Friedrich Schiller, the grand master of the classical aesthetic of autonomy, was also a political thinker. In the 1790s, reading Immanuel Kant upset him, as did the French Revolution: abuse of power, political resistance, conspiracy and tyrannicide are just a few of the genuinely political themes that he repeatedly varies in literary terms. The articles in this volume consider the connection
... [Show full abstract] between the political, legal and ethical dimensions of Schiller's work. In addition to his 'big' dramas as well as his philosophical and historical writings, they examine the nexus of ethics, law and politics at the 'margins' of his work, in both his short works and his literary fragments. With contributions by Oliver Bach, Antonino Falduto, Maria Carolina Foi, Markus Hien, Matthias Löwe, Vincenz Pieper, Jens Ole Schneider, Michael Schwingenschlögl, Sebastian Speth, Gideon Stiening and Ludwig Stockinger.