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The Symbolic Annihilation of Race: A Review of the "Blackness" Literature



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Perspectives 1
The Symbolic Annihilation of Race: A Review of the
“Blackness” Literature
Robin R. Means Coleman, Ph.D., Department of Communication
Studies, University of Michigan
Emily Chivers Yochim, Ph.D., Department of Communication
Studies, University of Michigan
In this review essay, we de ne the concept “symbolic annihilation
of race” and present its scholarly research uses. Most often, the
concept is used to describe the problematic treatment of racial groups
in media. In our review and subsequent analysis of this concept, we
observe that “symbolic annihilation of race” is most useful when
it is used to note the absence or trivialization of racial groups in
media. As a concept, it is able to capably address concerns beyond
media stereotyping.
“Criticism of black images,” writes sociologist Darnell
M. Hunt, “has typically been leveled on two fronts: either the
images are denounced as distorted, or they are attacked for being
damaging in some way” (2005, p. 15). This sort of “here’s a
stereotype, there’s a stereotype” lamentation, often offered by
cultural critics, is valuable in that it not only lays bare the skewed
treatment of blacks in media, but also works to pinpoint imagery’s
social functions and forms. For example, in his extensive analysis
of black representation in American lm, Donald Bogle (2001)
observes that African American men are often portrayed as over-
sexed and savage. Such problematic representation has far-reaching
cultural implications. As Hill-Collins (2000) offers, stereotypical
images of African American women, such as the welfare mother
and the sexually wanton “Jezebel,” provide “powerful ideological
justi cations [for] intersecting oppressions of race, class, gender,
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and sexuality” (p. 69). Likewise, Entman (1990, 1992) argues that
American news media perpetuates a “modern racism” in which a
rejection of systemic discriminations that plague African Americans
is exhibited. Even actress Marla Gibbs, testifying in the 1990s
before the U.S. Commission of Civil Rights, concluded “[African
Americans] are more or less told who we are, rather than asked…
We sing, we dance, we tell jokes that’s all we are allowed to do.
We entertain.” (Monroe, 1994, p. 84).
“Stereotype” versus “Symbolic Annihilation of Race”
A stereotype is de ned as a conventional, formulaic,
oversimpli ed concept, opinion, or belief. It describes the promotion
of an unvarying depiction of a group that, in a media context, has
come to be associated with negative portrayals (Means Coleman,
2000). However, as a concept, “stereotype” is particularly reliant
on discourses that actively signify that which is a present and
identi able, constructed image. A stereotype, then, is quite adept at
drawing our attention to how individuals and groups are presented,
but the concept may not function as well in capturing the meanings
associated with absence, omission, or even an inclusion that is not
so obviously problematic (negative). As such, in this review of the
literature we detail the relevancy of a related, yet distinct concept,
“symbolic annihilation of race,” which, we argue, facilitates a deeper
look at media as a site of American cultural politics in which imagery
is not seen as simply positive or negative, but where “what things
mean and how they register” (Gray, 1995, p. 7) focus our attention
upon the more complex hegemonic potentialities of media.
Origins of the Concept
The concept “symbolic annihilation” was introduced by
George Gerbner (1972). He rst brie y referenced the concept
without elaboration: “representation in the ctional world signi es
social existence; absence means symbolic annihilation” (p. 44).
Gerbner used the concept of symbolic annihilation to reveal how
representations, including omissions, cultivate dominant assumptions
about how the world works and, as a result, where power resides.
In 1976, Gerbner and Gross presented the same de nition for the
concept even as they continued to extend its application. This
adaptation marks a subtle shift as the authors argue that though
media audiences, speci cally television viewers, are aware that
entertainment programming is ction, viewers adopt a “TV answer”
in which content becomes the social reality. For example, if women
are represented as nurses on television, then it is women, not men, we
expect to see in the nursing profession. This gender role expectation
provides evidence that a representational lack in media can be just
as problematic as a stereotypical presence.
Because Gerbner did not con ne symbolic annihilation to
any particular group, the concept is now deployed widely. Gaye
Tuchman (1978), in her seminal chapter “Introduction: The Symbolic
Annihilation of Women by the Mass Media,” applied the term to the
treatment of women in a range of media and expanded the concept
from Gerbner’s simple de nition of “absence” to include imagistic
“condemnation” and “trivialization” (p. 17). By way of example,
Tuchman observed, “women are not important in American society,
except perhaps within the home. And even within the home,
men know best.” (p. 17). In Tuchman’s analysis, women may be
representationally present, be depicted “positively” as loving and
good, and still be “trivialized” when juxtaposed against a depiction
of men, who are shown as wise and powerful.
Uses of the Symbolic Annihilation of Race in Scholarship
Symbolic annihilation has been further extended to describe
representations of racial and ethnic groups. For example, one
notable elaboration of symbolic annihilation into the arena of race
comes from Mazon (1984). Though he fails to cite either Gerbner
or Tuchman, Mazon explores how Mexican-American, zoot-suiting
youth were symbolically annihilated by Anglo sailors during the
“zoot suit” riots of 1942. Mazon posits that the specter of World
War II induced an emotional state that prompted soldiers to tell
tall tales about their aggression against “enemy” zoot-suiters. The
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news media went a step further, condemning the zoot-suiters by
reporting “these are the type of exuberant youth that Hitler found
useful” (p. 79). Therefore, both the soldiers and the media added a
rhetorical dimension to the expanding imagistic-centered de nition
of symbolic annihilation. In reality, Mazon reveals, a relatively
bloodless “riot” occurred, which was purposefully ignored by media
(i.e., an “absence”).
Others have found the application of symbolic annihilation
necessary in deepening our understanding of the treatment of
various racial and ethnic groups in media while speculating about
its impact. For instance, in 1979, Tuchman cautioned that the term
should be employed carefully as, “it too has been used to advocate
a naively literal notion of mimesis” (p. 533). However, the concept
has become more of an existential observation (e.g., the Chinese
are symbolically annihilated through frequent representations as
“triad” gang members) or a generic idiom for “stereotyped.” As it
pertains speci cally to race, symbolic annihilation means that those
racial groups who are not presented as fully developed in media, be
it through absence, trivialization, or condemnation, may see their
social status diminished.
Scholarship focusing on the treatment of blacks in media has
relied quite heavily on this de nition of racial symbolic annihilation,
although the concept is not always explicitly referenced. To illustrate,
Pescosolido, Grauerholz, and Milkie (1997) describe blacks as
being ignored, stereotyped, or demeaned by media; their criticism
echoes Gerbner’s and Tuchman’s original de nitions which include
“absence” as well as “condemnation” and “trivialization.” Hooks
(1992) argues that African American women have experienced
condemnation as they are often relegated to controlling, sexually
wanton representations (see also Hill Collins, 2000). Brown (2001)
discusses the absence of heroic blackness in comic books. He argues
that readers must identify across racial boundaries since the visible
racial minorities in most comic books were nameless criminals that
white heroes defeated. Means Coleman (2000) draws on the various
Amos ‘n’ Andy media offerings (e.g., radio programs, television
series, lms, cartoons) to highlight how blackness is trivialized
through depictions of a dysfunctional black world, from which
whites are absent. She concludes that when whites do enter into
the world of Amos, Andy, and King sh, they serve the purpose of
condemning blackness by being aghast at a black world rife with
un t businesspersons and a citizenry that speaks in malapropisms.
Relatedly, Whylie (1999) uses the term “colorstruction” to reveal
how skin color differences within blackness are exploited in media
to associate a higher value to those that possess physical traits
closer to those of whites. Whylie posits that the characters in the
1991 lm New Jack City, created by a black lmmaker, present
“a rather obvious color line that separates the more negative dark-
complexioned characters […] from the lighter black ones” (p. 189).
For Whylie, introducing such intraracial warfare is not just about
exploiting black as evil in our imaginations. Rather, Whylie offers
that blackness, even in media products such as New Jack City, is
trivialized and rendered moot, replaced by white supremacy and
cultural domination.
Moore (1992) also taps into trivialization and condemnation
when he writes that color symbolism and terminology in media can
adversely shape thought. For example, in news media blackness
may come with qualifying adjectives such as, “an intelligent Herero
tribesman” (emphasis ours, p. 326). Moore works hard to make
clear that such symbolic annihilation victimizes blacks on a global
scale. Around the world, reporters have ignored the effects of
(neo)colonialism by describing African countries as “third world”
and “underdeveloped,” rather than “overly exploited,” while the
U.S. and Western Europe have been referred to as “ rst world” and
as “superpowers” (p. 323).
Limitations in Application
As revelatory as the concept of the symbolic annihilation
of race is to the study of the treatment of blackness in media, it
is not without limitations. In their critique of the concept, Means
Coleman and Chivers Yochim (in press) conclude that the concept
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of the symbolic annihilation of race is still too frequently reduced
in scholarship to “bad representations,” and thus cannot illuminate
more complex representational issues. For example, the authors
cite the television series The Cosby Show as provoking intense
debate among black viewers regarding whether the Huxtable family
is a depiction of assimilationist “White Negroes.” The symbolic
annihilation of race as a concept is less useful, according to the
authors, when representational concerns move beyond dichotomies
of good or bad, presence or absence. As such, concepts such as
“enlightened racism” (Jhally & Lewis, 1992) or classi catory schema
such as Clark’s (1969) four-part racial minority participation model
(nonrecognition, ridicule, regulation, and respect) are more adept at
handling such nuances. Enlightened racism describes the depiction
of African Americans as being closely in alignment with idealized
white American experiences. Such imagery becomes “racist” and
“enlightened” when for blackness to be viewed as positive it must
demonstrate unencumbered upward mobility and integration vis a
vis assimilation.
Clark’s model works to summarize the kinds of participation
racial minority groups, such as blacks, are afforded in media.
“Nonrecognition” describes being ignored and excluded by image-
makers. “Ridicule” is de ned as elevating a dominant racial group by
subordinating the minority group. Clark’s category “regulation” best
illustrates a representational practice that the symbolic annihilation
of race is unable to deal with: the abundance of protector roles (e.g.,
law enforcement) assigned to racial minorities. The casting of black
actor Yaphet Kotto provides a relevant example. Almost to the point
of type-casting, Kotto has portrayed a ranking law enforcement
of cer nearly three dozen times, with some acclaim (e.g., Homicide:
Life on the Street). It may be dif cult to conceptualize such
characterizations as belonging in the categories of trivialization
or condemnation, that is, to cite them as demeaning. However, by
limiting the types of roles played by African Americans not only is
their access to media limited, but the general public is not allowed
to see them in the same range of roles, functions and capabilities as
whites. It is much easier to recognize a symbolically annihilating
role for Kotto when you look at the 1973 movie Live and Let Die in
which he plays “Mr. Big,” a murderous, heroin-dealing, drug kingpin.
This role was presented during a period (dubbed “blaxploitation”)
when black representations were often relegated to criminality (e.g.,
Black Caesar; The Mack). Finally, Clark refers to representations of
“respect,” when groups such as blacks are given access to a greater
variety of roles, good, bad, or indifferent, but more importantly, less
con ning.
A Final Assessment
Symbolic annihilation of race, we believe, lends itself quite
well to being a stand-in term for “negative representations.” As
such, however, it currently presents a limited ability to address
more complex representational concerns. For example, some racial
minorities have been highlighted in seemingly “positive” news media
reports as intelligent. However, these treatments can also be read as
promoting certain groups as exceptional a model minority myth
– that pits one racial group against another. To illustrate, a Sunday
Times article reported, “more than a quarter of the 130,000 adult
black Africans in Britain hold quali cations higher than A-levels
[…] they are now just ahead of the Chinese, the most academically
successful ethnic minority […]” (Hymas & Thomas, 1994, p. 1).
Symbolic annihilation, as a concept, is ill-equipped to address the
multifaceted concern of such purported “positive stereotyping.”
While symbolic annihilation is limited in its ability to address
more complex issues, it quite capably communicates the inherent
problems associated with inadequate media representations. In
this context, it has found great potency among scholars. Outside
of blackness, Means Coleman and Chivers Yochim (in press) note
its increasingly popular application to additional racial and ethnic
group analyses. Merskin (1998) and Miller and Ross (2004) found
it useful in making sense of depictions of Native Americans that
cast the group as savage. Ohye and Daniel (1999) rely on the
concept to reveal how Eskimos, Aleuts, and Native Americans are
“Othered” by being lumped into a single category and viewed as
Perspectives 8 Perspectives 9
interchangeable. Shaheen (2001) notes the representational absence
and condemnation of those of Arab descent in lm, offering that this
group is largely invisible until a terrorist or oil sheikh is needed on
the set.
In sum, symbolic annihilation has, thus far, been especially
useful when describing representations that t into dichotomous
relationships of presence or absence and to elucidate the destructive
consequences of poor or absent media attention (Means Coleman
& Chivers Yochim, in press). In the future, before arriving at the
provocative conclusion that a racial group has been symbolically
annihilated, it may be useful for scholars to deconstruct the
notion of race, which has, up to now, not been considered when
exploring patterns of symbolic annihilation. Scholars should also
interrogate the impact symbolic annihilation has upon groups’ social
power. Most obviously, scholars should consider how these media
treatments can be improved. In the end, it is up to scholars making
use of the concept of the symbolic annihilation of race to go where
the concept cannot – into the arena of attending to speci c resistance
and counterhegemonic strategies.
Please direct all correspondence to Dr. Means Coleman, Department
of Communication Studies, University of Michigan, 1225 South
University, Ann Arbor, MI 48104-2523, (734) 615-7410, (734) 764-
3288- fax,
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Under-representation of African American Students in Gifted
Education Programs: Implications for Sustainability in Gifted
Dorothy M. Singleton, Ph.D., Institute for Minority Issues, North
Carolina Central University
Jonathan Livingston, Ph.D., Department of Psychology, North
Carolina Central University
Dorothy Hines, B.A.
Helen Jones, Ph.D., Educational Leadership, Research, and
Technology, North Carolina Central University
The purpose of this article is to examine factors that may impede
sustainability of African American children in gifted education
programs. The lack of representation of minority students in gifted
education programs has been of great concern for decades. For
many scholars, the process of identifying black students for gifted
education programs has been a cumbersome task. The use of
referrals, IQ tests, and other so-called objective measures has not
furthered efforts to identify academically gifted African American
children. Moreover, once these children are identi ed, what factors
are in place to sustain black children in gifted classes? The following
paper proposes that teacher, familial, and community support are
key in the placement and sustainability of African American students
in gifted education classes.
Closing the achievement gap between African American and
European American children has become of increasing concern for
educators in the U.S. Currently, African American children score
signi cantly lower on standardized tests than their white counterparts,
... We then explain the paper's methodology and data collection surrounding 11 cases of hashtags used in news to describe White people who either called or threatened to call 911 on Black individuals for everyday behavior. The analysis explores the symbolic annihilation of race, racisms (Coleman and Yochim, 2008), and notions of the hashtags as Black resistance to social policing by White people through the use of humorous hashtags and monikers that reduced the events' seriousness as representations of social policing of Black individuals. The study ends with a discussion of the ideological power of these hashtags and naming in the act of symbolic annihilation and contributes to understandings of journalists' boundaries in covering race in a digital age. ...
... Scholars of symbolic annihilation of race and racisms focus heavily on acts of missing or diminished information and perspectives that identify elements of injustice within news (i.e. Coleman and Yochim, 2008). Coverage in this study, by and large, sensationalized and trivialized the seriousness of the incidents, using humorous and face-less monikers and hashtags as masks that clustered and homogenized racist acts, ideological acts previously associated with these forms of speech (Johnstone, 2004). ...
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This critical textual analysis examines the symbolic annihilation of race and racisms by the use of hashtags, such as #BBQBecky and #CornerstoreCaroline, in news coverage of White people in the United States who called or threatened to call 911 to report everyday behavior of Black individuals in 2018. This study argues that the use of humorous and virtual hashtags to represent the callers contributed to overall coverage of racially charged incidents in ways that reduced the events' seriousness in terms of social policing of Black individuals. Collectively, this coverage formed a type of symbolic annihilation of racist interpretations of callers' acts and Black resistance and meanings embedded within the hashtags themselves.
... Symbolic Annihilation, on the other hand, is an essential critical theory that can be applied to mass media discourse to better understand how narratives represent these complexities. Referring to the ways in which subaltern groups are stereotypically represented, or more likely not represented at all in mass media, symbolic annihilation describes the erasure of these groups from important mediated conversations (Coleman and Yochim 2008;Tuchman 2000). This is connected to theories of framing, as particular frames or interpretations may obscure complex realities, leading to the symbolic annihilation of certain groups and the homogenization of communicative narratives. ...
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With the intensification of human processes across the globe, the arrival of the Anthropocene has brought with it significant changes to the human-nature relationship and even greater challenges to particularly vulnerable populations like refugees. Forced to leave their home countries, refugees are now facing environmental and climatic drivers of migration in addition to sociocultural and geopolitical forces. However, in spite of these changes, new narratives of forced displacement and complex refugee identities are often excluded from mediated communications about these important issues. By focusing on the discourse of two distinct objects of analysis, that of nongovernmental organizations and transnational journalism projects across Latin America, this study sought to better understand how news media and important advocates for refugees are framing narratives of forced displacement throughout the region. These findings suggest that complex refugee identities are symbolically annihilated in the construction of news narratives, and new reasons for forced displacement are largely ignored—relying more heavily on homogenous representations and existing frames for Latinx refugees, and only accounting for greater diversity in representations of foreign refugees.
... With all my pandemic fatigue, anxiety, and despair, the media mutes my pandemic struggle as a single parent, (in)visibilizing my experience rendering it invalid. Media's symbolic annihilation manifests in the omission of representation, which cultivates dominant assumptions about social existence (Coleman & Yochim, 2008;Tuchman, 1979). For instance, in WHEN's (2020) recent report documenting "co-parenting" professionals' experiences of working and caring during the UK lockdown, my voice as a single parent was omitted, silenced. ...
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... Typically, only members of the dominant group profit from appropriation, often through commodification of the appropriated cultural good that simplifies the meaning or history and utilizes stereotypical representations. This results in the symbolic annihilation of the original culture, which is marginalized, misrepresented, trivialized, or ignored entirely (see Coleman and Yochim 2008;Gerbner 1972;Gerbner and Gross 1976). ...
... In their study, they discussed how women and their important issues have been symbolically annihilated in cartoons. Others, such as Coleman & Yochim (2008), undertook research on symbolic annihilation by using racial issues and black people as the subject of reference. They found that there has been an annihilation of people based on their race / colour in the media. ...
... In their study, they discussed how women and their important issues have been symbolically annihilated in cartoons. Others, such as Coleman & Yochim (2008), undertook research on symbolic annihilation by using racial issues and black people as the subject of reference. They found that there has been an annihilation of people based on their race / colour in the media. ...
... The concept of symbolic annihilation can be applied across ethnic and racial groups to understand both the absence of particular groups, as well as the ways their portrayal trivializes or makes their stories irrelevant (other than to highlight the dominant group) (Coleman and yochim, 2008). For example, hagedorn (1997) describes how Asian women in hollywood film are 'objects of desire or derision' existing to add 'sex, color, texture, in what is essentially a white man's world' (p. ...
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While feminist film scholars have considered what makes a film feminist, we explore this question from a feminist sociological perspective with an emphasis on power and women in film. We take an intersectional approach to explore gender, race, ethnicity and social class in films about women. We draw from Amy Allen’s conception of power as the interrelated triad of domination (power-over), empowerment/resistance (power-to), and solidarity (power-with). We then apply Sutherland’s elaboration on those forms of power in terms of how they are depicted in film. Results reveal that most feminist films revolve around stories about power-to; women finding the courage to individually confront and challenge existing norms. Power-to films are predominantly tales of white, middle class women. Women of color are most likely to be featured in power-over films. Very few can be considered power-with films that demonstrate solidarity among women. We conclude that more women and men with feminist values behind the camera is a necessary, but not sufficient, requirement to change cultural representations of women and power in film.
Sociologists recognize that symbolic boundaries may be activated and reinforced through the production and consumption of cultural objects. Less attention, however, has been paid to the role of advertising as an ascriptive boundary-making mechanism in the life cycles of objects. Using the case of the electric guitar, this study examines how a cultural object-pioneered and popularized by Black celebrity guitarists became homologous with White masculinity through the production and circulation of visual images featured in advertising materials. Data come from product catalogs circulated by the two preeminent electric guitar brands during the instrument’s large-scale production and consumption in the United States (1955–1982). I conduct a content analysis of annual product catalogs focusing on the proportional representation of visual images of Black and White celebrity guitarists. Findings indicate that Black celebrity guitarists were rarely featured in advertising materials despite their exclusive use of both brands’ instruments. Consistent with segregationist logics embedded in modern advertising, Black celebrity guitarists were rendered non-existent and replaced with images of White celebrity guitarists and depictions of middle-class White masculinity. I interpret my findings as evidence of the prevalence of segregationist era logics in the advertising and construction of the electric guitar as a racialized and gendered cultural object. I conclude by discussing how this study advances recent scholarship concerning racial inequities in the consumer marketplace and the significance of ascriptive boundaries in the production and consumption of cultural objects.
Throughout history, water as a tool for racialized oppression has been in constant evolution. From utilizing water as a passage to transport slaves, to using fire hoses as a form of punishment toward Black people, liquified racism is a concept we coined to represent past and present racial discrimination through the use of water. In this paper, we conducted a critical content analysis of the USA swim team and the swim team pages of the top ten Division I men’s and women’s college swimming programs to uncover how liquified racism is prominent within these contexts. Findings suggest that Blackness is racialized, tokenized, and perpetually silenced on swimming websites. We argue that Black individuals lacking representation in this sport, along with discourse surrounding competitive swimming, ultimately promotes whiteness, racial hierarchies, and an illusion of postracism.
In 21st-century Britain, racial inequality remains deeply embedded in the fabric of society (Institute for Public Policy Research, 2010) and the media is a key site for ongoing struggles against hegemony (Bailey et al., 2008; Cammaerts, 2008; Downing, 2001). Women and people of colour remain at the margins of the mainstream media that often perpetuate inequalities through misrepresentation or exclusion. Black women are frequently constructed through the dominant discourse of ‘the angry Black woman’ (Isokariari, 2013) and measured by European standards of beauty (Collins, 1990) that render them invisible. Black men continue to be associated with criminality and are rarely represented beyond the stereotype of sporting hero (Ferber, 2007). This chapter examines how blogs are used by African Caribbean people as an assertive strategy, tool of resistance against racial oppression, and resistance to misrepresentation and exclusion in the mainstream media. It reveals how the motivation and gratification of African Caribbean bloggers are driven by a complex set of factors linked to issues of race and representation that stem from feeling voiceless, invisible and marginalised within UK society. While hailed as a revolutionary, democratic space, the blogosphere maintains raced and gendered inequalities that exist offline and reproduces unequal power relations (Cammaerts, 2008; Kellner, 2000; Papacharissi, 2002; Schradie, 2012). However, as this chapter reveals, African Caribbeans still appropriate the blogosphere as a medium for self-representation to cultivate symbolic power through their own constructions of Black identity. While there is a growing body of research on the blogosphere, the use of blogs by people of colour in the UK is an underdeveloped area of inquiry. This chapter expands the current literature by highlighting how Black Britons engage with blogs in ways that differ from the White majority population.
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Using three sets of children's books, we document changes in racial images and examine the relationship between culture, gatekeeping, and conflict in society. In terms of the representation of Blacks, four findings stand out. First, the portrayal of Black characters over time is nonlinear and can be divided into reasonably distinct phases: declining representation from the late 1930s through the late 1950s, nearly zero representation from that point through 1964, a dramatic increase from the late 1960s to the early 1970s, and a leveling off after 1975. Second, images vary significantly over time. For example, in award-winning books, Black characters reappear during the latter half of the 1960s in "safe," distant images. Third, the depiction of intimate, egalitarian, interracial interaction and the portrayal of Black adults as focal characters are rare. Fourth, gains in multicultural portrayals have not been maintained consistently across the different sets of children's books, with prize-winning books more likely to depict Blacks. We link these trends to gatekeeping activities and to strains in Black-White relations in the larger society. Specifically, advertisements from publishing houses are more likely to include Black characters than are award panel selections or editorials in leading professional journals. Prize-winning books continue a trend toward increased representation of Blacks and account for most of the books featuring only Black characters. Finally, when African American challenges to the dominant societal norms are strongest (measured by the numbers of conflicts, protests, and legal actions) Blacks virtually disappear from U.S. children's picture books.
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Dances with Wolves, ''How the West Was Lost,'' and ''Northern Exposure'' - the 1990s promise to be the decade of the Native American. However, the accuracy of these media portrayals has been debated, as they tend to rely on stereotypical images of Natives or to show them as existing only in the past. As a method of actual as well as symbolic annihilation, Native Americans have been categorized as one homogeneous group of ''Indians'' and considered on the basis of overgeneralized physical, emotional, and intellectual characteristics. Inaccurate portrayals impact not only white beliefs about Natives Americans but also how Natives view themselves. Through survey research, this study explored media used by Natives at a Pacific Northwest University by asking how they felt about representations in television and film. The findings indicate that, although film presentations tend to paint a positive and relatively accurate picture of Native Americans, television programs fall short. It is also suggested that the lack of representation of Natives serves to carry on the pattern of symbolic annihilation. In their own voices, respondents offered suggestions for change.
Live images on big screen and television go beyond a thousand words in perpetuating stereotypes and clichés. This article surveys more than a century of Hollywood's projection of negative images of the Arabs and Muslims. Based on the study of more than 900 films, it shows how moviegoers are led to believe that all Arabs are Muslims and all Muslims are Arabs. The moviemakers' distorted lenses have shown Arabs as heartless, brutal, uncivilized, religious fanatics through common depictions of Arabs kidnapping or raping a fair maiden; expressing hatred against the Jews and Christians; and demonstrating a love for wealth and power. The article compares the stereotype of the hook-nosed Arab with a similar depiction of Jews in Nazi propaganda materials. Only five percent of Arab film roles depict normal, human characters.
This framing analysis of news, feature, and editorial texts identified the frames used to depict American Indians in the Boston Globe from 1999–2001. The results suggest that stereotypical good and bad Indian depictions are less frequent than in turn-of-the-century media but emerge more subtly through frames of degraded and historic relic Indians. Thus, whereas contemporary mores have produced a newspaper largely devoid of the most flagrant narratives of denigration that prevailed a century ago, today's newspaper continues to de-humanize and silence American Indians as it gives voice to the dominant culture. Furthermore, differences among the frames across story types support theories that structure and organization influence content frames.