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Abstract

How users consume media has shifted dramatically as viewers migrate from traditional broadcast channels toward online channels. Rather than following the schedule dictated by television networks and consuming one episode of a series each week, many viewers now engage in binge watching, which involves consuming several episodes of the same series in a condensed period of time. In this research, the authors decompose users' viewing behavior into (1) whether the user continues the viewing session after each episode viewed, (2) whether the next episode viewed is from the same or a different series, and (3) the time elapsed between sessions. Applying this modeling framework to data provided by Hulu.com, a popular online provider of broadcast and cable television shows, the authors examine the drivers of binge watching behavior, distinguishing between user-level traits and states determined by previously viewed content. The authors simultaneously investigate users' response to advertisements. Many online video providers support their services with advertising revenue; thus, understanding how users respond to advertisements and how advertising affects subsequent viewing is of paramount importance to both advertisers and online video providers. The results of the study reveal that advertising responsiveness differs between bingers and nonbingers and that it changes over the course of online viewing sessions. The authors discuss the implications of their results for advertisers and online video platforms.

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... In recent years, various streaming media platforms and Internet entertainment services (e.g., Hulu and Netflix) have fundamentally altered the ways in which audiences watch, discuss, and consume media content. Today's audiences have been moving away from consuming traditional broadcast channels toward streaming online video content to gain more control over their media consumption (Lotz, 2014;Schweidal & Moe, 2016;Hayes & Chmielewski, 2022), and bingewatching has become increasingly popular among audience members. (e.g., Castro et al., 2021;Hayes & Chmielewski, 2022;Jenner, 2014;Panda & Pandey, 2017). ...
... Other than the factors mentioned above, there were also several other factors that may account for why people binge-watch, such as social recommendations (Schweidal & Moe, 2016). For example, recommendations by important others (e.g., friends, family members) may trigger individuals to engage in binge-watching of that particular media content. ...
... As shown in Table 2, individuals' motivations for binge-watching are composed of multiple variables adapted from U&G literature, including cultural inclusion (Steiner & Xu, 2020), enjoyment (Panda & Pandey, 2017), immersion (Sundar & Limperos, 2013), and easy accessibility to content (Schweidal & Moe, 2016). The items within each construct showed high multiple-item reliability (Cronbach's α > 0.70). ...
... The presence of consumer "eyeballs" on streaming media represents an attractive opportunity for advertisers, especially as these services allow for ad personalization due to the availability of rich data. As a result, advertising spending on streaming media services is expected to grow to $20 billion in 2020 from $4.7 billion in 2017 (eMarketer, 2018). 1 However, streaming media represents new challenges, especially as interruptions to the viewing experience via advertising detract from the viewers' feeling of being in control and can lead to decreased content consumption (Schweidel & Moe, 2016). In addition, platforms that provide these services need to balance the viewers' control of the consumption experience while delivering advertising commensurate with advertiser objectives. ...
... In order to do this, I first need to specify a temporal unit of consumption for a given viewer. I denote this unit as a viewer-session (in future, I use the term "session" to denote this unit) which is defined as a period of time spent by a viewer watching one TV show separated by 60 minutes or more of inactivity as in Schweidel and Moe (2016). ...
... The first metric, which I label "Bingeability," is based on the theory of "flow" (Ghani & Deshpande, 1994;Schweidel & Moe, 2016) as well as industry norms and captures the extent of viewer immersion in the content. In essence, this metric is based on a stylized count of complete and unique episodes of a TV show watched in a session. ...
Thesis
The video streaming industry is growing rapidly, and consumers are increasingly using ad-supported streaming services. There are important questions related to the effect of ad schedules and video elements on viewer behavior that have not been adequately studied in the marketing literature. In my dissertation, I study these topics by applying causal and/or interpretable machine learning methods on behavioral data. In the first essay, “Finding the Sweet Spot: Ad Scheduling on Streaming Media”, I design an “optimal” ad schedule that balances the interest of the viewer (watching content) with that of the streaming platform (ad exposure). This is accomplished using a three-stage approach applied on a dataset of Hulu customers. In the first stage, I develop two metrics – Bingeability and Ad Tolerance – to capture the interplay between content consumption and ad exposure in a viewing session. Bingeability represents the number of completely viewed unique episodes of a show, while Ad Tolerance represents the willingness of a viewer to watch ads and subsequent content. In the second stage, I predict the value of the metrics for the next viewing session using the machine learning method – Extreme Gradient Boosting – while controlling for the non-randomness in ad delivery to a focal viewer using “instrumental variables” based on ad delivery patterns to other viewers. Using “feature importance analyses” and “partial dependence plots” I shed light on the importance and nature of the non-linear relationship with various feature sets, going beyond a purely black-box approach. Finally, in the third stage, I implement a novel constrained optimization procedure built around the causal predictions to provide an “optimal” ad-schedule for a viewer, while ensuring the level of ad exposure does not exceed her predicted Ad Tolerance. Under the optimized schedule, I find that “win-win” schedules are possible that allow for both an increase in content consumption and ad exposure. In the second essay, “Video Influencers: Unboxing the Mystique”, I study the relationship between advertising content in YouTube influencer videos (across text, audio and images) and marketing outcomes (views, interaction rates and sentiment). This is accomplished with the help of novel interpretable deep-learning architectures that avoid making a trade-off between predictive ability and interpretability. Specifically, I achieve high predictive performance by avoiding ex-ante feature engineering and achieve better interpretability by eliminating spurious relationships confounded by factors unassociated with “attention” paid to video elements. The attention mechanism in the Text and Audio models along with gradient maps in the Image model allow identification of video elements on which attention is paid while forming an association with an outcome. Such an ex-post analysis allows me to find statistically significant relationships between video elements and marketing outcomes that are supplemented by a significant increase in attention to video elements. By eliminating spurious relationships, I generate hypotheses that are more likely to have causal effects when tested in a field setting. For example, I find that mentioning a brand in the first 30 seconds of a video is on average associated with a significant increase in attention to the brand but a significant decrease in sentiment expressed towards the video. Overall, my dissertation provides solutions and identifies strategies that can improve the welfare of viewers, platform owners, influencers and brand partners. Policy makers also stand to gain from understanding the power exerted by different stakeholders over viewer behavior.
... They may ignore the content delivered by a long advertisement more than that of a short one [15] or block certain web advertisements, such as pop-ups, through a browser's add-on gadget [16]. Therefore, it is paramount for streaming providers to know how viewers respond to advertisements and analyze the relationship between watching hours and advertising frequency [17]. In addition, media platforms can reduce viewers' feelings of antipathy toward commercials by customizing advertisements according to their browsing history; however, emerging privacy concerns may decrease the subscription revenue [18,19]. ...
... Though our analytical result indicates that it depends on the threshold ̂ , we cannot construct a numeral experiment showing this outcome at the turning point because the advertisement demand drops to zero when the paid subscriptions are in the majority. Thus, when a channel has more free subscribers than paid ones, 17 we can anticipate that, as long as the two ad services can be reasonably differentiated, sharing more paid subscription revenue with streamers not only fuels their effort but also promotes sales of platform ads. According to business reports, both YouTube and Twitch share revenue from paid subscriptions with streamers and allow them to keep 70% and 50% of the revenue, respectively. ...
Article
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Video live streaming services have reached every corner of the world through the influence of COVID-19. In this study, the business model of a video live streaming platform is examined under a structure in which both a streamer and a platform provider simultaneously have an incentive alignment and a payoff conflict. On the one hand, the streaming platform relies on the efforts of streamers to strengthen its market share; on the other hand, streamers can employ influencer marketing to construct their own additional revenue from commercials, which can affect the sales from the advertisements operated by the platform. In addition, the platform provider can reward talented streamers for their remarkable performance by sharing the subscription revenue with them; however, the adoption of a built-in reward system is perplexing because the platform can levy a commission fee from the money donated to streamers. Combining these practical points, our results indicate that advertorials can still be largely expanded by streamers mastering marketing skills, even if there is high substitution in ad services. In addition, the practice of charging a commission fee from the built-in reward system but sharing the subscription revenue with outstanding streamers can benefit the streaming platform, and their donation loss will be compensated by a higher revenue-sharing ratio.
... On-demand media consumption has shifted dramatically in the past 20 years, transforming the landscape of consumer behaviour (Liu et al., 2018). The Internet has disposed of traditional barriers of content distribution and management, and the new emerging patterns of media consumption are often dubbed as 'binge watching,' where individuals are found to consume condensed media content over an extended period (Schweidel & Moe, 2016). Online video streaming companies such as Netflix, Hulu and Amazon Prime Video have seen a surge in their user base since the onset of the COVID-19 pandemic. ...
... Previous studies in online media consumption have made significant contributions towards unpacking the binge-watching phenomenon. For example, in their pioneering work, Schweidel and Moe (2016), closely inspected (and modelled) Hulu series consumption behaviour by mathematically incorporating user viewing behaviour (such as frequency, continuous viewing and series hopping) against viewing variables such as episode depth, season depth and season finale. Their findings indicate that viewers exhibit addictive consumption behaviour towards selected genres and the nature of the programme, and not necessarily the content providing platform. ...
Article
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The management literature has extensively studied viral marketing in the last decade; however, there is a lack of research in understanding network structures and the role of influencers within popular cultural consumption, such as on-demand digital media and binge-watching. In this article, we investigate the role of social media in popularising the East Asian dystopian cultural drama Squid Game. We studied this phenomenon by analysing social network structures, dynamics and influencer characteristics that transformed Squid Game into a popular global digital cultural consumption sensation. Stemming from the foundational theories of popular culture binge-watching, network theory and the social media echo chamber effect, we demonstrate how careful ‘seeding’ and ‘broadcasting’ behaviour adopted by Netflix and key influencers helped the ‘reciprocal merging’ of creative media content within the broader social media space. Our study found that 13,727 Twitter users were tweeting or mentioned on the day show was released. Our research findings further present the characteristic of individual group-based echo chambers and their role in value co-creation towards expanding the network boundary through e-WOM. This phenomenon led to the show’s unprecedented popularity amongst a global audience within a short period. Contributions of our work expand viral marketing and echo-chamber concepts into the binge-watching and popular digital culture realm, where the interplay between dramatized Asian and Western dystopian social norms provided the very fabric of user-led promotion and value co-creation.
... A more recent survey reports that more than 80% of consumers (ages 21-51 years old) view about seven episodes of a T.V. series in a single sitting [4]. Schweidel and Moe [8] show that consumers in the binge-watching state are more likely to continue watching the episodes from the same T.V. series on the Internet channels. However, it is still unclear how the users' content consumption decisions vary in different engagement states. ...
... Kim et al. [37] introduce a concept of mobile users' engagement and use the cognitive-affective-conative state framework to examine users' mobile engagement motivations. Schweidel and Moe [8] examine users' online viewing decisions and responses to the advertisement using a video streaming viewing data set. They find that users are more likely to bingewatching if they watch more episodes from a series in a session. ...
... Some authors proposed four different types of binge-watchers (i.e., recreational TV series viewers, regulated binge-watchers, avid binge-watchers, and unregulated binge-watchers; Flayelle et al., 2020); others differentiated high, medium, and low bingewatchers based on the number of episodes, duration, and frequency of viewing sessions (Sung et al., 2018); and still others distinguished between intentional and unintentional binge-watchers (Riddle et al., 2018). Additionally, even to assess binge-watching behavior, several proposals have been made: Some authors have suggested that both the number of consecutive episodes (e.g., Schweidel and Moe, 2016) and the viewing sessions' duration (e.g., Trouleau et al., 2016), should be considered when measuring binge-watching; others (Vaterlaus et al., 2019) define binge-watching as a problematic behavior when view sessions exceed 4 h; and still others do not identify a minimum duration (Schweidel and Moe, 2016;Sung et al., 2018;Sharma et al., 2019) or even suggest that setting a threshold represents a valueless approach (Flayelle et al., 2017). ...
... Some authors proposed four different types of binge-watchers (i.e., recreational TV series viewers, regulated binge-watchers, avid binge-watchers, and unregulated binge-watchers; Flayelle et al., 2020); others differentiated high, medium, and low bingewatchers based on the number of episodes, duration, and frequency of viewing sessions (Sung et al., 2018); and still others distinguished between intentional and unintentional binge-watchers (Riddle et al., 2018). Additionally, even to assess binge-watching behavior, several proposals have been made: Some authors have suggested that both the number of consecutive episodes (e.g., Schweidel and Moe, 2016) and the viewing sessions' duration (e.g., Trouleau et al., 2016), should be considered when measuring binge-watching; others (Vaterlaus et al., 2019) define binge-watching as a problematic behavior when view sessions exceed 4 h; and still others do not identify a minimum duration (Schweidel and Moe, 2016;Sung et al., 2018;Sharma et al., 2019) or even suggest that setting a threshold represents a valueless approach (Flayelle et al., 2017). ...
Article
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Nowadays, binge-watching (i.e., watching multiple episodes of a TV series in one session) has become a widespread practice of media consumption, raising concerns about its negative outcomes. Nevertheless, previous research has overlooked the underlying psychological mechanisms leading to binge-watching. In the present work, we investigated some of the psychological variables that could favor binge-watching tendencies in a sample of TV series viewers ( N = 196). To this aim, psychological determinants of problematic digital technologies usage (i.e., feelings of loneliness), as well as some of the mechanisms related to the enjoyment of media contents (i.e., escapism and the identification with media characters), were considered as predictors of the tendency to binge-watch. Results indicated that higher feelings of loneliness were associated with higher levels of problematic digital technologies usage. Additionally, direct and indirect effects showed that only escapism – out of the four dimensions measuring the problematic use of Internet-related technologies – predicted participants’ stronger identification with media characters, which in turn promoted greater binge-watching tendencies. Overall, we suggest that binge-watching could be interpreted as a coping strategy for media escapists, who enjoy TV series as a privileged online space in which the need to escape finds its fulfillment, allowing them to manage loneliness by identifying with a fictitious character.
... In testing how ad exposure affects consumer choice after consecutively consuming similar media, we build on research that found that TV advertisements can disrupt bingewatching behavior (Schweidel and Moe 2016). By manipulating whether the ads were perceived as similar to prior video consumption, we test the prediction that ads are less likely to disrupt the rabbit hole effect when they fall within the same category as prior media consumption. ...
... Lastly, this research has implications for advertisers. Prior research on binge-watching found that advertisements shown during a viewing session can reduce binge-watching behavior (Schweidel and Moe 2016). Expanding on this, we find that ads tend to disrupt the rabbit hole effect when they are unrelated to the shared category, but can perpetuate the rabbit hole when they fall within the shared category. ...
Article
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Consumers often become “stuck in a rabbit hole” when consuming media. They may watch several YouTube videos in the same category or view several artistic images on Instagram on the same theme, finding it difficult to stop. What contributes to this behavior, causing consumers to choose to consume additional media on a similar (vs. different) topic to what they just experienced? The authors examine a novel antecedent: the consecutive consumption of multiple similar media. After viewing multiple similar media consecutively, more consumers choose to view additional similar media over dissimilar media or complete a dissimilar activity entirely, even when the prior consumption pattern is externally induced. The rabbit hole effect occurs due to increased accessibility of the shared category—when a category is more accessible, people feel immersed in that category and anticipate that future options within that category will be more enjoyable. The authors identify three characteristics of media consumption that contribute to the rabbit hole effect by increasing category accessibility: similarity, repetition, and consecutiveness of prior media consumption. This research contributes to literature on technology, choice, and variety-seeking and offers implications for increasing (vs. slowing) similar consumption.
... Overall, the finding suggests the similar structural factors of VOD and social media use may contribute to adverse health outcomes for users, beyond the same problematic use tied to broadcast TV watching. This could be due to the structural differences between digital media interfaces and broadcast television (Schweidel & Moe, 2016). Broadcast television has clear structural breakpoints (i.e., organized schedules). ...
... These structures may provide scripted decision-points where audiences choose to keep watching, change the channel, or turn the TV off. Most VOD services, however, auto-play the next episode, and social media channels have adopted infinite scroll, considered a hallmark of "addictive" software design (Schweidel & Moe, 2016). These interfaces may encourage problematic watching in a way that negatively impacts sleep onset. ...
Article
Media use appears to adversely affect sleep quality. Yet, findings remain inconsistent based on medium, duration, and manner of use. Given the recent, widespread rise in consumption of video-on-demand services and social media platforms, problematic use of these media has become of interest to media and sleep researchers. Although research has looked at the correlation between problematic media use and sleep, to date no studies have compared different media platforms to better understand the processes. To address this, we conducted a survey examining the relationships between both sleep quality and depression with problematic broadcast television, video-on-demand, and social media use. Results demonstrate problematic Internet-based media consumption, i.e., video-on-demand and social media use, is related to adverse sleep outcomes while broadcast television use, even when problematic, was not related to adverse sleep outcomes in our study. Similar results were found for depression. Implications for research and clinical practice are discussed.
... link: https://rb.gy/lv9zn9 4 olarak tanımlanır. Çoğu çalışma, 'oturum başına minimum bölüm sayısı' yaklaşımı (örn., Schweidel & Moe, 2016) veya 'görüntüleme oturumu uzunluğu' işlevselleştirmenin (örn., Trouleau et al., 2016) içinde yer alır. ...
Article
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ZET Bu çalışma, seri video içeriğinin aşırı izleme (binge-watching) deneyimiyle ilgili psikolojik kavramları inceledi. Sonuçlar, ulaşılan seviyede, nakillin izleyicilerin aşırı izleme deneyimlerine ve davranışlarına şekil vermedeki merkezi rolünü vurgulamaktadır. Nakil, aşırı izleme sıklığıyla pozitif bir ilişkiye sahiptir ve aşırı izleme seansının uzunluğunun parasosyal etkileşimlerin gelişimi üzerindeki etkisini (tam aracılık) ve aşırı izleme keyfi üzerindeki etkisini (kısmi aracılık) aracılık etmektedir. Akış deneyimleyebilme becerisi, bir aşırı izleme seansının uzunluğunu öngördüğü bulunmuştur. Diğer önemli ilişkiler de ortaya konmuştur. Çalışmanın teorik ve pratik çıkarımları, gelecekteki araştırmalar için öneriler ve aşırı izlemenin mevcut kavramsal görünümlerinin genişletme olasılığı tartışılmaktadır.
... Binge-watching India ranks first in the global index. It is a habit where people tend to watch entertaining or informative content for a long period called binge-watching [2]. It could be a television show. ...
Chapter
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Too much of anything is bad for health. In recent years we have been familiar with “Binge”. It may be in the case of eating, drinking, or watching movies. Generation Z is very much affected by this way of living. This habit comes from indulgence. These indulgences come mainly from heredity factors, psychological conditions, dieting, peer pressure, etc. Studies show that some important features can be shared, including personality and emotional features such as neuroticism and urgency. Excessive indulgence can lead to physical and mental breakdowns. Interpersonal psychotherapy (IPT) is an effective specialty treatment for different disorders that leads to a healthy life. A continuous effort to identify the consequences of binge behaviours will also aid the development of the research field. We have to build a society free from excessive indulgence.
... When asked about the most affect you most in the web series, 40.40% of the respondents agreed to like the cast, story and theme of the web series, while 30.50% agreed to like dialogues [22]. 20.60% agreed with abusive language and double meaning jokes and 8.50% of respondents agreed with sexual scene. ...
Article
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Nowadays, Web series and online streaming content are becoming the heart of the youth. Web series are replacing television and have seen a boom in online streaming and web series content produced in India. Many big companies like Amazon, Netflix, SonyLiv, Hot star, and Eros Now have invested heavily in regional content. Web series have gained popularity in India in the last few years because they take us where television won't. Web series and online streaming allow their audience to watch shows at their convenience. This research paper analysis the psychosocial impact of web series and online steaming content amongst youth on online platforms like YouTube, Amazon, Netflix, SonyLiv, hot star, and Eros Now, and Torrent downloads. The researcher also examined the perception of youth regarding the web series and online streaming content. The questionnaire was used to gather information from the respondents. The respondents were students studying in different Colleges and Universities in Haryana, India.
... At the same time, it engages a person's various cognitive processes (perception, memory, attention, thinking). Both the emotions experienced by a person during binge-watching and cognitive processes that may result in excessive loss of control over the number of watched episodes (Schweidel and Moe, 2016;Granow et al., 2018;Flayelle et al., 2019;Flayelle, 2020). ...
... At the same time, it engages a person's various cognitive processes (perception, memory, attention, thinking). Both the emotions experienced by a person during binge-watching and cognitive processes that may result in excessive loss of control over the number of watched episodes (Schweidel and Moe, 2016;Granow et al., 2018;Flayelle et al., 2019;Flayelle, 2020). ...
... At the same time, it engages a person's various cognitive processes (perception, memory, attention, thinking). Both the emotions experienced by a person during binge-watching and cognitive processes that may result in excessive loss of control over the number of watched episodes (Schweidel and Moe, 2016;Granow et al., 2018;Flayelle et al., 2019;Flayelle, 2020). ...
... At the same time, it engages a person's various cognitive processes (perception, memory, attention, thinking). Both the emotions experienced by a person during binge-watching and cognitive processes that may result in excessive loss of control over the number of watched episodes (Schweidel and Moe, 2016;Granow et al., 2018;Flayelle et al., 2019;Flayelle, 2020). ...
Book
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This book examines the use of modern technologies in clinical psychological practice. It considers how we define attachment in an age where changes in technology and the COVID-19 pandemic have increased the prevalence of online contact in the process of diagnosis and psychological treatment. Based on an attachment paradigm that is relatively unexplored, the book outlines how modern online contact influences mental health and development, along with the therapeutic relationship between client and professional. It discusses people’s relationships with new technologies, how relationships can be established using these technologies, and how these technologies affect professional relationships between psychologists and their clients, which they define as e-attachment. In the context of new technologies, the book draws on neurobiology and clinical psychology to consider mental health, social functioning, and emotional regulation. Presenting both theory and examples from case studies, this cutting-edge book will be of great interest to researchers, academics, and post-graduate students in the fields of clinical psychology, psychotherapy, and mental health. Those also carrying out research into digital and online learning within the field of mental health will also benefit from this text. Link: https://www.routledge.com/E-attachment-and-Online-Communication-The-Changing-Context-of-the-Clinical/Sitnik-Warchulska-Izydorczyk-Wajda/p/book/9781032116860
... TV watching also provides information value regardless of the education level of its audience (Battaggion & Vaglio, 2020). Traditional TV is now being challenged in terms of customer attraction and market leadership due to the advent of TV stations and channels, as well as the increase in the number and types of media (Ewing, 2013;Schweidel & Moe, 2016). However, 79.3% of Filipinos surf the Internet for social media (Mapa, 2020). ...
Article
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Television as a medium of marketing communication has a decreasing exposure rate among generation Z due to the increasing patronage on Internet-based communication. However, marketers could not fully shift into online platforms because of television’s high market reach attribute especially in the Philippines. Establishing awareness is a crucial work for unknown brands but repetition does not guarantee familiarity. A comparative analysis on the impact of energetic commercials on deactivating audiences was performed while this research aimed to identify the factors affecting Gen Z’s consumer perception towards television as an advertising medium. Data collection was done through survey questionnaires distributed to 385 respondents. Data were treated with statistical tools such as measures of central tendency, measures of variability and partial least square - structural equation modelling (PLS-SEM). The results revealed that Perceived Ease of Use is an insignificant variable to consumer perception. It was discovered that watching TV news, movies, series, and more is not usually preferred by consumers; they would rather stream online. However, Information Gratification is found to significantly influence consumer perception on TV as an advertising medium. Consumers get to know new products and brands when watching TV. The results of this study will mostly benefit advertising agencies because they will further understand the current perception of the generation on television advertising. Thus, more effective strategies concerning television advertising will be implemented. Keywords: TV, advertising, gen Z, consumer perception, perceived ease of use, perceived usefulness, information gratification
... A study revealed that a major portion of the people in America love to binge-watching and often finish a series less than a week. It is also found that people prefer and enjoy watching the multiple episodes of a series in a short span of time (Schweidel and Moe, 2016). ...
Article
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Information technology has changed the living style of people in the last few decades by its evolution and revolution. So, ‘digitalisation’ is considered as very imperative in human history especially after the ‘industrial revolution’. With the changing paradigm, digitalisation has provided enormous space for the entertainment of Individuals through the Over-the-Top (OTT) video platforms on their demand. In India, the significant growths of OTT platforms have been noticed during the last decade with an increasingly growing number of consumers. With such huge demand, a surge of consumers in India, the OTT became a commodity rather than a luxury. Further, the demands of consumers & internationalisation open up its OTT market for domestic as well as international players. The OTT players like Hotstar and Jio Cinema has expanded a stouter position, whereas global players like Netflix and Amazon Prime have also extended progressively their market share in India. According to one report, the Video on Demand (VoD) industry is still at its emerging stage but the entry of 40 VoD companies in a span of just three years indicates the popularity and demand of such industry. This huge demand has exposed the concept of ‘Binge Watching’ in India as this platform provides on-demand, anywhere access, without a commercial break and unlimited access. However, these growing OTT players and online content have faced many controversies and fought legal battles in India due to the lack of regulatory mechanisms. This paper explores the emergence & growth of OTT platforms with their recent trends in India. Further, the paper specifically focuses on the regulatory regime of OTT platforms since the beginning and its current scenario.
... That cultural reclamation is forcing a revolution within the TV industry (Lotz, 2014). Scholars note how binge-watching is disrupting norms of televisual advertising (Schweidel and Moe, 2016) as well as traditions of content production and distribution (Lotz, 2014: 8-11). Perks (2015) uses multiple methods to explore new consumption rituals of multimedia texts. ...
Article
In this article, we explore how binge-watching culture and technology are changing the ways viewers understand and interact with television. We propose that the motives and rituals of binge-viewers can be used to expand uses and gratifications (U&G) theory. We conducted qualitative, semi-structured interviews to gather thick descriptions of why people binge-watch, how they binge-watch, and how they feel about binge-watching. The findings indicate that (1) viewers' primary motivations for binge-watching are catching up, relaxation, sense of completion, cultural inclusion, and improved viewing experience; (2) the portability and navigability of streaming video technology influence binge-watching rituals; and (3) viewers are ambivalent about their binge-watching. Based on the findings, we propose that a viewer attentiveness spectrum is a more accurate descriptor of contemporary TV watching than the passive/active dichotomy. We further argue that the changing motives and rituals of TV viewers can be used to bolster the quantitative surveys often employed in U&G research and to address the lingering criticisms of U&G theory.
... When asked about the most affect you most in the web series, 40.40% of the respondents agreed to like the cast, story and theme of the web series, while 30.50% agreed to like dialogues [22]. 20.60% agreed with abusive language and double meaning jokes and 8.50% of respondents agreed with sexual scene. ...
Article
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The Practice of Media Education and Media Research: A Review on Five Asian Countries
... Furthermore, some authors state that problematic binge-watching may even have certain similarities to substance or behavioural addictions (4,10,12,13). Prior research has shown that binge-watching is a highly engaging behaviour, meaning that it could lead to an increased loss of control over time (8,11,(13)(14)(15). Some studies have found that participants report experiencing various difficulties in attempting to reduce the time that they spend binge-watching TV series (8,16). ...
Article
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Recently, the question about the potentially problematic characteristics of binge-watching behaviours has been raised in the contemporary literature. Binge-watching is a highly popular behaviour that involves watching multiple episodes of TV series in one sitting. Studies show that binge-watching can be both an entertaining, but also a potentially problematic, behaviour. Therefore, this research aimed to answer the question about how impulsivity, difficulties in emotional regulation, and one's motivations around why they want to watch a TV series predict problematic binge-watching among a group of Polish young adults. The research group consisted of 645 participants. The following tools were then used to measure the study variables: the Impulsive Behaviour Scale, the Difficulties in Emotion Regulation Scale, the Viewing Motivation Scale, and the Questionnaire of Excessive Binge-watching. Furthermore, a regression analysis was performed on the responses to each measure in order to answer our research questions. Our results show that a lack of premeditation, impulse control difficulties, and having an escapist motivation are all significant predictors of problematic binge-watching behaviours. Furthermore, one's motivations around dealing with loneliness, their motivations around how to best spend their free time, as well as their informative and entertaining motivations were also found to be significant predictors of problematic binge-watching behaviours.
... The key aspect differentiating social live streams [1] from other popular media forms, such as TV or video on demand (Schweidel and Moe, 2016), is that the streaming and the consumption of content occur in real time. This allows for real-time social interactions between content creators (i.e. ...
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... The occurrence of anti-health form of binge-watching could be related to the new construction of narrative created by streaming platforms, characteristics of video on demand platforms, and individual psychological predispositions to development of problematic use of media (Alter, 2017;Grzegorzewska and Cierpiałkowska, 2018;Boca, 2019;Brand et al., 2019). Research has shown that binge-watching is an event that is very engaging both emotionally and cognitively, which may lead to loss of control over the number of watched episodes (Schweidel and Moe, 2016;Flayelle et al., 2017;Granow et al., 2018). The aforementioned loss of control is undoubtedly related to the production of series with a comprehensive narrative that keeps the viewer's attention (Alter, 2017). ...
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... Eles podem ser classificados em: ao vivo, com transmissão em tempo real para os espectadores; e on-demand, em que o vídeo fica armazenado e os espectadores podem assistir ao conteúdo no momento em que julgarem melhor (Liu, Guo, & Liang, 2008;Shen, Luo, Zimmermann, & Vasilakos, 2011). Tal liberdade pode ter contribuído para que muitos considerassem o acesso aos VS tão importante quanto aos serviços de internet e de televisão paga (Lohmann & Frederiksen, 2018;Schweidel & Moe, 2016). Dessa forma, fica clara a importância de se realizar estudos sobre anúncios em VS. ...
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Thesis
Temel ekonomik göstergelerin iktisadi faaliyetler üzerindeki etkisi, kuşkusuz medya endüstrisinde de söz konusudur. Mikro ve makro düzeyde ortaya çıkan bu etkiler, medya ekonomisi bağlamında medya birimlerini ve ekonomik göstergeleri bir araya getirmekte ve bugün, tüm dünyada insanların fikir ve düşünceleri üzerinde etkili olan, insanları eğlendiren ve bilgilendiren medyanın ekonomik tahlilini mümkün hâle getirmektedir. Böylece alışılagelmiş ekonomi yazımı ile iletişimin önemli bir ögesi olan medya, ortak bir paydada buluşturulmaktadır. Medya mecralarının üretmiş oldukları içeriklere ulaşmanın neredeyse ücretsiz olduğu günümüzde; reklam harcamaları, medyaları sübvanse etmekte ve medyalara finansal anlamda “can suyu” olmaktadır. İletişim ve dağıtım teknolojilerindeki gelişmeler, yıllar içerisinde, medyaları değişime ve dönüşüme uğratmış ve hatta yeni birimlerin ortaya çıkmasını sağlamıştır. Medya mecralarının ve iletişim sektörünün yıllar içindeki değişimine en yakından tanıklık etmiş reklam değer zinciri de bu değişim ve dönüşüm ilişkilerine ayak uydurmayı başarmıştır. 2014 yılı ile birlikte “Netflix etkisi” olarak adlandırılan isteğe bağlı video ve beraberindeki isteğe bağlı ses hizmetlerinin, dijital medya vasıtası ile dünya genelinde geniş kullanım alanına kavuşmasıyla birlikte; kitle yoğunlaşmasının ve tüketici talebinin yönlendiği yeni medya mecrası internet olmuştur. Etkileşim, interaktiflik, aktif izleme ve dinleme eylemleri, binge-watching, yapay zekâ algoritmalı tavsiye sistemi ve navigasyonel tercih özgürlüğü ile internet medyası, zaman ve mekân sınırlarını ortadan kaldırarak medya içeriklerinin tüketimini; kişisel tercihler özeline ve topluluktan ziyade kişisel bir eyleme dönüştürmüştür. Bu dönüşüm silsilesini, potansiyel müşterilere ulaşmak ve başarılı satın alımları gerçekleştirmek isteyen reklamverenler de takip etmiş ve nihayetinde reklam harcamalarında da dolaylı ve doğrudan değişim başlamış; medyaların sorumlu olduğu harcamalar, birimler arasında farklılaşmıştır. Anahtar kelimeler: Medya Ekonomisi, Reklam, Reklam Harcamaları, Dijital Medya, İsteğe Bağlı Hizmetler, İsteğe Bağlı Video, İsteğe Bağlı Ses.
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The authors develop an approach to market segmentation based on consumer response to marketing variables in both brand choice and category purchase inci- dence. The approach reveals segmentation as v/ell as the nature of choice and incidence response for each segment. Brand choice and purchase incidence decisions are modeled at the segment level v/ith the disaggregate multinomial logit and nested logit models; segment sizes are estimated simultaneously with the choice and inci- dence probabilities. Households are assigned to segments by using their posterior probabilities of segment membership based on their purchase histories. The pro- cedure thereby permits an analysis of the demographic, purchase behavior, and brand preference characteristics of each response segment. The authors illustrate their approach with scanner panel data on the liquid laundry detergent category and find segmentation in price and promotion sensitivity for both brand choice and category purchase incidence. The results suggest that many households that switch brands on the basis of price and promotion do not also accelerate their category purchases and that households that accelerate purchases do not necessarily switch
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The numerous associations between eating disorders and drug addictions--craving, preoccupation, compulsive use/behavior despite adverse consequences, denial of problem, use of substance to relieve negative affect with guilt following use, comorbidity, genetic links, high recidivism especially when exposed to cues or triggers, overeating and weight gain during early recovery from drug addiction, common neurobiological pathways, modification of drug reward by eating or starvation--suggest that binge eating disorders represent a drug-free auto-addiction for a significant subset of the addiction prone. In some it is a trigger leading to a drug or alcohol relapse, and in others it is an apparent result of alcohol or drug abstinence when food becomes a new drug of choice. In any case, food is a powerful mood altering substance that is repetitively and destructively used or restricted in eating disorders just as drugs are in substance use disorders. (PsycINFO Database Record (c) 2012 APA, all rights reserved)
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In this study, we develop a multivariate generalization of the negative binomial distribution (NBD). This new model has potential application to situations where separate NBDs are correlated, such as for page views across multiple websites. In turn, our page view model is used to predict the audience for Internet advertising campaigns. For very large Internet advertising schedules, a simple approximation to the multivariate model is also derived. In a test of nearly 3,000 Internet advertising schedules, the two new models are compared with some proprietary and nonproprietary models previously used for Internet advertising and are shown to be significantly more accurate.
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In this paper we develop a general class of dynamic brand choice models, called Lightning Bolt (LB) models, which are consistent with the theory of random utility maximization of consumer choice behavior. The underlying random utility process is Markov, and the inter-temporal evolution of the (utility-maximizing) brand choice process is also Markov. The models permit parsimonious parameterizations of the random utility process in brand choices with the resulting switching probabilities being functionally related to explanatory variables. The model allows for structural state dependence (feedback), habit persistence (inertia), and unobserved heterogeneity. The theoretical development shows that several well known stochastic brand choice models can be deduced from random utility maximization theory. From a managerial perspective, the usefulness of the proposed model stems from its ability to separate out the effects of habits, state dependence and heterogeneity. Strong state dependence effects imply incentives for inducing trial of a brand (e.g., product sampling). In contrast with state dependence, a strong habit persistence effect may be indicative of buyer behavior where inducement of trial of a different brand may not be sufficient to maintain a (sustained) defection of the consumer from the habitually purchased brand to the trial brand. Failure to distinguish between these two effects has important implications. For example, a model that only accounts for state dependence effects would, in the presence of only habit persistence, incorrectly attribute it to state dependence. Based on this the manager could decide to embark on an expensive sampling program that might prove ineffective due to the absence of state dependence. It is also important to distinguish between the effects of unobserved heterogeneity and state dependence. In the absence of true state dependence, failing to account for unobservable variations across households (such as differences in price sensitivities), results in the temporally persistent unobservable elements showing up as state dependence in the model. Hence, a manager may incorrectly opt for sampling as the appropriate marketing action, whereas, a couponing or price promotion strategy should have been preferred. We estimate the model parameters using the AC Nielsen household scanner panel data set on catsup purchases. Further, we investigate empirical techniques for overcoming the “initial conditions” problem that affects many dynamic models of brand choice. Through simulation analysis using the estimated parameters, we show that the calculated profitability of a promotion must take into account the multi-period impact due to state dependence. Further, we demonstrate how ignoring heterogeneity can result in spurious state dependence, thereby making marketing tactics such as product sampling appear far more attractive than they actually are. Specifically, the model that accounts only for habit persistence and state dependence effects predicts a share increase of 2.4% points through sampling for one of the brands in the empirical analysis. Once the effects of unobserved heterogeneity are accounted for, however, this number drops precipitously to 0.3%. While even this low number might fulfill the objectives of the brand manager, it ensures that expectations are not eight times that number. It is important to note that this paper is a first attempt at analyzing the three fundamental dimensions of dynamic brand choice behavior. Our formulation represents a “reduced form” approach as opposed to a “structural” approach. Other limitations of the model include our focus on time-invariant choice sets. Extensions of the model to situations where choice sets vary over time are possible, but are difficult. Another limitation is the dependence on multivariate extreme value distributions. An alternative would be to use multivariate normal distributions, i.e., a probit-like structure which has certain useful properties. A comparison of the two approaches would be useful. Empirical extensions of the model to allow for higher-order processes and nested logit type model structures could also be fruitful. Explicitly incorporating variety-seeking behavior in the model would further enrich the theoretical framework proposed in this paper.
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Some statistical methods developed recently in the biometrics and econometrics literature show great promise for improving the analysis of duration times in marketing. They incorporate the right censoring that is prevalent in duration times data, and can be used to make a wide variety of useful predictions. Both of these features make these methods preferable to the regression, logit, and discriminant analyses that marketers have typically used in analyzing durations. This paper is intended to fulfill three objectives. First, we demonstrate how decision situations that involve durations differ from other marketing phenomena. Second, we show how standard modeling approaches to handle duration times can break down because of the peculiarities inherent in durations. It has been suggested in recent marketing articles that an alternative to these conventional procedures, i.e., hazard rate models and proportional hazard regression, can more effectively handle duration type data. Third, to investigate whether these proposed benefits are in fact delivered for marketing durations data, we estimate and validate both conventional and hazard rate models for household interpurchase times of saltine crackers. Our findings indicate the superiority of proportional hazard regression methods vis-à-vis common procedures in terms of stability and face validity of the estimates and in predictive accuracy.
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The past few years have seen increasing interest in taking the notion of customer lifetime value (CLV) and extending it to value a customer base (with subsequent links to corporate valuation). The application of standard textbook discussions of CLV sees us performing such calculations using a single aggregate retention rate. However, at the cohort level, retention rates typically increase over time. We suggest that these observed dynamics are due, in large part, to a sorting effect in a heterogeneous population. We show that failing to recognize these dynamics yields a downward-biased estimate of the residual value of the customer base. We also explore the implications of failing to account for retention dynamics when computing retention elasticities, and find that the frequently reported estimates underestimate the true effect of increases in underlying retention rates in a heterogeneous world.