 1. The building elements in definition of media entrepreneurship in the first phase.
Word (and variations) Word (and variations)
Individual (Person, man or woman,
entrepreneur) Internet/Communication Technology/IT/Web 2.0
(Social media, web stores,)
New (New product/service, novel,
never-experienced) Technical expertise/knowledge/skill
Change (Change in technology,
preferences, demography, lifestyle,
economy, society.) Segment/niche market
Value (Creation and delivery) Need/demand
Innovation (Creativity, Creative idea) Content (Media content, clip, advertising, attractive
content)
Opportunity (Recognition, identification,
evaluation, exploitation, development) Creativity/Creative/Talent
Resources Culture/Cultural
Control (including ownership, access,
permit, authority to use) Profit/Income
Venture/Small Business/Firm
(Organizational form) Restriction/Barrier
Market Efficiency
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Table 1. The building elements in definition of media entrepreneurship in the first phase.
Continued
Word (and variations) Word (and variations)
Management Monopoly/Competition
Ownership Advantage
Cooperation/Collaboration Technology
Corporate/Organization Risk
Business model Team/ Teamwork
Recombine/mix/configure Internal/external
User/consumer/customer Turbulence /Complicated market
Idea Two sided market
Advertising Public/Private
Society/Social responsibility Job creation/economic growth
Second phase: In the second phase and based on the understanding of the building
elements of other definitions, the proposed definitions were converged. Table 2
presents the elements of the second round of definitions.
Table 2. The building elements in definition of media entrepreneurship in the second phase.
Word (and variations) Word (and variations)
Individual (Person, man or woman,
entrepreneur) Media Platform
Innovative / New Resource
Environment (Change, Complexity,
Turbulent) Market Segment
Value (Creation and delivery) Need/demand
Creative Idea Venture Creation
Corporate Entrepreneurship Management
Ownership Control
Profit/income/money Opportunity
Media content Transformation/Recombination/ Configuration
User data Advertising
User behavior
Benefit
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Third phase: After proposing revised definitions in the second round, 27 abstracts of
papers with some relevance to the subjects presented in the sample. Then, the author
of this paper composed consensual elements in dierent definitions. The definition
was revised frequently based on the sample. Finally, some keywords were selected to
be included in the definition. Two definitions were proposed, one was a comprehensive
definition, another was shorter and more brief one. The idea was that the comprehensive
definition helps the researchers to deeply understand the dierent aspects of media
entrepreneurship, and the shorter definition to enhance a quicker understanding of
media entrepreneurship. At the end, the sample was sifted to selected a comprehensive
definition as well as a consensual definition of media entrepreneurship.
Table 3. The building elements in definition of media entrepreneurship in the third phase.
Word (and variations) Word (and variations)
Individual Media Platform
Innovative (Radical/incremental/
imitative) Resource
Environment (Change, Complexity,
Turbulent) Market Segment
Value (Creation and delivery) Need/demand
Creative Idea Venture Creation
Media content Management
Ownership Control
Profit/income/money Opportunity
Benefit Transformation/Recombination/ Configuration
User data Advertising
User behavior
THE CONSENSUAL DEFINITION
As it’s explained in the beginning of the paper, the main aim of this research is to
provide a consensual definition of media entrepreneurship. For provision of such
definition, it is necessary to extract the important elements of this concept.
The most important factors of media entrepreneurship understood as:
Media entrepreneurship is associated with value proposition (creation and
delivery);
Media entrepreneurship may include the new venture creation, or
entrepreneurial management of an existing firm, or may occur solely as an
individual eort;
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Media entrepreneurship is based on consistent opportunity identification and
evaluation;
Media entrepreneurship delivers a value on one or more of following types:
content, platform, emotion, audience reach;
Media entrepreneurship can be an innovation or innovative use of business
model elements;
Media entrepreneurship is based on permanent screening of environment
change;
Media entrepreneurship integrates and recombine resources;
Media entrepreneurship closely works with innovation in user side;
Media entrepreneurship is not merely for profit, but sometime happens to
obtain a benefit such as social responsibility, attention attraction, a favorite
behavior or attitude, etc.
Based on above mentioned findings and revised definitions of the sample group,
the author suggests a comprehensive definition for media entrepreneurship. By
presenting this definition to the sample, no one rejected this definition.
A comprehensive definition of media entrepreneurship is as follow:
“Media entrepreneurship is taking the risk to exploit opportunities (crea-
tion/ discovery) by innovative use of (radical/incremental/imitative) re-
sources (ownership/control) in transform of an idea into activities to oer
value (creation/delivery) in a media form (content/platform/user data) that
meets the need of a specific portion of market (businesses or consumers),
either in an individual eort or by creation of new venture or entrepreneurial
managing of an existing organizational entity and to earn benefit (money/
attention/favorite behavior) from one of the sources that is willing to pay for
(direct consumers, advertisers, data demanders or any customer of genera-
ted information of consumers).
This definition has been depicted in the figure 1.
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Figure 1. Elements of Media Entrepreneurship Definition.
Organizational form:
Individual
New Venture Creation
Corporate
Entrepreneurship
Opportunity:
Creation
Discovery
Media Offer:
Media Content
Media Platform
User Data
Customer Type:
Consumers
Advertisers
Data demanders
Other customers
Innovation:
Individual
New Venture Creation
Corporate
Entrepreneurship
Process:
Idea
Transformation
Commercialization
Organizational
form
Market Media
Offer
Innovation
Resource
Process
Opportunity
Value
Customer
Benefit
Benefit:
Money
Attention
Energy/favorite
behavior
Market Needs:
Niche market
Mass market
Risk
Resource:
Ownership
Control
Value Proposition:
Value Creation
Value Delivery
Media
Entrepreneurship
There are some special points in this definition that are discussed in detail among
the members of the research sample:
1. Media entrepreneurship is a risk-taking activity, with chance of market success
or fail.
2. Media entrepreneurship is based on opportunity, either created by
entrepreneur (Schumpeterian perspective), or discovered as an existed unmet
demand in the market (Kirznerian).
3. Media entrepreneurship is based on an idea that is based on recognized
opportunity.
4. To execute the creative idea, media entrepreneur requires to find, hire, collect,
or contract with production resources, such as team, talents, suppliers,
distributers, promoters, raw materials, knowledge and technic, infrastructure
and other essential resources.
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5. Innovation is an integral part of media entrepreneurship, but in many cases an
imitative innovation and implementation of a successfully tested innovation
uses for a new market or application. Media entrepreneurship doesn’t
necessarily base on ownership of resources, but control of what is owned by
others by means of loan, borrowing, hiring, renting, etc. is a solution.
6. Media entrepreneurship is strongly associated with value proposition to the
target market. This value can be created by the media entrepreneur’s activity
(such as produced media content) or by created by others and delivered to the
target market by media entrepreneur (such as user generated content, third-
party production, etc.). Before the pervasiveness of social media, platforms
were notimportance in the study of media. For instance, Hoag emphasized
on the media content and believes that the critical decision rule in media
industry is who creates and controls the media content (2008, p.75). But today
platforms play a critical role in access to users and importance of the number
of users of a platform is much more than the number of attendances of a
media content. Thus, media entrepreneurship in an internet-based context
implies the content production, platform provision, business model invention
and data analysis, while in traditional media, media entrepreneurship mostly
implies on content creation.
7. The proposed value of media entrepreneurs, that dier them from other
entrepreneurs, is in the form of media content, media platform for third party
or user generated contents, user data for customers of those data.
8. Media entrepreneurship is based on the meet of needs in a segment of market,
either businesses or consumers that is willing to pay the requested benefit in
return of perceived value.
9. Media entrepreneurship can be happened by new venture creation, or inside
an existing organization (corporate entrepreneurship) or occur out of a
business organization form, as an individual eort.
10. Media entrepreneurship is mostly for the generation of income, but not
always. Sometime a media entrepreneur aims to attract public attention to
a societal issue, such as environment or a discrimination; or to encourage a
behavior, such as voting to a special person/party or bill.
11. Media entrepreneurs may follow various business models to earn the
intended benefit from dierent parties: directly from consumers (such as
subscription, sell of copy, pay per view or click, etc.), from advertisers, from
demanders of user data, or any possible customer.
12. The commodity that a media entrepreneur sells could be a product, service,
data, users (followers or members) or even the media entity itself (such as a
channel, brand, etc.)
13. Media entrepreneurship is an intentional action, but opportunity
identification that could be either intentional or unintentional. This discussion
supports by Emami and Dimov (2016) that implied on entrepreneurial
intention of media entrepreneurs.
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Table 4, illustrates the developments in definition of media entrepreneurship.
Table 4. Definitions of media entrepreneurship.
Researcher Definition of media entrepreneurship
Hoag (2008) The creation and ownership of a small enterprise or organization whose
activity adds at least one voice or innovation to the media marketplace
Achtenhagen (2008) How new ventures aimed at bringing into existence future media goods
and services are initially conceived of and subsequently developed, by
whom, and with what consequences
Khajeheian and
Roshandel Arbatani
(2 011)
The creation and ownership of a small enterprise or organization whose
activity adds at least one voice or innovation to the media marketplace
Khajeheian (2013)
Individuals or small firms of which use their own or others’ resources
to create value by extracting opportunities via offering a service or
product that is consist of any type of innovation in any of product/
service characteristics, process, distribution channel or place, or
different innovative usage, to the media market, or any other market
that media is its main channel of interaction
Khajeheian (2017)
Media entrepreneurship is taking the risk to exploit opportunities
(creation/discovery) by innovative use of (radical/incremental/imitative)
resources (ownership/control) in transform of an idea into activities to
offer value (creation/delivery) in a media form (content/platform/user
data) that meets the need of a specific portion of market (businesses or
consumers), either in an individual effort or by creation of new venture
or entrepreneurial managing of an existing organizational entity and
to earn benefit (money/attention/favorite behavior) from one of the
sources that is willing to pay for (direct consumers, advertisers, data
demanders or any customer of generated information of consumers).
SUGGESTIONS FOR FURTHER RESEARCHES
and Singer (2016) in a study of entrepreneurship in journalism showed that the
concept of entrepreneurship in media is defined broadly and loosely, but in a
generally positive way. The current research contributed with the provision of a more
specific definition of media entrepreneurship. In order to deepen the knowledge in
this field, more research into the various dimensions of this concept is required.
The study of media entrepreneurship in dierent levels of analysis enriches
the literature and deepen our knowledge of this subject from dierent aspects.
Borrowing from Audretsch, et al (2017) and De Bruin et al (2007), determinants
of entrepreneurship lie in a complex interplay of micro (firm or individual level),
meso (industry level) and macro (policy) level factors and it is applicable for media
entrepreneurship. It is almost impossible to study the entrepreneurial activities of an
individual without considering the eect of the environment; to study the firm level
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entrepreneurship without the eect of government policies and also people who run
the firm; or to study media entrepreneurship policy without the eect of firms and
individuals’ actions. The relationship of dierent levels of analysis is interdependent
and it is important to study media entrepreneurship with an attention to the influence
of other levels. Therefore, and with respect to its importance, it is strongly suggested
that researchers of this field study the media entrepreneurship in levels of micro,
meso and macro and to explore the interrelationship of levels.
Macro level: Majority of entrepreneurship studies of media were mostly micro or
industry level (Hoag, 2008, p.74). However, a number of studies with focus on the macro
level of media entrepreneurship have been published. Loucks (1988) implied that
entrepreneurship is culture-based and the policy for promotion of entrepreneurship
is a cultural policy. Rae (2002, p.59) explained that distinction of media firms and
other production/service firms lies in cultural entrepreneurship. Dana and Dana
(2005) points out that governments around the world should foster entrepreneurship
by considering social and economic values and for this reason apply a universal
framework across varied cultures is not applicable. Khajeheian (2014) studied media
entrepreneurship policy and how the government may foster entrepreneurship in
their societies by relevant policies. In 2016 he also stated that U.S communication act
is a major determinant in promotion of media entrepreneurship.
Meso level: Most of research on the subject of media entrepreneurship are in the
firm level. Dennis et al (2006) in a study of strategies of media companies showed
that digital technologies eect on operational levels of media firms such as hiring
patterns and acquisition of creativity, analytical abilities, and technical knowledge.
Khajeheian (2013) studied the commercialization of media entrepreneurs’ digital
innovations at the level of firms. He proposed a framework of five parts, including
four controllable parts (Product, Resources, Enterprise, Strategy) and one out
of control part of the infrastructure. Again Khajeheian (2016) studied audience
commodification as a business model for entrepreneurial media firms to motivate
favourite behaviour in users by the rewarding system to engage more users.
Micro level: Researches into the micro level study media entrepreneurs as
individuals and aim to answer questions such as what is characteristics of media
entrepreneurs, what derive people to act entrepreneurially in the media industry,
and similar questions that are in relation with individuals’ intentions, actions and
behaviours? Opportunity development that was discussed in the literature review
section of this paper studies a part of the process of media entrepreneurship in the
micro level. Hoag and Compaine (2006) interviewed fourteen media entrepreneurs
to discover attributes of the “individual-opportunity nexus” that may be unique to
media industries and media entrepreneurship. In another study, Achtenhagen and
Welter (2003) studied female entrepreneurs in Germany and their reflection in the
German media. Such researches investigate the subject in individual level.
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Figure 2. Some suggested subjects for study of media entrepreneurship in different
levels of analysis.
Meso level: Strategic positioning, niche market, competency, emerging markets,
business models, resource management, contracts, competitiveness, so on.
Macro level: Policy, Regulations, Ecosystems, Governmental and International
strategies, plans and actions that effect on entrepreneurship, economic trends, political
issues, social changes, so on.
Micro level: Characteristics and behavior of media entrepreneurs, creativity, talent,
management, psychological drivers of entrepreneurship, alertness, design thinking,
opportunity recognition, personal abilities, social ties, so on.
Emerging trends that aect media entrepreneurship are important areas in the study
of media entrepreneurship. In 2016, media market was still characterized as a two-
sided market, this implies on serving consumers via content and serving advertisers
by audiences’ attention and time (Lowe, 2016; Doyle, 2016; Medina et al, 2016; von
Rimscha; 2016). But this two-sided is evolving to a multi-sided market with regards to
parties being served by media firms. For example, big data is a new and few-discussed
source of income for media entrepreneurs. Collection of users’ information and
selling of them is one growing business model.
Also, there are new business models based on free delivery of value to consumers,
aimed at growing the number of users and then selling of the media firm or product
to a larger company. For example, by popularity of Telegram mobile messenger in
Iran, an emerging business model is the sale of the administration of a channel with
a large number of users. In this case the admins of a channel create or collect media
content and deliver it to interested users to keep them as subscribers and then sell
this channel at a price based on the number of followers.
User commodification became a popular model for media entrepreneurs in recent
years, following the success of Google advertising model. Audience commodification
is the process where customers oer themselves as a commodity to receive value
from businesses that sell higher-value advertising opportunities (Khajeheian, 2016,
p.44). The current use of Google services is a type of audience commodification
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that consumers oer their personal information and interests to benefit from the
free services. Facebook users do the same to receive the value of this service by
providing their personal information, their favorites, their moods, the places they
have visited or plan to visit, etc.
Another area with a poor research background is the measure of media
entrepreneurship. Excluding Anne Hoag’s research in 2008, no other research
in the subject of measures has been found. For such a broad and wide-defining
concept of media entrepreneurship, understanding and identifying the
measures play a determining role. Hoag suggests static and dynamic measures
for media entrepreneurship, such as organizations-per-capita, turbulence, and
nascent entrepreneurship. Rae implies that the vital factor in success of media
entrepreneurship is the narration that led entrepreneur to the creation of a new
venture: “The enterprises themselves are constructed by their founders through
their discourse. They tell a good story” (2002, p.59). Also the life cycle of the media
sector is an important factor in measuring, e.g. entrepreneurship in the publishing
industry is in decline, while in telecommunication, broadcasting and cable,
entrepreneurship is growing (Hoag, 2008).
Conducting researches in the above mentioned subjects may open the door
for better understanding of media entrepreneurship and may shed light on the
unexplored aspects of this important and less-studied discipline.
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This research paper aims to explore the entrepreneurship opportunities for young female students in emerging nations. Adopting the technology acceptance model paradigm, the authors attempt to understand the moderating effects of perceived usefulness on social media behavior. The authors conduct a person-administered survey on 241 female students with entrepreneurship intentions. The survey is analyzed using structural equation modeling (Amos). According to the findings, the variables such as social influence, perceived ease of use, perceived enjoyment, perceived usefulness, attitude toward social media and social-media behaviors have a significant relationship, indicating tremendous entrepreneurial opportunities, especially social-media-based, for young women in emerging nations. Results also show that social media attracts women entrepreneurs positively in emerging countries. Since the data was collected only in a single Asian nation, the results may not be generalizable. The study have a significant impact on social media and entrepreneurial development.
... Expanding upon the viewpoints of Toften and Hammervoll [2], adopting a "niche market strategy" can be considered as one of the strategic choices that these organizations can use to tackle this challenge. Khajeheian [3] suggests that niche markets offer favorable opportunities for aspiring entrepreneurs and SMEs to establish a modest market presence and then expand it. Specialized SMEs can achieve economies of scale even if they focus on narrow markets. ...
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The objective of this investigation is to evaluate the influence of niche market leadership (NML) on market globalization orientation (MGO) by means of an intelligent cloud-based accounting information system (ICAIS). The study also examined the moderating function of industry dynamism (IND) in the relationship between NML and ICAIS as well as the relationship between ICAIS and MGO. The data obtained from a convenience and snowball sample of respondents employed in small and medium companies (SMEs) in Vietnam was analyzed using Partial Least Squares-Structural Equation Modeling (PLS-SEM) with the assistance of SmartPLS 4.1.0.6. The results clearly showed that NML had a significant and beneficial effect on MGO. The findings eventually demonstrated that the association between NML and MGO was partially mediated by ICAIS. The statistical outcomes also highlighted the moderating role of IND in the relationship between NML and ICAIS as well as the relationship between ICAIS and MGO. Broadly speaking, this study offers valuable insights for managers, stakeholders, and policymakers to comprehend on how to foster MGO through leveraging the potential of NML and ICAIS.
... Emprenedoria periodística L'emprenedoria periodística consisteix a explotar oportunitats a partir d'un ús innovador dels recursos per transformar una idea en activitats per oferir valor a través d'un format mediàtic que cobreixi les necessitats d'una porció específica del mercat (Khajeheian, 2017). Rafter subratlla que «la història del periodisme està marcada per l' esperit emprenedor», que es manifesta sobretot en conjuntures en què una confluència de factors socials, econòmics, tecnològics i legals condueixen a canvis importants en el panorama mediàtic (Rafter, 2016: 140). ...
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L'Anuari d'Emprenedoria, Economia i Innovació Social és una col·lecció d'accés obert promoguda i coordinada pel Centre d'Estudis i de Recerca en Emprenedoria i Innovació Social (CREIS), un centre de recerca interdisciplinària per a l'estudi del fenomen de l'emprenedoria i la innovació social, dels factors que el determinen i de l'impacte que els projectes socials susciten sobre l'economia en general i sobre les persones en particular. La col·lecció es planteja l'objectiu de tractar els diferents temes d'interès social des d'un doble vessant. Primer, des d'un punt de vista proper, vinculat al territori, i amb voluntat d'influir en la definició de les polítiques públiques. I segon, proporcionant la mirada àmplia i rigorosa amb què els experts, acadèmics i no acadèmics, poden analitzar aquests problemes, ajudar a comprendre'n l'origen, i indicar com cal gestionar-los i resoldre'ls de la millor manera possible.
... Since the last two decades, the subject of media entrepreneurship has been studied increasingly by scholars (Khajeheian 2016;Khajeheian 2017;Achtenhagen 2017;Khajeheian et al. 2018;Powers and Zhao 2019;Dal Zotto and Omidi 2020;Hang 2020;Horst and Hitters 2020). However, in Iraq, entrepreneurship, even as a concept, has not been given attention by scholars, particularly in media studies. ...
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Influenced by digital technologies, the cost of media production has considerably decreased, and the traditional media is faced with new agile, flexible and low-cost media entrepreneurs. This article examines the dynamics of the Iraqi media market transformation with an emphasis on factors that help to merge media entrepreneurs and digital media firms that target an audience on social media. A qualitative method was adopted in this study using open, in-depth interviews with nineteen media entrepreneurs and three managers of media firms. The study revealed that relative freedom and advanced communication technologies have encouraged media entrepreneurs to drive the new media on producing short videos and broadcast them on social media, which has become popular among media consumers. This new era in Iraqi media entrepreneurship has created an abstract space in which media entrepreneurs get involved in the media market, collaborate with international media and deliver values through the use of user-generated content and flexible journalism. This opportunity is shaped by three key interrelated factors: first, the relative freedom of journalism that resulted from the political environment, current regulations and advanced communication technologies that provide more space of freedom; second, the development of communication technologies that allow journalists and media entrepreneurs to employ the media market effectively; third, the emergence of media entrepreneurs themselves who are convinced to seize the opportunities presented by the two previous factors.
... By filling this gap, innovators increase the pressure for change in legacy journalism: In recent years many large journalistic companies have acknowledged the inevitable need to be entrepreneurial and introduced intrapreneurial units and positions to try to foster product innovation, sustainable business models, and an innovation culture (Hogh-Janovsky & Meier, 2021;Kosterich, 2021). Following Khajeheian (2017), media entrepreneurship in journalism therefore refers to "creating a new venture or entrepreneurial managing of an existing organizational entity" (p. 102) to further the innovative use of resources when establishing a journalistic idea in the market in a value-adding manner. ...
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Digital transformation is a driver for increased media intra- and entrepreneurship in journalism, which in turn forces journalistic decision-makers to renegotiate professional roles and identities and to apply entrepreneurial thinking. Simultaneously, however, media entrepreneurship research indicates that journalistic entrepreneurs often only apply a normative creator perspective and founding teams are too homogeneous. This is problematic because the entrepreneur plays a decisive role for start-up performance, a concept coined as founder centricity. As this concept is often mentioned but rarely defined, this study elaborates on it by focusing on the founder as both a central personality (characteristics) and as a focal actor for decisions (areas of impact). Using an interdisciplinary scoping review (N = 44), this paper introduces a Founder Fit Framework and maps seven areas of impact of the founder, which are derived from the literature and discussed to be influenced by the founder fit. Based on these results, a roadmap for future research and practice of media entrepreneurship is developed.
... Así, optamos por la denominación "cooperativas de consumidores y usuarios del sector periodístico".Medios cooperativos o cooperativas de mediosLa scoping review permite establecer dos períodos en la producción de estudios alrededor de los medios de comunicación cooperativos. El momento de división se sitúa en la Gran Recesión, la crisis global de 2008, a partir de la cual se revitaliza y expande el periodismo emprendedor(Singer, 2018) y aumenta, a su vez, el interés académico por el fenómeno(Khajeheian (2017). De las 45 referencias detectadas para esta categoría, en el hasta 2008 solo se hallan 7 aportaciones que traten algún caso de cooperativa de medios, mientras que a partir de ese año hasta el primer semestre de 2022 aparecen 38. ...
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Private ownership is central to the contemporary history of the media, but other models of governance have thrived on the margins of the industry. Recent shifts in the media sector, caused by a multi-factorial crisis, spur interest in these alternative structures, among which the co-operative stands out. This article identifies and characterizes the different types of co-operatively-owned journalistic organizations. Using the scoping review as a research method, we collect, select and examine academic and institutional texts. As a result of this analysis, we infer five types of co-op in the media business, which respond to the needs of a variety of actors: journalists, media, the public and the co-operative movement. Thus, the article contributes to conceptual clarification and provides a theoretical basis for the emerging field of study of co-operatives in media and journalism.
... This understanding can explain how the two sectors that previously seemed separate are now two interacting sides; Entrepreneurial journalism includes the journalistic side of entrepreneurship or the entrepreneurial side of journalism. Khajeheian (2017), citing the view of Shane and Venkataraman (2000), explains that entrepreneurship is developing opportunities to introduce new products or services by managing markets, processes, and raw materials that did not exist before. Khajeheian also cites the view of Birch (1987), which emphasizes job creation as a result of entrepreneurship. ...
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The development of communication technology allows journalists to publish journalistic content independently through personal accounts on social media and sharing platforms. Independent publication allows journalists to earn additional income exceeding their official salary as journalists in media companies. This practice indicated as entrepreneurial journalism often blurs the boundaries between journalistic and commercial aspects. This study aims to reveal the meaning of entrepreneurial journalism among journalists of mass media companies. This study uses the social construction of technology (SCoT) theory with Alfred Schutz's phenomenological method and a qualitative approach. The study showed that journalists publish news through social media accounts and sharing platforms in various forms and content formats. The journalists practice entrepreneurial journalism because their skills support their passion for mastering technological devices. Besides, they also achieve self-satisfaction from working independently. Journalists regard entrepreneurial journalism as a side job while upholding the journalistic aspect rather than the economic reason. Expectations and opportunities to earn additional income do not attract journalists practicing entrepreneurial journalism to ignore journalistic values and norms. Journalists prioritize creating and publishing quality news content by following the Journalistic Code of Ethics. Entrepreneurial journalism tends to be interpreted by journalists personally as a form of repositioning and self-actualization during social life.
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Research indicates that job autonomy (JA) plays a pivotal role in enhancing employee creativity (EC); however, our understanding of the underlying mechanisms facilitating this connection is still limited. To address this lacuna, we draw on self-determination theory, which argues that perceived supervisory support (PSS) may act as a mediator. Thus, this study explores how JA enhances creativity through PSS. Furthermore, we explore the moderating role of the job difficulty level on the relationship between JA and EC. Conducting a cross-sectional survey involving 561 employees in the Turkish media sector, our study utilizes structural equation modelling in AMOS and employs moderator analysis in PROCESS Macro. The results unveil that JA not only directly positively impacts EC but also exerts an indirect influence through the mediating role of PSS. Furthermore, our findings highlight the moderating effect of job difficulty level, indicating a negative impact on the relationship between JA and EC. Among the examined control variables, including gender, organizational tenure and sectoral tenure, it is notable that sectoral tenure emerges as the sole factor significantly influencing EC. These results have significant implications for the development of innovative management strategies and human resources policies tailored to the unique needs of media companies. The study underscores the importance of understanding the intricate dynamics between JA, PSS and job difficulty levels in fostering a creative work environment.
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YouTube, Instagram, Facebook, Vimeo, Twitter, and so on, have their own logics, dynamics and different audiences. This book analyses how the users of these social networks, especially those of YouTube and Instagram, become content prescribers, opinion leaders and, by extension, people of influence. What influence capacity do they have? Why are intimate or personal aspects shared with unknown people? Who are the big beneficiaries? How much is vanity and how much altruism? What business is behind these social networks? What dangers do they contain? What volume of business can we estimate they generate? How are they transforming cultural industries? What legislation is applied? How does the legislation affect these communications when they are sponsored? Is the privacy of users violated with the data obtained? Who is the owner of the content? Are they to blame for “fake news”? In this changing, challenging and intriguing environment, The Dynamics of Influencer Marketing discusses all of these questions and more. Considering this complexity from different perspectives: technological, economic, sociological, psychological and legal, the book combines the visions of several experts from the academic world and provides a structured framework with a wide approach to understand the new era of influencing, including the dark sides of it. It will be of direct interest to marketing scholars and researchers while also relevant to many other areas affected by the phenomenon of social media influence.
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This article reports on a research project aimed at developing a business model by changing the value-creation mechanism. The essence of this change is to persuade customers to perform actions in favour of the service provider. Such actions include responding to advertising clips to unlock value. The business model was generated from the concept of audience commodification and is based on the idea of looking at users as a source of a tradeable asset in business-to-business markets. Here, attention and actions are the assets that users pay to access the proposed value. The research includes two phases of surveys and experimentation. In the first phase, the tendency and acceptance level of users towards watching advertisements to unlock value are measured. In the next phase, a platform prototype is developed to test and understand user actions towards receiving value. The sample includes 52 users of different nationalities who were seeking relationships on an online dating platform. Results revealed that users accept advertising and will perform requested actions if they can perceive the delivered value. Practical implications of this research include insights to help move away from the current “view-based” advertising model toward new models of partnership with users in the value-creation process. This research may also stimulate further research into developing sustainable business models based on advertising revenue.
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This chapter reviews a line of research that studies several different theoretical questions in entrepreneurship through novel applications of computer simulation. All of the simulation studies reviewed are based on a shared game-theoretical modeling framework that allows a high level of integration with existing theories. What made these simulations unique was their firm grounding in the theory of the entrepreneurial market process from Austrian economics, and the lack of previous simulation studies in the entrepreneurship field. The focus is on how and why the cooperative game theory framework was chosen, the justification and process of applying the simulation method and the lessons learned from doing so. The aim is to provide entrepreneurship scholars with a better understanding of where and why computer simulation may add something of value to their research as a tool for the analysis of complex systems. The reviewed studies involve artificial economies with a small number of agents, demonstrating that the emergence of complex macro patterns from micro behaviors does not require large numbers of agents.
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This research aims to understand how public service media can encourage media entrepreneurship in the society to enrich user innovations as a source of ideas, products, contents, talent and creativity. The assumption is that media entrepreneurs turn users into sources of external creativity and develop user innovations into professional content. This study follows a qualitative approach with a document study of Denmark's public service broadcast and two interviews. Findings indicate that the commitment to quality and professional content prevents managers of PSBs from outsourcing their production to media entrepreneurs, but they trust large media companies as external producers. This research contributes to the field by proposing that public service media can foster media entrepreneurship in a society indirectly and by creating demand for external sources of creativity. Large media companies that are contract-oriented, mediate the process of meeting those demand with media entrepreneurs.
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This textbook provides a comprehensive overview of the essential issues in effective entrepreneurial management. It first introduces readers to the fundamentals of entrepreneurial management, the nature of entrepreneurial managers and business planning, before exploring the specific topics of creativity and innovation, risk management, entrepreneurial marketing and organization as well as financing. The authors then move to contemporary topics such as entrepreneurial growth strategies, e-commerce challenges, ethical and socially responsible entrepreneurial management, franchising, and managing entrepreneurial family ventures. Each chapter provides a case study and several practice-based examples to help explain the concepts. By providing a truly international approach, this text offers ample theoretical and empirical insights into entrepreneurship and small business management. It is a valuable and up-to-date resource for teachers and students of entrepreneurship. --------------------- “A brilliant and inspiring masterpiece — long-awaited contribution to the literature.” (Léo-Paul Dana, Professor, Montpellier Business School, France, Marie Curie Fellow, Princeton University, US, Editor of Int. J. Entrepreneurship and Small Business) “In Effective Entrepreneurial Management, Hisrich and Ramadani explain what those terms mean and how to carry them out ... . This book takes readers through the startup process as well as what happens next. ... This book helps you to avoid the mistakes others have made, and introduces you to the steps that are more likely to help you achieve your goals ... .” (Frank Hoy, Professor, Director of the Collaborative for Entrepreneurship & Innovation at Worcester Polytechnic Institute, US) “This book is a long awaited addition to the entrepreneurship field as it provides a succinct understanding about effective entrepreneurial management. The book covers the challenges and business planning that managers face to how creativity and risk management is conducted. It then explores finance and growth to e-commerce and ethics implications. The last section about family business and succession management highlights how important it is for managers to think entrepreneurial in their businesses. I highly recommend this book for entrepreneurs and managers who want a good understanding about the issues they face in their firms.” (Vanessa Ratten, Assoc. Professor, Management and Marketing Department, La Trobe University, Australia)
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This paper examines how different representations of entrepreneurial opportunity can influence the risk preference of entrepreneurs and non-entrepreneurs, and whether this differs between men and women. A survey methodology was used with a random sample of 135 entrepreneurs and 126 non-entrepreneurs. The methodology was presented through a new risky choice framework containing five entrepreneurial opportunities. The first results indicate that framing information of opportunity caused significant differences in risk preferences between the entrepreneurs and non-entrepreneurs and also between the males and females. In negative situations, except for the lowest risk level of the experiment, the male entrepreneurs tended to choose higher risky opportunities than the female entrepreneurs. However, neither group showed a preference for the lowest opportunity return in certainty. In addition, a comparative analysis showed that there were more differences between the four groups in the negative situations than in the positive situations. The detailed differences and risk preferences of each of the four groups were also analysed. The results have been discussed with emphasis on entrepreneurship.
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This paper examines how different representations of entrepreneurial opportunity can influence the risk preference of entrepreneurs and non-entrepreneurs, and whether this differs between men and women. A survey methodology was used with a random sample of 135 entrepreneurs and 126 non-entrepreneurs. The methodology was presented through a new risky choice framework containing five entrepreneurial opportunities. The first results indicate that framing information of opportunity caused significant differences in risk preferences between the entrepreneurs and non-entrepreneurs and also between the males and females. In negative situations, except for the lowest risk level of the experiment, the male entrepreneurs tended to choose higher risky opportunities than the female entrepreneurs. However, neither group showed a preference for the lowest opportunity return in certainty. In addition, a comparative analysis showed that there were more differences between the four groups in the negative situations than in the positive situations. The detailed differences and risk preferences of each of the four groups were also analysed. The results have been discussed with emphasis on entrepreneurship.
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A vital aspect of entrepreneurial action is the translation of entrepreneur’s opportunity into new value creation. This paper examines the moderating roles of the founder’s experience and innovation degree on the relationship between opportunity confidence and new value creation intention (NVCI) at the pre-founding stage of a business. For this purpose, it uses survey data from 157 prospective entrepreneurs in the ICT industry from university incubators in Iran. Using SEM, we find that experience, alone, does not moderate the relationship between opportunity confidence and NVCI. However, if entrepreneurs have required opportunity confidence, then medium and high-level innovation can increase the likelihood of acting on the opportunity for novice and experienced entrepreneurs, respectively. For novice entrepreneurs, the innovation variance from low to medium moderates the relationship between opportunity confidence and intent. In fact, this relationship is strengthened by the medium novelty level. Whereas, for experienced entrepreneurs, the variance from medium to high, moderates the relationship that is strengthened by the high novelty level.
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