Even though more and more research on the art market has been conducted in the last years, the interaction between scholars from different disciplines remains limited. The book edited by Anna Dempster overcomes this often-encountered limitation. Indeed, contributors include scholars active in finance, economics, art history or sociology and also practitioners working for auction houses or other
... [Show full abstract] businesses active in the art world. The topic of interest, risk in the art market, is especially well suited for an interdisciplinary analysis. The term in itself is polysemic, and as such scholars from different fields tend to focus on different aspects of risk. This is particularly striking as one moves from one chapter to the other, but it is also extremely rich in the sense that it forces the reader to constantly reassess what he usually views as “risk” in an art market context.In the introduction and in the first chapter, Anna Dempster provides an overview of the notion of risk. She stress ...