The purpose of this article was to translate two small chapters of Alessandro Piccinini’s, Intavolatura di Liuto, et di chitarrone, Bologna, 1623, where the author expose the invention of the Chitarrone, the Pandora and the Archlute.
This is a unique moment for the creation of new instruments from the lute family with extended basses, instruments that exert enormous influence, not only in Italy
... [Show full abstract] but also in France and England as continuo player and solo music.
In addition to translation of chapters XXVIII and XXXIIII, I wrote three addenda with morphological information of the Lute, Archlute and Chitarrone.