Article

Genre performances: John Swales' Genre Analysis and rhetorical-linguistic genre studies

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Abstract

Although scholars have studied some sources of variation within genres, the variation that is each individual performance of a genre requires further investigation. In Genre Analysis, John Swales combined rhetoric and linguistics to explain genre as grounded in shared communicative purposes and discoverable through text analysis. Although the disciplines differ in some of their purposes and settings, they share the difficulty of helping students advance beyond simplified understandings of genre to the complex decisions needed to address particular situations. Building from a rhetorical-linguistic genre studies and using metaphorically the linguistic concepts of competence and performance, this article proposes that genre theory and instruction should account for genre performances as well as genre competence. Genre theory can then better address such issues as identity, affect, and cognition. Genre instruction can lead students to examine not just similarity within a genre but also differences, in both communicative event and individual language-users. The uniqueness of each performance also affects assessment of genre knowledge and transfer, complicating the ability to assess genre competence through genre performance. Considering genre performances as well as competence within a rhetorical-linguistic genre studies allows genre scholars and teachers to address the fact that genre-in-use is simultaneously unique and shared.

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... Writing teachers in all disciplines assume that learning to write a genre is similar to writing a text in general; in other words, they recognise the need to practice writing texts in a particular genre (Devitt, 2015). In Devitt's (2015) study, students were asked to compare several genretext examples and identify differences in their structures and lexico-grammatical features. ...
... Writing teachers in all disciplines assume that learning to write a genre is similar to writing a text in general; in other words, they recognise the need to practice writing texts in a particular genre (Devitt, 2015). In Devitt's (2015) study, students were asked to compare several genretext examples and identify differences in their structures and lexico-grammatical features. ...
... Simply asking students to discuss these differences can teach them about genre performance and improve their genre competence (Devitt, 2015). ...
Article
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This mixed-methods study explored the effects of employing a genre-based approach (GBA) to descriptive report writing on the understanding of text structure and ideational, interpersonal and textual meanings among Japanese university students of English as a Foreign Language (EFL) over a 15-week course divided into three units. Applied within a systemic functional linguistics (SFL) framework, the GBA allowed micro- and macro-analyses of essays from 23 first-year university students with low/high proficiency in English and limited/extensive second-language writing experience. Quantitative analysis collected general impression scores from all students’ essays at three time points using the SFL rubric. Qualitative investigation applied clause structure annotations to identify and analyse the functional parts of the clause from three metafunctional perspectives—ideational, interpersonal and textual—on descriptive genre essays by EFL learners. Lower-proficiency and novice EFL students demonstrated an improved understanding of the content, events and background information of the essay topics (ideational), and the social and power relationships between readers and writers (interpersonal). By comparison, high-proficiency and experienced students demonstrated a better understanding of the structure and coherence of the essay. This study was limited in developing an understanding of the use of pronouns and auxiliary verbs, which should be addressed in future studies.
... Considerando o entrosamento das funções referencial ou informativa e conotativa ou apelativa (Jakobson, 2007), além da performativa (Austin, 1962), as notícias falsas podem ser consideradas um género híbrido (cf. cap.1) ou uma fusão de géneros emergente, considerados por Mourão & Robertson (2019:2078 genre blending (cf., ainda, Coutinho, 1999Coutinho, , 2004Coutinho, , 2005Coutinho, , 2006Coutinho, , 2007Coutinho, , 2008Coutinho & Jorge, 2012;Coutinho & Miranda, 2009;Devitt, 2015;Figueiredo & Bonini, 2006;Swales, 1990;Unger, 2006). ...
... A investigação piloto em curso centra-se numa análise do conteúdo dos sites, ou blogues, confirmar se a notícia foi alterada e editada; confirmar a data em que foi publicada (para confirmar que não são factos desatualizados que se pretendem, estrategicamente, tornar populares); proceder à leitura integral do artigo e não apenas do título; ler mais sobre o assunto, isto é, averiguar se outra revista ou outro jornal convencional veiculou a mesma notícia; consultar especialistas na área; considerar o tipo de tema; o formato da notícia e a forma como são apresentadas (de forma parcial ou não); se a notícia sugere que o público-alvo pense ou faça algo; se é de teor jocoso, preconceituoso, se incita ao ódio e ao extremismo; analisar a linguagem (erros gramaticais e ortográficos, palavrões e linguagem agressiva são possíveis pistas), as imagens, as fontes e as referências citadas; certificar a proveniência dos seguidores (caso a maioria dos seguidores não fale a língua em que o site é redigido, pode constituir um indício da compra de seguidores ou de gostos); se os anúncios ou as próprias manchetes se assemelham a frases do género de "clica aqui e vais ver uma coisa extraordinária" (Pena, 2019:21 (Sousa, 2008b), tecnológico e científico (Sousa & Silva, 2017) nos media. 38 Tipos e géneros discursivos condicionam a comunicação verbal e contribuem para a economia cognitiva, tanto em termos da produção e da seleção da informação por parte do locutor (performance) como em relação às expetativas e à interpretação (competência genérica) do alocutário (Swales, 1990;Swales & Feak, 1998Chilton & Schäffner, 2002;Coutinho, 2004;Maingueneau, 2004;Unger, 2006;Coutinho & Miranda, 2009;Coutinho & Jorge, 2012;Silva, 2012;Devitt, 2015;Santos & Silva, 2016). A classificação em tipos de discursos (jornalístico, publicitário, jurídico, político, religioso, académico-científico ou literário) rege-se por um critério de "natureza socioprofissional" (Silva, 2012:57, vid. ...
... Não permitem qualquer inventariação exaustiva pela sua possível infinidade e heterogeneidade, o que não impede que os géneros funcionem e sejam utilizados ou reconhecidos pelos falantes (Coutinho, 2005, Coutinho & Miranda, 2009Corrêa, 2018). Dois exemplares de um género podem não ser totalmente idênticos, pois surgem em contextos de comunicação singulares, mas podem, mesmo assim, pertencer ao mesmo género (Devitt, 2015). Qualquer tentativa de descrição de género tem de considerar os movimentos de estabilidadestandards ou características prototípicas (Devitt, 2015, Swales, 1990, ou generalização, de hibridez e de variação individual associados ao seu próprio funcionamento, ou as mudanças contextuais, por exemplo, que decorreram com a internet (Swales, 1990 Apesar de se articularem como modelos definidos por critérios linguísticos (lexicais, sintáticos ou semânticos) e extralinguísticos, os géneros envolvem variação (vid. ...
Thesis
A prática discursiva, designada pelo empréstimo fake news, caracteriza-se pela disseminação intencional de informação falsa, duvidosa ou (des)informação. Além de ser uma ameaça para as democracias e para o jornalismo, pode também consistir num risco para a saúde pública. O objetivo desta investigação consiste em realizar uma análise pragmática de deíticos, em corpora de notícias, e dos respetivos anúncios publicitários, de conteúdo (pseudo)científico e (pseudo)medicinal, extraídos de dois sites . Estes sites têm sido considerados veiculadores de fake news ou notícias falsas pela imprensa diária portuguesa, nomeadamente pelo Diário de Notícias e pelo Jornal de Notícias. Recorre-se à metodologia quantitativa da Linguística de Corpus e ao programa de concordâncias WordSmith Tools, versão 7, para extrair listas de frequência, listas de palavras por ordem alfabética, clusters e linhas de concordância das ocorrências. Efetua-se uma análise discursiva de deíticos no plano enunciativo, no enquadramento teórico da proximização. Definida como uma estratégia pragmático-cognitiva de redução da distância, permite manipular ou ampliar a proximidade espacial, temporal, pessoal, emocional, epistémica ou axiológica. Ao forçar uma representação proximal de determinadas perspetivações conceptuais, persuade, consequentemente, o alocutário a aderir ou a identificar-se mais facilmente com o conteúdo veiculado (cf. Cap, 2006, 2008, 2010a-b, 2013a-b, 2014a-c, 2015, 2017; Chilton, 2004, 2005, 2010, 2014; Kopytowska, 2013, 2014a-b, 2015a- -b). Nos corpora em estudo, constata-se que se investe sobretudo nos tipos de proximização emocional, pessoal e temporal, o que pode contribuir, em combinação com outras características, para a identificação de notícias falsas. Os resultados indicam que futuras investigações podem centrar-se na análise de deíticos, tais como pronomes pessoais e possessivos, de primeira e de segunda pessoas, bem como a pessoa verbal, o Imperativo, o infinitivo, o aspeto progressivo, além de tempos verbais no Presente. Pragmática; Dêixis; Linguística de corpus; Notícias falsas; Proximização; Representações do discurso (pseudo)cientifico e (pseudo)medicinal. The discursive practice, called fake news, is characterized by the intentional dissemination of false or dubious content, or (mis)information. Besides being a threat to democracies and journalism, it can also be a risk for public health. The objective of this investigation is to undertake a pragmatic analysis of deictic items in news corpora and their corresponding advertisements of (pseudo)scientific and ites have been considered to spread fake news by the Portuguese daily press, namely Diário de Notícias and Jornal de Notícias. The quantitative methodology of Corpus Linguistics, as well as WordSmith Tools concordance, version 7, are used to extract frequency lists, alphabetical word lists, clusters, and concordance lines of the occurrences. A discursive analysis of deictic items is undertaken, in the theoretical framework of -cognitive strategy of distance reduction, it allows to manipulate or improve the spatial, temporal, personal, emotional, epistemic or axiological proximity. By forcing a proximal representation of certain construals, it consequently persuades the hearer to adhere to or identify more easily with the content conveyed (cf. Cap, 2006, 2008, 2010a-b, 2013a-b, 2014a-c, 2015, 2017; Chilton, 2004, 2005, 2010, 2014; Kopytowska, 2013, 2014a-b, 2015a-c, 2018; Kopytowska, Grabowski -b). In the corpora under study, there is an investment on emotional, personal and temporal proximization types, which can contribute, in combination with other characteristics, to the identification of fake news. The results indicate that future investigations can focus on the analysis of deictic items, such as personal and possessive pronouns of first and second person, as well as, grammatical person, the imperative, the infinitive, the progressive aspect, in addition to present verb tenses. Pragmatics; Deixis; Corpus Linguistics; Fake news; Proximization; Representations of (pseudo)scientific and (pseudo)medical discourse.
... Generic structure, however, is not determined by the variable of field alone, but also by mode and tenor, since particular configurations of mode and tenor, including a writer's or speaker's affect and private intensions, can influence the addition of optional and even otherwise unconventional moves. Thus, as Devitt (2015a) cautions, attention to the unique characteristics of text instances is important in genre studies since every instance of a genre has its unique properties and serves as a site for innovation and the performance of 'private intentions'. A classic example to this is provided by Tardy's (2015) ethnographic study of the instruction of the rhetorical structure of research article introductions. ...
... In a quantitative diachronic study of the standardisation of Scots English in the 16th and 17th centuries, Devitt (1989) found that language features vary just as much across different genres in the same time period as they do across time. She also notes that the process of language standardisation occurred in different patterns, at different rates, in different genres (see also Devitt, 2015a). Thus, genres are identified not only by unique configuration of rhetorical moves but also by different distribution of linguistic resources. ...
... 4 For example, what different neural processes are involved in producing and/or processing procedures and narratives? However, such a biological commitment will mean focusing on individual users of genres in the circumstances of composing single instances of texts instantiating genre categories rather than limiting the focus of genre studies to the usual 'idealised' generic potential (Devitt, 2015a). ...
Book
Approaches to Specialized Genres provides a timely update of the field of genre studies, with 14 cutting-edge contributions split into five sections using and integrating an exceptionally wide variety of methods and perspectives (such as ESP genre research, corpus linguistics, systemic functional linguistics, ethnographic and multimodal research) to analyse genres in written, spoken, visual and auditory modes across a multiplicity of pedagogic, professional and digital settings. It highlights and illustrates the growing trend of a multiperspective and inter-theoretic approach to genre studies and demonstrates how such methodological rigour can extend our knowledge of language, in general, and genres, in particular. It also examines a rich variety of underexplored genres such as the digital genre of synchronous videoconferencing, instructional slides, video ads, engineers’ training log book entries, the narrative story genres, fundraising letters and retraction notices. It demonstrates not only the prominent value of genre research, but wide applications of genre knowledge in various educational and professional domains. The book brings together experts spreading across the world, including countries in South-East Asia, Europe, America, West Africa and South America. Accordingly, it will appeal to readers of diversified socio-cultural backgrounds working in all the aforementioned inter-related fields of applied linguistics and communication studies.
... Generic structure, however, is not determined by the variable of field alone, but also by mode and tenor, since particular configurations of mode and tenor, including a writer's or speaker's affect and private intensions, can influence the addition of optional and even otherwise unconventional moves. Thus, as Devitt (2015a) cautions, attention to the unique characteristics of text instances is important in genre studies since every instance of a genre has its unique properties and serves as a site for innovation and the performance of 'private intentions'. A classic example to this is provided by Tardy's (2015) ethnographic study of the instruction of the rhetorical structure of research article introductions. ...
... In a quantitative diachronic study of the standardisation of Scots English in the 16th and 17th centuries, Devitt (1989) found that language features vary just as much across different genres in the same time period as they do across time. She also notes that the process of language standardisation occurred in different patterns, at different rates, in different genres (see also Devitt, 2015a). Thus, genres are identified not only by unique configuration of rhetorical moves but also by different distribution of linguistic resources. ...
... 4 For example, what different neural processes are involved in producing and/or processing procedures and narratives? However, such a biological commitment will mean focusing on individual users of genres in the circumstances of composing single instances of texts instantiating genre categories rather than limiting the focus of genre studies to the usual 'idealised' generic potential (Devitt, 2015a). ...
Chapter
After four decades of contemporary genre research, genre scholars still do not agree on what genre is and how it should be studied. This chapter shows that genre is a multidimensional variety of language in context and that a fuller conceptualisation of genre must be placed within a general meta-theory of language. The chapter uses the architecture of language provided by systemic functional meta-theory to shed light on current debates on genre and on approaches developed for genre research since the 1980s. The chapter first provides an overview of the theoretical landscape of genre studies. It then discusses genre as a variety of language in context, using insights from different schools of genre studies. In addition, it conceptualises genre as a hierarchy of meaning relations, showing that it is a social semiotic process that permeates all layers of language, comprising context, semantics, lexicogrammar and phonology. Finally, it examines genre in relation to different systemic orders of analysis, characterising it as a semiotic construct that is socially motivated, biologically activated and physically realised. The chapter reveals that whereas genre research has contributed to our knowledge of the interaction between language and social context, little attention has been given to the semantic structure of texts.
... Genre awareness, in this sense, "ties closely with metacognitive knowledge" (Negretti & Kuteeva, 2011, p. 96). This connection between genre awareness (a conscious knowledge of genre) and metacognition (knowledge of knowledge) is typically referenced only in broad strokes, though the relationship is important, as writing scholars increasingly recognize the role metacognition can play in writing development (Beaufort, 2007;Devitt, 2015;Driscoll et al., 2019;Johns, 2011;Negretti, 2012Negretti, , 2017Reiff & Bawarshi, 2011). Genre awareness is occasionally still used to refer to knowledge of specific genres rather than to a broader metacognitive knowledge, an issue we expand on below. ...
... 31). Devitt (2015) has also noted the importance of embracing both an attention to awareness and acquisition in our instruction. Following Swales (1990), Cheng (2018), and Devitt (2015), we see broader awareness-raising of both genre and genres to be at the heart of all genre pedagogies; it is, in fact, what distinguishes genre pedagogies from simply "teaching genres." ...
... Following Devitt (2004Devitt ( , 2009Devitt ( , 2015, we define genre awareness as explicit awareness or understanding of how genres work-"a consciousness of and process for analyzing, learning, and critiquing any genre" (2015, p. 46). As "a type of rhetorical awareness" (2009, p. 337) or a "consciousness of genres" (2009, p. 343), genre awareness includes a broad understanding of rhetorical contexts and how writers may effectively respond to exigencies within such contexts, as well as an explicit framework for analyzing such contexts, for example through genre analysis (Cheng, 2018). ...
Article
Increased attention to genre in writing studies has brought a proliferation of new terms and concepts for capturing the complexity of writers’ knowledge about genres, including genre knowledge, genre awareness, recontextualization, conditional knowledge, and metacognition. Definitions of these concepts have at times conflicted, and their interrelationships are often unclear. Furthermore, scholarship has tended to overlook the role of multiple languages in writers’ genre knowledge. In this article, we first trace the use of related terminology and demonstrate the need for theoretical clarity. We then propose a theoretical framework that articulates key layers of genre knowledge and their interrelations, presuming a multilingual writer. Finally, we share examples of how this proposed framework may be used in teaching and researching genre knowledge. Ultimately, we aim to contribute to ongoing theoretical, empirical, and pedagogical explorations and applications of knowing and learning genres.
... In this shift, writing style and content, for example, have been shown to change. Genre instruction helps demonstrate the similarities and differences across genres (Devitt 2015). Devitt (2015) explains that using examples of contrasting genres in class to discuss similarities and differences in style and content could benefit students by creating awareness of the target genre. ...
... Genre instruction helps demonstrate the similarities and differences across genres (Devitt 2015). Devitt (2015) explains that using examples of contrasting genres in class to discuss similarities and differences in style and content could benefit students by creating awareness of the target genre. ...
... In the genre approach to teaching writing, a particular genre is introduced and analyzed, then exercises on relevant language forms are given, followed by a short text that is produced by students (Dudley-Evans 1997). It has become a popular and dominant approach to teaching writing over past few decades (Cope & Kalantzis, 2014;Devitt, 2015;Hyland, 2002;Swales & Feak, 2012). ...
... Devitt [61] proposed the concept of unique "genre performance" where individuals may improvise moves for particular needs. Vergaro [62] has shown the utility of the entrenchment-andconventionalization model [63] in understanding the complex nature of genre from a cognitive perspective. These studies nourished genre theories, exploiting the value of the genre perspective in discourse studies. ...
Article
bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Background: Sustainability is becoming an increasingly important issue in higher education (HE). Leadership statements in university sustainability reports (LSUSR) represent a unique genre for university leaders to communicate sustainability. This study aims to demystify the genre so that future leadership statements might be crafted with a greater degree of reflexivity. Literature review : Sustainability discourse in HE has been regarded as a legitimacy tool and an opportunity for image improvement for universities. Some studies have examined university sustainability reports, whereas there is a lack of studies focusing on the section of leadership statements. Research question : Are there any cross-cultural similarities or differences in terms of rhetorical moves and communicative purposes between the Italian LSUSR genre and the American LSUSR genre? Research methodology: Using cross-cultural genre analysis, this study investigates the rhetorical moves of leadership statements produced by Italian and American universities. A move scheme is established and is used to annotate the sample texts. Results and conclusion: The findings show that although the Italian and American LSUSR genres share the communicative purpose of establishing a sustainable image, the degree of discourse force exerting on this communicative purpose varies. The image-building discourse force appears to be more noticeable in the American leadership statements, which tend to use a wider range and a larger quantity of image-improving moves. The Italian subcorpus, on the other hand, seems to pay more attention to the genre function of report-introducing, which is not explicitly linked to image improvement. This article suggests that practitioners could consider the potentials of the LSUSR genre in developing an institutional culture of sustainability.
... In the past years, a considerable number of studies applying Swale's framework have been directed to the investigation of rhetorical patterns of research article introductions, showing the pioneer's influence on genre studies that is widely acknowledged (Devitt, 2015). The studies have been conducted from various viewpoints. ...
Article
Full-text available
Rhetorical move structure of soft and hard science research article introductions by novice Indonesian authorsResearch article introduction is crucial in justifying a research topic and presenting the significant contribution of a study to the advancement of knowledge. Prior studies have attempted to investigate research article introductions from various viewpoints. However, the way novice Indonesian authors rhetorically construct their introductions is still under-explored. This study aims to explore cross-disciplinary introductions with regard to rhetorical move structure and the linguistic realizations of the moves. Employing Swale’s (2004) revised CARS model, a corpus of 10 research articles from the fields of soft and hard science were analyzed. The findings revealed that the two disciplines were in agreement on the compulsory status of Move 1 Establishing a territory and Move 3 Presenting the present work and the conventional use of Move 2 Establishing a niche. However, discrepancies arose in the step level. Regarding the linguistic features, soft and hard science authors preferred using present tense and active voice in realizing the moves. In addition, a considerable number of metadiscourse such as hedges and boosters were observed in the introductions. This study concludes that novice Indonesian authors’ disciplinary expertise possibly influences the quality of their introductions.Keywords: genre, introduction, move analysis, novice, research articleStruktur pola retorika pendahuluan artikel penelitian disiplin ilmu soft dan hard science oleh penulis pemula IndonesiaPendahuluan artikel penelitian sangat penting dalam menjustifikasikan topik penelitian dan menyajikan kontribusi signifikan dari studi yang dilakukan untuk perkembangan ilmu pengetahuan. Penelitian terdahulu telah berupaya untuk menyelidiki bagian pendahuluan artikel penelitian dari beragam perspektif. Namun, cara penulis pemula Indonesia mengkonstruksi bagian pendahuluan mereka secara retoris masih kurang dieksplorasi. Studi ini bertujuan untuk mengeksplorasi bagian pendahuluan lintas disiplin berkaitan dengan struktur pola retorika pendahuluan dan realisasi linguistik dari pola tersebut. Menerapkan revisi model CARS oleh Swales (2004), sebuah korpus yang merupakan kumpulan 10 pendahuluan artikel penelitian dari disiplin ilmu soft dan hard science dianalisis. Temuan penelitian menunjukkan bahwa kedua disiplin sepakat tentang status wajib dari Move 1 Establishing a territory dan Move 3 Presenting the present work, dan penggunaan konvensional Move 2 Establishing a niche. Namun, perbedaan muncul pada tiap tingkatan. Berkaitan dengan fitur linguistik, penulis soft dan hard science lebih memilih menggunakan kalimat aktif dan bentuk waktu masa kini (present tense) dalam merealisasikan pola. Selain itu, sejumlah besar metadiscourse seperti hedges dan boosters teramati dalam bagian pendahuluan. Studi ini menyimpulkan bahwa perbedaan fokus keilmuan penulis pemula Indonesia kemungkinan mempengaruhi kualitas pendahuluan mereka. Kata kunci: genre, pendahuluan, analisis pola, pemula, artikel penelitian
... McGrath & Kaufhold, 2016, for a more in-depth discussion). In brief, ESP pedagogy focuses on supporting students in gaining awareness of genres by analysing text samples and applying these insights in their own writing (Swales, 1990;Devitt, 2015). The aim is to help students develop an understanding of disciplinespecific rhetorical and lexical features in research-based genres such as master's theses and research proposals (Hyland, 2013). ...
... Our point of departure for this paper is the metaphor of a stage 1 as a way of thinking about how the English for Research and Publication Purposes (ERPP) community has come to understand research-based writing, a textual practice that is also inherently social (Curry & Lillis, 2008;hyland, 2015;Tardy et al., 2020), with both cognitive and affective dimensions (Casanave, 2019;Castelló et al., 2013;devitt, 2015;Roderick & Moreau, 2020;Salabubaré et al., 2021). Publishing is the stage, and academics are actors performing genres to audiences who have expectations based on a familiarity with those genres and the rhetorical contexts in which they operate. ...
Article
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The stage is an apt metaphor for how the ERPP community has come to understand research-based writing: research writing is of course a textual practice, but it is also inherently social, with both cognitive and affective dimensions. The aim of our paper (based on a talk given at NFEAP in 2021) is to bring new insights to our understanding of these stages by presenting a few data examples derived from a task completed by a group of doctoral students in the sciences. The task was designed to foreground primarily social facets of writing: writing as genre performance on a specific stage, for a specific audience and as a form of situated, purposeful communication against the backdrop of the current knowledge within a field. Further, the task foregrounded writing as a form of development towards a self-directed, agentive and possibly creative adaptation of one’s authorial choices. We present three main arguments: first, we show that a straightforward disciplinary framing of research-based writing may not be reflective of the hybridised, fluid and multidisciplinary audiences that our students write for; second, we argue that students need support in recognising this complexity and in developing rhetorical adroitness in order to write effectively; and third, we call for deeper engagement with well-established theories of learning such as self-regulation and metacognition to design tasks that investigate and promote student learning, and that encompass the social, cognitive and affective dimensions of genre performance.
... The corpus was limited to a period of 2 years (2015-2016 as the most recent years that the data was collected for the research) to control for the rapid changes occurring within any discipline. Surprisingly, Devitt, (2015) reprises 'time' as significant as 'genre' in prompting rhetorically patterned and textually different performances across genres. ...
... It ought to be exhibited via the articulation of language rules, an aptitude referred to as performance. Competence, therefore, is the built-in knowledge of language units while performance is the actualization of linguistic codes in concrete situations (Devitt, 2015). ...
Article
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This case study investigated Halliday's models of child's use of language involving an English-Filipino bilingual boy and how he was influenced by certain demographic factors and parents' communicative acts. Data was from nine videos that captured the child's naturally occurring interactions involving his parents and family friends between the ages 2.6 and 4.10 within a span of almost three years. The multimethod approach was used in analyzing data, namely, qualitative frequency analysis and online interview for triangulation purposes. Five of the seven functions of language in children were demonstrated and appeared to have been influenced by ethnicity, age, gender, and parents' communicative acts and attitude but not by bilingualism as earlier predicted. More importantly, four nascent models were exhibited, suggesting that there could be more than seven language functions in children as previously posited by Halliday. The esteem function, rescue function, corrective function, and asserting function, reflective of models of child's use of language in Filipino and Asian contexts, were discovered and such typologies are proposed in this study. Findings have implications on bilingualism, language teaching, and language development theories.
... It ought to be exhibited via the articulation of language rules, an aptitude referred to as performance. Competence, therefore, is the built-in knowledge of language units while performance is the actualization of linguistic codes in concrete situations (Devitt, 2015). ...
Article
This case study investigated Halliday’s models of child’s use of language involving an English-Filipino bilingual boy and how he was influenced by certain demographic factors and parents’ communicative acts. Data was from nine videos that captured the child’s naturally occurring interactions involving his parents and family friends between the ages 2.6 and 4.10 within a span of almost three years. The multimethod approach was used in analyzing data, namely, qualitative frequency analysis and online interview for triangulation purposes. Five of the seven functions of language in children were demonstrated and appeared to have been influenced by ethnicity, age, gender, and parents’ communicative acts and attitude but not by bilingualism as earlier predicted. More importantly, four nascent models were exhibited, suggesting that there could be more than seven language functions in children as previously posited by Halliday. The esteem function, rescue function, corrective function, and asserting function, reflective of models of child’s use of language in Filipino and Asian contexts, were discovered and such typologies are proposed in this study. Findings have implications on bilingualism, language teaching, and language development theories.
... The RGS also has pedagogical implications as Artemeva (2004) states in his work "Key Concepts in Rhetorical Genre Studies: An overview". RGS scholars base their understanding of genre on the notion of situated learning and define genre as situated, derived from and embedded in our participation in the communicative activities of daily and professional life (Devitt, 2015). What is more, RGS provides us with a new and completely different perspective on genre learning which is opposed to the traditional view that genres can and should be explicitly taught in the classroom. ...
Research
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The Abstract section is particularly important because it offers different communicative functions such as presenting, describing, stating, summarizing evaluating and sometimes, recommending. That is why, the aim of the present study is to propose a model describing the rhetorical structure and linguistic elements used in the Abstract section of Cardiology research articles in English. To accomplish this purpose, a special corpus of ninety research article abstracts from three specialized Cardiology journals was compiled and processed by AntMover 1.10 (2016) and AntConc 3.5.8 Window (2019), two corpus analysis softwares. As a result, it was designed a rhetorical model consisting in five moves in the Abstract section. The designed model will contribute to improve the academic writing of research articles abstracts in English by Cuban cardiologists. It will also help them to meet the international scientific community demands of their publications. Furthermore, the findings will make an important contribution to the field of ESP pedagogy as they offer authentic material, which could be used for the teaching and learning of English writing.
... El concepto de género discursivo ha sido ampliamente estudiado y sus aproximaciones son diversas. En esta investigación, lo entenderemos a partir de la propuesta de Swales (1990), quien, en el marco del inglés para propósitos específicos, propone una de las definiciones más empleadas y con mayor impacto en el área (Devitt, 2015). Género discursivo se define como el medio que permite el logro de los propósitos comunicativos de un grupo socio-retórico de individuos. ...
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La escritura del Trabajo Final de Grado (TFG) es una tarea difícil para la mayoría de los estudiantes de grado. Este es el caso de Ingeniería Informática, disciplina en la que la presentación adecuada de los resultados es una actividad de producción escrita compleja (Ochoa & Cueva, 2017). La sección RESULTADOS es más complicada que otras debido a su estructura, sus propósitos comunicativos y la forma de alcanzarlos (Hussin, Syamimi & Nimehchisalem, 2018). Si bien se han realizado algunas descripciones de su organización retórico-discursiva (Bret, 1994; Chen & Kuo, 2012; Hussin et al., 2018; Venegas et al., 2016), la mayoría se ha centrado en la organización prototípica de solo uno de los tipos de TFG que se producen en esta disciplina. Por lo anterior, en esta investigación mixta de alcance descriptivo, analizamos retórico-discursivamente la sección RESULTADOS de los TFG de Ingeniería Informática, considerando las particularidades de los diferentes tipos de TFG existentes en el marco de la disciplina. Con este fin, empleando el análisis de género (Swales, 1990; 2004), analizamos 117 secciones RESULTADOS de TFG de Ingeniería Informática. Entre nuestros hallazgos se observa que en la sección se emplean de forma prototípica las movidas ‘Presentar información preparatoria’, ‘Reportar los resultados’ e ‘Interpretar los resultados’. A su vez, se establecen variaciones en la organización retórico-discursiva, las que se relacionan con los 4 tipos de TFG que se producen en la disciplina. Concluimos que existen 4 tipos de TFG en Ingeniería Informática, los que inciden en la organización retórico-discursiva de la sección RESULTADOS. A su vez, sostenemos que se debe prestar atención a las particularidades del género y de cada sección, pues debido a los diferentes propósitos que se persiguen en cada uno de ellos, las unidades funcionales discursivas que se emplean difieren entre sí.
... Working from Miller's study and other foundational publications (for instance, Bakhtin, 1986;Bazerman, 1988, Berkenkotter & Huckin, 1993Bhatia, 1993;Devitt, 1991Devitt, , 1993Freedman & Medway, 1994;Jamieson, 1975;and Swales, 1990), functional perspective scholars within the RGS tradition have developed genre into a multifaceted core concept of several disciplines: rhetoric, linguistics, communication and media studies, information studies, and composition. In the process, genre research has developed a nuanced vocabulary for describing, in particular, genre use in institutional and educational settings, often in a nuanced dialogue with the genre research from the English for Specific Purposes tradition, to which Swales and Bhatia mentioned above belong (See Devitt, 2015), and -to a lesser degree -the genre reseach prevalent within systemic functional lingustics. (For the distinction between the three traditions see Hyon, 1996). ...
... En la misma línea, otro aporte de interés es el de Devitt (2015), quien amplía el concepto de competencia genérica al de actuación genérica, tomando las definiciones de competencia y actuación de la lingüística formal de Chomsky (1965). La autora plantea agregar a la observación tradicional de las convenciones textuales utilizadas, y su interpretación (competencia genérica), modos de producir textos adecuados a las tareas requeridas (actuaciones genéricas) por parte de los estudiantes. ...
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1. Introducción La idea de publicar este dossier sobre traducción e interdisciplinariedad surge de las Segundas Jornadas de Traducción del Comahue. La traducción en la convergencia disciplinar de 2019; en particular, de los intercambios con colegas sobre la necesidad de reflexionar acerca de los puntos de encuentro entre la lingüística aplicada y la traducción. La convocatoria tiene como finalidad proponer un diálogo interdisciplinario que ponga de manifiesto la centralidad de la lengua como materia prima con la que trabajan los traductores y promover un intercambio de saberes que favorezca el aprendizaje de aquellos aspectos de la lingüística que contribuyen con su formación académica y profesional. El dialogo entre disciplinas es vital para la enseñanza de una segunda lengua, y más aún en la formación de traductores, dados los múltiples roles que deben asumir. Por un lado, son lectores y escritores especializados ya que deben procesar los textos de origen (TO) que reciben y producir los textos de destino (TD) que les consignan en los encargos. Además, actúan como mediadores entre lenguas y culturas, lo que conlleva el desafío de enmarcar los distintos TO dentro de la comunidad que los utiliza y acorde a las funciones que cumplen en ella, para luego producir TD que satisfagan los requerimientos de la cultura que los recibe. Esta problemática es motivo de una preocupación compartida tanto por colegas como por estudiantes de grado, que observan que, a menudo, la enseñanza de las distintas áreas disciplinares en los traductorados ocurre en compartimentos estancos (van der Linde 2014, Mundó 2011), en desmedro de una formación integral que contemple los distintos aspectos
... The protocol of the interview was based on several theoretical studies. Questions related to genre knowledge were based on Tardy's (2009), Devitt's (2015), and Tardy et al.'s (2020) study were used as the foundations of questions about factors contributing to the 'writers' genre knowledge development. Hyland's (2000) five-move abstract model was adopted as the guideline for data analysis. ...
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A plethora of research has shown that genre analysis through move analysis is a practical approach to identify the complexity of writing research articles (RAs). However, little is known about the genre knowledge development that is manifested in abstract discourse patterns. This study aims to determine whether or not there is an influence from the level of education with the development of genre knowledge, especially in the field of writing research abstracts. Using Hyland’s (2000) five-move analysis model, this study analyzed the comparison and identity of abstracts of theses and dissertations in English and Indonesian. From the analysis, it can be seen that there are some differences and similarities in the manifestation of abstract discourse patterns in English and Indonesian final paper abstracts. In terms of genre knowledge, its development could be reflected through the level of study, in this case, from master’s to doctoral degrees. As evident in the dissertation abstracts in both languages, Move 1 (Introduction) evinces richer varieties in step realizations than in master’s theses. The analysis also indicates no crucial differences in genre knowledge development across languages and fields of study. Further comparative research on this particular topic with more subject of data is suggested.
... While the introductory article anticipates the impact of Swales' book on genre researchers and ESP instructors in different academic contexts , the articles that follow extend the key concepts of genre and critical genre analysis to culturally and linguistically diverse research communities (Motta-Roth & Heberie, 2015;Pérez-Llantada, 2015). Furthermore, Hyland (2015) and Devitt (2015) expand and revise the concepts of rhetorical positioning in discourse communities to achieve both community proximity and agency in their genre performances. Another set of articles revisits the move construct concept from different perspectives, including the use of an automated evaluation tool for the pedagogical application of move analysis , the suggestion of a looser concept of moves in English for Academic Purposes (EAP) in the context of the new genres of teaser abstracts and graphical abstracts in research papers , and the notion of a set of 'core' or 'minor' moves as an alternative to obligatory moves to determine genre membership (Samraj & Gawron, 2015). ...
... Even though students are expected to have acquired genre competence in the genre analysis task, there is a clear distinction between genre competence and genre performance. Notwithstanding presence of a standard or model sample of a genre, variations in individual performance of a genre do exist (Devitt, 2015). The generic transfer task enhances students' genre performance via provision of opportunities for creative variation and linguistic manipulation of classroom language contingent upon distinct lesson plans. ...
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Informed by Critical Genre Analysis (CGA), an English for Specific Purposes (ESP) lesson on classroom language is designed for prospective English teachers in Hong Kong to assist them in demystifying their discursive performance in the professional context of English language classrooms in local schools and achieving pragmatic success in their professional practice of conducting English lessons. Needs of target learners are analyzed with respect to the professional culture, professional practice, and genres relevant to English teachers in Hong Kong. On the basis of the needs analysis, a recorded English lesson language is selected as an input material for the lesson and analyzed at textual, socio-cognitive, and socio-critical levels. Pedagogical procedures of the lesson embody genre analysis, generic transfer, and free genre production. After completion of the lesson, students' genre ownership, discursive performance, and competent specialist behaviour are expected to be assessed by means of a weblog recording prospective English teachers' discursive performance during their teaching practice in a local school.
... Review reports are written for a specific audience, are organized in certain ways, discuss certain content, make distinct language choices, are realized in a specific context, and have a distinct purpose (Paltridge, 2017). They also reflect specific worldviews and the criteria and characteristics that a quality research must meet in a particular discipline, which are desired by that disciplinary community (Devitt, 2015). Researchers must also be informed of reviewing criteria in a certain discipline to assist them to understand whether their articles fit with those criteria, how their works are assessed by peer reviewers, and whether their works meet the requirements for getting published in quality journals (Marsden, 2015). ...
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Although researchers, postgraduate students, and university professors are under tremendous pressure to publish or perish, there exist few widely acknowledged rating scales or checklists for evaluating manuscripts submitted to journals in applied linguistics. To top it all, the existent peer-reviewing criteria are typically not publicly shared; thus, peer-reviewing is a closed, occluded genre. To fill this lacuna in applied linguistics, this research critically analyzed the evaluation scales, existing review criteria, and available documents from 18 journals, two publishing institutions, and APA guidelines in order to come up with a comprehensive checklist for evaluating research articles in applied linguistics. The analysis of the data through inductive content analysis revealed 43 categories, which were later classified under six main themes. It was found that researchers must be aware of the practicalities of research, include the essentials in their manuscript, and appeal to editors by adding elements of face validity. Having met these requirements, researchers must enjoy excellent composition skills and adhere to the fundamental principles in research ethics in order to be able to write a research paper having high overall value. The paper concludes with several implications for researchers and opens up some avenues for future research.
... The basic structure of the background section may be characterized as follows: "Presenting Background Information", "Reviewing Related Research", and "Presenting New Research". [6][7][8] However, little is known about how systematic review (SR) authors review related researches to emphasize the importance of their research question in their background section. This study aimed to examine the methods the authors use in order to delineate their novelty with regard to the existing literature and compare which methods were related to the publication in top medical journals. ...
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Objectives: To clarify the styles used in background sections of systematic reviews (SR) and to identify which styles if any were related to the publication in high-impact-factor (HIF) medical journals. Method: This was a cross-sectional study for original SR articles published in top 50 journals in MEDICINE, GENERAL & INTERNAL category in Journal Citation Reports 2018. We randomly included 90 articles from top 10 HIF journals and 90 from others, respectively. We conducted a content analysis to classify the background styles. We assessed the factors associated with the publication in HIF journals. Results: We found 6 categories. We defined 6 categories as follows: Update of prior SR, New in scope than prior SR, Higher quality than prior SR, Completely new SR, Limitations of primary studies only, and Not presenting unknown in prior SR or primary studies. All 6 categories were not related to the publication in HIF journals. Conclusions: We found 6 categories of styles in background sections of SR, none of which however were related to publication in HIF journals. SR authors may wish to use any of these categories to communicate the importance of their research questions.
... Dessa forma, a autora se propõe a "reconhecer a limitação do ensino explícito de gêneros específicos [partículas], sugerir o ensino de gêneros antecedentes como alternativa [ondas] e acrescentar a proposta de ensino da consciência de gêneros [campos] (DEVITT, 2009, p. 338 Como a aprendizagem desses antecedentes afetará as interações dos alunos em contextos futuros? Fonte: Devitt (2009, p. 345-346) 7 Com essa proposta, Devitt (2009) assume uma perspectiva que poderia ser traduzida terminologicamente pelo que ela denomina em trabalho mais recente (DEVITT, 2015) como "estudos retórico-linguísticos de gênero": uma mescla das tradições retórica de ERG com uma influência das tradições linguísticas de ESP. Com isso, a autora reafirma sua intenção em "contribuir com a discussão de como a teoria de gêneros pode se traduzir em pedagogia saudável e eficaz" (DEVITT, 2009, p. 349). ...
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A criticism on genre-based teaching concerns its character of simulation. Genre, when transformed into a teaching subject, effectively ceases to function as genre in a real social situation. This understanding questions the validity of explicit pedagogical approaches, which their focus on genre based on structural models that usually emphasize linguistic and organizational aspects of texts linked to specific genres. The question is how to maintain the notion of genre as social action if its insertion in the classroom implies its withdrawal from the real context of production, circulation and reception. Thus, the aim of this work is to reflect on how different theoretical approaches to genre and, in particular, the perspective of Rhetorical Genre Studies, offer subsidies for teaching that do not reduce genre to a simple formal structure, but that preserve its functional, communicative and rhetorical aspects. The discussion is illustrated with references to researches that were conducted in the Professional Master's Program in Letters (PROFLETRAS) guided by a search of an approach that is meaningful in the classroom and at the same time maintains the relationship of genre and its real context of occurrence.
... Respecto de las metodologías que facilitan la labor de describir la organización retórica de un género discursivo, destacan los movimientos discursivos prototípicos referidos a la organización de un escrito. Este enfoque propuesto por Swales (1990; ha tenido gran relevancia en el estudio de textos científicos, especialmente artículos de investigación y tesis (Devitt, 2015;Gallardo, 2012). ...
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La investigación, inscrita en la tradición metodológica del análisis del discurso, tiene como objetivo describir las clases de informes que escriben los estudiantes del área de las Ciencias Sociales y Humanas en sus primeros años de estudio. La investigación, desde un enfoque cualitativo, de alcance descriptivo, plantea la identificación de categorías con base en la unidad de análisis denominada movimiento discursivo (moves) de Swales. El corpus de naturaleza muestral estuvo constituido por 110 informes escritos. Los resultados dan cuenta de rasgos discursivos comunes y divergentes en la organización de cuatro tipos de informes identificados: informe de caso, informe bibliográfico, informe de investigación canónica e informe de diagnóstico. Los resultados del estudio constituyen una evidencia empírica valiosa acerca del aprendizaje de un género discursivo de alta recurrencia, y constituye un aporte para la construcción de aplicaciones didácticas de la escritura académica y profesional según tipos de informes.
... Hyland [13], however, argues that genre-based teaching is not restricted to explicit teaching but also involves critical analysis that allows students to be engaged with cultural and textual practices. Learners should be taught ways to explore genres rather than use specific genre features, and they should also be made aware of their respective disciplinary conventions and discourse, and the need for extended practice outside the classroom [11], [18], [19]. ...
Article
bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Background: The ability to create a context is essential in writing the introduction of a research article (RA). This study explores the experience of engineering Ph.D. students in Australia, for whom English is an Additional Language (EAL), in using a problem-solution-based writing model to develop context-creating skills in writing RA introductions. Research question: What is the experience of engineering Ph.D. students in creating contexts through explicit learning of a problem-solution-based model for writing RA introductions? Literature review: Genre-based teaching is a common approach in the second language classroom. Recently, a genre-based approach for writing the introduction of engineering RAs has been proposed. The descriptive values of the model, PSP-CaRS, have been shown in corpus studies of published engineering RAs. However, its applicability has not been explored pedagogically. Methodology: Twenty-nine Ph.D. students were asked to respond to a questionnaire nine months after learning the model and reflect on their experience using it. The findings were then corroborated with data obtained from interviews, researcher observation, and writing samples. Results: The findings showed that the participants perceived PSP-CaRS to be useful and they continued using it after nine months despite some difficulties encountered in the writing process. Participants’ responses showed that explicit teaching of PSP-CaRS formed the foundation upon which more competent skills to create contexts were developed through practice and integration of subject knowledge. Discussion: Explicit teaching using a model can impart the basics of genre awareness to students. Once students gained an in-depth understanding of the model by working through their difficulties, they developed better genre awareness, and used the model adaptively to visualize and write their RA introductions. Conclusion: The results confirm the usefulness of the proposed model and reveal how a continuing process of learning and practicing using the model helps students develop their skills to create contexts and enhance their genre awareness.
... I discuss the reports in relation to the chain of genres (Devitt, 2004;Swales, 2004) of which reviewers' reports are part, then consider the discourse structures and content of the reports. The reports are also considered from the point of view of performance (Devitt, 2015) which entails reviewers sharing and understanding the norms, values, and expectations of the particular disciplinary community as they 'behave in certain ways and make particular discourse choices' (Hyland, 2012, p. 20) in their reports. Drawing on speech act theory (Austin, 1962;Sadock, 2004;Searle, 1969) I examine the ways in which reviewers ask for changes to be made to submissions and the extent to which they do this explicitly and implicitly. ...
Chapter
This chapter discusses multi-perspective research; that is, research which incorporates multiple perspectives into its study design, data collection, and analysis. Research that has examined writing for publication and the peer review of submissions to academic journals are discussed as examples of this. This includes approaches and methods which have been employed to examine authors’ experiences of writing research articles and getting published in academic journals, as well as approaches that have been drawn on to examine reviewers’ reports on submissions to academic journals and the experiences of authors dealing with the peer review process. Particular attention is given in these discussions to the data collection methods and data analysis techniques employed in the studies. Proposals are made for further studies that employ multiple perspectives in their study design and research.
... Los estudios sobre géneros se han centrado en el análisis de la escritura académica. Un género estratégico que se ha estudiado es Artículos de Investigación Científica (AIC) tomando en cuenta el área disciplinaria Devitt, 2015;Sabaj, 2012). Este trabajo está claramente basado en propuestas ya clásicas como la del modelo CARS (Create a Research Space) bajo el marco metodológico del Genre Analysis (Swales, 1990). ...
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La necesidad de divulgar el conocimiento académico-científico ha derivado en una mayor atención al resumen que precede al artículo de investigación científica, especialmente en cuanto a su variación disciplinaria y cultural. El presente estudio contrasta la organización retórica de resúmenes escritos en español e inglés en la disciplina de la lingüística. El corpus utilizado está compuesto por 60 resúmenes, 30 de cada idioma, extraídos de seis revistas especializadas indexadas en SciELO y SCOPUS. El análisis del corpus siguió un enfoque descendente. Los resultados muestran que los resúmenes en español son menos complejos retóricamente que los escritos en inglés. Por otra parte, se ha revelado que predomina la autorreferencia impersonal en textos de ambos idiomas excepto en la movida retórica de ‘propósito’, en la que los escritos ingleses muestran un uso más frecuente de la primera persona plural. Se concluye que la variación cultural tiene cierto impacto en la escritura de las comunidades discursivas.
... After receiving meaningful input from the teacher and through model texts, students in the intervention group were encouraged to use the language features in their joint and independent construction of text (Cope & Kalantzis, 1993). The exemplified forms were internalized through students' actual use and meaningful interactions with their peers and teachers in multiple drafting (Devitt, 2015;Deng et al., 2014). However, the large amount of language and lexical input was taught to the comparison group in a decontextualized manner, where too much emphasis was put on learning the English grammar rather than how to use it in relevant contexts for meaning-making (Wen, 2018). ...
Article
Many researchers have acknowledged the advantages of process-genre approaches to teaching writing in various genres in a foreign/second language (L2). However, empirical studies examining L2 learners’ performance within such a framework are still underrepresented. To fill the research gap, we investigated the effects of a process-genre approach to teaching argumentative writing on L2 learners’ writing improvement. Quasi-experimental in design, this intervention was conducted in two English classes at a university in China, with an intervention group receiving L2 writing instruction through the process-genre approach and the comparison group through a commonly practiced conventional approach. Pretest, immediate posttest, and delayed posttest measures were taken for gauging L2 learners’ writing performance through an argumentative essay writing task. All the essays were evaluated against a marking rubric in content, organization, vocabulary, language use, and mechanics. Results show significant increases in the intervention group’s performance in the immediate posttest and good effects retained in the delayed posttest 6 weeks later. Little improvement in the comparison group was found in the immediate posttest or the delayed posttest. Between-group comparisons indicate that the treatment group outperformed the comparison group in the immediate post- and the delayed posttests, as shown in their overall score and scores on the four components, particularly in content and organization.
Chapter
There is no doubt that scholarly discourse cannot be imagined without the practice of refereeing and adjudicating, and, as we shall refer to it in this volume, certifying knowledge. In other words, gatekeeping is at the heart of academic discourse and an important aspect of the rules of the game of scholarly practice. Merton and Sztompka (On social structure and science, University of Chicago Press, 1996) enumerate disinterestedness, “ultimate accountability of scientists to their compeers” (p. 275), as one of the major canons or imperatives for scientific ethos. That is, scientific work needs to be filtered through a normalized (standardized) intellectual process or procedure in knowledge construction and dissemination mechanism whereby the produced cultural capital is measured and its quality is dissected based on a set of agreed-upon (hegemonic) criteria by idealistically impartial expert compeers in one’s discipline. Ultimately, this is how the academic community assures itself and the general public that the certified knowledge has been intellectually processed and is therefore reliable, noteworthy, and a part of the existent knowledge repertoire. This description provides a pretty straightforward picture of the significance and the procedural knowledge of the gatekeeping process. However, it sounds simplistic and reductionist in the sense that it glosses over the complexity, multidimensionality, contours, and nuances of the knowledge production and certification enterprise. By the same token, in what follows, we intend to have a closer look at different dimensions of the gatekeeping practice (and similarly gatekeepers) in order to understand what makes the process and its analysis both worthy and challenging. It is worth mentioning though that in spite of our separate discussion of these aspects below, they are closely interconnected and constitutive of each other.
Chapter
This chapter reports an analysis of my own review reports in the past ten years (2010–2019) for 82 manuscripts submitted to 14 applied linguistic journals. Following John Swales’ move analyses, it explores the rhetorical structure of the reports with two sections. The first is the Recommendation section with moves of outlining the article, acknowledging revisions for resubmission, summarizing the contributions and/or my major concerns, and recommending whether the manuscript is suitable for publication. The second section, Specific evaluative commentary, specifies the major concerns summarized in the Recommendation section to request revisions on aspects of the Literature review, Methodology, and Presentation of the paper. The requests for revisions are carefully worded with hedges and indirectness so negative comments are presented in a less face-threatening way.
Book
English for Research Publication Purposes; English as an academic language; gatekeeping in scholarly publication; editing and reviewing practices
Article
Parascientific genres often do not abide by the established norms and conventions of science communication in research articles (RAs) and they are not included in the RA. This work examines the linguistic and communicative exigencies of an emerging digital genre, the Bigger Picture, an obligatory post-publication section in the journal Chem which deviates considerably from RA norms, yet it is included in the RA. This work aims to examine its rhetorical functions and determine users' initial perceptions: rhetorical analysis of twenty Bigger Picture sections in Chemistry RAs in Chem, a survey and an interview were conducted to determine users' perceptions. Novice researchers/writers were also asked to write think aloud reports as part of the qualitative analysis. The analysis of the genre moves and featuring conventions showed an intentional blurring of boundaries between scientific and general discourse, technical, non-technical and inter-disciplinary communication which gives rise to a new more inclusive ‘meta-scientific’ genre. Participants agreed that the Bigger Picture's main purpose is to involve, engage and reach out to a wider audience, adapting a discipline-specific discourse and re-contextualising research outcomes from a highly specialised context to a nominally specialised one, using recontextualisation strategies which aim to include a broader pool of potential interdisciplinary users.
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While early career researchers (ECRs) often read and produce articles for peer reviewed journals, they are less familiar with peer review reports (PRRs). Most ECRs learn about the genre of PRRs by reading reports on their own manuscripts and through hands-on experience crafting their own, often with little guidance or exposure to exemplars. To demystify this ‘hidden’ academic genre, this article reports on a genre analysis of 62 ‘quality’ PRRs, focusing on their communicative purposes, and the structural, content, and linguistic elements that serve to support those purposes. Findings show that the central role of the PRR is to elicit various actions on the part of manuscript authors. Other functions serve to circumvent manuscript author’s potential negative emotional response to PRRs, and this is also seen in limited use of high modality verbs and emotional language. PRRs follow a fairly uniform structure, and focus on all elements of the manuscript, with most attention given to the methods section. The paper provides numerous practical examples that provide a practical guide to support writing pedagogies related to important academic practice.
Chapter
Social media particularly Twitter has emerged as a powerful medium for expression and discussion for a wide range of topics. Through the use of hashtags, a powerful and popular affordance of Twitter, several online campaigns aimed at raising awareness and consciousness towards various issues of civic and social justice, have emerged. Although prior scholarship has investigated forms of rhetoric and impacts of such narrative movements on Twitter, an important consideration is to understand the structural forms that such narratives take depending on context and regional culture wherein the movement originates, rendering each campaign unique in its collective identity and objective. To this end, this study embarks on a mixed-methods analysis of 27,265 tweets related to calls of action and social justice in the aftermath of the death of a popular Indian movie star. The analysis reveals a diverse spectrum of themes ranging from expressions of loss and grief to astute critiques of the major institutions of power. Parallel but powerful themes also demonstrated attempts to nurture and embolden the campaign. Temporal trends provide insights into the collective orientation and gradual development of a community focus among campaign participants. The ultimate aim of this analysis is to provide insights into how such channels of discourse should be designed to create and nurture a medium for freedom of expression and foster safe spaces for civic engagement.KeywordsSocial justiceCommunity normsCivic engagementTwitterContent analysis
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In an increasing number of post-graduate programmes in Kazakhstan, students may be expected to produce academic or professional texts in up to three languages—Kazakh, Russian, and English. While previous research has shown the benefits of genre-based approaches to English academic development, this study seeks to understand students’ development of genre knowledge in multiple languages simultaneously. Using Tardy’s (2009) four-part genre knowledge framework, a survey measuring self-reported genre knowledge in three languages was developed and administered to Master’s and PhD students (n=283) at 6 Kazakhstani universities, followed by interviews of students (n=43), teachers (n=34) and administrators (n=30) on approaches to genre knowledge development. Survey data revealed students generally have higher genre knowledge in Russian, followed by Kazakh and English. Students have higher Formal knowledge than other types of genre knowledge across languages. Interview findings suggest students are primarily influenced by IELTS exam-based, Formal knowledge approaches to education in English. The results suggest a need for both explicit instruction in non-structural elements of genre knowledge in three languages, and expanded identification of the key components of genre knowledge in languages other than English.
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Mediation and Genre Analysis for English Teachers (MAGNET) is one of two required English language competence courses designed for pre-service English teachers in the Master of Education (MEd) program of the Department of English and American Studies at the University of Vienna. While its companion course, Advanced Speaking Skills for English Teachers (ASSET), is focused on developing advanced spoken English for educational contexts (see Richter, “Advanced Speaking Skills for English Teachers,” this volume), MAGNET emphasizes advanced genre analysis, writing, and mediation skills. There is no prerequisite for attendance other than admission into the MEd program. The language proficiency of students is expected to be at the upper range of C1 according to the Common European Framework of Reference for Languages (Council of Europe, 2020).
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The aim of the article is to discuss translation regularities in correlations of words that denote culture-related phenomena that exist in many cultures or that are specific to certain cultures and languages. The focus is on Russian and English culturonyms. The authors dwell on the principle of functional dualism that claims that language can equally address internal and external cultures. This principle is developed in the new linguistic discipline termed interlinguoculturology (Kabakchi 1998, Kabakchi Beloglazova 2020). Nonetheless, under the impact of the World Englishes paradigm, the article points to blurring the concept of external culture - Russian bilinguals, speaking or writing in Russian English, use this variety for expressing their own culture; the same is true for other world Englishes that have branched from the prototypical British English model. Despite the polemical relations of the two research schools, which are close and yet different in some of their tenets, there is much in common in their semantic and pragmatic research of how varieties of English adapt and domesticate culturonyms, in particular binary words belonging to two languages and often associated with each other in translation. The paper discusses examples of binary polyonyms (universal culturonyms) whose meaning depends on the context of the situation and, therefore, is differently received in diverse cultures; binary analogues whose equivalent selection is based on scrutinizing the dictionary entry and on the knowledge of the cultural background, and binary interonyms that partly help translators and partly interfere with their work, being deceptive cognates differing in their referential or connotational meanings. The article concludes that the interpretation of culture-bound words in foreign-culture-oriented texts depends on various pragmatic and semantic processes and is grounded in a word semantic flexibility and its matter-of-course adaptation in a cultural and language environment.
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This chapter draws on recent research on genre literacy to investigate aspects of British children’s school writing, as revealed in the texts produced by children at different age levels and sociocultural groups. Specifically, this chapter explores the way developing writers’ prior knowledge shapes their learning about how to produce written texts in school and become confident writers. The discussion singles out different constituents of the notion of prior knowledge; this is conceptualized in terms of both sociocultural conventions for organizing meanings (or formal schemata) and register choices, as well as knowledge of visual design and text layout. The discussion builds upon the premise that detailed textual analysis of written texts can reveal important information on the types of prior knowledge with which children approach genre writing in the school context, and illustrates some of the difficulties children face in the production of genres which constitute advanced school literacy tasks. Evidence is discussed of how some children use the semiotic meaning-making resources from their out-of-school literacy experiences in ways that can be effective (or ineffective) according to school standards. Furthermore, the discussion takes into account the extent to which this prior knowledge is acknowledged in the British school context, especially in its examination and assessment processes. Finally, the chapter highlights the role curriculum requirements and pedagogical practices play in establishing school writing as little more than sociocultural reproduction of culturally valued genres.
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With genre now viewed as a fundamental element of writing, both second language writing and mainstream composition studies have seen an increased focus on the question of how writers learn genres. The purpose of this paper is to review key findings from 60 empirical studies that have investigated this question. To this point, research has typically studied genre learning as it occurs either through professional or disciplinary practice or through classroom instruction; almost no studies have looked at the same writers as they traverse these multiple domains. I therefore categorize studies as taking place in either “practice-based” or “instructional” settings and identify trends in the research findings from each setting. After examining one study which takes place in multiple settings, I tease out some of the commonalities and distinctions between learning in practice-based and instructional contexts and between first language and second language genre learning. On the basis of this comparative review of research, I suggest future directions for the interdisciplinary study of genre learning.
Some ideas for teaching new genres from old genres
  • Devitt
Analysing genre: functional parameters
  • Martin
Genre as language standard
  • Devitt