ChapterPDF Available

Transformative Experience Design


Abstract and Figures

Until now, information and communication technologies have been mostly conceived as a mean to support human activities – communication, productivity, leisure. However, as the sophistication of digital tools increases, researchers are starting to consider their potential role in supporting the fullfilment of higher human needs, such as self-actualization and self-transcendence. In this chapter, I introduce Transformative Experience Design (TED), a conceptual framework for exploring how next-generation interactive technologies might be used to support long-lasting changes in the self-world. At the center of this framework is the elicitation of transformative experiences, which are experiences designed to facilitate an epistemic expansion through the (controlled) alteration of sensorial, perceptual, cognitive and affective processes.
Content may be subject to copyright.
© 2016 Andrea Gagg ioli
This work i s licensed unde r the Creative Com mons Attributio n-NonCommercia l-NoDerivs 3.0 Licen se
Andrea Gaggioli
6 Transformative Experience Design
Abstract: Until now, information and communication technologies have been mostly
conceived as a mean to support human activities – communication, productivity,
leisure. However, as the sophistication of digital tools increases, researchers are start-
ing to consider their potential role in supporting the fullfilment of higher human
needs, such as self-actualization and self-transcendence. In this chapter, I introduce
Transformative Experience Design (TED), a conceptual framework for exploring
how next-generation interactive technologies might be used to support long-lasting
changes in the self-world. At the center of this framework is the elicitation of transfor-
mative experiences, which are experiences designed to facilitate an epistemic expan-
sion through the (controlled) alteration of sensorial, perceptual, cognitive and affec-
tive processes.
Keywords: Transformative Experience, Complex Systems, Virtual Reality, Neurosci-
ence, Art
6.1 Introduction
I have experienced several transformative moments in my life. The first that comes
to my mind occurred when I was as young adolescent, as I watched the movie “Dead
Poets Society”. Another transformative moment occurred when I was in my twenties,
as I first surfed the web using the then-popular Netscape Navigator browser. In both
circumstances, I felt that I was discovering new truths about myself and new purpose
in life. These experiences deeply affected my perspective on the world, changing my
values and beliefs. Simply put, after these experiences I was not the same person I
had been before. Retrospectively, I can say that without these milestone experiences,
I would probably not be the person I am today.
How do transformative experiences occur? Do they play a role in our personal
development? And if they do, can we design technologies that support them?
Throughout time and across cultures, human beings have developed a number
of transformative practices to support personal growth. These include, for example,
meditation, hypnosis, and several techniques to induce altered states of conscious-
ness (Tart, 1972). However, other media such as plays, storytelling, imagery, music,
films and paintings can also be regarded as possibile means to elicit transformative
experiences (Gaylinn, 2005).
In the rest of this chapter, I will introduce Transformative Experience Design
(TED) as a new conceptual framework for the design of self-actualization experiences.
In the theoretical introduction, I draw on the existing literature to argue three key
Download Date | 6/21/16 9:36 AM
98  Transformative Experience Design
theses that are central to the development of TED. First, a transformative experience
is a sudden and profound change in the self-world, which has peculiar phenome-
nological features that distinguish it from linear and gradual psychological change.
Second, a transformative experience has an epistemic dimension and a personal
dimension: not only it changes what you know, it also changes how you experience
being yourself. Third, a transformative experience can be modelled as an emergent
phenomenon that results from complex self-organization dynamics. In the method-
ological section that follows, I build up on these conceptual pillars to explore possible
principles and ways in which transformative experiences may be invited or elicited
combining interactive technologies, cognitive neuroscience and art.
6.2 Transformation is Different From Gradual Change
Most experiences of everyday life are mundane and tend to be repeated over time.
However, in addition to these ordinary moments, there exists a special category
of experiences – transformative experiences – which can result in profound and
longlasting restructuration of our worldview (Miller & C’de Baca, 2001). The charac-
teristics of these experiences, which can take the form of an epiphany or a sudden
insight, are reported to be remarkably consistent across cultures. Their phenomeno-
logical profile often encompasses a perception of truth, a synthesis of conflicting
ideas and emotions, and a new sense of order and beauty. A further distinguishing
feature of a transformative experience is a perception of discontinuity between the
present and the past self, in terms of beliefs, character, identity, and interpersonal
relationships. By virtue of this radical transformation of the self-world, the individual
can find new meaning in life, turning his view in a totally new direction. Despite the
abundance of historical, anthropological and psychological evidence of the occur-
rence of transformative experiences across cultures, these moments represent one of
the least understood mechanism of human change (C’De Baca & Wilbourne, 2004).
William James pioneered the exploration of transformative experience while
examining the phenomenon of religious conversions. In his work The Varieties of
Religious Experience (James, 1902), he distinguished two types of conversions: a voli-
tional type, in which “the regenerative change is usually gradual, and consists in the
building up, piece by piece, of a new set of moral and spiritual habits” (p. 189), and a
self-surrender type, unconscious and involuntary, in which “the subconscious effects
are more abundant and often startling” (p. 191). According to James, the self-surren-
der type is characterized by an intense struggle toward an aspiration that is perceived
as true and right, as well as a resistance to its actualization; this struggle is eventually
resolved when the person “surrenders” (i.e., stop resisting).
Abraham Maslow introduced the term “peak experience” to describe a moment of
elevated inspiration and enhanced well-being (Maslow, 1954). According to Maslow,
a peak experience can permanently affect one’s attitude toward life, even if it never
Download Date | 6/21/16 9:36 AM
Transformation is Different From Gradual Change  99
happens again. However, differently from James, Maslow noted that peak experiences
are not necessarily mystical or religious in the supernaturalistic sense. To investigate
the characteristics of peak experiences, Maslow examined personal interviews, per-
sonal reports and surveys of mystical, religious and artistic literature (Maslow, 1964).
This analysis generated a list of characterizing features of peak experiences, including
disorientation in space and time; ego transcendence and self-forgetfulness; a percep-
tion that the world is good, beautiful, and desirable; feeling passive, receptive, and
humble; a sense that polarities and dichotomies have been transcended or resolved;
and feelings of being lucky, fortunate, or graced. After a peak experience, the indi-
vidual may have enjoy several beneficial effects, including a more positive view of
the self, other people, and the world, as well as renewed meaning in life. Maslow con-
tended that peak experiences are perceived as a state of great value and significance
for the life of the individual and play a chief role in the self-actualization process.
According to Maslow, self-actualization refers to “the desire for self-fulfillment” or
“the desire to become more and more what one is, to become everything that one is
capable of becoming” (1954, pp. 92–93). Maslow considered self-actualization to be
the universal need for personal growth and discovery that is present throughout a
person’s life (Maslow, 1962b). He argued that self-actualization is the apex of the moti-
vation hierarchy, and it can be achieved only after the lower needs – physiological,
safety, love and belongingness, and esteem needs – have been reasonably satisfied
(Maslow, 1962a). As he noted: “When we are well and healthy and adequately fulfill-
ing the concept ‘Human Being’ then experiences of transcendence should in principle
be commonplace” (p. 32). Maslow (1954) identified the following key characteristics
of self-actualized individuals: accurate, unbiased perception of reality; greater accep-
tance of the self and the others; nonhostile sense of humor; spontaneity; task cen-
tering; autonomy; need for privacy; sympathy for humankind; intimate relationships
with a few, specially loved people; democratic character structure; discrimination
between means and ends; creativeness; resistance to enculturation; and peak experi-
ence. He argued that peak experiences can help people to change and grow, overcome
emotional blocks, and achieve a stronger sense of identity and fulfillment. According
to Maslow, peak experiences can be triggered by specific settings and activities, such
as listening to music, being in nature (particularly in association with water, wild
animals, sunsets, and mountains), meditation, prayer, deep relaxation, and physical
accomplishment (Maslow, 1964).
A common characteristic of peak experiences is that they often involve a height-
ened sense of awe, a multifaceted emotion in which fear is blended with astonish-
ment, admiration and wonder. Despite the fact that awe is not included as one of Eck-
man’s basic emotions (Coghlan, Buckley, & Weaver, 2012; Ekman, 1992), this feeling
has been regarded as a “foundational human experience that defines the human
existence” (Schneider, 2011). In a seminal article, Keltner and Haidt (Keltner & Haidt,
2003) identified two prototypical elicitors of awe: perceived vastness (something that
is experienced as being much larger than the self’s ordinary frame of reference) and
Download Date | 6/21/16 9:36 AM
100  Transformative Experience Design
a need for accommodation, defined as an “inability to assimilate an experience into
current mental structures” (p. 304). Accommodation refers to the Piagetian process of
adjusting cognitive schemas that cannot assimilate a new experience (Piaget & Inhel-
der, 1969). According to Keltner and Haidt, accomodation can be either successful,
leading to an enlightening experience (associated with an expansion of one’s frame of
reference); or unsuccessful (when one fails to understand), leading to terrifying and
upsetting feelings. Keltner and Haidt suggest that nature, supernatural experiences,
and being in the presence of powerful or celebrated individuals are frequent elicitors
of awe; however, human arts and artifact – such as songs, symphonies, movies, plays,
paintings and architectural buildings (skyscrapers, cathedrals, etc.) are also able to
induce this feeling. According to Keltner and Haidt, awe is more likely to occur in
response to highly unusual or even magical or impossible objects, scenes or events, or
in response to products that provide the spectator with novel ways of viewing things.
Shiota, Keltner, and Mossman (Shiota, Keltner, & Mossman, 2007) found that awe
is elicited by different kinds of experiences, the most common of which are experi-
ences of natural and artistic beauty, and of exemplary or exceptional human actions
or abilities. Keltner and Haidt believe that the study of awe has important scientific
and societal implications, since its transformative potential can reorient individuals’
lives, goals, and values. Furthermore, these authors hold that a better comprehension
of how awe is induced could be of help in definining new methods of personal change
and growth (Keltner & Haidt, 2003).
The feeling of awe has often been found to be associated with sudden personal
transformation, which William Miller and C’ de Baca have defined as “quantum psy-
chological change” (Miller & C’de Baca, 2001). These authors have described two types
of quantum changes: insightful and mystical (Miller & C’De Baca, 1994; Miller & C’de
Baca, 2001). Insightful changes are described as breakthrough of internal awareness,
such as those occurring in psychotherapy. These are “a-ha” experiences in which the
person comes to a new realization, a new way of thinking or understanding. Insight-
ful transformations grow out of life experiences, in that they tend to follow personal
development. In contrast, mystical quantum changes – or epiphanies – have no con-
tinuity with “ordinary” reality and are characterized by a sense of being acting upon
by an outside force. The person knows immediately that something major has hap-
pened, and that life will never be the same again. According to Miller and C’ de Baca,
although insightful and mystical transformations are qualitatively different experi-
ences, they both usually involve a significant alteration in how the person perceives
him- or herself, others and the world.
As recent research has suggested, not only positive events but also psychologi-
cal trauma and suffering may bring about genuine transformations of the individ-
ual. In particular, Tedeschi and Calhoun (Tedeschi & Calhoun, 2004) introduced the
concept of Posttraumatic Growth, to refer to positive changes experienced as a result
of the struggle with major life crises; such changes include the development of new
Download Date | 6/21/16 9:36 AM
Transformation is Different From Gradual Change  101
perspectives and personal growth, the perception of new opportunities or possibilities
in life, changes in relationships with others, and a richer existential and spirituallife.
6.2.1 Transformative Experiences Have an Epistemic Dimension and a Personal
As we have seen, transformative experiences differ from mere psychological change;
specifically, all transformations involve change, but not all changes result in trans-
formations. A transformative experience can completely alter one’s relationship with
the self-world: the individual builds up a new worldview, and this new perspective
supports lasting change.
In psychological terms, a worldview (also world-view) has been defined by
Koltko-Rivera (Koltko-Rivera, 2004) as “a way of describing the universe and life
within it, both in terms of what is and what ought to be” (p. 4). A worldview is at
the heart of one’s knowledge: it encompasses a collection of beliefs about the funda-
mental aspects of reality, which allow us to understand and interact with the physi-
cal and social world. According to Koltko-Rivera (2004, p. 5) a worldview includes
three different types of beliefs: existential, evaluative, and prescriptive/proscriptive.
Existential beliefs describe either entities thought to exist in the world (e.g., “There
exists a God or Goddess who cares for me personally”) or statements concerning the
nature of what can be known or done in the world (e.g., “There is such a thing as free
will”). Evaluative beliefs are judgments of human beings or actions (e.g., “Those who
fight against my nation are evil”). Finally, prescriptive/proscriptive beliefs are values,
intended as descriptions of preferred means or ends (e.g., “The right thing to do in life
is to live in the moment”). According to Mezirow’s Transformative Learning Theory,
a learning experience is transformative when it causes the learner to restructure his
or her perspective towards more functional frames of reference (Mezirow, 1991). As
he notes: “Perspective transformation is the process of becoming critically aware of
how and why our assumptions have come to constrain the way we perceive, under-
stand, and feel about our world; changing these structures of habitual expectation
to make possible a more inclusive, discriminating, and integrating perspective; and
finally, making choices or otherwise acting upon these new understandings” (p. 167).
In Mezirow’s theory, a disorienting dilemma can help this process by inducing the
learners to examine, challenge and revise his assumptions and beliefs. For Mezirow,
a disorienting dilemma is ususally triggered by a life crisis or major life transition
(e.g. death, ilness, separation or divorce), but it can also result from “an eyeopen-
ing discussion, book, poem, or painting or from efforts to understand a different
culture with customs that contradict our own previously accepted presuppositions”
(p. 168). Mezirow identified three types of reflection that can occur when we face a
dilemma: content reflection, process reflection, and premise reflection. The first two
are involved when we reflect on the content of an actual issue (i.e., “what are the
Download Date | 6/21/16 9:36 AM
102  Transformative Experience Design
key issues to examine?”) or on the process by which we solved a specific problem
(i.e. “how did I get here?”). These areas of reflection result in the transformation of
meaning schemes, which is a common, everyday occurrence. In contrast, premise
reflection concerns the relevance of the problem itself (i.e. “why did this happen?”)
and involves a critique of the presuppositions on which our beliefs have been built.
According to Mezirow, premise reflection can bring about the most significant learn-
ing, as it results in the transformation of one’s meaning structure.
The philosopher Paul (Paul, 2014) argues that transformative experiences have an
epistemic dimension and a personal dimension. Epistemically-transformative experi-
ences are those that allow an individual to grasp new knowledge, which would be
inaccessible to the knower until he or she has such an experience. For example, if you
have never seen color, you cannot know “what it is like” to see red; similarly, if you
have never heard music, you cannot know “what is like” to hear music. However, Paul
points out that not all epistemic experiences hold the same transformative potential,
as not all of them are able to change our self-defining preferences or worldview. In
Paul’s example, tasting a durian for the first time is epistemically transformative, as
the taste experience of the durian is revealed to the individual and allows him or her
to gain new subjective knowledge. On the other hand, it is unlikely that this new taste
will radically change the individual’s perspective on life. According to Paul, there is
another type of experience that can really change who a person is; these are called
personally transformative experiences. For example, Paul notes, the experience of
having a child is not only epistemically transformative, it is also personally trans-
formative. This experience not only provides new knowledge about what is like to
have a baby but can also change a person’s values, priorities, and self-conception in
ways that are deep and unpredictable. For Paul, personally transformative experi-
ences can be of various natures, such as “(experiencing) a horric physical attack,
gaining a new sensory ability, having a traumatic accident, undergoing major surgery,
winning an Olympic gold medal, participating in a revolution, having a religious con-
version, having a child, experiencing the death of a parent, making a major scientific
discovery, or experiencing the death of a child” (p. 16). In particular, Paul notes that
“If an experience changes you enough to substantially change your point of view,
thus substantially revising your core preferences or revising how you experience
being yourself, it is a personally transformative experience” (p. 16). Thus, accord-
ing to Paul personally transformative experiences can change our worldview; that
is, they can change not only what we know but also how we experience being who
we are. In this sense, transformative experiences are potential sources of epistemic
expansion, because they teach us something that we could not have known before
having the experience, while at the same time changing us as a person. As Paul notes:
“Such experiences are very important from a personal perspective, for transformative
experiences can play a significant role in your life, involving options that, speaking
metaphorically, function as crossroads in your path towards self-realization” (p. 17).
Paul argues that transformative experiences are also philosophically important, as
Download Date | 6/21/16 9:36 AM
Transformation is Different From Gradual Change  103
they challenge our ordinary conception of major life-changing decisions as rational
decisions. Rational decision-making models assume that when we choose a course of
action, we try to maximize the expected value of our phenomenological preferences.
However, Paul contends that, since we don’t know what it will be like to have the
experience until we have it, then it follows that some life-changing decisions – like
whether or not to have a child – cannot be made rationally (Paul, 2015): “The trouble
comes from the fact that, because having one’s first child is epistemically transforma-
tive, one cannot determine the value of what it’s like to have one’s own child before
actually having her” (p. 11). Thus, in reality, the kind of epistemic discoveries related
to what it is like to be a parent (in terms of emotions, beliefs, desires, and dispositions)
are made only upon entering parenthood. Paul’s claim regarding the irreducible sub-
jective dimension of transformative experiences is analogous to Nagel’s (Nagel, 1974)
famous thought experiment regarding whether it is possible to know what it is like to
be a bat. According to Nagel, regardless of all objective scientific information that we
can obtain by investigating a bat’s brain, it is not possible to know how it feels to be a
bat, since we will never be able to take the exact perspective of a bat. In Nagel’s own
terms: “I want to know what it is like for a bat to be a bat. Yet if I try to imagine this, I
am restricted to the resources of my own mind, and those resources are inadequate to
the task. I cannot perform it either by imagining additions to my present experience,
or by imagining segments gradually subtracted from it, or by imagining some combi-
nation of additions, subtractions, and modifications” (p. 220).
Although Paul’s argument is philosophically controversial (Dougherty, Horow-
itz, & Sliwa, 2015), it nevertheless supports the idea that transformative experiences
have the potential to extend our (subjective) epistemic horizon, which is hedged-in
by our unactualized possible selves. Of course, one might disagree that having a
transformative experience is the only means to know how that experience feels. For
example, it could be argued that it is possible to rely on imagination and assess the
way that we would react to the transformative event. However, the bulk of empirical
evidence shows that people are not good at predicting their own future feelings, an
ability known as “affective forecasting” (for a review, see (Dunn & Laham, 2006)). For
example, young adults overestimate how happy they will feel in the event of having
a date on Valentine’s Day, and overestimate how unhappy they will feel if they do not
have a date (Hoerger & Quirk, 2010; Hoerger, Quirk, Chapman, & Duberstein, 2012).
A possible explanation that has been raised to explain this biased affective predic-
tion is that people tend to overlook coping strategies that attenuate emotional reac-
tions to events – a phenomenon known as “immune neglect” (Gilbert, Pinel, Wilson,
Blumberg, & Wheatley, 1998). According to Epstein’s (Epstein, 1994, 2003) Cognitive-
Experiential Self Theory, humans operate through the use of two fundamental infor-
mation-processing systems, a rational system (driven by reason) and an experiential
system (driven by emotions), which operate in an interactive and parallel fashion. The
rational system, which has a short evolutionary history, is based on logical inference
and operates in an analytically, relatively slow and affect-free fashion. Encoding of
Download Date | 6/21/16 9:36 AM
104  Transformative Experience Design
reality in this system involves abstract symbols, words and numbers, linked together
by logical relations. In contrast, the experiential system has a much longer evolution-
ary history and is present in both humans and non-human animals. It processes infor-
mation automatically, rapidly and holistically, creating associative connections that
are closely linked to emotions such as pleasure and pain. In the experiential system,
encoding of reality occurs in metaphors, images and narratives. Drawing on Epstein’s
theory, it has been proposed that when people engage in affective forecasting, immune
neglect emerges because the rational system fails to appreciate the important role
that the experiential system plays in shaping emotional experience (Dunn, Forrin,
& Ashton-James, 2009). Because of the fundamental difference by which these two
systems operate, as Kushlev and Dunn (Kushlev & Dunn, 2012) efficiently summarize,
“trying to use the rational system to predict the outputs of the experiential system is a
little like asking a robot to analyze a poem, and a diverse array of affective forecasting
errors arise from this fundamental mismatch” (p. 279).
Figure 6.1: A conceptual representation of the process of epistemic expansion driven by transforma-
tive experience (adapted from Koltko-Rivera, 2004)
Download Date | 6/21/16 9:36 AM
Transformation is Different From Gradual Change  105
6.2.2 Transformative Experience as Emergent Phenomenon
The review of previous research on personally transforming experiences suggests
that, in spite of commonly held assumptions, psychological change is not always the
result of a gradual and linear process that occurs under conscious control (C’De Baca
& Wilbourne, 2004; Miller & C’De Baca, 1994). Rather, under certain circumstances,
enduring transformations can be the result of epiphanies and sudden insights. But
how do these transformations occur? The theory of complex dynamical systems
(Haken, 2002, 2004; Prigogine, 1984; Scott Kelso, 1995), which has been applied
across disciplines as diverse as physics, biology, ecology, chemistry, political science ,
may offer an useful framework to address this question. From the perspective of com-
plexity theory, humans, like all living organisms, are open, self-organizing systems
that attain increasing levels of complexity and adaptation through the continuous
exchange of energy and information with the environment. Dynamic systems evolve
in complexity through the generation of emergent properties, which can be defined as
properties that are possessed by a system as a whole but not by its constituent parts
(Haken, 2002, 2004; Prigogine, 1984; Scott Kelso, 1995). These emergent phenomena
are the result of feedback loop mechanisms that affect the system’s equilibrium state,
either amplifying an initial change in a system (positive feedback) or dampening an
effect (negative feedback). Perturbation studies in dynamic systems research have
revealed that an important predictor of transition is a type of discontinuity called crit-
ical fluctuations (Bak, Chen, & Creutz, 1989; Hayes, Laurenceau, Feldman, Strauss,
& Cardaciotto, 2007). When the system has a stable or equilibrium structure, the
fluctuation is usually very slight and can be offset by the negative feedback effect of
the structure. However, even a single fluctuation, by acting synergistically with other
fluctuations, may become powerful enough (i.e., a giant fluctuation) to reorganize the
whole system into a new pattern. The critical points at which this happens are called
“bifurcation points,” at which the system experiences a phase transition towards a
new structure of higher order (Tsonis, 1992). When seen through the lens of complex-
ity theory, a quantum psychological change may occur when the person perceives an
inability to assimilate an experience into current mental structures following an event
that is experienced as being much larger than the self’s ordinary frame of reference
(as in Keltner and Haidt’s model of awe). During this critical fluctuation, the system
is destabilized but also open to new information and to the exploration of potentially
more adaptive associations and configurations (Hayes et al., 2007). Interestingly, psy-
chotherapists are starting to consider dynamic systems principles to conceptualize
their interventions (Hayes & Strauss, 1998; Hayes et al., 2007; Heinzel, Tominschek,
& Schiepek, 2014). According to Hayes and Yasins (Hayes & Yasinski, 2015), effective
therapy involves exposure to corrective information and new experiences that chal-
lenge patients to develop new cognitive-affective-behavioral-somatic patterns, rather
than to assimilate new information into old patterns. In the view of these authors,
Download Date | 6/21/16 9:36 AM
106  Transformative Experience Design
destabilization of pathological patterns can facilitate new learning, a shift in meaning
and affective response, and an integration of cognitive and affective experiences.
6.2.3 Principles of Transformative Experience Design
The theoretical framework introduced in the previous paragraphs has allowed us
to identify key features of transformative experiences. As I move forward to explore
how these concepts might be turned into design principles, it is important to stress a
central tenet of TED: transformative experiences cannot be constructed but can only be
invited. Although the term “design” is commonly used to denote a set of explicit rules
for achieving a product (in this case, a transformative experience) a key assumption
of TED is that no subjective transformation can be imposed or constructed using tech-
nology the way marble is modelled by a sculptor. Authentic transformation requires
the active involvement of the individual in the generation of new meanings as well as
the perception that the experience being lived is self-relevant. Furthermore, since any
personal transformation has an inherent subjective dimension, it is not possible to
know in advance how the experience will feel for the individual, before it is actually
lived through. Rather, TED argues that it is possible to define some specific trans-
formative affordances, which are theoretically-based design guidelines for inviting,
eliciting or facilitating a transformative experience. To illustrate the framework, I will
focus on four different but interrelated aspects of TED: (i) medium; (ii) content; (iii)
form; (iv) purpose. The Transformative Medium
In principle, a transformative experience could be elicited by various media – includ-
ing plays, storytelling, imagery, music, films and paintings. However, I argue that a
specific technology – immersive virtual reality (VR) – holds the highest potential to
foster a transformative process, since it is able to meet most of the key conceptual
requirements of quantum psychological change. As previously argued, transforma-
tive experiences are sources of epistemic expansion, however we cannot benefit from
this epistemic expansion until these transformations have been actualized. In addi-
tion, mental simulation of our “possible selves” cannot offer much help, as the ratio-
nal system (which we use to run the simulation) is essentially different from what we
are trying to predict (the experiential outcome): that’s why simulations and actual
perceptions systematically diverge (Kushlev & Dunn, 2012). As Gilbert and Wilson
(Gilbert & Wilson, 2007) argue, “Compared to sensory perceptions, mental simula-
tions are mere cardboard cut-outs of reality” (p. 1354). What if we had a technology
that could fill this “epistemic gap”, enabling one to experience a possible self, from
a subjective perspective? Could such a technology be used as a medium to support,
foster, or invite personally-transformative experiences?
Download Date | 6/21/16 9:36 AM
Transformation is Different From Gradual Change  107
A VR system is the combination of stereoscopic displays, real-time motion-track-
ing, stereo headphones and other possible sensory replications (i.e., tactile, olfactory,
and gustatory senses), which provide the users a sense of presence – that is, the per-
ception of “being there” (Barfield & Weghorst, 1993; Riva, Waterworth, & Waterworth,
2004; Riva, Waterworth, Waterworth, & Mantovani, 2011). Thanks to these unique
characteristics, VR can be used to generate an infinite number of “possible selves”,
by providing a person a “subjective window of presence” into unactualized but pos-
sible worlds. From this perspective, virtual reality may be referred to as an epistemi-
cally transformative technology, since it allows individuals to encounter totally new
experiences from a first-person, embodied perspective. The ability of VR to allow an
individual to enact a possible self from a first-person perspective has been effectively
exploited in psychotherapy (Riva, 2005). For example, virtual reality worlds are cur-
rently used to expose phobic patients to 3D simulations of the feared object or situa-
tion, in order to help them to handle the unsettling emotional reactions (Meyerbroker
& Emmelkamp, 2010).
However, I contend that beyond clinical uses, the potential of VR for eliciting
epistemically transformative experiences is still largely unexplored. The possible uses
of VR range from the simulation of “plausible” possible worlds and possible selves
to the simulation of realities that break the laws of nature and even of logic. These
manipulations could be used as cognitive perturbations, since, as previously noted,
appraisal of uncanny events (such as seeing an object levitate for no reason), causes
a massive need for accommodation. Hence, the experience of such VR paradoxes may
offer new opportunities for epistemic expansions, providing the participant with new
potential sources of insight and inspiration. Researchers are already looking at ways
in which VR can be used to hack our ordinary perception of self and reality in order to
observe what happens to specific brain or psychological processes when a person is
exposed to alterations of the bodily self using multisensory conflicts. By virtue of this
manipulation researchers hope to cast light on the neurobiological process underly-
ing self-consciousness. However, the experimental paradigms used in these studies
may offer new, powerful tools to provide people with sources of awe and therefore
trigger the active process of assimilation/accommodation. For the present discus-
sion, I will consider three kinds of transformative potentials that are unique to VR: (i)
manipulating bodily self-consciousness; (ii) embodying another person’s subjective
experience; and (iii) altering the laws of logic and nature. I Am a Different Me: Altering Bodily Self-Consciousness
VR is able to generate an artificial sense of embodiment, or the subjective experience
of using and having a body (Blanke & Metzinger, 2009) by acting on three multisen-
sory brain processes: the sense of self-location (the feeling of being an entity localized
at a position in space and perceiving the world from this position and perspective),
the sense of agency (the sense that I am causing the action) and the sense of body
Download Date | 6/21/16 9:36 AM
108  Transformative Experience Design
ownership (the sense of one’s self-attribution of a body, or self-identification) (Kilteni,
Groten, & Slater, 2012).
Thanks to this feature, by using VR it is possible to alter body self-consciousness
to give people the illusion that they have a different body. This type of manipulation
uses video, virtual reality and/or robotic devices to induce changes in self-location,
self-identification and first-person perspective in healthy subjects. By altering the
neurophysiological basis of self experiences (self as an object), VR allows for experi-
menting with a different “ontological self” (self as a subject). For example, Lenggen-
hager et al. (Lenggenhager, Tadi, Metzinger, & Blanke, 2007) applied VR to induce an
out-of-body experience by using conflicting visual-somatosensory input to disrupt the
spatial unity between the self and the body. Riva (in this volume) has three possible
strategies that can be used to alter bodily self-consciousness using virtual reality and
brain-based technologies: (i) mindful embodiment, which consists in the modification
of the bodily experience by facilitating the availability of its content in the working
memory; augmented embodiment, which is based on the enhancement of bodily self-
consciousness by altering/extending its boundaries; and (iii) synthetic embodiment,
which aims at replacing bodily with synthetic self-consciousness (incarnation). Inter-
estingly, VR is a technology that allows for not only simulating a plausible possible
self, but even simulating the self-experience of another living organism, thus provid-
ing access to what Nagel considered impossible to access – that is, “what is like to
be a bat”. This potential of VR was already recognized by Charles Tart, one of the
leading researchers in the field of altered states of consciousness and transpersonal
psychology, at the very beginning of VR technology. In a 1990 article, Tart wrote (Tart,
1990): “Suppose everything that has been learned to date about ground squirrels,
rattlesnakes, their interactions, and their environment could be put into a simulation
world, a computer-generated virtual reality. To a much greater extent than is now pos-
sible, you (and your colleagues) could see and hear the world from the point of view of
a ground squirrel, walk through the tunnels a ground squirrel lives in, know what it is
perceptually like to be in a world where the grass is as tall as you, and what it is like
when a rattlesnake comes slithering down your tunnel! What kind of insights would
that give you into what it is like to live in that kind of world?” (p. 226). I Am Another You: Embodying The Other
In the movie Being John Malkovich the main character Craig, a failed puppeteer, enters
a portal into the mind of actor John Malkovich. After this discovery, Craig goes into
business with a coworker with whom he is secretly in love, selling fifteen-minute
“rides” in Malkovich’s head. Suppose that you were able to enter someone’s else body
in this way: how would this experience change you? A potential of immersive VR as
a transformative tool lies in its capability to render an experience from the perspec-
tive of another individual, by seeing what another saw, hearing what another heard,
touching what another touched, saying what another said, moving as another moved,
Download Date | 6/21/16 9:36 AM
Transformation is Different From Gradual Change  109
and – through narrative and drama – feeling the emotions another felt (Raij, Kotranza,
Lind, Pugh, & Lok, 2009). Thanks to the ability of VR of enabling social-perspective
taking, different experiments have been carried out to test the potential of this tech-
nology for enhancing empathy, prosocial behavior and moral development. In one
such study, Yee and Bailenson (Yee & Bailenson, 2007) observed that participants
spending several minutes in a virtual world embodying a tall virtual self-represen-
tation were found to be prone to choose more aggressive strategies in a negotiation
task compared to participants who were given short avatars. These authors called
this phenomenon the “Proteus Effect”, a reference to the Greek sea-god Proteus, who
was noted for being capable of assuming many different forms. More recently, Ahn,
Tran Le and Bailenson (Ahn, Le, & Bailenson, 2013) carried out three experiments to
explore whether embodied experiences via VR would elicit greater self-other merging,
favorable attitudes, and helping efforts toward persons with a visual disability (color-
blindness) compared to imagination alone. Findings showed that participants in the
embodied experience condition experienced greater self-other merging compared to
those in the imagination condition, and this effect generalized to the physical world,
leading participants to voluntarily spend twice as much effort to help persons with
colorblindness compared to participants who had only imagined being colorblind.
Peck et al. (2013) demonstrated that embodiment of light-skinned participants in
a dark-skinned virtual body significantly reduced implicit racial bias against dark-
skinned people, in contrast to embodiment in light-skinned, purple-skinned or no
virtual body.
It should be noted that, although VR is one of the most advanced technologies
to embody another person’s visual perspective, this experience could be further
enhanced by integrating VR with other kinds of first-person simulation technologies.
For example, age simulation suits have been designed to enable younger persons
to experience common age-related limitations such as sensory impairment, joint
stiffness or loss of strength. Schmidt and Jekel (Schmidt & Jekel, 2013) carried out
experimental study that evaluated the potential of a realistic simulation of physical
decline to stimulate empathy for older people in society. The simulated impairments
were rated as realistic, and a majority of participants reported a higher mental strain
during the tasks. After the session, understanding for typical everyday problems of
older people increased. In part, the simulation evoked fear and negative attitudes
towards aging. I argue that the potential of these age simulators could be even further
enhanced having participants wear these suits in immersive VR scenarios, in which
the older person might interact in realistic ageing-related contexts and situations. I Am in a Paradoxical Reality: Altering the Laws of Logic
A further opportunity offered by VR as a transformative medium is the possibility
of simulating impossibile worlds – that is, worlds that do not conform to the funda-
mental laws of logic and nature (Orbons & Ruttkay, 2008). The simulated violation
Download Date | 6/21/16 9:36 AM
110  Transformative Experience Design
of real-world constraints has been used to explore cognitive and metacognitive pro-
cesses, yet this impossible-world paradigm could be also used to trigger the active
process of assimilation/accommodation, which fosters epistemic expansion. More-
over, the manipulation of fundamental physical parameters, such as space and time,
could be used to help people to grasp complex metaphysical questions in order to
stimulate reflection on philosophical and metaphysical issues that are critical to
understanding the self-world relationship. As Tart suggested, “A virtual reality could
readily be programmed to accentuate change in virtual objects, virtual people and
virtual events. Would the experience of such a world, even though artificial, sensitize
a person so that they could learn the lesson of recognizing change and becoming
less attached to the illusion of permanence more readily in subsequent meditation
practice?” (p. 229).
Suzuki et al. (Suzuki, Wakisaka, & Fujii, 2012) developed a novel experimental
platform, referred to as a “substitutional reality” (SR) system, for studying the con-
viction of the perception of live reality and related metacognitive functions. The SR
system was designed to allow for manipulating participants’ perception of reality
by allowing participants to experience live scenes (in which they were physically
present) and recorded scenes (which were recorded and edited in advance) in an alter-
nating manner. Specifically, the authors’ goal was to examine whether participants
were able to identify a reality gap. Findings showed that most of the participants were
induced to believe that they had experienced live scenes when recorded scenes were
presented. However, according to Suzuki et al., the SR system offers several other
ways to manipulate participants’ reality. Authors suggest that for example, the SR can
be used to cause participants to experience inconsistent or contradictory episodes,
such as encountering themselves, or to experience déjà vu-like situations (e.g., rep-
etitions of same event such as conversations or one-time-only events, such as break-
ing a unique piece of art). Furthermore, SR allows for the implementation of a visual
experience of worlds with different natural laws (e.g., weaker gravity or faster time).
Time alterations and time paradoxes (i.e., the possibility of changing history) rep-
resent another kind of impossible manipulation of physical reality that might be fea-
sible in virtual reality. For example, Friedman et al. (Friedman et al., 2014) described
a method based on immersive virtual reality for generating an illusion of having trav-
eled backward through time to relive a sequence of events in which the individual can
intervene and change history. The authors consider this question: what if someone
could travel back through time to experience a sequence of events and be able to
intervene in order to change history? To answer this question, Friedman et al. simu-
lated a sequence of events with a tragic outcome (deaths of strangers) in which the
participant can virtually travel back to the past and undo actions that originally led to
the unfortunate outcome. The participant is caught in a moral dilemma: if the subject
does nothing, then five people will die for certain; if he acts then five people might be
saved but another would die. Since the participant operates in a synthetic reality that
does not obey the laws of physics (or logic), he is able to affect past events (therefore
Download Date | 6/21/16 9:36 AM
Transformation is Different From Gradual Change  111
changing history), but in doing so he intervenes as a “ghost” that cannot be perceived
by his past Doppelgänger. One of the goals of the experiment was to examine the
extent to which the experience of illusory time travel might influence attitudes toward
morality, moral dilemmas and “bad decisions” in personal history. The epistemic
value of the experience, if successful, is that the subject would implicitly learn that
the past is mutable. In particular, the authors speculated that the illusion of traveling
in time might influence present-day attitudes – in particular possibly lessening nega-
tive feelings associated with past decisions and giving a different perspective on past
actions, including those associated with the experienced scenario. Findings showed
that the virtual experience of time travel produced an increase in guilt feelings about
the events that had occurred and an increase in support of utilitarian behavior as
the solution to the moral dilemma. The experience of time travel also produced an
increase in implicit morality as judged by an implicit association test. Interestingly
for the present discussion, the time travel illusion was associated with a reduction of
regret associated with bad decisions in the participants’ own lives. The authors also
argue that this kind of epistemic expansion (the illusion that the past can be changed)
might have important consequences for present-day attitudes and beliefs, including
implications for self-improvement and psychotherapy; for example, giving people an
implicit sense that the past is mutable may be useful in releasing the grip of past trau-
matic memories in people suffering from post-traumatic stress disorder. Transformative Content
Transformative content refers to the content and structure of the designed experience.
To understand the nature of transformative content, it is important to emphasize that
from the perspective of complexity theory, a transformative experience is conceptual-
ized as a “perturbation experiment”, which attempts to facilitate a restructuration of
meaning and beliefs by exposing the participant to experiences that induce destabili-
zation within stable boundary conditions. As I will argue, this goal can be achieved by
presenting the participant with high emotional and cognitive challenges, which may
lead the individual to enter a mindset that is more flexible and open to the exploration
of new epistemic configurations.
In the TED framework, such transformative content is delivered through a set of
experiential affordances, which are stimuli designed to elicit emotional and cognitive
involvement in the designed experience. Here, I will introduce two types of experien-
tial affordances: (i) emotional affordances; (ii) epistemic affordances. Emotional Affordances
Emotional affordances are perceptual cues or stimuli that are aimed to elicit a deep
emotional involvement in the user, i.e. by evoking feelings of interest, inspiration,
curiosity, wonder and awe. Previous research has shown that emotions of awe can be
Download Date | 6/21/16 9:36 AM
112  Transformative Experience Design
elicited by presenting participants with multimedia stimuli (e.g. images) which depict
vast, mentally overwhelming, and realistic scenarios (Rudd, Vohs, & Aaker, 2012).
To further elucidate the concept of emotional affordance, consider a recent study by
Gallagher et al. (Gallagher, Reinerman, Sollins, & Janz, 2014), who used mixed-real-
ity simulations in an attempt to elicit the experiences of awe and wonder reported
by astronauts in their journals during space flight and in interviews after returning
to the earth. Based on these reports, the authors created a virtual simulation (the
“Virtual Space Lab”) resembling an International Space Station workstation, which
was designed to expose subjects to simulated stimuli of the earth and deep space
(including physical structure plus simulated visuals). During and after exposure,
researchers collected and integrated first-person subjective information (i.e. psycho-
logical testing, textual analysis, and phenomenological interviews) with third-person
objective measures (i.e. physiological variables), following the “neurophenomenol-
ogy method” (Gallagher & Brøsted Sørensen, 2006; Varela, 1996). Findings indi-
cated that, despite some limitations, the Virtual Space Lab was able to induce awe
experiences similar to those reported in the astronauts’ reports. Thus, as noted by
the authors, findings show promise for using a simulative technology in a laboratory
when eliciting and assessing deeply involving experiences such as awe and wonder,
otherwise very difficult to investigate (because unfeasible or too expensive) in real-
world contexts. Epistemic Affordances
In TED, emotional affordances have the goal of providing novel and awe-eliciting
information, which can trigger the complementary processes of assimilation and
accommodation, and by the virtue of the complex interplay of these processes, drive
the system to a new order of complexity. However, in order to provide the participant
with the opportunity to integrate new knowledge structures, it is necessary to present
the participant with epistemic affordances, which are cues/information/narratives
designed to trigger reflection and elicit insight. Epistemic affordances might be either
represented by explicit dilemmatic situations – e.g., a provocative or paradoxical
question, like a Zen kōan – but they could also be conveyed through implicit or evoca-
tive contents, that is, symbolic-metaphoric situations (i.e. one bright and one dark
path leading from a crossroads). For example, going back to the Virtual Space Lab
study, Gallagher and his team demonstrated the feasibility of inducing awe within
a simulated environment, which individuals previously had only in extraterrestrial
space. In TED terms, this may be regarded as an instance of emotional affordance.
Now assume that a designer would like to add to the Virtual Space Lab experience an
epistemic affordance. To do that, the designer should create a dilemmatic situation
to allow the participant not just to experience the same feeling of awe of an astro-
naut, but also to an opportunity to develop new insight. For example, such epistemic
affordance could be resembled by the “floating dilemma” faced by Gravity’s main
Download Date | 6/21/16 9:36 AM
Transformation is Different From Gradual Change  113
character Stone (played by Sandra Bullock), which represents a metaphor for a life
that’s in permanent suspension. From this perspective, an epistemic affordance could
be also the simulated situation itself, to the extent it is able to provide a (virtual) space
for self-reflection and self-experimentation. The Transformative Form
The form dimension of the TED framework is different from the transformative
content, in that it is less concerned with the subject of the experience that is repre-
sented, and more concerned with the style through which the transformative content
is conveyed/delivered. Thus far, I have identified two components of form: (i) cin-
ematic codes; (ii) narratives. Cinematic Codes
In cinema, it is possible to enhance the emotional and cognitive involvement of the
spectator in the storyline using audiovisual effects, such as lighting, camera angles,
and music. For example, it is well known that the inclusion of a music “soundtrack”
plays a key role in heightening not only the dramatic effects but also the faces, voices
and the personalities of the players. As noted by Fischoff (Fischoff, 2005), “Music
adds something we might call heightened realism or supra-reality. It is a form of
theatrical, filmic reality, different from our normal reality.” (p. 3). Thus, a key chal-
lenge related to the form dimension of TED is to examine the possibility of adapting/
reinventing the cinematic codes with the specific objective of inducing more compel-
ling VR-based transformative experiences. The potential of translating the cinematic
audiovisual language to the context of interactive media has already been extensively
explored in the video game domain (Girina, 2013). This attempt has led to the devel-
opment of specific games, such as adventure and role-playing games, which make
massive use of the expressive potential of cinematic techniques. Narratives
In addition to the possibility of taking advantage of cinematic audiovisual codes, a
further component of the form dimension is the creation of a dramatic and engaging
narrative or story. In his lecture “Formal Design Tools” at the 2000 Game Develop-
ers’ Conference, Marc LeBlanc introduced a distinction between embedded and emer-
gent narrative (LeBlanc, 2000). Embedded narrative is the story implemented by the
game designer; it includes a set of fixed narrative units (i.e. texts or non-interactive
cut scenes) that exist prior to the player’s interaction with the game and are used to
provide the player with a fictional background, motivation for actions in the game
and development of the story arc. In contrast, emergent narrative is the story that
unfolds in the process of playing – that is, the storytelling generated by player actions
Download Date | 6/21/16 9:36 AM
114  Transformative Experience Design
within the rule structure governing interaction with the game system. In TED, both
embedded and emergent narratives may play a key role in facilitating a transformative
experience. Embedded narrative can be used to provide a context for enhancing the
participant’s sense of presence in the simulated environment. As previous research
has shown, a meaningful narrative context can have a significant influence on the
user’s sense of presence, providing a more compelling experience compared to non-
contextualized virtual environments (Gorini, Capideville, De Leo, Mantovani, & Riva,
2011). Emergent narrative, on the other hand, can be employed to influence the way
the transformative content/story is created, making the story experience potentially
more engaging (i.e., both attentionally and emotionally involving) for the participant.
Further, since emergent narratives allow the participant to interactively create the
narrative of the experience, they generate feedback loop mechanisms, which in turn
can trigger the complex self-organization dynamics that facilitate transformations.
An example of how cinematic codes and emergent narratives have been used in
combination with immersive virtual reality to support positive psychological change
is provided by EMMA’s World (Banos, Botella, Quero, Garcia-Palacios, & Alcaniz,
2011), a therapeutical virtual world designed to assist patients in confronting situ-
ations in which they have suffered or are suffering a stressful experience. EMMA’s
World includes five different evocative scenarios or “landscapes”: a desert, an island,
a threatening forest, a snow-covered town and a meadow. These virtual worlds have
been designed to reflect/induce different emotions (e.g., relaxation, elation, sadness).
However, the type of scenario that is selected is not pre-defined according to a fixed
narrative; rather, it depends on the context of the therapeutic session and can be
chosen by the therapist in real time. The goal of this strategy is to reflect and enhance
the emotion that the user is experiencing or to induce certain emotions. The control
tools of EMMA’s World provide also the possibility to modify the scenarios and gradu-
ate their intensity in order to reflect the changes in the participants’ mood states.
Another important component of EMMA’s World is the Book of Life, a virtual book
in which patients can reflect upon feelings and experiences. The goal of the Book of
Life is to represent the most important moments, people and situations in the person’s
life (related to the traumatic or negative experience). Anything that is meaningful for
the patient can be incorporated into the system: photos, drawings, phrases, videos.
This last feature of EMMA’s World allows it to exemplify a further design principle
of TED: personalization. This concerns the possibility of including personal details
of the participant in the immersive experience, with particular reference to autobio-
graphically-relevant elements (e.g., videos, photos, music, song lyrics) that have an
important personal meaning and therefore are able to elicit emotions (e.g., nostalgia)
related to the intimate sphere of the participant.
Download Date | 6/21/16 9:36 AM
Transformation is Different From Gradual Change  115 The Transformative Purpose
The central tenet of TED is that it is possible to design technologically-mediated trans-
formative experiences that support epistemic expansions and personal development.
However, since the outcome of a personally transformative experience is inherently
subjective and therefore not predictable, the idea of transformative design might seem
contradictory in itself. Nevertheless, there is another, more open-ended way in which
one might define the purpose of a (designed) transformative experience, which places
more focus on the transformative process than on the transformative outcome: that
is, considering an interactive experience as a space for transformative possibilities. Transformation as Liminality
Winnicot (Winnicott, 1971) described a “potential space” as a metaphorical space that
is intermediate between fantasy and reality, an area of experiencing which opens up
new possibilities for imagination, symbolization and creativity. According to Win-
nicot, potential space is inhabited by play, which has a central importance in devel-
opmental processes. Winnicot believed that engaging in play is important not only
during childhood, but also during adulthood: “It is in playing and only in playing
that the individual child or adult is able to be creative and to use the whole personal-
ity, and it is only in being creative that the individual discovers the self” (p. 54). A
closely related concept is “liminality”, intended as a space of transformation wherein
the human being is between past and future identities. The notion of liminality (from
the latin term limen: threshold, boundary) was first introduced by the ethnologist
Arnold van Gennep (Van Gennep, 1908/1960) to describe the initiation rites of young
members of a tribe, which fall into three structural phases: separation, transition,
and incorporation. Van Gennep defined the middle stage in a rite of passage (transi-
tion) as a “liminal period”. Elaborating on van Gennep’s work, anthropologist Victor
Turner (V. Turner, 1974) argued that, in postindustrial societies, traditional rites of
passage had lost much of their importance and have been progressively replaced by
“liminoid” spaces. There are defined by Turner as “out-of-the-ordinary” experiences
set aside from productive labor, which are found in leisure, arts, and sports (e.g.,
extreme sports). These liminoid spaces have similar functions and characteristics to
as liminal spaces, disorienting the individual from everyday routines and habits and
situating him in unfamiliar circumstances that deconstruct the “meaningfulness of
ordinary life” (V. Turner, 1985).
The metaphors of potential space and liminality/liminoid space provide a plat-
form for further elaborating the purpose of transformative design as the realization
of interactive systems that allow participants to experience generative moments of
change, which situate them in creative learning spaces where they can challenge
taken-for-granted ways of knowing and being. From this perspective, interactive
transformative experiences may function both as potential spaces and liminal spaces,
offering participants novel opportunities for promoting creativity and personal
Download Date | 6/21/16 9:36 AM
116  Transformative Experience Design
growth. However, as open-ended “experiments of the self”, such interactive, trans-
formative experience may also situate the participants in situations of discomfort,
disorientation and puzzlement, which are also turning points out of which new pos-
sibilities arise. The Journey Matters, Not the Destination
To reach this goal, TED can take advantage of the ability to integrate the language of
arts. Indeed, art provides a vocabulary that is rich, multisensory, and at the same time
able to elicit experiences of dislocation, evocativeness, ambiguity, and openness that
can be effectively combined to generate powerful liminal spaces. As noted by Prem-
inger (Preminger, 2012), art can contribute in several ways to the design of transfor-
mative experiences. First of all, the immersive and holistic nature of the experience of
art is supportive of cognitive and emotional involvement, which in turn can enhance
learning. Second, art can be a vehicle for more efficient access to and modification
of brain representations. Third, the evocative nature of some artworks requires the
experiencer to use internally generated cognitive processes (i.e. imagery, introspec-
tion, self-representation, autobiographic and prospective memory, and volition),
which allows for enhanced immersion and identification. In addition to these char-
acteristics, which are common to art domains where the induced experience involves
mainly perceptual and cognitive processes, interactive arts (including games) can
also involve motor functions and behavioral control in dynamically changing envi-
ronments, which can further enhance the transformative potential of the designed
An interesting example of how arts can be combined with interactive design to
create emotionally-rich, memorable and transformative experiences is provided by
the games developed by computer scientist Jenova Chen. Chen believes that for video
games to become a mature medium like film, it is important to create contents that are
able to induce different emotional responses in the player than only excitement or fear
(Chen, 2009). This design philosophy is best exemplified in the critically-acclaimed
video game Journey (Chen, 2012), a mysterious desert adventure in which the player
takes the role of a red-robed figure in a desert populated by supernatural ruins. On
the far horizon is a big mountain with a light beam shooting straight up into the sky,
which becomes the natural destination of the adventurer. While walking towards the
mountain, the avatar can encounter other players, one at a time, if they are online;
they cannot speak but can help each other in their journey if they wish. The goal of
the game is to take the player on an emotional and artistic journey that evokes feel-
ings of spirituality and a sense of smallness, wonder and awe, as well as to foster an
emotional connection with the anonymous players encountered along the way (Pan-
tazis, 2010). To achieve this, the game uses a very sophisticated visual aesthetics, in
combination with music that dynamically responds to the player’s actions, building
a single theme to represent the game’s emotional arc throughout the story. A further
Download Date | 6/21/16 9:36 AM
Conclusion: the Hallmarks of Transformative Experience Design  117
relevant feature of Journey for the TED framework is that, unlike conventional games,
its goal is not clearly set, as it places greater emphasis on enjoying the experience as
it unfolds during play.
6.3 Conclusion: the Hallmarks of Transformative Experience Design
This chapter aimed at providing a first framework for Transformative Experience
Design, which refers to the use of interactive systems to support long-lasting changes
in the self-world. In particular, the goal of this chapter was two-fold: (i) to provide
background knowledge on the concepts of transformative experience, as well as its
implications for individual growth and psychological wellbeing; and (ii) to translate
such knowledge into a tentative set of design principles for developing transformative
applications of technology.
The central assumption of TED is that the next generation of interactive systems
and brain-based technologies will offer the unprecedented opportunity to develop
Figure 6.2: A possible schematization of the transformative process. The exposure to novel
information (i.e. awe-inducing stimuli) triggers the process of assimilation. If integration fails, the
person experiences a critical fluctuation that can either lead to rejection of novelty or to an attempt
to accommodate existing schema, eventually generating new knowledge structures and therefore
producing an epistemic expansion
Download Date | 6/21/16 9:36 AM
118  Transformative Experience Design
synthetic, controlled transformative experiences to foster epistemic expansion and
personal development. For the first time in its history, the human being has the pos-
sibility of developing technologies that allow for experimenting the “Other-than-Self”
and, by doing so, exploring new means of epistemic expansion. This Other-than-Self
encompasses a broad spectrum of transformative possibilities, which include “what
it is like” to be another self, another life form, or a possible future or past self. These
designed experiences can be used to facilitate self-knowledge and self-understand-
ing, foster creative expression, develop new skills, and recognize and learn the value
of others.
Although the present discussion is largely exploratory and speculative, I believe
this initial analysis of TED has some significant potential. First, the analysis of trans-
formative experience can inspire new applications of VR that go beyond gaming and
therapy to address issues related to personal development and self-actualization.
Furthermore, the analysis of the characteristics of transformative experience has
intrinsic scientific value, since it can promote a deeper understanding of this complex
psychological phenomenon at multiple levels of analysis – neuropsychological, phe-
nomenological, and technological. Finally, the further development of TED may also
contribute to redefinining our conceptualization of information technologies, from
tools of mass consumption to potential means to satisfy the highest psychological
needs for growth and fulfillment.
However, a caveat is necessary before this research moves forward. I believe
that the study of how to use technology to support positive transformations of the
self should not be considered a deterministic, technologically-centered perspective
on human personal development. The final aim of transformative design, as I see it,
should not be confused with the idea of “engineering self-realization”. Rather, I hold
that the objective of this endeavour should be to explore new possible technological
means of supporting human beings’ natural tendency towards self-actualization and
self-transcendence. As Haney (Haney, 2006) beautifully puts it: “each person must
choose for him or herself between the technological extension of physical experience
through mind, body and world on the one hand, and the natural powers of human
consciousness on the other as a means to realize their ultimate vision” (ix, Preface).
Ahn, S. J., Le, A. M. T., & Bailenson, J. N. (2013). The effect of embodied experiences on self-other
merging, attitude, and helping behavior. Media Psychology, 16(1), 7–38.
Bak, P., Chen, K., & Creutz, M. (1989). Self-organized criticality and the ‘Game of Life’. Nature, 342,
Banos, R., Botella, C., Quero, S., Garcia-Palacios, A., & Alcaniz, M. (2011). Engaging Media for Mental
Health Applications: the EMMA project. Stud Health Technol Inform, 163, 44–50.
Barfield, W., & Weghorst, S. (1993). The Sense of Presence within Virtual Environments – a
Conceptual-Framework. Human-Computer Interaction, Vol 2, 19, 699–704.
Download Date | 6/21/16 9:36 AM
References  119
Blanke, O., & Metzinger, T. (2009). Full-body illusions and minimal phenomenal selfhood. Trends
Cogn Sci, 13(1), 7–13. doi: 10.1016/j.tics.2008.10.003.
C’De Baca, J., & Wilbourne, P. (2004). Quantum change: ten years later. J Clin Psychol, 60(5),
531–541. doi: 10.1002/jclp.20006.
(2009, January 28, 2009). Full Interview: Jenova Chen [MP3/Audio Podcast]. Retrieved from
Chen, J. (2012). Journey: Thatgamecompany, Sony Computer Entertainment.
Coghlan, A., Buckley, R., & Weaver, D. (2012). A framework for analysing awe in tourism experiences.
Annals of Tourism Research, 39(3), 1710–1714.
Dougherty, T., Horowitz, S., & Sliwa, P. (2015). Expecting the Unexpected. Res Philosophica.
Dunn, E. W., Forrin, N., & Ashton-James, C. E. (2009). On the excessive rationality of the emotional
imagination: A two-systems account of affective forecasts and experiences. In K. D. Markman,
W. M. P. Klein & J. A. Suhr (Eds.), The Handbook of Imagination and Mental Simulation. New
York: Psychology Press.
Dunn, E. W., & Laham, S. A. (2006). A user’s guide to emotional time travel: Progress on key issues
in affective forecasting. In J. Forgas (Ed.), Hearts and minds: Affective influences on social
cognition and behavior. New York: Psychology Press.
Ekman, P. (1992). Are there basic emotions? Psychological Review, 99(550–553).
Epstein, S. (1994). An integration of the cognitive and psychodynamic unconscious. American
Psychologist, 49, 709–724.
Epstein, S. (2003). Cognitive-experiential self-theory of personality (Vol. 5: Personality and Social
Psychology). Hoboken, NJ: Wiley & Sons.
Fischoff, S. (2005). The Evolution of Music in Film and its Psychological Impact on Audiences.
Retrieved from
Friedman, D., Pizarro, R., Or-Berkers, K., Neyret, S., Pan, X., & Slater, M. (2014). A method for
generating an illusion of backwards time travel using immersive virtual reality-an exploratory
study. Front Psychol, 5, 943. doi: 10.3389/fpsyg.2014.00943.
Gallagher, S., & Brøsted Sørensen, J. (2006). Experimenting with phenomenology. Conscious Cogn,
15(1), 119–134.
Gallagher, S., Reinerman, L., Sollins, B., & Janz, B. (2014). Using a simulated environment to
investigate experiences reported during space travel. Theoretical Issues in Ergonomic Sciences,
15 (4), 376–394.
Gaylinn, D. L. (2005). Reflections on Transpersonal Media: An Emerging Movement. The Journal of
Transpersonal Psychology, 37(1), 1–8.
Gilbert, D. T., Pinel, E. C., Wilson, T. D., Blumberg, S. J., & Wheatley, T. P. (1998). Immune neglect: a
source of durability bias in affective forecasting. J Pers Soc Psychol, 75(3), 617–638.
Gilbert, D. T., & Wilson, T. D. (2007). Prospection: experiencing the future. Science, 317(5843),
1351–1354. doi: 10.1126/science.1144161.
Girina, I. (2013). Video game Mise-En-Scene remediation of cinematic codes in video games. In H.
Koenitz , I. S. Tonguc , D. Sezen, M. Haahr, G. Ferri & G. C
̨atak (Eds.), Interactive Storytelling
(Vol. 8230, pp. 45–54). Berlin Heidelberg: Springer.
Gorini, A., Capideville, C. S., De Leo, G., Mantovani, F., & Riva, G. (2011). The role of immersion and
narrative in mediated presence: the virtual hospital experience. Cyberpsychol Behav Soc Netw,
14(3), 99–105. doi: 10.1089/cyber.2010.0100.
Haken, H. (2002). Haken, H. (2002). Brain Dynamics. Berlin: Springer.
Haken, H. (2004). Synergetics. Introduction and Advanced Topics. Berlin: Springer.
Haney, W. S. (2006). Cyberculture, cyborgs and science fiction: consciousness and the posthuman.
Amsterdam: Rodopi.
Download Date | 6/21/16 9:36 AM
120   References
Hayes, A., & Strauss, J. (1998). Dynamic systems theory as a paradigm for the study of change in
psychotherapy: An application to cognitive therapy for depression. Journal of Consulting and
Clinical Psychology, 66, 939–947.
Hayes, A. M., Laurenceau, J. P., Feldman, G., Strauss, J. L., & Cardaciotto, L. (2007). Change is not
always linear: the study of nonlinear and discontinuous patterns of change in psychotherapy.
Clin Psychol Rev, 27(6), 715–723. doi: 10.1016/j.cpr.2007.01.008
Hayes, A. M., & Yasinski, C. (2015). Pattern destabilization and emotional processing in cognitive
therapy for personality disorders. Frontiers in Psychology, 6(107).
Heinzel, S., Tominschek, I., & Schiepek, G. (2014). Dynamic patterns in psychotherapy – discon-
tinuous changes and critical instabilities during the treatment of obsessive compulsive
disorder. Nonlinear Dynamics Psychol Life Sci, 18(2), 155–176.
Hoerger, M., & Quirk, S. W. (2010). Affective forecasting and the Big Five. Pers Individ Dif, 49(8),
972–976. doi: 10.1016/j.paid.2010.08.007
Hoerger, M., Quirk, S. W., Chapman, B. P., & Duberstein, P. R. (2012). Affective forecasting and
self-rated symptoms of depression, anxiety, and hypomania: evidence for a dysphoric
forecasting bias. Cogn Emot, 26(6), 1098–1106. doi: 10.1080/02699931.2011.631985.
James, W. (1902). The Varieties of Religious Experience: A Study in Human Nature J. Manis (Ed.) (pp.
Keltner, D., & Haidt, J. (2003). Approaching awe, a moral, spiritual, and aesthetic emotion. Cognition
and Emotion, 17, 297–314.
Kilteni, K., Groten, R., & Slater, M. (2012). The Sense of Embodiment in Virtual Reality Presence:
Teleoperators and Virtual Environments, 21 (4), 373–387.
Koltko-Rivera, M. E. (2004). The psychology of worldviews. Review of General Psychology, 8(1), 3–58.
Kushlev, K., & Dunn, E. W. (2012). Affective forecasting: Knowing how we will feel in the future. In S.
Vazire & T. Wilson (Eds.), Handbook of self-knowledge (pp. 277–292). New York: Guilford Press.
LeBlanc, M. (2000). Formal Design Tools: Feedback Systems and the Dramatic Structure of
Competition. Paper presented at the Game Developers Conference, San Jose, California. http://
Lenggenhager, B., Tadi, T., Metzinger, T., & Blanke, O. (2007). Video ergo sum: manipulating bodily
self-consciousness. Science, 317(5841), 1096–1099. doi: 10.1126/science.1143439.
Maslow, A. (1962a). Lessons from the peak-experiences. Journal of Humanistic Psychology, 2, 9–18.
Maslow, A. (1962b). Towards a psychology of being. Princeton: D. Van Nostrand Company.
Maslow, A. (1954). Motivation and personality. New York: Harper and Row.
Maslow, A. (1964). Religions, Values and Peak Experiences. Columbus, Ohio: Ohio State University
Meyerbroker, K., & Emmelkamp, P. M. G. (2010). Virtual Reality Exposure Therapy in Anxiety
Disorders: A Systematic Review of Process-and-Outcome Studies. Depression and Anxiety,
27(10), 933–944. doi: Doi 10.1002/Da.20734.
Mezirow, J. (1991). Transformative Dimensions of Adult Learning. San Francisco, CA: Jossey-Bass.
Miller, W. R., & C’De Baca, J. (1994). Can personality change? In T. F. Heatherton & J. L. Weinberger
(Eds.), Quantum change: Toward a psychology of transformation (pp. 253–280). Washington
D.C.: American Psychological Association.
Miller, W. R., & C’de Baca, J. (2001). Quantum Change: When Epiphanies and Sudden Insights
Transform Ordinary Lives, New York: Guilford Press. New York: Guilford Press.
Nagel, T. (1974). What is it like to be a bat? Philosophical Review, 83, 435–450.
Orbons, E., & Ruttkay, Z. (2008). Interactive 3D Simulation of Escher-like Impossible Worlds.
Paper presented at the Bridges Leeuwarden Mathematics, Music, Art, Architecture, Culture,
Leeuwarden. The Netherlands.
Pantazis, N. (2010). E3 Preview: Journey – Preview. Retrieved 18 October, 2014, from http://www.
Download Date | 6/21/16 9:36 AM
References  121
Paul, L. A. (2014). Transformative Experience. Oxford: Oxford University Press.
Paul, L. A. (2015). What You Can’t Expect When You’re Expecting. Res Philosophica, 92(2).
Piaget, J., & Inhelder, B. (1969). The psychology of the child (H. Weaver, Trans.). New York: Basic
Books, Inc.
Preminger, S. (2012). Transformative art: art as means for long-term neurocognitive change.
Frontiers in Human Neuroscience, 6, 96. doi: 10.3389/fnhum.2012.00096.
Prigogine, I. (1984). Order out of Chaos : Man’s New Dialogue with Nature. New York: Bentam.
Raij, A., Kotranza, A., Lind, D. S., Pugh, C. M., & Lok, B. (2009, Mar. 14–18). Virtual Experiences for
Social Perspective Taking. Paper presented at the IEEE Virtual Reality 2009, Lafayette, LA.
Riva, G. (2005). Virtual reality in psychotherapy: Review. Cyberpsychology & Behavior, 8(3),
220–230. doi: Doi 10.1089/Cpb.2005.8.220
Riva, G., Waterworth, J. A., & Waterworth, E. (2004). The layers of presence: A bio-cultural approach
to understanding presence in natural and mediated environments. Cyberpsychology &
Behavior, 7(4), 402–416. doi: Doi 10.1089/Cpb.2004.7.402.
Riva, G., Waterworth, J. A., Waterworth, E. L., & Mantovani, F. (2011). From intention to
action: The role of presence. New Ideas in Psychology, 29(1), 24–37. doi: Doi 10.1016/J.
Rudd, M., Vohs, K. D., & Aaker, J. (2012). Awe expands people’s perception of time, alters
decision making, and enhances well-being. Psychol Sci, 23(10), 1130–1136. doi:
Schmidt, L. I., & Jekel, K. (2013). “Take a Look through My Glasses”: An Experimental Study on the
Effects of Age Simulation Suits and their Ability to Enhance Understanding and Empathy. The
Gerontologist,, 53(624). doi: doi:10.1093/geront/gnt151.
Schneider, K. J. (2011). Awakening to an Awe-Based Psychology. The Humanist Psychologist, 39,
Scott Kelso, J. A. (1995). Dynamic Patterns: The Self-organization of Brain and Behavior. Cambridge,
MA: The MIT Press.
Shiota, M. N., Keltner, D., & Mossman, A. (2007). The nature of awe: Elicitors, appraisals, and effects
on self-concept. Cognition & Emotion, 21, 944–963.
Suzuki, K., Wakisaka, S., & Fujii, N. (2012). Substitutional reality system: a novel experimental
platform for experiencing alternative reality. Sci Rep, 2, 459. doi: 10.1038/srep00459
Tart, C. T. (1972). States of consciousness and state-specific sciences. Science, 176(4040),
1203–1210. doi: 10.1126/science.176.4040.1203.
Tart, C. T. (1990). Multiple personality, altered states, and virtual reality: The world simulation
approach. Dissociation, 4 (3), 222–223.
Tedeschi, R. G., & Calhoun, L. G. (2004). Posttraumatic growth: Conceptual foundations and
empirical evidence. Psychological Inquiry, 15(1), 1–18.
Tsonis, A. A. (1992). Chaos: from theory to applications. New York: Plenum.
Turner, V. (1974). Liminal to Liminoid in Play, Flow, and Ritual. Rice University Studies, 60(3), 53–92.
Turner, V. (1985). Process, System, and Symbol: A New Anthropological Synthesis. In E. Turner (Ed.),
On the Edge of the Bush: Anthropology as Experience (pp. 151–173). Tucson: University of
Arizona Press.
Van Gennep, A. (1908/1960). The Rites of Passage. Chicago: University of Chicago Press.
Varela, F. (1996). Neurophenomenology: A Methodological Remedy for the Hard Problem. Journal of
Consciousness Studies, 3, 330–349.
Winnicott, D. W. (1971). Playing and reality London: Routledge.
Yee, N., & Bailenson, J. N. (2007). The Proteus Effect: The Effect of Transformed Self-Representation
on Behavior. Human Communication Research, 33, 271–290.
Download Date | 6/21/16 9:36 AM
Download Date | 6/21/16 9:36 AM
... The complexity within the scientific investigation of TEs unfolds through three levels. First, the exceptional and fascinating nature of this topic has garnered the interest of different disciplines across the years (e.g., James, 1902;Maslow, 1962;Mezirow, 1978;Turner et al., 1986;Bruner, 1991;Calhoun and Tedeschi, 1995;Miller and C'de Baca, 2001;Brown, 2009;Stone, 2014;Gaggioli, 2015;Yaden et al., 2017;Kason, 2019), but this endeavor has yet to establish an integrated operational interdisciplinary definition of the term TEs. Specifically, most researchers agree that TEs can be conceived as phenomena able to engender long-lasting, irreversible, pervasive consequences on individuals' beliefs, perceptions, identity, and values (for an overview, see White, 1993;Brown, 2000;Paul, 2014;Gaggioli, 2016). ...
... For instance, in clinical psychology, an increasing attention has been devoted toward traumatic experiences and, recently, to post-traumatic and postecstatic experiences (Calhoun and Tedeschi, 2006;Roepke, 2013). In experimental psychology the focus has been placed on the concept of complex emotions (Gaggioli, 2015;Chirico et al., 2016). In anthropology, there is a long tradition in the study of rites of passage (Van Gennep, 1908). ...
... Contemporary instances of liminoid spaces could be exceptional experiences far from the ordinary routine, which are highly memorable, very special, emotionally charged, and potentially life altering (Jefferies and Lepp, 2012, p. 38). For example, these could be unusual journeys (e.g., pilgrimages) (Kirillova et al., 2017) or extreme sports (e.g., white water rafting, spelunking, or base jumping) (Arnould and Price, 1993;Gaggioli, 2015). According to this perspective, then, there should be an out-of-ordinary elicitor/facilitating condition, acting as a liminoid space, to enable transformation. ...
Full-text available
The concept of transformative experience (TE) has been widely explored by several disciplines from philosophy to neurobiology, and in different domains, from the spiritual to the educational one. This attitude has engendered heterogeneous models to explain this phenomenon. However, a consistent and clear understanding of this construct remains elusive. The aim of this work is to provide an initial comprehensive interdisciplinary, cross-domain, up-to-date, and integrated overview on the concept of TEs. Firstly, all the models and theories on TEs were reviewed to extract and analyze TEs’ main components emerging from different disciplines. Then, this preliminary analysis was integrated with an in-depth examination of redundancies and particularities across domains and disciplines, to provide an integrated theoretical framework of TEs and a preliminary interdisciplinary operational definition of TEs. This examination, in turn, can help organize current research and theories, thus providing suggestions for operationalizing TEs as well as encouraging new interdisciplinary research endeavors.
... Transformative experiences are generally described as occurrences that alter individuals' mindsets and have immutable changes on their physical and mental states (Kirillova et al., 2017b). Recent research in psychology also suggests that the transformation process involves a complex set of stimuli and experiences, resulting in a reassessment of one's intrinsic perceptions, beliefs, and desires in the self-world (Gaggioli, 2016). Such experiences often involve a positive or negative emotional trigger, a disorienting dilemma (Pung et al., 2020), or a number of conflicting thoughts going through one's mind (Riva et al., 2016). ...
... While people organically evolve and morph over their lifetime (Gaggioli, 2016), transformative experiences at the forefront of consumption are peculiar as they may not merely happen to an individual by chance. For instance, tourism is recognised as one of the most effective contexts for altering one's consciousness (Galvani et al., 2020). ...
... Transformation unfolds with a level of suddenness through a triggering episode that typically encompasses a peak moment, an epiphany, and a sense of awe (Kirillova et al., 2017b). The compelling awe experience has been identified as a core element that leads to self-transcendence (Wang & Lyu, 2019) on a personal and epistemic level (Gaggioli, 2016) and ultimately allows for human development towards genuine long-term personal growth (Pung et al., 2020). ...
Full-text available
In the emerging transformation age, not only do experiences with transformational qualities happen by chance, but they are induced through intentional design. This study investigates the human gathering Burning Man, often stipulated as one of the world's most transformative large-scale experiences. Grounded in the theoretical lens of environmental psychology, a deep topological analysis was conducted based on Instagram data to analyse participants' digital outer expressions and find answers to their innermost transformative experiences. Through a holistic analysis of the pre-liminal, on-site, and post-liminal stages, socio-environmental and socio-psychological spheres, with 30 clusters that trigger potential transformation, could be revealed. This study contributes to the interdisciplinary discourse relating to human experience and transformation design in the tourism, events, and experience sectors.
... In such an approach, a co-design team with participants from different backgrounds and involving various stakeholders could be considered such a group. The result of this approach can be a step toward awareness of the negative impact of implicit ageism on design processes and practices, leading to a possible "transformative experience" [68] in which the participants begin to radically change the way they address age and design for aging. ...
Full-text available
In a world with an increasingly aging population, design researchers and practitioners can play an essential role in shaping better future societies, by designing environments, tools, and services that positively influence older adults' everyday experiences. The World Health Organization (WHO) has proposed a framework called Healthy Ageing, which can be adopted as the basis for designing for an aging society. There are, however, many challenges in achieving this goal. This article addresses one of these challenges identified by WHO, which is overcoming ageism as a form of discrimination based on age. In contrast with most other types of discrimination, ageism is not always easy to detect and overcome because of its generally implicit nature. This paper investigates adopting storytelling as a method for detecting implicit ageism and proposes a co-design process that utilizes this method to better address older adults' needs and requirements. The use of this method is discussed through two example case studies aimed at improving the design of assistive services and technologies for aging people. The findings from these case studies indicate that the proposed method can help co-design teams better identify possible implicit ageist biases and, by doing so, try to overcome them in the design process.
... This ability makes the metaverse a significantly different technology from its predecessors. If television and social media are persuasive technologies, because of their ability to influence people's attitudes and behaviors, the metaverse is instead a transformative technology 17,18 , capable of modifying what people think reality is. To achieve this goal the technologies of the metaverse are able to modify different key cognitive mechanisms (see Table 1): the experience of being in a place and in a body, the processes of brain-to-brain attunement and synchrony, and the ability of experiencing and inducing emotions. ...
Full-text available
Major technology companies are investing significant sums of money in the creation of the metaverse whose main feature will be the fusion between the virtual world and the physical world. To allow this possibility is one of the less obvious features of the metaverse: the metaverse works like our minds. This ability makes the metaverse a significantly different technology from its predecessors. If television and social media are persuasive technologies, because of their ability to influence people's attitudes and behaviors, the metaverse is instead a transformative technology, capable of modifying what people think reality is. To achieve this goal, the technologies of the metaverse hack different key cognitive mechanisms: the experience of being in a place and in a body, the processes of brain-to-brain attunement and synchrony, and the ability of experiencing and inducing emotions. Clearly, these possibilities define totally new scenarios with positive and negative outcomes. Educating ourselves as to its promise, and the challenges it may present, is a necessity. This requires a "humane," integrated, and multidisciplinary approach, with stakeholders at the supranational level joining in the conversation.
... For example, one can change the outcome of a nightmare or practice a sport while lucid dreaming, and have that confdence carry over into waking life [30,84]; training in VR is equally effective at enhancing performance compared to a non-simulated, control environment [30]. Third, both have emotional (i.e., perceptual cues to elicit emotion) and epistemic (i.e., cognitive cues to integrate and build knowledge) afordances [18]. Fourth, one can experience impossible or improbable situations either through lucid dream content or computer-generated immersive experiences. ...
Conference Paper
Full-text available
Lucid dreaming is the awareness of being in a dream, allowing dream control and living out fantasies. It also has benefits for growth and well-being. Yet, lucid dreaming is not accessible to most people. So, we created Lucid Loop—a neurofeedback-augmented immersive experience that utilizes AI-enhanced visuals and spatial audio in a virtual reality device for simulating lucid dreaming. We interviewed nine lucid dreamers who tried Lucid Loop and helped us propose design considerations: dreaming allusions, reality checks, focus points with neurofeedback, people in the scene, and immersion. Lucid Loop was like lucid dreaming because of its capacity for emotionality and fluidity between self and environment. Participants also noted several differences where technology might be limited. Lucid Loop appears to accurately simulate lucid dreaming, with implications for enhancing well-being and future applications for lucid dream training. Our research generalizes to technologically-mediated simulations of other emotive or internal experiences.
... This ability makes the metaverse a significantly different technology from its predecessors. If television and social media are persuasive technologies, because of their ability to influence people's attitudes and behaviors, the metaverse is instead a transformative technology 17,18 , capable of modifying what people think reality is. To achieve this goal the technologies of the metaverse are able to modify different key cognitive mechanisms (see Table 1): the experience of being in a place and in a body, the processes of brain-to-brain attunement and synchrony, and the ability of experiencing and inducing emotions. ...
Full-text available
The major technology companies are investing significant sums of money in the creation of the metaverse whose main feature will be the fusion between the virtual world and the physical one. To allow this possibility is one of the less obvious features of the metaverse: the metaverse works like our minds. This ability makes the metaverse a significantly different technology from its predecessors. If television and social media are persuasive technologies, because of their ability to influence people's attitudes and behaviors, the metaverse is instead a transformative technology, capable of modifying what people think reality is. To achieve this goal the technologies of the metaverse hacks different key cognitive mechanisms: the experience of being in a place and in a body, the processes of brain-to-brain attunement and synchrony, and the ability of experiencing and inducing emotions. Clearly, these possibilities define totally new scenarios with positive and negative outcomes. Educating ourselves as to its promise, and the challenges it may present, is a necessity. This requires a “humane”, integrated and multidisciplinary approach, with stakeholders at the supranational level joining in the conversation.
... In such a highly engaging environment, gamers are offered a sense of escapism, which often occurs outside one's daily life [19]. Apart from the missing link between experience design and video game-induced tourism [6], what is more urgent is that gamers have gradually entered the next-phase of experiences where personal development, self-actualisation, and positive emotions are valued [18,25,26]. Yet, those experiences do not happen occasionally. ...
Full-text available
While film and television have a long tradition in tourism marketing, the potential of video games is overlooked. This study unlocks a novel era of marketing by investigating the interplay between experiential factors and in-game experiences, and how they may contribute to one’s intention to visit in-game destinations. By taking Assassin’s Creed Odyssey as the study context, game world dynamics, level of immersion, level of freedom, connection to characters, and sense of realism are identified as the five pillars that shape gaming experiences. Drawing upon experience design, this study lays the groundwork for emerging marketing opportunities using video games for tourism and contributes to the broader field of media-induced tourism literature.
Full-text available
Sports events are becoming synonymous with almost every destination, attracting a large number of participants who are looking for a new experience. Rafting as a form of active sports tourism is becoming an increasingly popular activity. It is one which can provide an unforgettable experience and can have a transformational effect on people's lives. This paper aims to discover what experiences lead to satisfaction for rafting event participants and consequently, their personal growth. In addition, satisfaction as a mediator between flow and experience co-creation and personal growth was investigated. The research was conducted using a structured questionnaire completed by 207 participants of the rafting event “Joyful Ride” that is traditionally held on the river Ibar, in Kraljevo, Serbia. SEM analysis determined a positive impact of the flow and experience co-creation dimensions on satisfaction and its consequent effect on the personal growth of participants in the event, while satisfaction was identified as a significant mediator in transformational process, from experience co-creation to personal growth. The study contributes to the existing literature by providing a better insight into what the antecedents of transformative experiences for individuals participating in sports rafting events are.
Full-text available
Despite a rapidly ageing world population, ageism – particularly in its implicit form – is widespread in society. In this article, we propose that a paradigm shift is needed in how we approach ageing-related design research and practice in areas such as assistive technologies. We also put forward the idea of using the Healthy Ageing (HA) framework of the WHO as the basis for new lines actions that can be taken by design researchers and practitioners to address implicit ageism in society through their work.
Full-text available
Immersive virtual environment technology (IVET) provides users with vivid sensory information that allow them to embody another person's perceptual experiences. Three experiments explored whether embodied experiences via IVET would elicit greater self-other merging, favorable attitudes, and helping toward persons with disabilities compared to traditional perspective taking, which relies on imagination to put the self in another person's shoes. Trait dispositions to feel concern for others was tested as a moderating variable. Participants in the embodied experiences (EE) condition were exposed to a red-green colorblind simulation using IVET while participants in the perspective taking (PT) condition were exposed to a normal colored IVET world and instructed to imagine being colorblind. Experiment 1 compared EE against PT and found that EE was effective for participants with lower tendencies to feel concern for others 24 hours after treatment. Experiment 2 delved further into the underlying process of EE and confirmed that a heightened sense of realism during the EE led to greater self-other merging compared to PT. Finally, Experiment 3 demonstrated that the effect of EE transferred into the physical world, leading participants to voluntarily spend twice as much effort to help persons with colorblindness compared to participants who had only imagined being colorblind.
Conference Paper
This paper aims to discuss two primary points. Firstly, I argue that due to the complex development of Game Studies as a field and to the constant technological innovation, it is important to elaborate a reflection on the current state of video game aesthetics and its relationship with other audiovisual media. Secondly, the relevance of film-related analytical and theoretical tool is explored through the analysis of video game mise-en-scene and its tools of representation. I want to highlight the similar aesthetic strategies and, at the same time, to underline the shifts occurred in terms of functions. Finally, I describe two relevant aesthetic tendencies in the current video game generation: the scripted staging and the expressive lighting.
Introduction. Mathematical Notes. Physics Notes. On Fractals. Attractors. Bifurcations and Routes to Chaos. Chaos Elsewhere. Reconstruction of Dynamics from Observables. Evidence of Chaos in Controlled and Uncontrolled Experiments. Nonlinear Time Series Forecasting. Other Developments and Trends in the Application of Chaos. Index.
As we live our lives, we repeatedly make decisions that affect our future circumstances and shape the sort of person we will become. Some of these are major, life-changing decisions. In such cases, we stand at a personal crossroads and must choose our direction. If we make these sorts of life-changing decisions about our futures rationally, can we also make them authentically? In Transformative Experience I argue that, under the most natural and ordinary construal of decisions like this, we cannot. My argument draws on debates in philosophy of mind about how experience is necessary for us to have certain epistemic capacities and cognitive abilities. It also draws on debates about the intrinsic value of subjective color experience, and the importance of the first-personal perspective in understanding the self and its possibilities. I use familiar examples from these classic philosophical debates to raise new questions about experience, its value, and its role in prospectively assessing our first personal futures. Using formal tools drawn from decision theory, causal modeling, and cognitive science, I assess first personal decision making and self-construction in contexts of what I call “transformative decision-making”, a well-defined and—it turns out—very common choice situation in everyday life. In the Afterword, I discuss how the argument has formal applications in and substantive relevance to counterfactual semantics, formal epistemology, and the philosophy of statistics, social science, cognitive science and psychology.
In an influential paper, L. A. Paul argues that one cannot rationally decide whether to have children. In particular, she argues that such a decision is intractable for standard decision theory. Paul's central argument in this paper rests on the claim that becoming a parent is "epistemically transformative" prior to becoming a parent, it is impossible to know what being a parent is like. Paul argues that because parenting is epistemically transformative, one cannot estimate the values of the various outcomes of a decision whether to become a parent. In response, we argue that it is possible to estimate the value of epistemically transformative experiences. Therefore, there is no special difficulty involved in deciding whether to undergo epistemically transformative experiences. Insofar as major life decisions do pose a challenge to decision theory, we suggest that this is because they often involve separate, familiar problems.
This article describes the concept of posttraumatic growth, its conceptual foundations, and supporting empirical evidence. Posttraumatic growth is the experience of positive change that occurs as a result of the struggle with highly challenging life crises. It is manifested in a variety of ways, including an increased appreciation for life in general, more meaningful interpersonal relationships, an increased sense of personal strength, changed priorities, and a richer existential and spiritual life. Although the term is new, the idea that great good can come from great suffering is ancient. We propose a model for understanding the process of posttraumatic growth in which individual characteristics, support and disclosure, and more centrally, significant cognitive processing involving cognitive structures threatened or nullified by the traumatic events, play an important role. It is also suggested that posttraumatic growth mutually interacts with life wisdom and the development of the life narrative, and that it is an on-going process, not a static outcome.