Urban design history did not emerge as a strictly disciplinary project of art history. Even if the first general urban design history was published in 1920 by art historian Albert Erich Brinckmann, a disciple of Heinrich Wölfflin’s, it took at least as much inspiration from architectural theories as Camillo Sitte’s Städtebau (1889). Furthermore, the first general urban design histories had not
... [Show full abstract] been published as separate history books, but appeared as substantial chapters in planning literature as in Daniel Burnham’s Plan of Chicago (1909) or Rudolf Eberstadt’s Handbuch des Wohnungswesens und der Wohnungsfrage (1909). The analysis of further urban design histories not only reveals that the authors came from such different disciplines as architecture, history, art history, economics, or politics, but also dealt with a variety of disciplines and factors for interpreting the development of cities. Despite this broad multidisciplinary approach, these authors never lost their focus: to interpret the urban form.