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Prevalence and Consequences of Arm, Neck, and/or Shoulder Complaints Among Music Academy Students: A Comparative Study

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Objective: CANS (complaints of arm, neck, and/or shoulder not caused by a systemic disease or acute trauma) are a recognized problem in specific occupational groups such as musicians. This study aimed to compare the prevalence, characteristics, and consequences of CANS between music academy students and a control group of peer-age medical students. Methods: A cross-sectional study among music academy students and medical students. Data were collected using a web-based questionnaire on musculoskeletal conditions of the upper extremity in the two cohorts. Results: Students of three music academies (n=345) and one medical university (n=2,870) received the questionnaire, of which 25% (n=87) and 18% (n=503) responded, respectively. The 12-month prevalence of CANS was nearly twice as high among music academy students as the control group (80.7% vs 41.5%, p<0.001). Music academy students reported 2.6 times the point prevalence as medical students (47.0% vs 18.2%, p<0.001). Chronic CANS was present in 36.1% of the music students, compared to 10.3% of the medical students (p<0.001). Music academy students presented more complaints per anatomic localization and a higher number of involved anatomic localizations. Music students rated the influence of CANS on daily functioning as more severe (5.0 vs 3.1, p<0.001). Of all subjects with CANS during the last year, more music academy students (46.3%) visited a healthcare professional compared to medical students (29.8%, p=0.013). Conclusion: The prevalence of CANS is high in music academy students compared to medical students. This emphasizes the necessity of effective (preventive) interventions in these high-demanding professionals.
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September 2015 163
OBJECTIVE: CANS (complaints of arm, neck, and/or
shoulder not caused by a systemic disease or acute trauma) are
a recognized problem in specific occupational groups such as
musicians. This study aimed to compare the prevalence, char-
acteristics, and consequences of CANS between music acad-
emy students and a control group of peer-age medical stu-
dents. METHODS: A cross-sectional study among music
academy students and medical students. Data were collected
using a web-based questionnaire on musculoskeletal condi-
tions of the upper extremity in the two cohorts. RESULTS:
Students of three music academies (n=345) and one medical
university (n=2,870) received the questionnaire, of which 25%
(n=87) and 18% (n=503) responded, respectively. The 12-month
prevalence of CANS was nearly twice as high among music
academy students as the control group (80.7% vs 41.5%,
p<0.001). Music academy students reported 2.6 times the point
prevalence as medical students (47.0% vs 18.2%, p<0.001).
Chronic CANS was present in 36.1% of the music students,
compared to 10.3% of the medical students (p<0.001). Music
academy students presented more complaints per anatomic
localization and a higher number of involved anatomic local-
izations. Music students rated the influence of CANS on
daily functioning as more severe (5.0 vs 3.1, p<0.001). Of all
subjects with CANS during the last year, more music academy
students (46.3%) visited a healthcare professional compared to
medical students (29.8%, p=0.013). CONCLUSION: The
prevalence of CANS is high in music academy students com-
pared to medical students. This emphasizes the necessity of
effective (preventive) interventions in these high-demanding
professionals. Med Probl Perform Art 2015; 30(3):163–168.
Musculoskeletal problems among musicians are
frequent, with reported 12-month prevalence
among music academy students and profes-
sional musicians ranging from 39 to 90%,1–8 while these
numbers vary between 2 and 60% in the general working
population.9,10 These prevalence estimates are often
focused on the occurrence of musculoskeletal complaints
in the whole body.2–5,11 However, playing an instrument
mainly involves overuse at the upper extremity and neck
area. The latter is in accordance with studies showing a
high prevalence of musculoskeletal complaints among
musicians at the upper extremities, neck, and mouth.11,12
Since some studies showed that nearly half of professional
musicians discontinued practicing their instrument at
home during 1 year due to musculoskeletal complaints,
evaluation is necessary.2
The extent of upper extremity musculoskeletal com-
plaints can be described within the CANS (Complaints of
Arm, Neck, and/or Shoulder) model.13 In the CANS
model, complaints due to systemic disease or acute trauma
are excluded. This model was developed to support and
compare scientific research and to increase multidiscipli-
nary cooperation, using a delphi consensus strategy. One
of the advantages of using this model is the possibility of
comparing different populations. Systematically describ-
ing the scope of CANS experienced by musicians is not
only an important step in recognizing the extent of the
problem in that specific group in comparison to other pro-
fessions, but it will also give clues for addressing preven-
tive interventions. Thus, the primary aim of this study was
to evaluate the prevalence of CANS among music acad-
emy students compared to a control group of medical stu-
dents; secondly, the impact of CANS symptoms experi-
enced by music academy students compared to medical
students was evaluated.
METHODS
Study Design
A cross-sectional study on musculoskeletal conditions of
the upper extremity in music academy students was per-
formed. A group of medical school students was consid-
ered as a control group. Data were collected from a web-
based questionnaire among 3,215 students of three music
academies and 2,870 students at one medical university in
the Netherlands, extensively described in a previous arti-
cle.11 Data were collected between February and May 2011.
All Dutch-speaking students of three music academies
(n=345)—the Royal Conservatoire, The Hague;
CODARTS University for the Arts, Rotterdam; the Ams-
terdam School of the Arts, Amsterdam, with a classical
instrument as main subject (singers and conductors were
excluded)—received an invitation, as did medical students
(studying to be physicians) from Leiden University
Prevalence and Consequences of Arm, Neck, and/or
Shoulder Complaints Among Music Academy Students
A Comparative Study
Laura M. Kok, MA, MD, Rob G.H.H. Nelissen, MD, PhD, and Bionka M.A. Huisstede, PhD, PT
From the Department of Orthopedics (LMK, RGHHN, BMAH),
Leiden University Medical Center, Leiden, and Department of Rehabil-
itation, Nursing Science, and Sports (BMAH), University Medical
Center Utrecht, Utrecht, The Netherlands.
The authors declare no funding or conflicts of interest.
Address correspondence to: Dr. Laura M. Kok, Department of Orthope-
dics, Leiden University Medical Center, Postzone J11R, Postbus 9600,
2300 RC Leiden, The Netherlands. Tel +31-(0)71-5263606, fax +31-(0)71-
5266743. laura.m.kok@gmail. com.
© 2015 Science & Medicine. www.sciandmed.com/mppa.
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164 Medical Problems of Performing Artists
(n=2,870). The student registries of the four centers were
used to select the subjects. Exclusion criteria were age
below 18 yrs and above 30 yrs. All eligible students
received an e-mail with an invitation to complete the web-
based questionnaire. A reminder e-mail was send 3 weeks
after the first e-mail. The Leiden University Medical Ethi-
cal Committee approved the protocol (11/003b).
Questionnaire
The electronic questionnaire included items on sociode-
mographic characteristics, general health and muscu-
loskeletal complaints (age, gender, height, weight,
right/left-hand dominance), study-year (bachelor year 1–
4, master year 1–2), instrument playing (average time play-
ing per week and years of experience) and study (music
academy student/medical student), and main instrument.
For students playing an instrument, information on the
number of years already spent playing the instrument and
the average number of hours per week devoted to practice
were collected. In addition, the questionnaire included
questions concerning smoking, alcohol, sports, and
comorbidities.
The existence of musculoskeletal complaints during the
last year, current musculoskeletal complaints, and chronic
musculoskeletal complaints (complaints during at least 3
months) were scored for six anatomic regions: 1) elbow,
wrist, and hand; 2) neck, shoulder, and upper back; 3) lower
back; 4) hips and knees; 5) ankles and feet; 6) jaw and
mouth. Since this study focused on CANS, only the upper
extremity data were used. The body region “elbows, wrists,
and hands” was subdivided in six localizations (elbow left
and right, wrist left and right, and hand left and right). The
region “neck, shoulders, and upper back” was subdivided
in four localizations (shoulders left and right, neck and
upper back). For all complaints, information was collected
concerning the type of the complaint (pain, loss of gross
motor skills, loss of fine motor skills, power loss, loss of
control, cramp, loss of speed, loss of endurance, swelling,
redness, other), the duration of the complaint, cause of the
complaint according to the subject, the effect on daily life
functioning (scored on a scale from 0–10), and medical con-
sultation (general practitioner, specialist, physiotherapist,
alternative medicine). Also the cause(s) for the complaint
was questioned (e.g., trauma, repetitive use, etc.).
Statistical Analysis
Statistical analyses were performed with SPSS 20.0 (IBM
SPSS, Armonk, NY, USA). Mean and standard deviation
(SD) were calculated for each continuous normally distrib-
uted variable. Median and range were computed in case of
a non-normal distribution. Comparisons of gender, study,
smoking, hand preference, and healthcare usage between
music academy and medical students were done using chi-
square and t-tests.
Prevalence estimates for CANS were calculated by
adding all subjects with at least one complaint in one of
the six relevant anatomic regions. In case of complaints at
multiple sites (e.g., elbow and shoulder), the complaint
with the longest duration and the most severe score on
daily functioning was used to calculate duration and sever-
ity of CANS. Following the definition of CANS com-
plaints due to acute trauma (using the question on causal-
ity) and systemic disease (using the questions on causality
and comorbidity) were excluded. The following non-exclu-
sive prevalence estimates were calculated: point prevalence
of CANS (defined as current CANS); 12-month preva-
lence of CANS (defined as CANS during the last 12
months); and chronic CANS (defined as CANS present at
the time of completing the questionnaire and present for at
least 3 months).13 Prevalence rates, symptoms, occurrence
TABLE 1. Sociodemographic Characteristics of the Study Populations
Music Academy Students Medical Students
(n=83) (n=494) p-Value
Age 21.5 (SD 2.2) 22.1 (SD 2.6) 0.062
Gender
Male 22 (26.2%) 120 (24.3%) 0.843
Female 62 (73.8%) 374 (75.7%)
Grade
Bachelor’s 72(86.7%) 248 (50.2%) < 0.001
Master’s 11 (13.3%) 246 (49.8%)
Smoking 10 (11.9%) 26 (5.3%) 0.019
Sport (hrs/wk) 2.2 (SD 2.4) 3.0 (SD 2.8) 0.005
Alcohol consumption (glasses/wk) 3.9 (SD 4.5) 5.5 (SD 6.9) 0.090
Body mass index (kg/m2) 21.2 (SD 3.0) 22.0 (SD 2.5) 0.001
Practice time (hrs/wk) 20.7 (SD 8.7)
Experience (no. of playing years) 13.0 (SD 3.3)
Hand preference
Right 71 (85.5%) 43(87.7%) 0.593
Left 12 (14.5%) 61 (12.3%)
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September 2015 165
of complaints at multiple sites, and healthcare usage were
compared using chi-square tests. The occurrence of com-
plaints at multiple sites was compared using t-tests.
RESULTS
A total of 590 students completed the questionnaire: 87
music academy students (25%) and 503 (18%) medical stu-
dents. After exclusion of subjects exceeding the age limits,
577 students were included: 83 from the music academies
and 494 from the medical school. Table 1 illustrates the
characteristics of the responders.
Prevalence: The 12-month prevalence of CANS among
music academy students was nearly twice as high as in
medical students (80.7% vs 41.5%, p<0.001, Table 2). The
point-prevalence of CANS was 2.6 times higher in music
academy students than in medical students (47.0% vs
18.2%, p<0.001, Table 2). Differences between both groups
were highest for those with chronic CANS. Chronic
CANS was more than 3 times as frequent in music acad-
emy students (36.1%) as in medical students (10.3%,
p<0.001).
Symptoms: For those with CANS at present, during the
last 12 months, or with chronic CANS, Table 2 reports the
symptoms (e.g., pain, loss of gross motor skills, and pres-
ence of muscle cramp). Within both the music academy
and medical students groups, at least 90% of the subjects
reported pain. However, music academy students pre-
sented more severe symptoms compared to medical stu-
dents; music students with CANS reported more joint
swelling (p=0.042) and more motor skill problems (fine
motor skills p=0.024, loss of speed p<0.001, loss of control
p=0.012, cramp p=0.046, power loss p=0.043, and loss of
endurance p<0.001) than medical students.
Localization of CANS:The localizations of CANS
among music academy and medical students are presented
in Table 3. The neck was the most frequently affected area,
with 46% and 27% of the music academy students and med-
ical students reporting complaints of the neck (p=0.001).
Among all subjects with CANS during the last 12 months,
a higher percentage of music academy students compared
to medical students report complaints of the shoulders.
The right shoulder was affected in 30% and 9% (p<0.001)
and the left shoulder in 28% and 7% (p<0.001) of the music
and medical students, respectively.
Number of involved anatomic localizations:More music
academy students reported CANS in a higher number of
anatomic localizations: 32.8% of the music academy students
reported complaints in one, 38.8% in two, and 28.4% in three
or more anatomic localizations. In medical students, 58.8%
reported complaints in one, 31.7% in two, and 9.8% in three
or more localizations. Table 4 shows the number of anatomic
localizations in which complaints were reported in those
reporting CANS during the last 12 months.
Impact on functioning: Music academy students rated
the impact of CANS on activities of daily living as more
severe than did medical students (VAS 5.0 vs 3.1; p<0.001,
Table 2).
Health care usage: Of all students reporting CANS
during the last 12 months, significantly more music acad-
TABLE 2. Characteristics and Duration in Music Academy and Medical Students with CANS
12-months-prevalence of CANS Point prevalence of CANS Chronic CANS
_______________________________ _______________________________ _______________________________
Music Music Music
Academy Medical Academy Medical Academy Medical
Students Students Students Students Students Students
(n=83) (n=494) p-Value (n=83) (n=494) p-Value (n=83) (n=494) p-Value
Prevalence of CANS 80.7% 41.5% 0.001 47.0% 18.2% <0.001 36.1% 10.3% <0.001
Influence of CANS
on functioning* 5.0 (2.8) 3.1 (2.4) <0.001 5.0 (2.7) 3.7 (2.4) 0.013 5.4 (2.6) 4.4 (2.3) 0.122
Symptoms
Pain 91.0% 91.2% 0.965 92.3% 91.1% 0.329 90.0% 90.2% 0.623
Motor problems
Gross motor skills 23.9% 25.4% 0.807 25.6% 23.3% 0.823 30.0% 35.3% 0.897
Fine motor skills 10.4% 3.4% 0.024 2.6% 1.1% 0.013 13.3% 2.0% 0.701
Loss of speed 13.4% 1.0% <0.001 5.1% 0 0.001 20.0% 0 0.062
Loss of control 7.5% 1.5% 0.012 5.1% 1.1% 0.164 13.3% 0 0.062
Cramp 35.8% 23.4% 0.046 25.6% 23.3% 0.016 40.0% 35.3% 0.422
Power loss 14.9% 6.8% 0.043 7.7% 1.1% 0.365 23.3% 5.9% 0.107
Loss of endurance 29.9% 5.4% <0.001 23.1% 6.7% 0.001 36.7% 9.8% 0.021
Other
Swelling 10.4% 3.9% 0.042 10.3% 0 0.455 20.0% 0 0.007
Redness 3.0% 2.9% 0.980 2.6% 0 0.181 3.3% 2.0% 0.190
Other 0.0% 5.4% 0.053 0 5.6% 0.644 0 13.7% 0.371
*Measured on VAS 1–10. SD given in parentheses. Significant p-values are shown in boldfaced type.
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166 Medical Problems of Performing Artists
emy students than the medical students visited a health-
care professional (46.3% vs 29.8%, p=0.013, Table 5).
Gender and school grade: Among the music academy
students, a higher prevalence of CANS was present among
female students compared to male students (84% vs 71%,
p=0.212, Table 6). A higher prevalence of CANS was
reported among bachelor’s students than master’s students
(85% vs 55%, p=0.018, Table 6).
DISCUSSION
This study showed high prevalence rates of CANS among
music academy students, which were two to three times
higher than in medical students. Prevalence rates of
CANS in music academy students were 80.7% for 12-
month prevalence of CANS, 47.0% for point prevalence,
and 36.1% for prevalence of chronic CANS. Furthermore,
music academy students with CANS presented with a
higher number of symptoms for each of the anatomic
localizations. Complaints were present at a higher number
of anatomic localizations among music academy students
than in medical students, and they rated the influence of
CANS on daily functioning as more severe compared to
the control group of medical students. Music academy stu-
dents also reported more healthcare use compared to med-
ical students due to these musculoskeletal complaints.
In this study we choose not to account work-related-
ness, although we focused on a specific occupational
group. The reason for this was that the advantage of using
the definition of CANS, a universal term allowing ade-
quate comparison of results, would thereby be lost. Also
the term playing-related musculoskeletal complaints
(PRMDs)15 was not used in the present study, due to the
limitation to work/music-related complaints in that defi-
nition. Furthermore, PRMDs would not have been scored
properly in the non-musicians control group, which would
make comparison of these groups impossible.
Computer office workers are one of the occupational
groups known to have a high risk of upper extremity mus-
culoskeletal complaints. Research on CANS among com-
puter office workers showed 1-year prevalences between 54
and 64%.9,16,17 This prevalence is higher than the preva-
lence in the general Dutch population (36.8%).14 However,
this prevalence of CANS among computer office workers
is still low compared to the 12-month prevalence in our
music academy students (80.7%), underscoring even more
the high prevalence of CANS in this specific group of stu-
dents. Thus, focusing on preventive measures to counter-
act the occurrence of these musculoskeletal complaints is
of importance.
An unexpected outcome of this study was the use of
healthcare of music academy students compared with med-
ical students with CANS. Previous research showed a cul-
ture among musicians acknowledging musculoskeletal pain
as “a normal consequence of playing” and in which talking
about these complaints is considered a taboo, the latter
potentially causing a healthcare-avoiding behavior.15,18
This was in contrast to our findings, since we found more
healthcare use among Dutch music academy students than
in medical students. These results are comparable to a
Danish study2which also showed a high healthcare use
among musicians (64%); on the contrary, in the USA,
TABLE 3. Affected Anatomic Localizations in Music Academy and Medical Students with CANS During the Last 12 Months
No. of Music Academy No. of Medical Students
Students with CANS with CANS During
During Last 12 Months Last 12 Months p-Value
Hand Right 13 (16%) 21 (4%) 0.005
Left 7 (8%) 16 (3%) 0.123
Wrist Right 13 (16%) 30 (6%) <0.001
Left 6 (7%) 17 (3%) 0.001
Elbow Right 1 (1%) 4 (1%) 0.541
Left 5 (6%) 6 (1%) 0.012
Shoulder Right 25 (30%) 42 (9%) <0.001
Left 23 (28%) 32 (7%) <0.001
Neck 38 (46%) 135 (27%) 0.001
Significant p-values are shown in boldfaced type.
TABLE 4. Overlap of Complaints in Anatomic Localizations in Subjects with CANS During the Last Year
No. of Anatomic Sites
_______________________________________________________________________________________
1234567
Music academy students (n=67) 22 (32.8%) 26 (38.8%) 13 (19.4%) 5 (7.5%) 0 1 (1.5%) 0
Medical students (n=205) 120 (58.5%) 65 (31.7%) 17 (8.3%) 2 (1.0%) 0 0 1 (0.5%)
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September 2015 167
healthcare use among musicians is reported at only 21%.19
Musicians in general have low economic resources and
often no permanent contract, with consequently no health-
care insurance for these complaints in a US-based system.20
The differences found between the above-mentioned stud-
ies and countries may be caused by financial reasons due to
national differences in both accessibility of healthcare sys-
tems as well as funding of healthcare use, which are both
easily accessible and rather cheap in the Netherlands.
Limitations
The present study has some limitations. First, the response
rate was low, which can be due to the fact that the invita-
tion for the questionnaire was sent by e-mail (instead of
telephone/mail), and only one reminder was send to the
participants. Second, selection bias may be present as a
consequence of this low response rate and may have
resulted in an over- or underestimation of the results. In
general it has been found, that those who sought medical
care are more likely to respond to a postal survey,21 and
thus an overestimation of musculoskeletal complaints
might be present in this study.
Third, selection bias may be present by the use of med-
ical students as a control group. It is unknown whether
medical students with CANS will under- or over-report
their complaints compared to those with CANS in the gen-
eral population. The “medical students disease,”
hypochondria, might result in a higher amount of health-
care use; on the other hand, medical students can easily
access medical literature and informally consult a physi-
cian, which might result in a less “official” healthcare
usage.22 The largest study measuring the prevalence of
CANS in the general population reported a 1-year preva-
lence of 36.8%.14 This prevalence, in a population aged over
25 yrs of age, is comparable to our outcome data among
medical students (41.5%). Also, the overall healthcare usage
due to CANS between these studies is comparable: 59% in
our control population compared to 58% in the study of
Huisstede et al.14 This comparability of the control group
with a study performed in the general population under-
lines the representativeness of our control group.
There is a lack of literature comparing musicians with
non-musicians.4,11,12,23 Comparative research has a higher
level of evidence compared to a non-controlled cross-sec-
tional study. This study has, despite the presence of bias by
using medical students, an important additional value to
the existing literature on musculoskeletal problems among
musicians.
Future research on musculoskeletal complaints among
musicians should aim at two important domains: 1) pre-
vention, and 2) treatment of specific and non-specific
CANS. One of the options for prevention could be a pre-
vention training program; In all types of professional
sports, there are specific strength training programs, in
addition to the technical sport-specific training, which
have proved to reduce the risk of injuries, also in non-con-
tact sports.24 A comparable preventive training program
should be developed for musicians; a study on a physical
training program for musicians or music academy students
with a focus on the upper extremity would be very interest-
ing. Khalsa and Cope,25 for example, studied the effect of
yoga training on a small group of music students, which
seemed to relieve performance anxiety but not muscu-
loskeletal problems. Recently, in Australia, a trial was
started to study the effects of a training program on
orchestral musicians.26 In addition to physical efforts pre-
venting musculoskeletal complaints, the mental aspects
also should be addressed.27 These studies are examples of
the next steps in preventing musculoskeletal complaints
among musicians. However, much work has to be done,
TABLE 5. Health Care Usage of Music Academy and Medical Students with CANS
CANS During the Last Year Current CANS Chronic CANS
_______________________________ _______________________________ _______________________________
Music Music Music
Academy Medical Academy Medical Academy Medical
Students Students Students Students Students Students
(n=67) (n=205) p-Value (n=39) (n=90) p-Value (n=30) (n=51) p-Value
Any medical care 46.3% 29.8% 0.013 53.8% 52.2% 0.865 63.3% 66.7% 0.761
General practitioner 14.9% 12.7% 0.638 15.4% 23.3% 0.308 16.7% 31.4% 0.145
Specialist 16.4% 4.4% 0.001 20.5% 8.9% 0.066 26.7% 7.8% 0.021
Physiotherapist 34.3% 18.5% 0.007 41.0% 34.4% 0.476 53.3% 49.0% 0.708
Alternative medicine 16.4% 3.4% <0.001 23.1% 6.7% 0.008 26.7% 9.8% 0.046
Significant p-values are shown in boldfaced type.
TABLE 6. Occurrence of CANS (12-Month Prevalence)
Among Music Students, by Gender and Grade
CANS No CANS
(n=67) (n=16) p-Value
Gender 0.212
Male (n=21) 15 (71%) 6 (29%)
Female (n=62) 52 (84%) 10 (16%)
Grade 0.018
Bachelor’s (n=72) 61 (85%) 11 (15%)
Master’s (n=11) 6 (55%) 5 (45%)
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especially among music academy students, in which mus-
culoskeletal problems are highly prevalent and changes in
health habits and attitude can be made.
A second important future study domain should focus
on describing the occurrence, clinical presentation, and
treatment options and outcomes of specific syndromes
and diseases among musicians. For example, studies
describing the presentation of “normal diseases” such as
neuropathy of the median or ulnar nerve among musi-
cians28,29 should focus on specific complaints among musi-
cians that are probably different compared to the general
population. Also, the outcome of regular and musicians-
specific conservative treatment options (e.g., adaptive
instruments, playing technique) and operative treatment
options should be evaluated in order to optimize health-
care for musicians.30 This could lead to a field of knowl-
edge, comparable to sports medicine, in which the choice
of treatment for musicians possibly differs compared to
non-musicians. The results of this study may help to give
directions to both of the above-mentioned study domains.
CONCLUSION
In conclusion, this study emphasized the striking preva-
lence rates and serious consequences on daily functioning
and healthcare usage of CANS among music academy stu-
dents. Awareness of this health condition among this spe-
cific profession is a first step, which may be helpful to
develop preventive intervention programs aimed at reduc-
ing the extent and consequences of CANS among music
academy students and musicians.
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168 Medical Problems of Performing Artists
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... Health issues among post-secondary music students are alarmingly commonplace. Multiple studies have found music students' physical and mental health to be worse than that of the general student population (e.g., Ballenberger et al., 2018;Christian Bernhard, 2007;Gilbert, 2021;Kok et al., 2015). Typical concerns include musculoskeletal conditions, hearing problems, and mental health difficulties. ...
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Researchers have found that many post-secondary music students suffer from physical and mental health issues. However, researchers have mainly studied these problems at the individual level, with little investigation of how music students’ work is shaped by the coordinating effects of policies, texts, and discourses at and beyond their local site. This paper describes a protocol for an international project that will explore the health of music students in the context of their daily work. Using an institutional ethnography approach, we will examine the social organization of music students’ work at three universities: two in Canada and one in Australia. This will be the first set of studies that use institutional ethnography specifically for the purpose of understanding how the social organization of music students’ work shapes their health. Data will be collected using several methods common to institutional ethnography: interviews, focus groups, observations, and collecting texts. Data analysis will begin during the data collection process and proceed in two fluid stages. The first stage will involve a detailed investigation of the pertinent work activities at each music school. The second will involve linking that work to specific social relations within and beyond the institution. After data analysis has been completed at all three sites, findings will be compared to one another to identify commonalities and differences in how students’ work is organized. Findings of the entire project may inform policy-making and lead to positive change at the institutions studied, as well as others where similar social organization may occur. The novel approach described here will provide opportunities to expand current knowledge about music students’ work and health beyond what has been learned through approaches that focus on students’ individual behaviours and attributes.
... The results obtained from the body chart are consistent with the scientific literature. The areas most commonly associated with pain were the hands, neck and dorsal and lumbar spine (25,26). A difference was highlighted in the sample between male and female participants in the Pain Interference subscale, in which women reported a higher pain interference during musical activities. ...
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OBJECTIVE: The study aimed to translate, culturally adapt, and test the psychometric properties of the Musculoskeletal Pain Intensity and Interference Questionnaire for Musicians (MPIIQM) in an Italian population of professional and amateur musicians. METHODS: The translation and cultural adaptation process followed international guidelines, while the reliability and validity of the questionnaire were assessed against the COSMIN checklist. The internal consistency was calculated using Cronbach’s alpha (a) coefficient. Construct validity was analyzed using exploratory factor analysis (EFA) with principal axis factoring (PAF) extraction. The sample adequacy and data suitability were assessed through the Kaiser-Meyer-Olkin (KMO) and Bartlett’s sphericity tests, respectively. Concurrent validity was analyzed by assessing Pearson’s correlation coefficient with the Italian version of the Musculoskeletal Health Questionnaire (MSK-HQ-I). Finally, the cross-cultural validity was investigated by analyzing score differences between amateur and professional musicians, and differences based on musical practice habits. RESULTS: The tool was administered to 311 subjects recruited from across Italy. The MPIIQM-IT was found to have high levels of internal consistency for the entire tool and each of the two subscales (Cronbach’s a = 0.875, 0.877, and 0.845, respectively). The recruited sample was found to be adequate (KMO = 0.810) and the data suitable (C2 = 341.040, p < 0.001) for factor analysis, which produced 9 items contained in two main factors. Pearson’s correlation coefficients showed a positive, statistically significant correlation between the MSK-HQ-I and the two subscales of the MPIIQM-IT with p < 0.01. Analysis of Student’s t-test for independent samples and the ANOVA test for continuous variables showed statistically significant differences between male and female, professional and non-professional musicians, and conservatory and non-conservatory students. CONCLUSIONS: The MPIIQM-IT is a valid and reliable tool, useful for investigating the presence of pain and playing-related musculoskeletal disorders (PRMDs) in both professional and non-professional musicians.
... Several studies have shown high prevalence among music students as well, with no significant difference compared to professional musicians. [3][4][5][6][7] A study by Ackermann et al., 8 conducted in 2012, reported 50% of musicians with musculoskeletal pain in professional symphonic orchestras in almost all instrumental groups had experienced their pain for more than 12 weeks. Pain symptoms which extend over a 3-month period are often defined as chronic pain, 9 a condition that seems to worsen the prognosis of affected musicians. ...
Article
Objective: Musculoskeletal pain is a common problem among professional musicians as well as music students. Studies have emphasized the effectiveness of music-specific physiotherapy for affected musicians. This study was designed to evaluate if physiotherapy treatment of pain-affected music students had an impact on pain perception as well as psychological well-being. To explore the possible development of musculoskeletal pain, depression, and anxiety, a second sample of pain-free music students, matched for age and gender, was examined twice at identical time intervals. Methods: A convenience sample of 31 university music students with moderate to severe musculoskeletal pain and 31 pain-free music students, matched in age and gender, were included in the study. Both groups were examined physically and completed biographical, music-related, and psychological questionnaires. Perceived pain intensity was assessed with a visual-analogue scale (VAS), and depression and anxiety symptoms were assessed with the Beck Depression Inventory II (BDI-II) and the Hospital Anxiety and Depression Scale (HAD). Music students with pain received a series of 12 sessions of musician-specific physiotherapy, while controls waited for the same amount of time for retesting. Results: On the 10-cm VAS, music students with pain reported an average improvement in pain intensity from a baseline of 6.25 (SD 1.95) to 2.7 (2.03) after the intervention, while the controls (music students without pain) did not change. Furthermore, music students with pain indicated higher depression and anxiety scores as compared to the control group before and after therapy. After intervention, music students with pain with higher BDI-II scores demonstrated clinical improvement concerning depression, but no significant improvement in mental health was found in the pain group taken as a whole. Conclusion: Physiotherapy was effective in reducing pain symptoms in music students affected by chronic musculoskeletal pain. However, physiotherapy did not improve mental health in pain-affected music students. Additional psychotherapeutic interventions may be needed to support music students with psychological comorbidities such as depression and anxiety.
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Background Young musicians starting their professional education are particularly vulnerable to playing-related musculoskeletal disorders (PRMDs). In the context of research on PRMDs, physical and psychological associated factors are frequently highlighted without investigating their complex interrelationships. The objective of this exploratory study was to examine the associations between lifestyle, music practice habits, physical and psychological variables, and PRMDs in student musicians. Methods Students of the Geneva University of Music participated in the survey. The primary outcome was students’ PRMDs, measured with the validated Musculoskeletal Pain Intensity and Interference Questionnaire for Musicians (MPIIQM). Additionally, to investigate potential associated factors, participants completed free-form questions about lifestyle and practice habits and seven validated questionnaires: physical activity, self-rated health, psychological distress, musical performance anxiety (MPA), perfectionism, fatigue, and personality traits. After performing standard descriptive statistics, network analyses were applied to investigate the links between students' PRMDs experience and all factors. Results Two hundred thirty-five student musicians completed the survey. 86 (37%) participants experienced PRMDs over the last 12 months. When considering all participating students, the network analysis showed the strongest association between the presence of PRMDs and the psychological distress factor. In the subgroup with students with PRMDs, the degree of pain interference with musical practice was correlated with psychological distress, MPA, self-rated health, and fatigue. Conclusion Psychological distress is the primary factor associated with PRMDs, whereas physical factors like posture and activity show no direct link. Therefore, addressing psychological aspects is crucial for student musicians with physical disorders to provide proper prevention care.
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Introduction Creative and performing artists are often confronted with precarious employment and insufficient healthcare coverage. A clinic in Canada that provides specialized healthcare to artists offers eligible artists subsidized health services. We aim to compare the use of health services, demographics and health conditions between subsidy artist recipients (SAs) and non-subsidy artists (NSAs). Methods We accessed existing data from 265 SAs and 711 NSAs and applied descriptive and inferential statistics to address our research questions. Results Musculoskeletal issues, stress, anxiety disorders, and depressive disorders are the most common health problems faced by SAs. Compared to NSAs, SAs were more likely to seek treatment for stress, but less likely to seek treatment for anxiety disorders, depressive disorders, chronic problems, and upper extremity problems. Discussion Future research may investigate the enduring effects of subsidized health services on SAs’ health outcomes. Sustained positive outcomes are crucial for maintaining an artist’s career and well-being.
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Widespread research over four decades has shown that musicians suffer physical and psychological injuries that can begin during childhood and early adulthood. A survey of 268 Australian tertiary music students revealed their perceptions of the importance of health education as part of their education. While students rated health knowledge as highly important, they considered its inclusion in their education to be less significant. Thirty-six percent reported current physical pain or injury, and 41% reported current psychological health issues. Significant correlations emerged between students’ reported injury history and prioritisation of health education and particular health topics. This has implications for tertiary music education providers regarding policies for the integration of health education into the curriculum.
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Musicians have been described as a 'high-risk' group for experiencing musculoskeletal symptoms (MSSs), yet few studies have tested this assumption. We aimed to determine whether the prevalence and profile of MSS outcomes differed between university music students and a reference group (science students). A survey was conducted with university music and science students. Reported MSS outcomes among the two groups were compared using regression analyses. The majority of participants in both groups reported experiencing MSSs in the last 12 months and 7 days. Music students reported a higher prevalence of wrist/ hand MSSs compared with science students. Compared with symptomatic science students, music students reported a higher emotional impact of MSSs. We recommend prioritising research into interventions for music students that address MSSs in the wrist/ hand region, and the emotional impact of MSSs. Addressing these MSS outcomes could reduce the MSS burden for musicians during and beyond their studies.
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Concerns have been raised for the health and wellbeing of self-employed workers. Musicians are the 'original' gig workers, and musicians have a high prevalence of musculoskeletal symptoms (MSSs). Studies of musicians' MSSs have typically focused on classical, employer-employed musicians; leaving self-employed musicians under-investigated. We investigated the prevalence of MSS outcomes in all types of professional musicians, and compared the MSS outcomes between self-employed and employer-employed musicians. We conducted a cross-sectional study of professional musicians. Given the large proportion of musicians who were both self-employed and employer-employed, three groups were compared: self-employed only (self-employed group), employer-employed only (employer-employed group), and both self-employed and employer-employed (both group) musicians. Multivariable regression analyses were conducted. A total of 225 professional musicians were included in the study, 87.9% of whom reported MSSs in the last 12 months. For MSSs that impaired musical activity, the 12-month prevalence was 43.2%. Musicians in the self-employed group reported a significantly higher 7-day prevalence of MSSs compared with those in the employer-employed group. Compared with musicians in the employer-employed group, musicians in the both group reported a higher 12-month prevalence of MSSs that impaired musical activity. A higher proportion of symptomatic musicians in the both group reported seeing a health professional for their MSSs, compared with the employer-employed group. Similarly, symptomatic musicians in the both group reported higher ratings of emotional impact from MSSs, compared with symptomatic musicians in the employer-employed group. The majority of musicians have experienced MSSs. Several significant differences were reported between the three groups of musicians, with musicians in the both group generally reporting poorer MSS outcomes, compared with musicians in the employer-employed group. There are several potential reasons for why musicians who are both self-employed and employer-employed appear to have poorer MSS outcomes, including the stress of balancing multiple demands. Further research is required into the risk factors for MSS outcomes in self-employed musicians, including those who are both self-employed and employer-employed, and interventions should be directed towards self-employed musicians to minimise the MSS burden.
Article
Objective: : to determine the prevalence and regions of the body in which musculoskeletal injuries occur in musicians, as well as to identify risk factors related to their occurrence. Methodology: : A search was carried out in the Pubmed, Scopus, Web of Science and Cinahl databases for publications between 2006 and 2020. Observational studies on the prevalence of musculoskeletal injuries or their risk factors in musicians aged 18-65 years were eligible for inclusion, and the methodological quality and risk of bias were assessed. Results: : 31 studies on multiple instruments and 17 on individual instruments were included. Quality was rated as high in 65% of the studies. Lifetime prevalence of injuries ranged from 46-90% and current prevalence from 9-63%. The most common region of pain was the neck, being present in all instrument families. Being female is a predisposing factor to the appearance of musculoskeletal problems in musicians. Conclusions: : Musicians suffer frequently musculoskeletal injuries. The most common regions of the body in which these injuries occur are the neck and shoulders. Numerous risk factors were found to be predisposing to musculoskeletal injuries. We note that there are fewer studies on specific instruments.
Article
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Several studies have been conducted on the playing related physical injuries of college music students. In this study, a client-centered, occupation-based survey was administered to music majors at a large midwestern university. The primary objectives of the study were to examine which health professionals were consulted by this population, and to determine student satisfaction with any treatment they might have received. Secondary objectives included evaluating students' perceptions of the need for professionals with specialized knowledge of music and musicians, and examining the lifetime prevalence of playing-related injuries in this population. The survey response rate was 92.3% (108/117). Ninety-three respondents (87.7%) of 106 indicated that they had experienced playing- related injuries at some time in their lives. Forty-four percent of students who reported playing-related injuries had consulted health professionals (41/93), while only 24.7% had sought treatment from health professionals. Of the 93 students who reported a playing-related injury, 41.9% (39) had consulted either an occupational therapist, a physical therapist, or an athletic trainer, compared with 58.1% who had consulted other health care professionals listed in the questionnaire. 86.9% of the students were satisfied with the treatment they received, and those who felt better immediately after treatment were also more likely to feel better at the time of the study. The majority of the respondents (79%) felt that musical knowledge was important in health professionals who might treat their injuries: Occupational therapy, an allied health profession that has a holistic and client-centered treatment philosophy, is discussed in relation to the treatment of injuries in this population.
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Background Research comparing the frequency of musculoskeletal complaints between musicians and non-musicians is scarce. The aim of this study was to compare the prevalence of musculoskeletal complaints between musicians and non-musicians. Methods A cross-sectional study in 3215 students from three music academies (n = 345) and one medical school (n = 2870) in The Netherlands was performed, using an electronic questionnaire. The questionnaire included socio-demographic characteristics, use of music instruments and the occurrence of musculoskeletal complaints in six body regions. Questions were related to musculoskeletal complaints over the last twelve months and at the time of the questionnaire. Chi-square, t-tests and Kruskal-Wallis tests were used for comparison between the two groups. The association between musculoskeletal complaints and possible predictors was analyzed using a logistic and Poisson regression. Results Eighty-seven music academy students and 503 medical students returned the questionnaire, of which respectively eighty-three and 494 were included in the study. Seventy-four music academy students (89.2%) reported one or more musculoskeletal complaints during the last twelve months, compared to 384 (77.9%) medical students (p = 0.019). Moreover 52 music academy students (62.7%) and 211 medical students (42.7%) reported current musculoskeletal complaints (p = 0.001). The Odds ratio (OR) for the development of musculoskeletal complaints during the last twelve months in music academy students versus medical students is 2.33 (95% CI 1.61–3.05, p = 0.022). The OR at the time of the questionnaire is 2.25 (95% CI 1.77–2.73, p = 0.001). The total number of complaints have been modeled by employing a Poisson regression; the results show that non-musicians have on average less complaints than musicians (p = 0.01). The adjusted means are 2.90 (95% CI 2.18–3.63) and 1.83 (95% CI 1.63–2.04) respectively for musicians and non-musicians. Regarding the localization of complaints, music academy students reported more complaints concerning the right hand, wrists, left elbow, shoulders, neck, jaw and mouth in contrast to medical students. Conclusions Musculoskeletal complaints are significantly more common among musicians compared to non-musicians, mainly due to a higher number of upper extremity complaints.
Article
To understand what factors may contribute to the problems experienced by conservatory/music school students, we surveyed incoming freshman music students about their history of playing-related pain from four consecutive entering classes at a midwestern university school of music. A total of 330 students (46% male, 54% female) participated in the study and completed a 22-item questionnaire. Seventy-nine percent of students reported a history of playing-related pain. Pain frequency varied by instrument class, ranging from 61% among voice students to 100% for percussionists, but for strings, keyboards, woodwinds, and brass players, it was consistently 84 to 87%. There was no significant association between frequency of pain history and gender (76% for males vs 81 % for females), years of instrument study, participation in regular exercise, or occurrence of performance anxiety. Although this study was unable to identify factors linked to playing-related pain, it does indicate that in a population of incoming freshmen, who are young people presumably in otherwise good health and with a "clean slate," the majority had already encountered music-induced pain as high school students or younger.
Article
The anterior interosseous nerve is a pure motor branch of the median nerve supplying the flexor pollicis longus, flexor digitorum profundus of the index and middle fingers, and pronator quadratus. Anterior interosseous neuropathy is rare and typically causes weakness of flexion of the tips of the thumb and index finger. Four instrumentalists, 3 violinists and 1 pianist (3 males, 1 female), seen from 1986 to 2002 at our clinic, are the subjects of this report. Age at onset ranged from 16 to 76 yrs. A possible precipitating factor was identified in each. One violinist could not hold the bow; two others noted inability to stabilize the distal left first (index) finger. The pianist noted impaired dexterity of the right hand. Examination showed weakness of flexion of the distal phalanx of the index finger and thumb and variable weakness of forearm pronation. Electrodiagnostic testing confirmed the diagnosis in all four patients. All improved over time. One symphony violinist continued to play for over 15 yrs, despite some persisting difficulty with the left index finger. Another violinist recovered function almost completely but suffered a stroke affecting the opposite hand 2.5 years later. The third violinist retired from the symphony on disability because his recovery was delayed for >1 yr. The young pianist is playing 4 to 5 hrs/day. It is likely that at least three of the four had a localized form of neuralgic amyotrophy.
Article
We studied the prevalence of musculoskeletal pain and its impact on performance in orchestra musicians and in a reference group of actors, who share the mental stress in a performance situation, but without having the physical work load from an instrument. Swedish musicians (n = 103) from symphony and chamber orchestras and actors (n = 106) participated in a cross-sectional questionnaire study. Musculoskeletal pain was assessed by a further developed Standardized Nordic Questionnaire. The impact of pain on performance (pain affecting playing capacity, decreased playing time, and change of technique) and trouble-related sick leave also was assessed. Pain intensity was assessed by visual analogue scales. Musculoskeletal pain in the neck and shoulders was the most frequently reported problem, with similar prevalence among musicians and actors, around 25% for present pain and 20% for chronic pain (1-year prevalence). Around 10% of the musicians and 5% of the actors reported pain in the hands. Oral pain was reported by 12% of the musicians and 18% of the actors. The number of affected body regions and the intensity of pain were similar in the study groups. The musicians had an increased risk for pain affecting playing capacity. For the neck, the prevalence odds ratio (POR) was 3.0 (95% confidence interval 1.2-7.2; adjusted for age and gender). String instrumentalists had higher risk estimates than nonstring instrumentalists. A gender difference was not observed. Pain in the oral region affecting playing capacity was less common in musicians, with a prevalence odds ratio of 0.4 (95% confidence interval 0.1-0.8). Even though the prevalence of musculoskeletal pain was similar in the two groups of performing artists, the consequences for the work situation were more serious among musicians.
Article
Objective: To assess the prevalence and intensity of musculoskeletal pain and to estimate probability of developing playing-related musculoskeletal disorders, depending on risk factors, including gender, years of playing the musical instrument, frequency of practice (number of days per week), average daily practice time, and habitual physical activity level, in young instrumentalists. Methods: A total of 225 instrumentalists aged 10-18 years, including 107 string-players, 64 keyboardists, and 54 wind-players, were investigated. The Nordic Musculoskeletal Questionnaire (NMQ) together with a numerical visual-analogue pain intensity scale (VAS) was used to assess the participants' musculoskeletal pain. Results: The young instrumentalists most often complained of pain located in the neck (60.4%), wrists (44.4%), and upper (41.7%) and lower back (38.2%) areas. Girls complained of musculoskeletal pain significantly more often than the boys. A probability of the pain symptoms was increased with each consecutive year of practice (OR 1.135; 95%CI 1.021-1.261). Conclusions: Musculoskeletal pain in various body parts had already commenced at a young age in our sample of music students, and there was a gender difference (girls were more often affected). Results of our study suggest that an early prophylaxis of playing-related musculoskeletal disorders is needed among young musicians playing the various instruments.
Article
The aim of this investigation was to analyze longitudinal data concerning physical and psychological health, playing-related problems, and preventive behavior among music students across their complete 4- to 5-year study period. In a longitudinal, observational study, we followed students during their university training and measured their psychological and physical health status and preventive behavior using standardized questionnaires at four different times. The data were in accordance with previous findings. They demonstrated three groups of health characteristics observed in beginners of music study: healthy students (cluster 1), students with preclinical symptoms (cluster 2), and students who are clinically symptomatic (cluster 3). In total, 64% of all students remained in the same cluster group during their whole university training. About 10% of the students showed considerable health problems and belonged to the third cluster group. The three clusters of health characteristics found in this longitudinal study with music students necessitate that prevention programs for musicians must be adapted to the target audience.
Article
Musicians have been reported as having a high prevalence of upper-extremity musculoskeletal disorders, including carpal tunnel syndrome. The purpose of this study was to determine the presence of median and ulnar neuropathies in U.S. Army Medical Command (MEDCOM) Band members at Fort Sam Houston, Texas. Thirty-five MEDCOM Band members (30 males, 5 females) volunteered to participate. There were 33 right-handed musicians, and the mean length of time in the MEDCOM Band was 12.2 yrs (range, 1-30 yrs). Subjects completed a history form, were interviewed, and underwent a physical examination of the cervical spine and bilateral upper extremities. Nerve conduction studies of the bilateral median and ulnar nerves were performed. Electrophysiological variables served as the reference standard for median and ulnar neuropathy and included distal sensory latencies, distal motor latencies, amplitudes, conduction velocities, and comparison study latencies. Ten of the 35 subjects (29%) presented with abnormal electrophysiologic values suggestive of an upper extremity mononeuropathy. Nine of the subjects had abnormal median nerve electrophysiologic values at or distal to the wrist; 2 had bilateral abnormal values. One had an abnormal ulnar nerve electrophysiologic assessment at the elbow. Nine of these 10 subjects had clinical examination findings consistent with the electrophysiological findings. The prevalence of mononeuropathies in this sample of band members is similar to that found in previous research involving civilian musicians (20-36%) and far exceeds that reported in the general population. Prospective research investigating screening, examination items, and injury prevention measures in musicians appears to be warranted.