Analyses of sculptural practices of the Ancient Maya have centered on the final stages of production, namely the identities of sculptors, the locations of production, and the techne of sculptural practice. While the contributions of these analyses cannot be contested, there remains a poorly resolved understanding of when in the process of sculpture limestone gains its cultural significance. This
... [Show full abstract] paper presents data from recent excavations at a quarry workshop at Xultun where a stela still attached to bedrock was uncovered. Our analysis of this discovery provides a glimpse into the first stages of monument production, such as stone selection and removal, as well as the beginnings of cultural practices often associated with the use-life of a stela.