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The Tacit Dimension

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Abstract

'I shall reconsider human knowledge by starting from the fact that we can know more than we can tell', writes Michael Polanyi, whose work paved the way for the likes of Thomas Kuhn and Karl Popper. "The Tacit Dimension", originally published in 1967, argues that such tacit knowledge - tradition, inherited practices, implied values, and prejudgments - is a crucial part of scientific knowledge. Back in print for a new generation of students and scholars, this volume challenges the assumption that skepticism, rather than established belief, lies at the heart of scientific discovery.

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... The 'how' or qualitative and embodied dimension of teaching can be difficult to describe because of the ephemeral nature and the challenges of finding language that can encapsulate the complexity of experience. Polanyi (1966) characterizes this as the tacit dimension-what we know but cannot say (p. 4). However performing artists, particularly in theatre and dance, develop tools for studying the tacit through extensive training that cultivates sensitivity to how one's tone of voice, posture, and bodily stature imbue a narrative with meaning. ...
... In phase one of the process, I studied the teachers movements through an embodied approach (dwelling and interiorization), and in phase two I worked to articulate embodied observations into language that could render embodied observations visible to a reader (transcription and translation). Polanyi (1966) describes the process of learning embodied knowledge as moving from dwelling into interiorization. In the first phase, a student dwells with an expert observing and mimicking movements until it becomes natural in their own body, and they have interiorized it. ...
... With this background many of the stories acted to demonstrate the importance of preparedness during a crisis or to reflect on the extent to which instinct and emotions play a role in scientific decision-making. Instinct and emotion may be unfamiliar types of knowledge used within scientific norms but intersect with the concept of "tacit knowledge" developed in the sociology of science and related fields (Polanyi, 2009). Several plots that focussed on risk rather than hazard alone served to illustrate the influence of other risk dimensions (politics, social vulnerabilities) in decision-making processes. ...
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There is an indissoluble link between human and scientific knowledge. Hence, science is not a separate world but is also based on the common-sense knowledge of the era in which it is temporally located. This knowledge (often silently) is continuously active and contributes to the formation of scientific knowledge. Part of subjectivity is always present in scientific reasoning because a direct and natural relationship does not exist among objects, concepts and names, which are the words scientists use to name objects and concepts. As such, facts are always theory-driven.KeywordsGnoseologyLanguage and realityClassificationsTacit knowledge
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Applying the concept of tacit knowledge to several key areas in Plato's political theory illuminates obscurities and mitigates incoherencies in his thought, revealing a less totalitarian emphasis. It also provides a promising avenue for resolving a central epistemological problem that has occupied Western philosophy since its inception, namely, the fonnulation of a consistent version of skepticism.
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Context: We argue that biomedicine at root is not primarily instrumental, but shares aesthetic, ethical and political values with poetry. Yet an instrumentalist bias in medical pedagogy can lead to frustration of biomedicine's potential. Such unfulfilled potential is exposed when making a comparison with poetry, a knowledge system that expressly engages a range of value systems. How then to recover biomedical language's riches for medical education's gain? Methods: We combine scientific and artistic approaches by positing a common frame to which both medicine and poetry can aspire: the 'high-water mark' of language. Poetry's language is complex, intensive and connotative-concerned with mood, ambiguity, metaphor and embodiment. Biomedicine potentially engages with such linguistic complexities, particularly in metaphor production, yet persistently falls away from this high-water mark of language, reducing connotative language to denotation or literal meanings. We describe such instances of frustrated potential as 'trying to accelerate with the brake on'. This paradoxical state has become habitual in medical education. The resultant lack of productive metaphor insulates pedagogy from mood, separating it from the vernacular as a specialist tongue that ensures identification with the medical community of practice. Such language can alienate both patients and poets for the same reason: it is less human than technical. Conclusions: Using the example of clinical reasoning and attendant diagnostic work, we show that reductions from the connotative to the denotative not only mask but also contradict the complexity of implicit, embedded and distributed cognitive structures, creating a tension that medical education consistently fails to either resolve or draw upon as a resource. Further, poetry too has a complex set of implicit rules and formative structures that shape composition. These structures show symmetry, correspondence or even isomorphism with medical cognition, where both can aspire to activity that is aesthetically rich, intense and cognitively elegant.
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