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Threshold Models in the Palestinian Folklore Song (Bukra
Al-Eid Whenaied) Song (Tomorrow Is A Feast) As A Model
Ihsan Deek
ihsan.deek@yahoo.com
١٩١٢٠١٠١٩٥٢٠١٠
Abstract
The research tries to uncover the roots of the Palestinian popular song and takes it
back to its origins, which relate to the joint assane, that lies deep in the human being
hollow. The over-lapped relationship reaped, so much so it became a ritual, entered
in luton nujoma, circulated in the popular memory like a wavering warble,
connecting with the eternity, the finite with the infinite, and the first of things with
their last. The research studies the children song Bukra al-Eid Whenaied as a model
to feel the initial models within it and find out the symbols and rituals and
ceremonials that germinated its origins and forged its denotation and icons. The end-
result is to take it back to its genesis. The study reiterates the continuation of time,
the mingle of the past with the present, and its permanency.
:ﻥﺍﻮﻨﻌﻟﺍ(ﺪﻴﻌﻨﺑﻭ ﺪﻴﻌﻟﺍ ﻩﺮﻜﺑ) ﺔﻴﻨﻏﺃ : ﺔﻴﻨﻴﻄﺴﻠﻔﻟﺍ ﺔﻴﺒﻌﺸﻟﺍ ﺔﻴﻨﻏﻷﺍ ﻲﻓ ﺔﻴﺋﺪﺒﻟﺍ ﺝﺫﺎﻤﻨﻟﺍ
ًﺎﺟﺫﻮﻤﻧ
:ﺭﺪﺼﻤﻟﺍﺔﻴﻧﺎﺴﻧﻹﺍ ﻡﻮﻠﻌﻟﺍ - ﺙﺎﺤﺑﻸﻟ ﺡﺎﺠﻨﻟﺍ ﺔﻌﻣﺎﺟ ﺔﻠﺠﻣ
:ﺮﺷﺎﻨﻟﺍﺔﻴﻨﻃﻮﻟﺍ ﺡﺎﺠﻨﻟﺍ ﺔﻌﻣﺎﺟ
:ﻲﺴﻴﺋﺮﻟﺍ ﻒﻟؤﻤﻟﺍﺏﻮﻘﻌﻳ ﻥﺎﺴﺣﺇ ،ﻚﻳﺪﻟﺍ
:ﺩﺪﻌﻟﺍ/ﺪﻠﺠﻤﻟﺍ7 ﻉ ,24 ﺞﻣ
:ﺔﻤﻜﺤﻣﻢﻌﻧ
:ﻱﺩﻼﻴﻤﻟﺍ ﺦﻳﺭﺎﺘﻟﺍ2010
:ﺕﺎﺤﻔﺼﻟﺍ2069 - 2088
:MD ﻢﻗﺭ77099
:ﻯﻮﺘﺤﻤﻟﺍ ﻉﻮﻧﺕﻻﺎﻘﻣﻭ ﺙﻮﺤﺑ
:ﺕﺎﻣﻮﻠﻌﻤﻟﺍ ﺪﻋﺍﻮﻗHumanIndex
:ﻊﻴﺿﺍﻮﻣﺏﺩﻷﺍ ، ﻲﺒﻌﺸﻟﺍ ﺙﺍﺮﺘﻟﺍ ، ﻦﻴﻄﺴﻠﻓ ، ﺔﻴﺒﻌﺸﻟﺍ ﻲﻧﺎﻏﻷﺍ ، ﺀﺎﻨﻐﻟﺍ ، ﻲﻠﻫﺎﺠﻟﺍ ﺮﺼﻌﻟﺍ
ﻲﺋﺎﻨﻐﻟﺍ ﺮﻌﺸﻟﺍ ، ﻲﺑﺮﻌﻟﺍ ﺮﻌﺸﻟﺍ ، ﻲﺑﺮﻌﻟﺍ
:ﻂﺑﺍﺭhttp://search.mandumah.com/Record/77099
.ﺔﻇﻮﻔﺤﻣ ﻕﻮﻘﺤﻟﺍ ﻊﻴﻤﺟ .ﺔﻣﻮﻈﻨﻤﻟﺍ ﺭﺍﺩ 2020 ©
ﻡﺍﺪﺨﺘﺳﻼﻟ ﺓﺩﺎﻤﻟﺍ ﻩﺬﻫ ﺔﻋﺎﺒﻃ ﻭﺃ ﻞﻴﻤﺤﺗ ﻚﻨﻜﻤﻳ .ﺔﻇﻮﻔﺤﻣ ﺮﺸﻨﻟﺍ ﻕﻮﻘﺣ ﻊﻴﻤﺟ ﻥﺃ ﺎﻤﻠﻋ ،ﺮﺸﻨﻟﺍ ﻕﻮﻘﺣ ﺏﺎﺤﺻﺃ ﻊﻣ ﻊﻗﻮﻤﻟﺍ ﻕﺎﻔﺗﻹﺍ ﻰﻠﻋ ﺀﺎﻨﺑ ﺔﺣﺎﺘﻣ ﺓﺩﺎﻤﻟﺍ ﻩﺬﻫ
ﺭﺍﺩ ﻭﺃ ﺮﺸﻨﻟﺍ ﻕﻮﻘﺣ ﺏﺎﺤﺻﺃ ﻦﻣ ﻲﻄﺧ ﺢﻳﺮﺼﺗ ﻥﻭﺩ (ﻲﻧﻭﺮﺘﻜﻟﻻﺍ ﺪﻳﺮﺒﻟﺍ ﻭﺃ ﺖﻧﺮﺘﻧﻻﺍ ﻊﻗﺍﻮﻣ ﻞﺜﻣ) ﺔﻠﻴﺳﻭ ﻱﺃ ﺮﺒﻋ ﺮﺸﻨﻟﺍ ﻭﺃ ﻞﻳﻮﺤﺘﻟﺍ ﻭﺃ ﺦﺴﻨﻟﺍ ﻊﻨﻤﻳﻭ ،ﻂﻘﻓ ﻲﺼﺨﺸﻟﺍ
.ﺔﻣﻮﻈﻨﻤﻟﺍ
٢٤٧٢٠١٠
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Threshold Models in the Palestinian Folklore Song (Bukra
Al-Eid Whenaied) Song (Tomorrow Is A Feast) As A Model
Ihsan Deek
ihsan.deek@yahoo.com
١٩١٢٠١٠١٩٥٢٠١٠
Abstract
The research tries to uncover the roots of the Palestinian popular song and takes it
back to its origins, which relate to the joint assane, that lies deep in the human being
hollow. The over-lapped relationship reaped, so much so it became a ritual, entered
in luton nujoma, circulated in the popular memory like a wavering warble,
connecting with the eternity, the finite with the infinite, and the first of things with
their last. The research studies the children song Bukra al-Eid Whenaied as a model
to feel the initial models within it and find out the symbols and rituals and
ceremonials that germinated its origins and forged its denotation and icons. The end-
result is to take it back to its genesis. The study reiterates the continuation of time,
the mingle of the past with the present, and its permanency.
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