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Philosophical Writings of Peirce

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... We decided to select opinion articles on loneliness published in the US newspapers and Singapore newspapers, and we were able to capture key themes that emerged from thematic analysis of textual data, while mindful of the principles of semiotics as the study of signs and objects in texts (Peirce 1955) and the possibility of comparing how Western and Asian cultures view loneliness. The choice of the US newspapers and Singapore newspapers was motivated by the fact that it is in these newspapers that loneliness articles abound and are readily accessible on the internet. ...
... In uncovering the signs and symbols in narrative accounts in the larger body of texts, Peirce (1955) suggested a simple strategy: to determine the sign (signifier), the object (the signified), and the interpretant, although Peirce (1955) argued that such process gets complicated and challenging as the semiotic researcher goes deeper in their exploration of signs and symbols and is profoundly immersed in these signs and symbols. In one of his many definitions of a sign, Peirce (1955) shared a fundamental view: "I define a sign as anything which is so determined by something else, called its object, and so determines an effect upon a person, which effect I call its interpretant, that the latter is thereby mediately determined by the former" (Atkin 2010). ...
... In uncovering the signs and symbols in narrative accounts in the larger body of texts, Peirce (1955) suggested a simple strategy: to determine the sign (signifier), the object (the signified), and the interpretant, although Peirce (1955) argued that such process gets complicated and challenging as the semiotic researcher goes deeper in their exploration of signs and symbols and is profoundly immersed in these signs and symbols. In one of his many definitions of a sign, Peirce (1955) shared a fundamental view: "I define a sign as anything which is so determined by something else, called its object, and so determines an effect upon a person, which effect I call its interpretant, that the latter is thereby mediately determined by the former" (Atkin 2010). ...
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Semiotics uncovers signs and objects in narrative accounts and vivid descriptions in the larger body of texts through the power of an interpretant. A sign is an idea that stands for something bigger while an object is a possible interpretation or meaning of that idea. An interpretant is best thought of as the understanding that we have of the sign-object relation. In this study, we attempted to answer two research questions: (1) What signs do descriptive accounts of loneliness signify, and what objects do these significations suggest? (2) How do these sign-object relations accomplish awareness and understanding of loneliness as a deep human emotion? By thematically analysing 30 opinion articles on loneliness published in the US and Singapore newspapers, we were able to decipher the signs that op-ed articles on loneliness suggest, and we seemed to have unravelled the meanings of these signs. We seemed to have found two signs in our interpretation and meaning making: (1) In the US, loneliness exists due to the rapid deterioration of deep and meaningful human connections, and (2) In Singapore, loneliness that is made overt is a sign of human weakness. What object does the first sign suggest? We surmise that our material body has enormous power to connect with other human beings in the physical world in which we live. Fundamentally realizing the power of our lived body and our lived mind can allow us to sustain meaningful human connections that matter to our mental health. For the second sign, we argue that Singaporeans in general tend to create a binary self of which they are ensnared into a double identity that somehow explains who they are. However, this rise of embodying a binary self or a double identity in the Asian context seems to conceal difficult, heavy, and pervasive emotions such as loneliness bringing a debilitating impact on mental health. Theoretical and cultural implications invite Singaporeans to embrace vulnerability and human frailty as a way of dealing with loneliness as a dangerous emotion. Practical implications also draw into the power of embracing vulnerability and human frailty so that individuals can manage and overcome difficult emotions such as loneliness that has bearing on the kind of life they want to live.
... Pointing gestures are characterized by their indexicality -the relationship between the sign and object is defined by a causal and spatial connection. Indexical relationships can be found through other signs beyond pointing: a sundial indexes the time of the day, a weathercock indexes the wind direction, and the calluses on a man's thumb index his occupation as shoemaker, for example (Peirce, 1955;see Clark, 1996 for a further summary). The terms 'deixis' and 'indexicality' come from different fields (Bühler, 1934;Peirce, 1955). ...
... Indexical relationships can be found through other signs beyond pointing: a sundial indexes the time of the day, a weathercock indexes the wind direction, and the calluses on a man's thumb index his occupation as shoemaker, for example (Peirce, 1955;see Clark, 1996 for a further summary). The terms 'deixis' and 'indexicality' come from different fields (Bühler, 1934;Peirce, 1955). Levinson (2004) makes the distinction by using indexicality to describe contextual dependency and deixis to refer to linguistic aspects of indexicality, and I will make the same distinction going forward. ...
... An index contrasts with other types of signs that have different relationships to their referents, such as icons and symbols. An icon is characterized by its resemblance to its referent -Holbein's portrait of Henry VIII is an icon by resembling Henry VIII (Peirce, 1955;Clark, 1996). Icons can also vary in the complexity and quality of the object they represent, such as diagrams representing analogical relationships between features of a model and what they represent, equations, or metaphors. ...
Thesis
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To achieve social actions and coordination, we communicate different types of meanings that vary in how they relate to the world. Some form-meaning mappings are arbitrarily linked to the world, but other types of communicative forms need to be interpreted within context. This dissertation examines how we learn to integrate these various representations, focusing on deixis. The first part of this dissertation attempts to understand a long-standing theoretical question of whether pointing in signed languages has similar forms and functions as deixis in spoken languages. In Chapter 1, using naturalistic corpus data involving children communicating in spoken and signed languages, I compare the form and function of pointing and spoken pronouns over development from ages 1;06 to 4;02. Signers apply a functional analysis to their pointing in a similar way that speakers do with their deictic systems, showing similar distributions of 1) displaced references, 2) referentiality, and 3) productive combinations of deictic expressions with words. Crucially, signers’ use of pointing closely resembles speakers’ deictic system as a whole, encompassing both speech and gesture. Chapter 2 focuses on modality and linguistic factors influencing pointing. In sign, pointing forms are more reduced and are more likely to be slotted in the utterance compared to speech. There is no clear evidence for formational contrasts according to distinct pragmatic functions in either groups. In Chapter 3, I ask how the presence of a shared linguistic system shapes deixis by studying homesigners, deaf children who do not share a linguistic system with their parents. They develop a sophisticated system, however, a partial one relative to signers, which reveals that linguistic input may be essential for some properties of deixis to develop and not for others. Taken together, this work demonstrates that some aspects of deixis universally develop within a wide range of environments, while other functions may be linguistically mediated systems that emerge early in ontogeny.
... Throughout his writings, Peirce (1955) advocated the use of philosophy as a tool for contemplating the interrelationship among creativity, connections, and actions. He did this by standing on the shoulders of his intellectual forefather, Immanuel Kant. ...
... Peirce (1955, p. 316) stated, "that systems ought to be constructed architectonically has been preached since Kant, but I do not think the full import of the maxim has by any means been apprehended". However, Peirce (1955) recognized that knowledge changes rapidly, so his architectonics accounts for the performative nature of knowledge while also providing it with some kind of structure for observation and continuity. In other words, architectonics is central to Peirce"s philosophy because it is his attempt to explain the various ways in which language and the sciences or disciplines allow us to discover and understand phenomena (Short, 2007). ...
... According to Peirce (1955), perceptual judgments or thoughts involve particular properties or qualities. One"s thoughts can be explained in terms of Firstness, Secondness, and Thirdness. ...
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After the onset of the global pandemic in 2020, educators and policymakers are reimagining academe and its protocols and practices. Interdisciplinarity is often evoked as both a panacea and praxis in their blueprints and frameworks for a new academic architecture for higher education. However, advocates for interdisciplinarity are often unaware of the contradictions and tensions that scholars have long recognized between the rhetoric of interdisciplinarity and its actualization. As such, the troubled constitution of interdisciplinarity confuses its discourse and limits its agency, making it harder for educators and policymakers to advance a vision that is congruent with the increasing digitalization of teaching and learning in education. This theoretical meta-synthesis recalibrates the discourse of interdisciplinarity by illuminating its expression in Charles S. Peirce's architectonic theory. By reimagining Peircean pragmatism in the epistemological genealogy of interdisciplinarity introduced by James Welch, we can posit an alternative paradigm and discourse that educators and policymakers can use to reconceive higher education.
... Unlike Saussure's theory of sign, based on Linguistic (signifier -signified dyad), Peirce proposed a triad structure comprised of an object (holds the character of sign's referentiality), a sign (at times treated as a representamen), and an interpretant (Metro -Roland, 2009), recognized as a logical refinement of the notion of interpreter, upon representing the action of the sign to the interpreter (Santaella, 2017). For Peirce (1955), the interpretant can be a thought, a word, or an action. ...
... At first glance, the notion of meaning points to the ideas of sense and reference (Nöth, 1995). However, the Pragmaticist epistemological stance, developed by Peirce (1955), emphasizes the study of signs' meaning concerning their users. Meaning is, hence, the significant effect of signs (Nöth, 1995). ...
Article
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We used Semiotics to more closely examine visual representations of lake landscapes and corporeal "performativities", specifically employing type/token distinction, a remarkable feature of the sign model by Charles Sanders Peirce (1839-1914). Thus, the core goal was to address the following question from a southern empirical semiotic lab, Mirim Lagoon (Brazil/Uruguay): How do tourists and leisure-seekers encounter lake landscapes and make sense of them in aesthetic and performative terms? We applied a qualitative methodological approach based on visual and textual information, followed by interpretational analysis informed by type/token distinctions and complementarity. Visitors engage with lake landscapes visually, corporeally, and performatively regarding the materiality of these "vacationscapes". The collective gaze complements and confronts conservative observation at these landscapes, still focused on Romanticism. After providing advances in our current comprehension of these interrelated phenomena, we raise some questions for further examination, together with practical implications. La semiosis turística de los paisajes lacustres a través de la estética y las performatividades.
... Recordemos, como teste último do OT, a máxima pragmática tal como apresentada por Peirce (1955Peirce ( [1878: 31): "para determinar o sentido de uma dada concepção devem-se considerar as consequências práticas concebíveis que resultam necessariamente da sua verdade; a soma dessas consequências constituirá o sentido total da concepção -e perguntemos aos arquitetos do OT quais são para eles as consequências práticas que resultam do conhecimento etnográfico da verdade da conceção segundo a qual o pó usado na adivinhação é poder? Esta é, em última análise, a questão através da qual se pode encontrar a relevância e a veracidade de qualquer inquérito. ...
... Recordemos, como teste último do OT, a máxima pragmática tal como apresentada por Peirce (1955Peirce ( [1878: 31): "para determinar o sentido de uma dada concepção devem-se considerar as consequências práticas concebíveis que resultam necessariamente da sua verdade; a soma dessas consequências constituirá o sentido total da concepção -e perguntemos aos arquitetos do OT quais são para eles as consequências práticas que resultam do conhecimento etnográfico da verdade da conceção segundo a qual o pó usado na adivinhação é poder? Esta é, em última análise, a questão através da qual se pode encontrar a relevância e a veracidade de qualquer inquérito. ...
Article
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Este artigo questiona a consistência, razoabilidade e fecundidade das propostas metodológicas e conceção de conhecimento antropológico da “viragem ontológica” em antropologia. Tomando como ponto de partida o livro-manifesto produzido por Martin Holbraad e Morten Pedersen, procuro mostrar que a viragem ontológica permanece vinculada a pressupostos problemáticos que a disciplina frequentemente opta por não contemplar criticamente e que não resistem à máxima pragmática. Argumento que a viragem ontológica como dispositivo metodológico não traz a transformação efetiva e consequente dos modos de investigação antropológica que geneticamente procura, e que, se essa transformação for tomada como objetivo, há que percorrer caminhos abertos pela fenomenologia e hermenêutica de Martin Heidegger e Hans-Georg Gadamer, que os seus autores evitam.
... In Of Grammatology, Derrida (1997) cites C. S. Peirce (1955) as one of the first to describe the supplemental nature of sign systems in the process of communication. As a mathematician, scientist, philosopher, and semiotician, Peirce makes important contributions in several disciplines. ...
... More importantly, Peirce's conceptualization of the sign as dialogic creates the groundwork for what would later be called intertextuality (discussed below) (Chandler, 2002, p. 34). Peirce (1955) develops a three-part model of the sign that consists of representamen (form of the sign), interpretant (sense made of the sign), and object (that to which the sign refers). The interaction of these parts is what he calls semiosis. ...
Article
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In interdisciplinary education, metaphors often provide the epistemological clarity that is lacking in our definitions and theories of interdisciplinarity. The problem is that ineffective and unsubstantiated metaphors proliferate. We lack a root metaphor or shared world view of interdisciplinarity. Is it time that we move away from thinking in terms of metaphors? Some instrumentalists in interdisciplinary studies argue yes and propose a pragmatic constructionist approach for interdisciplinary education. This theoretical study determines that this proposal is incomplete. It reveals that an intertextual view of interdisciplinarity is not only more appropriate, but it integrates the competing theoretical and pedagogical approaches in the field. This article also identifies “the matrix” as the metaphor best positioned to sustain this integration and to bridge the widening gap between disciplines.
... As one Tablighi explained, "my beard reminds me that I am of the Prophet's community (ummat) and that I must never do anything to defile the image of the Prophet. " The beard is an iconic sign, in Peirce's (2011) sense of being a sign that carries a physical resemblance to its object, but it is also an indexical sign, in that it suggests contiguity with Prophetic example. In dawat, one is performing the same tasks that the Prophet and Companions performed and thus comes to feel the responsibility for acting in accordance with virtues of their character. ...
Article
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Pakistani Tablighis, practitioners of the transnational Islamic piety movement the Tablighi Jamaat, say that Muslims have abandoned religion (din) and been led astray by the world (dunya) and this has thrust the world into a state of moral chaos (fitna). They insist that only their form of face-to-face preaching (dawat) can remedy this situation. Drawing on Bakhtin’s (1981) notion of chronotope, or distinct imaginaries of space and time, anthropologists have argued that chronotopes produce a “plot structure” for social interaction that instantiates different social persona and forms of agency. In this article, I argue that dawat is organized around a chronotope of piety that encourages deference to others as well as defers the realization of piety to the future, thereby creating a self-limiting and self-regulating form of pious authority that Tablighis see as the basis for the creation and moral reproduction of the Islamic community. Pious authority takes on political significance as an alternative form of sovereignty against the backdrop of religious and political fragmentation engendered by state- and market-driven Islamization in Pakistan.
... Indexing in semiotics refers to the relationship between a sign and its referent in a particular context [37]. This technique helps to highlight the tension between the narrative, social, cultural, and psychological contexts related to the elements of the story. ...
Article
This study aims to uncover the meaning of paradoxical symbols in Royyan Julian's works, especially in the novel "Pendosa yang Saleh," using psychoanalytic and semiotic approaches. Through qualitative methods, data were collected through intensive reading of Julian's works, interviews with literary experts and readers, and observations of social and cultural contexts. The analysis was conducted based on Jacques Lacan's theory, which includes three main domains: real, imaginary, and symbolic. The results of the study indicate that paradoxical symbols such as Suhairiyah's smile, hallucinations, and Mubarak's behavior as a pedophile reflect the tension between social expectations and personal desires. These symbols enrich the narrative with multi-layered meanings that depict the psychological and moral complexities of the characters. This study contributes to the understanding of paradoxical symbols in fiction and offers insights for educators, writers, and psychological practitioners. The conclusion suggests that paradoxical symbols function as tools to depict internal and social conflicts in literary works, as well as providing recommendations for further research and practical applications in various media.
... Instead, it integrates observations with abstract or hypothetical premises that are designed to explore the logical implications of a given phenomenon. This hybrid approach retains a deductive structure but emphasizes exploration over generalization [19]. ...
Preprint
This paper introduces Reflective Empiricism, an extension of empirical science that incorporates subjective perception and consciousness processes as equally valid sources of knowledge. It views reality as an interplay of subjective experience and objective laws, comprehensible only through systematic introspection, bias reflection, and premise-based logical-explorative modeling. This approach overcomes paradigmatic blindness arising from unreflected subjective filters in established paradigms, promoting an adaptable science. Innovations include a method for bias recognition, premise-based models grounded in observed phenomena to unlock new conceptual spaces, and Heureka moments - intuitive insights - as starting points for hypotheses, subsequently tested empirically. The author's self-observation, such as analyzing belief formation, demonstrates its application and transformative power. Rooted in philosophical and scientific-historical references (e.g., Archimedes' intuition, quantum observer effect), Reflective Empiricism connects physics, psychology, and philosophy, enhancing interdisciplinary synthesis and accelerating knowledge creation by leveraging anomalies and subjective depth. It does not seek to replace empirical research but to enrich it, enabling a more holistic understanding of complex phenomena like consciousness and advancing 21st-century science.
... The goal is to explore the meaning of signs and how they function within communication [21,22]. The analysis will focus on several dimensions: a qualitative-iconic dimension (colors, textures, and composition), singular-indicative (realism and precision), and the conventional-symbolic dimension [22][23][24]. ...
Preprint
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Using a semiotic framework based on Peirce’s theory of signs, the study evaluates DALL-E’s ability to accurately depict cultural traditions of northern Portugal and Galicia.The comparison between AI-generated images and ethnographic records uncovered several data gaps and biases within the training data cultural biases resulting in images that misrepresent cultural events and traditions. The findings reveal that DALL-E fails to authentically represent cultural elements such as traditional costumes, masks and dance movements. This study concludes that AI systems reproduce existing biases present within their training data, resulting in a process of ”cultural flattening” wherein Ibero-American cultures are made to appear more uniform and generic than in reality.
... This enactment ("depiction" in Clark's terms) results from the recollection of an event that the signer participated in when she was a child. Clark's categorization is informed by Peirce's (see Peirce 1955) delineation of types of signs as icon, index, or symbol. For Clark, demonstrating an action (via gesture, as Clark was considering spoken language) creates an icon. ...
Article
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Central to how signed languages such as American Sign Language (ASL) express the viewpoint of a signer is the space surrounding the signer's body, and primarily that in front of the signer. Perspective‐taking, in its most basic form, is physical and perceptual in nature, where signers might map a scene experienced in the past onto their present surrounding space as they engage in narrative discourse. But beyond this, signers also express conceptual viewpoint in terms of how they view, subjectively, more abstract ideas, for example expressing a particular stance toward someone's actions, and space frequently plays a role here too. The expression of viewpoint affects linguistic structure in a variety of ways, for example, when the perspective shifts from one story character to another, referring to various entities must be tracked, for which ASL has particular linguistic mechanisms that signers employ. At an abstract level, ASL has certain constructions that reflect viewpoint, one example of which is topic‐comment constructions, where a topic phrase is subjectively chosen (often paradigmatically) as a means of framing a state of affairs, which is one kind of conceptual viewpoint, whereas the comment that follows is a construction containing, pragmatically, the signer's belief or stance regarding that state of affairs. Through a cognitive linguistics lens, we can see how aspects of viewpoint in ASL involve instances of conceptual blends, relying on metaphor and metonymy, body partitioning, and image schemas.
... Here appears a phenomenological or phaneroscopic universe, using Peirce's own language, which focuses on the phaneron. For Peirce (1955), phaneroscopy (phenomenology) is the description of the phaneron, which is defined as "the collective total of all that is in any way or in any sense present to the mind, quite regardless of whatever it corresponds to any real thing or not" (p. 74), i.e., it is the universe of what is perceptible and thinkable by the human mind, hence it is not necessary to answer when or for what mind, since the characteristics of the phaneron that have been described are present for all human minds. ...
Article
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This paper explores some epistemological problems recognized in the history of the development of artificial intelligence and the implications they may have for thinking and theorizing contemporary communication phenomena. From this, the idea of communication as a social production of meaning is questioned, and cybersemiotics, a transdisciplinary theory of communication, information, meaning, and cognition, is proposed as a conceptual alternative for thinking and theorizing about communication.
... Para Peirce (1955), la faneroscopia (fenomenología) es la descripción del phaneron, que se define como "el total colectivo de todo lo que está de cualquier modo o en cualquier sentido presente a la mente, con independencia de que corresponda o no a alguna cosa real" (p. 74). ...
Article
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Este artículo explora algunos problemas epistemológicos reconocidos en la historia del desarrollo de la inteligencia artificial y las implicaciones que podrían tener para pensar y teorizar los fenómenos contemporáneos de comunicación. Desde esta visión se cuestiona la idea de la comunicación como la producción social de sentido al tiempo que se propone a la cibersemiótica, una teoría transdisciplinar de la comunicación, la información, el significado y la cognición, como alternativa conceptual para pensar y teorizar la comunicación.
... « Nous ne sommes pas des êtres humains vivant une expérience spirituelle, nous sommes des êtres spirituels vivant une expérience humaine» appliquera-t-on toutefois contre toute attente au cas des gangsters en suivant la formule de Tellard de Chardin. Je développerai ce texte en trois parties, reprenant la théorie logique de Peirce (1955) qui distingue, premièrement, les abductions correspondant à une inférence menant à la découverte d'une hypothèse plausible. En l'occurrence, j'émettrai donc l'hypothèse que les gangs sont des peuples guerriers sans État. ...
Article
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et article explore le quotidien de gangsters des townships sud-africains qui usent et abusent de méthamphétamine (tik) pour vivre des expériences psychédéliques. Je m’interrogerais précisément sur l’altération à la réalité que procure cette drogue. En me focalisant principalement sur le gang des Americans et dans une moindre mesure des 26 et des hard livings, j’étaierai la thèse non stricto sensu d’une hallucination, mais de l’accès à ce que je qualifierais de “ métaréalisme symbolique” auquel accèdent ces jeunes délinquants (tsotsis). Je mets en évidence la dimension apocalyptique de cette expérience qui anticipe l’apocatastase (occasionnée par l’actuelle chute de la cabale), à savoir la restauration de l’ensemble des vivants, y compris les démons dans l’immanence transcendentale du township assimilable à un enfer, celui des drogues et de la criminalité au sein duquel les gangsters tentent d’atteindre un illusoire et fugace paradis. Je conclus en soulignant le rôle délétère de cette substance addictive dont je m’interroge conclusivement si elle n’est pas le signe des revers du miracle sud-africain, laissant poindre la volonté du nouvel ordre mondial de faire chuter cette tour de Babel en vertu d’une lecture vétérotestamentaire polémique des hiérarques du Nouvel Ordre Mondial.
... Charles Sanders Peirce's (1991) semiotic distinctions provide a valuable framework for deconstructing layers of meaning in advertising analysis. The icon represents its object through physical resemblance; for instance, an image of an apple directly evokes the idea of a real apple. ...
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This study examines how consumer culture is reproduced through advertising visuals in the context of graphic design. Three different advertisements were selected, and the graphic design elements used in these visuals (such as color, composition, and symbols) were analyzed in terms of their impact on consumer perception. Employing the semiotic analysis method, the study reveals that advertising visuals are not merely aesthetic tools but also carriers of ideological and social meanings. The findings indicate that graphic design elements effectively convey the ideological messages of consumer culture and establish profound symbolic connections between brands and consumers. Additionally, the role of graphic design has become more prominent in the digital era, evolving into an interactive and multi-layered structure within modern consumer culture. This study underscores the critical function of graphic design as a communication tool that not only creates visual aesthetics but also shapes social values and consumer behaviors. In conclusion, advertising visuals are evaluated as strategic tools in the reproduction of consumer culture, contributing to theoretical and applied studies in this field.
... Иногда ретродукцию отождествляют с абдукцией как методом отбора гипотез в традиции прагматизма Чарльза Сандерса Пирса(Peirce, 1955). ...
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When forming a scientific research program, the question of the relationship between theoretical models and the empirical information required to conduct the study is one of the most difficult and causes constant methodological discussions. How realistic are the methodological assumptions used in a particular economic theoretical model? What problems do economists face when conducting empirical research and how is this related to the choice of a theoretical model? The paper considers these issues in relation to institutional-evolutionary economics (IEE) – one of the most promising heterodox research area of modern economic thought. The main attention is paid to the extent to which the features of the theoretical model adopted in IEE complicate the use of formalized methods in conducting empirical research and how to cope with this. The initial assumptions of the theoretical model of IEE are based on the principles of critical realism and include the following: 1) the economy is an open system, and, at the same time, 2) a dynamic evolutionary process unfolding in historical time, 3) occurring in a specific natural and social environment 4) in conditions of fundamental uncertainty. Economic development under such circumstances is determined by stabilizing institutional structures that allow the economy to adapt to an uncertain external environment. The shortage of mathematical tools for modeling this kind of complexly structured open dynamic systems predetermines the features of empirical research in IEI. They consist in relying on methods of retroduction of institutional structures and the causal-explanatory method, which, in turn, actualizes the principle of methodological institutionalism. It is proposed to introduce this principle into the system of methodological prerequisites of IEE.
... the abductive approach begins with a "surprising fact" (Peirce, 2011) which, due to the irregularities it represents, calls for explanation. in the case of POush, our preliminary observations highlighted that the theories developed in recent years in management and organization sciences could not explain the dynamics at work in the emergence of the place and its extraordinary recognition: the artists did not report increased circulation of ideas or interactions, neither in their intention to gain access to the place, nor once they had accessed it. ...
Article
The relationship between territorial concentration and dynamism in the creative industries has been highlighted and studied extensively. The role of places or organizations in a territory's creative dynamism has been analyzed with the notion of middleground. These crucial intermediary groups connect informal communities with institutionalized players. This paper discusses the dynamics of the emergence and organization of a place within the middleground. We study the case of POUSH, a place located in Paris suburbs renting studios to artists and providing spaces dedicated to artistic exhibition. Our research sheds light on the internal dynamics of the middleground. As fruitful interactions between players cannot be foreseen, the role of creative places is not to create them from scratch. Instead, they need to gather a critical mass of diverse players in a limited space. Such a hub creates an acceleration effect (increase in chances of fruitful partnerships) and a collateral effect (recognition of an artist by the institution benefits to the other artists in the creative place). Both trigger a virtuous circle of social perception: because enough players consider the place as creative, new players are attracted to the place.
... This distinction underscores the fundamental limits of human knowledge. Alternative philosophical traditions, such as classical pragmatism, challenge Kant's notion of the noumenon, arguing that human understanding is confined to experience [5,6]. Thinkers like Dewey and Peirce reject the idea of an unknowable reality but agree with Kant that human knowledge is limited by perception and cognition. ...
... In contrast, the self-applied technique of female companions in "tightening" their voices to infuse vocal symbols with meaning has distinct social and symbolic significance for their timbre. This technique is opposed to the "open throat" method, which seeks to capture the essence of the voice's firstness (Peirce 1955). ...
Article
As the gaming economy thrives, the game companion industry has become increasingly prominent, featuring female companions as principal actors due to substantial market demand. They use their versatile voices to craft feminine personas, forming a crucial link between players and the virtual world. This study investigates the game companion industry's organizational structure and operational strategy, focusing on female companions' vocal performance dynamics. Drawing from in‐depth interviews with 15 female companions and utilizing a voice–body semiotic framework, this study examines how the intangible qualities of voice interact with the material presence of the body through embodied performance. The findings reveal that the industry commodifies female voices as a primary marketing tool, transforming female bodies into marketable assets. Female companions do more than provide gaming services; they blend gendered sensory qualities with idealized vocal traits to create personas that align with role expectations and emotional needs. This construction of voice–body imagery reflects the intertwined influences of aesthetics, consumer culture, and gender stereotypes, while these hidden structures impact companions' autonomy. Within this context of commodification, female companions encounter increased gender bias and exploitation, underscoring the necessity for robust regulations to protect female labor rights and promote gender equity in this expanding sector.
... It is in dialogism that this will occur. Peirce (1955) anticipates dialogism. As a pragmatist and semiotician, Peirce claims that all thinking is dialogic (Chandler, 2002, p. 34). ...
Presentation
In higher education, scholars are reconsidering the relationship between interdisciplinarity and intersectionality. However, many of them presuppose a synonymity between the two that may be more problematic than we think because interdisciplinarity has been defined in different ways. Therefore, the wrong conceptual alliance may support rather than disrupt the reductionist thinking that intersectionalists and interdisciplinarians claim to challenge. This presentation examines the philosophical conditions that permit intersectionality and interdisciplinarity to become synonymous. Also, it reveals the pedagogical model that this synonymity supports for integrative learning.
... This study employs structural, semiotic, and phenomenological methods to interpret architectural expressions. For example, the structural approach focuses on balance and hierarchical orientation (Salura, 2015) while the semiotic approach, based on Peirce's theory, examines cause-effect relations, similarities, and communal recognition (Siregar & Wulandari, 2020;Zoest, 1993;Peirce, 1991). In line with expressing architectural expressions in a phenomenological context, Thiis-Evensen reads architectural expressions through descriptions of the building envelope, namely the influence of weight or mass, movement or trajectory and the surface of the object itself (Thiss-Evensen, 1987). ...
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The article presents the concept of creative iconicity of a poetic text based on the analysis of onomatopoeias as iconic symbols in R. M. Rilke’s lyrics. The relevance of the research is proven, on the one hand, by the linguosemiotic approach, which is based on the cognitive understanding of iconicity: an analogy between a sign and the embodiment of the object of reality it denotes in the mind of the subject who uses and perceives the sign. On the other hand, considering onomatopoeias as iconic symbols in Rilke’s lyrics is a new research perspective in Rilke studies, which allows us to deepen the understanding of the peculiarities of his musicalized speech. The purpose of the article is to establish the specifics of symbolic-iconic semiosis based on onomatopoeias in R. M. Rilke’s lyrics using the methods of linguosemiotic, linguopoetic, cognitive-semantic and interpretive analysis. Symbolic-iconic semiosis is understood as the interaction of symbolic and iconic meaning making in a poetic text through a language sign, which constitutes a symbiosis of symbol and icon, i. e. iconic symbol. Onomatopoeias not only denote an acoustic phenomenon, but also reflect, depict, imitate it, reproducing the sound of certain objects of reality. The creative iconicity of R. M. Rilke’s poetic texts, created by onomatopoeias as iconic symbols, demonstrates four cognitive types: nominal, attributive, actional and emotive. The basis of this typology is the type of signified meaning that is subject to imitation – subject, property, action concept or emotion/feeling. The specificity of symbolic-iconic semiosis based on onomatopoeias in R. M. Rilke’s lyrics lies in their interaction with a wide range of stylistic tools: metrics, graphics, phonetic figures, lexical repetitions, occasionalisms, syntactic figures, metaphor, metonymy, comparison. In such a context, even integrated onomatopoeias, the onomatopoeic origin of which is hidden behind semantic changes, appear as iconic symbols, which allows the poet to create poetic texts with a high degree of iconicity.
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This chapter addresses the second tenet undergirding the call for revisioning Emerson as a reading theorist: reading as engaged democratic citizenship. Reading for Emerson was not solely an individualistic act. Rather, it was an opportunity for engaged citizenship in a democracy. This chapter consults work in the field of American pragmatism as well as instances in which Emerson himself writes about the idea of reading as a pragmatic act. Reading pragmatically emphasizes the complementary acts of thinking and acting during reading transactions, and, as a result, it encourages readers to maintain a healthy level of inquiry while they read. Engaged citizenship represents an opportunity for readers to see not only their own lives as revisable works in progress but to see activism, both thinking and doing, as avenues for reforming society and with it this extraordinary American experiment.
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Theory building is part of the academic endeavor, more emphasized in some contexts than in others. Knowing how to build theory-by either establishing new theoretical approaches or adjusting and developing already known theories-is part of the researcher's competence profile. The concepts of induction and deduction often anchor and justify the theory-building process but cannot always explain how new ideas are created. This chapter discusses the concept of abduction to address commonly envisaged abnormalities in the theory-building process. Abduction is best conceptualized as making guesses. Continually, in a theory-building process, researchers make assumptions when they undertake observations in surprising ways depart from existing theory. Accordingly, abduction is the more profound understanding of theory building. This chapter seeks to explain abduction, going beyond existing frameworks to embrace the systematic combining of theory and the empirical world and arguing that abduction can help better comprehend how theory emerges in specific phases of theory testing, development, and creation. Some argue that the approaches are helpful in both realist and interpretive research and in understanding collaborative research design activities in the business field. 3.1 Introduction Developing new theoretical insight is an ongoing, infinite, and never-trivial scholarly process. This development includes inquiry into the process of theorizing-that is, theorizing about theorizing. This chapter aims to contribute to this meta-endeavor so that scholars may benefit in specific research by recognizing how their newly gained knowledge transforms into theories and why or why not. Scholars want to contribute theories with significant explanatory power. However, because
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Theory building is part of the academic endeavor, more emphasized in some contexts than in others. Knowing how to build theory—by either establishing new theoretical approaches or adjusting and developing already known theories—is part of the researcher’s competence profile. The concepts of induction and deduction often anchor and justify the theory-building process but cannot always explain how new ideas are created. This chapter discusses the concept of abduction to address commonly envisaged abnormalities in the theory-building process. Abduction is best conceptualized as making guesses. Continually, in a theory-building process, researchers make assumptions when they undertake observations in surprising ways that depart from existing theory. Accordingly, abduction is the more profound understanding of theory building. This chapter seeks to explain abduction, going beyond existing frameworks to embrace the systematic combining of theory and the empirical world and arguing that abduction can help better comprehend how theory emerges in specific phases of theory testing, development, and creation. Some argue that the strategies are helpful in both realist and interpretive research and in understanding collaborative research design activities in the business field.
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Abduction, first proposed in the setting of classical logics, has been studied with growing interest in the logic programming area during the last years. In this paper we study {\em abduction with penalization} in logic programming. This form of abductive reasoning, which has not been previously analyzed in logic programming, turns out to represent several relevant problems, including optimization problems, very naturally. We define a formal model for abduction with penalization from logic programs, which extends the abductive framework proposed by Kakas and Mancarella. We show the high expressiveness of this formalism, by encoding a couple of relevant problems, including the well-know Traveling Salesman Problem from optimization theory, in this abductive framework. The resulting encodings are very simple and elegant. We analyze the complexity of the main decisional problems arising in this framework. An interesting result in this course is that ``negation comes for free.'' Indeed, the addition of (even unstratified) negation does not cause any further increase to the complexity of the abductive reasoning tasks (which remains the same as for not-free programs).
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In literature, color words serve as important carriers for writers to convey their emotions. In this paper, color words in literary works written by over 30 famous writers from different countries and regions in world literature are selected as the research object. According to the frequency of their use in the selected literary works, our analysis divides the different color symbols into two types: high-frequency and low-frequency. Among the various color symbols, red, blue, white, black, and yellow are classified as high-frequency color symbols. Purple, gray, green, and brown belong to low-frequency color symbols. Comparatively speaking, the metaphorical meanings of high-frequency color symbols are richer and more diverse, while the symbolic meanings of low-frequency color symbols are relatively simple. Through the analysis of the color symbols in the literary works, we find that there is a benign interaction between color symbols and literary works. On the one hand, writers convey their pursuit of art and aesthetics through color symbols. Color symbols become a perfect medium for them to express ideas, show themes, and construct characters. On the other hand, literary works also expand and enrich the metaphorical meaning of color symbols.
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It is fascinating to observe the evolution of semiotics, which was once considered a passing trend but has now matured into a multifaceted discipline with significant interactions across various fields. The fact that semiotics, focusing on interpreting all types of signs and elucidating their production processes and underlying motivations, has reached this stage is not surprising. Semiotics, which initially interacted with literary studies to develop itself, test its limits, and put forward a systematic and reliable analytical reasoning model, today interacts with various fields of science. Due to this characteristic, semiotics is an interdisciplinary, transdisciplinary, and even a meta-disciplinary domain or an intermediary sphere. However, despite the passage of decades, it is evident that there is still no clear definition of what semiotics is. Therefore, there will be no clear idea about what semiotics is not when it is not known what it is. This quite confusing dialectic has been in existence for a long time. Whether this situation regarding the definition of semiotics is a unique qualitative feature of semiotics or a blurring of ideas caused by different types of views is debatable. This situation of semiotics has the potential to be the subject of discussion in many more studies in different contexts. In the first part of this study, a discussion on the identity of semiotics will be made. The discussion will elucidate whether semiotics is amid an identity crisis and its reasons. In the second part, the interaction of semiotics with other knowledge domains, the role of this interaction in determining its boundaries will be discussed in the context of some descriptive features used for it, and an evaluation will be made on the general situation that emerged in the conclusion.
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Human values are an important aspect to consider when developing interactive systems, as these values influence technology operation and adoption by different people. The literature on human values in interactive systems already provides artifacts, methods, and techniques to conduct a value-oriented development of technology. However, artifacts and methods to consider and to represent values in formal phases of development are lacking. This chapter presents a study on the organizational semiotics concept of norms to formalize understanding of human values in technical phases of technology design, such as modeling, implementation, and testing. As a proof of concept, this norm approach is illustrated in the scenario of violence against children: a social and complex problem affecting different people and their values of protection and safety. As the main results, we present our approach with examples of technical norms derived from value-oriented requirements for a technology to promote awareness against child violence. This approach to representing value-related requirements and knowledge through norms can indicate ways human values can be characterized and tracked to enable a transversal value-oriented way of developing interactive systems.
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Linguistics has often relied on written language or on transcripts of oral data to make claims about language, overlooking signed language (SL) research and the multimodal dimension of spoken languages (SpL). This situation has resulted in a biased and incomplete understanding of language. In this paper, we report on the building and use of two directly comparable datasets of a SL and SpL, namely the LSFB Corpus and the FRAPé Corpus. After introducing the datasets separately in their respective research contexts, we present the theoretical significance of collecting and using directly comparable corpora of SpLs and SLs. We then highlight the extent to which directly comparable corpora can help overcome challenges in (SL) linguistics and gesture studies. With this aim in mind, we present comparative work conducted at the LSFB-Lab investigating the use of depiction, reformulation, prosody, and interaction management in LSFB and Belgian French. Finally, we point to potential cross-linguistic research avenues offered by corpora that capture language use in a directly comparable way.
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Creativity is the very essence of scientific research. Without creativity, there can be no discovery and no scientific progress. In this chapter, we show that scientific creativity can be stimulated by appropriate education. After explaining the nature of scientific creativity, we present the main obstacles that can hinder its development. The role to be played by science education in overcoming these obstacles is emphasized. For that goal, three main principles are presented that scientific education should take into account. By following these principles, students should gain in-depth knowledge of scientific concepts and methods and, at the same time, develop their creative thinking, which is the very first step of a fruitful research career.
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