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“Social Change Through Popular Culture”

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Abstract

Popular culture consists of ideas, perspectives, attitudes, images and other artifacts in the mainstream of a given culture. Such examples as movies, actors, sports, TV shows, games, singers, clothes and toys seemingly all a part of pop culture. Mass media significantly influences pop culture, where it infuses our everyday lives in society. Pop culture shapes our identity through what is considered popular at that moment in time in society. Pop culture, as described by Martin and Nakayama (2011), is “produced by culture industries. . . . is different from folk culture. . . . is everywhere. . . . [and] fills a social function” (pp. 202-203). During society’s free time, many items from pop culture are bought or enjoyed by people for entertainment. If a large number of people know about it, talk about it and experience it, chances are it is a part of pop culture (Simmons, 2011)!
Running head: Modern popular culture 1
“Social Change Through Popular Culture”
Patricia Freeman
HMNT – 3001C
11/22/2015
Prof. Jamey Heit
Author Note
Modern popular culture 3
“Everything that man accomplishes or does, that
he teaches or wants to learn must have its right proportion.” – Pico Della Mirandola
Introduction
Popular culture consists of ideas, perspectives, attitudes, images and other
artifacts in the mainstream of a given culture. Such examples as movies, actors, sports,
TV shows, games, singers, clothes and toys seemingly all a part of pop culture. Mass
media significantly influences pop culture, where it infuses our everyday lives in society.
Pop culture shapes our identity through what is considered popular at that moment in
time in society. Pop culture, as described by Martin and Nakayama (2011), is “produced
by culture industries. . . . is different from folk culture. . . . is everywhere. . . . [and] fills a
social function” (pp. 202-203). During society’s free time, many items from pop culture
are bought or enjoyed by people for entertainment. If a large number of people know
about it, talk about it and experience it, chances are it is a part of pop culture (Simmons,
2011)!
Pop culture plays a big part in shaping our society’s cultural identity. According to
Nadine Dolby (1999, as cited in Martin & Nakayama, 2011), “Popular culture, at the end
of the 20th century, is a key site for the formation of identities, for the ways in which we
make sense of the world, and locate ourselves within it. (p. 210)” The existence of pop
culture is all around us. As our culture relates to modern cultural, while making use of
popular cultures in many ways; we are forming a cultural identity as individuals as a
whole. Depending on how we as individuals view cultural identity. For some of society
will avoid many different types of popular culture if it means strengthing their cultural
identity.
Life regulation and constructing individual identities is what our culture provides
for the community. In today’s society, when referring the term culture; it represents the
whole of a societies thoughts, behaviors, and values transmitted socially. Also, in relation
as to people who consciously identify with the community. When referring to the term
subculture; it represents the existence of a group within a culture. Typically, social class,
ethnicity, or geographic region seemingly based on subcultural.
When referring to the prefix sub, it characteristically means “less than.” Although,
many scholars prefer to use the term co-culture instead of subculture. Co-culture
represents a cultural group that is at a power disadvantage to the dominant cultural group
(Gillespie, 2015). Finally, the term subgroup represents the group that provides a
relatively complete sets of values and patterns of behavior (Slideshare, 2015).
Social life in societies is most complicated for we are individuals with different
identities, beliefs, and values. Individuals, who are a part of multiple groups, seemingly
having various social norms, social roles, and different expectations as individuals. As
stated by David Matsumoto (2010), “People move rapidly in and out of the numerous
groups in society. Thus, creating an enormous potential for social chaos, which can easily
occur when individuals not well coordinated in a culture and when the relationships in a
culture are not constructed productively and organized accordingly (David Matsumoto,
2010).
The regulation of society allows individuals and groups to negotiate the social
complexity of human social life, thereby maintaining social order and preventing social
Modern popular culture 5
chaos (Gloria, Rieckmann & Rush, 2000). Culture does this by providing a meaning and
information system to its members, which is shared by a group and transmitted across
generations, that allows the group to meet basic needs of survival, pursue happiness and
well-being, and derive meaning from life (Matsumoto, 2007a).
Conclusion
Social change begins with how we as adults, as parents, as teachers, as role
models and as families influence and what we allow to influence the younger generations.
The positive impact is the tool needed to help regulate the negativity of our and others
societies. Generation after generations children grows up into adults. Generation after
generations more negativity consumes children, shapes their identity and determines their
role part in their adulthood.
Humans are social creatures and even subtle changes in children’s social
environments can make them more aware of their connection to the group (Glushkova,
Zoakoi, Boldrini, Bracchini & Arconi, 2013). A core value of the developmentally
appropriate practice is to create a caring community of individuals. (Copple &
Bredekamp 2009). “It is important to point out that there are vast cultural differences and
that adults in some cultures emphasize prosocial skills far more than others. In prosocial
development, as in other aspects of children’s lives, families are the first and most
influential teachers (NAEYC, 2011).”
References:
Cultural Identity - SlideShare. (n.d.). Retrieved from
http://www.slideshare.net/zeeshanzafar9250/mam-hafsa-ass-1
What is Culture? – Gary Gillespie - Eagle. (2015). Retrieved from
http://eagle.northwestu.edu/faculty/gary-gillespie/2015/09/03/what-is-culture/
Functions of Emotions | Noba. Gloria, A., Rieckmann, T., & Rush, J. (2000).
Retrieved from http://nobaproject.com/modules/functions-of-emotions
Matsumoto, D. (2007a). Culture, context, and behavior. Journal of Personality, 75,
1285–1320.
Thinking Locally, Acting Globally - Institute of world culture. (2008). Retrieved
from http://www.worldculture.org/essays/08-Think%20Globally.pdf
Glushkova, T., Zoakoi, A., Boldrini, F., Bracchini, M., & Arconi, V. (2013).
Prosociality for Integration and Multiculturalism. Pedagogic and Didactic Prosocial
Model. ResearchGate. Retrieved from
http://www.researchgate.net/publication/271812695_Prosociality_for_Integration_a
Martin J.N., & Nakayama, T.K. (2011). Experiencing Intercultural
Communication: An Introduction (4th ed.). New York: McGraw-Hill.
Culture, Emotion Regulation, and Adjustment. Retrieved from
http://davidmatsumoto.com/content/2008matsumotoetal.JPSP.pdf
... It is ideas, perspectives, attitudes, images, and other artifacts in the mainstream of a given culture (Freeman 2015). It could be anything that has been discovered and made viral as well, especially in this modern century where technology has become a necessity for everybody. ...
... It is majorly influenced by the consumption of mass media and technological advancement that allows people to access anything on the internet. Some of the examples of popular culture also include shopping for clothes, listening to gossip, watching television and films, eating fast food, watching football, playing games, hanging out at the mall, surfing the Internet, idolising actors, playing sports, adoring singers, and collecting toys (Wiana 2013;Freeman 2015). Popular culture is also a window of public endorsement to what excites society and a form of major entertainment services. ...
... It is ideas, perspectives, attitudes, images, and other artefacts in the mainstream of a given culture (Freeman 2015). Furthermore, masculinity and femininity are often treated in the media as counterparts, with men naturally assumed to be rational, practical, and typically aggressive, and women, in contrast, are held to be expressive, nurturing, and emotional (Beynon 2002). ...
Thesis
When it comes to masculine characters in popular culture, certain patterns are idealized and preferred to be represented in the media. John Beynon stated that masculinity and femininity are often treated in the media as opposites, with men typically assumed to be rational, practical, and naturally aggressive, and women, in contrast, are held to be expressive, nurturing, and emotional. There is still a lack of representation of alternative masculine characters in popular culture especially in film, without having these male characters going through ‘re-masculinisation’ to triumph within the narrative. This notion is not exceptional within J.K Rowling’s ground-breaking works in the Harry Potter books and film series. Hence, by using the concept of Re-imagining Masculinities, this study is conducted to examine the construction of masculinities in J.K. Rowling’s newest work in the Wizarding World, Fantastic Beasts, and Where to Find Them. Utilizing the key concepts of Re-imagining Masculinities such as acknowledging vulnerability (Hooks 2004), foster social empathy (Pease 2014), and incorporating values of care (Elliott 2016), this research investigates the extent that Newt Scamander, Jacob Kowalski, and Credence Barebone demonstrated traits of Re-imagining Masculinity. The result from the research indicates that Rowling’s male protagonists from Fantastic Beasts and Where to Find Them have shown progress in representing male protagonists as the heroes who embody alternative masculine characters that showcase attributes and qualities that were traditionally associated with femininities. Based on the analysis of the male protagonists’ motivation, traits, manners, speech, and action sequence, Rowling’s construction of masculinities in the film defies the traditional masculinity that has been constructed in popular culture to re-define the belief on men and masculinities in general. This study has shown that J.K. Rowling’s Wizarding World of Harry Potter and popular culture, in general, have experienced progress in depicting male protagonists who embodied attributes and qualities that were traditionally associated with femininity as they are celebrated and given voices at the centre. These male protagonists re-imagine their masculinities and give fresh outtakes of masculine characters in popular culture.
ResearchGate has not been able to resolve any references for this publication.