Article

The salience of socially engaging and disengaging emotions among Black and White South Africans

Authors:
  • North—West University
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Abstract

This study investigated the experience of disengaging and engaging emotions among Black and White South African university students. In total 351 Black and White students attending a large North Western province university in South Africa (45% Black students, 69% female students, M-age = 21.09, SDage = 3.02) reported on their emotions in general, on the last emotional experience they had at home, and on the last emotional experience they had at university. They rated in each context 55 emotion terms that represented the emotion domain. Participants could either respond in English, Setswana, or Afrikaans. A multidimensional scaling revealed a two-dimensional structure across Blacks and Whites, the three languages, and the three contexts. On the first dimension negative emotions (such as sadness) were opposed to positive emotions (such as joy). On the second dimension disengaging emotions (such as anger and pride) were opposed to engaging emotions (such as guilt and compassion). Thus also in South Africa emotions differ with respect to whether they set a person apart from the social context (disengaging), or whether they link a person to the social context (engaging). Contrary to expectation, Blacks did not report more engaging and less disengaging emotions than Whites. In the university context no differences were observed, while in the home and general context Blacks reported more disengaging and less engaging emotions than Whites. Post hoc explanations are proposed in terms of relative differences in social status, acculturative changes, and the specific experiences of Black and White students in the South-African context.

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... More recent research has proposed four-dimensional models with valence, arousal, control, and novelty (Fontaine et al., 2007;Fontaine, 2013;Fontaine and Scherer, 2013). A dimension of emotional engagement, which concerns whether the emotional experience fosters individuals' independent sense of self or interdependent sense of self, has also been identified (Kgantsi et al., 2015). These prominent dimensions are proposed as important characteristics for people to distinguish different emotions. ...
... This dimension is identified as social engagement. The characteristic of this dimension concerns whether the emotion is related to the experience of independent sense of self (regarding self as an entity that is independent from social relationships) or interdependent sense of self (regarding self as being embedded in social relationships with others) (Markus and Kitayama, 1991;Kgantsi et al., 2015). Socially disengaged emotions make the independentself salient, thus they are often experienced when the sense of autonomy is threatened (e.g., anger, surprise, nervous) or enhanced (e.g., pride). ...
... However, not all the emotions were perfectly placed in accordance with the socially engagement characteristic. The emotion of ashamed (or shame), which is generally classified as a socially engaging emotion (Kitayama et al., , 2006Kgantsi et al., 2015), was on the socially disengaging side in the Figure 1. This issue is discussed later. ...
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The concept of emotion can be organized within a hypothetical space comprising a limited number of dimensions representing essential properties of emotion. The present study examined cultural influences on such conceptual structure by comparing the performance of emotion word classification between Japanese and Korean individuals. Two types of emotional words were used; central concepts, highly typical examples of emotion, and less typical peripheral concepts. Participants classified 30 words into groups based on conceptual similarity. MDS analyses revealed a three-dimensional structure with valence, social engagement, and arousal dimensions for both cultures, with the valence dimension being the most salient one. The Japanese prioritized the social engagement over the arousal while the Koreans showed sensitivities to the arousal dimension. Although the conceptual structure was similar for the two countries, the weight of importance among the three dimensions seems to be different, reflecting each culture’s values and communication styles.
... that the second dimension is related to the independent self. the second dimension is related to the experience of an independent sense of self (seeing the self as embedded in social relationships with others) [50,51]. As the second dimension carries a secondary amount of information, "Curious" and "Excite" appear as the negative direction of the one-dimensional map and "Relaxation", "Safe", and "Calm" appear as the positive direction of the one-dimensional graph [52]. ...
... Therefore, the characteristics of this dimension are related to the degree of "activation" of the emotion, not to the potency of the emotion, and it also shows that the second dimension is related to the independent self. the second dimension is related to the experience of an independent sense of self (seeing the self as embedded in social relationships with others) [50,51]. As the second dimension carries a secondary amount of information, "Curious" and "Excite" appear as the negative direction of the onedimensional map and "Relaxation", "Safe", and "Calm" appear as the positive direction of the one-dimensional graph [52]. ...
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... Studies evaluating the fundamental properties of affective space are only as valid as the stimuli that are included in them-for example, if a study included only negative emotions, a valence dimension might not emerge. In this view, we posited that a dimension representing the social nature of emotion has not emerged in previous analyses of the structure of affective space because social emotion terms were not consistently evaluated (but see, Condon & Barrett, 2013;Kgantsi, Fontaine, & Temane, 2015;Veirman & Fontaine, 2015). The goal of the social priming task deployed in Study 2, as articulated, was to orient participants to think about other people by watching a brief video and writing about it. ...
... Any of these methodological features could plausibly lead to differences in the emergence of higher-order dimensions beyond valence and arousal. Of note, in all but one study (Kgantsi et al., 2015), valence and arousal emerged as dimensions-suggesting that valence and arousal are likely universal, with other dimensions emerging based on the methodological approaches or the cultural contexts in which the work was conducted. Consistent with the fundamental nature of valence and arousal in organizing affective space is the finding that priming social information in Study 2 did not result in the emergence of an additional dimension, nor a shift in the relative placement of words within the identified affective space. ...
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... These two are the most prominent characteristics in many cultures (Jackson et al., 2019;Russell et al., 1989;Västfjäll et al., 2002;. People also use other characteristics, such as whether the emotion is indicating an attentive or rejective attitude of the expressor (Schlosberg, 1954), whether the emotion is controllable or impulsive (Osgood, 1966), and whether the emotion is socially engaging or not (Kgantsi et al., 2015). The use of those dimensions, which are less important than the valence and arousal, might be culturally variable (Kuppens et al., 2006). ...
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