In Poland, the creative sector constitutes both a ‘new’ and an ‘old’ component of its social and economic system. It is an ‘old’ component because economic activities connected with the exploitation of Poland’s human creative potential have been present in the economy for many years. It is worth mentioning the international successes of some Polish film-makers, architects, writers, industrial
... [Show full abstract] designers, and people involved in the world of fashion before World War II, as well as during the times of a centrally planned economy, and also during and after its systemic transformation.