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DOI: 10.1177/0038038515589301
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Embodying Deficiency
Through ‘Affective Practice’:
Shame, Relationality, and
the Lived Experience of
Social Class and Gender
in Higher Education
Vik Loveday
Goldsmiths, University of London, UK
Abstract
Based on empirical research with participants from working-class backgrounds studying and
working in higher education in England, this article examines the lived experience of shame. Building
on a feminist Bourdieusian approach to social class analysis, the article contends that ‘struggles for
value’ within the field of higher education precipitate classed judgements, which have the potential
to generate shame. Through an examination of the ‘affective practice’ of judgement, the article
explores the contingencies that precipitate shame and the embodiment of deficiency. The article
links the classed and gendered dimensions of shame with valuation, arguing that the fundamental
relationality of social class and gender is not only generative of shame, but that shame helps in turn
to structure both working-class experience and a view of the working classes as ‘deficient’.
Keywords
affect, deficiency, embodiment, gender, practice, social class, shame, value
Introduction: Situating Social Class, Value and ‘Affective
Practice’ in Higher Education
The article begins from the premise that social class is intimately tied to processes of
valuation that operate through ‘devices of distancing and distinction’ (Skeggs and
Loveday, 2012). It explores the lived experience of shame by looking at the ‘affective
Corresponding author:
Vik Loveday, Department of Sociology, Goldsmiths, New Cross, London SE14 6NW, UK.
Email: v.loveday@gold.ac.uk
589301
SOC0010.1177/0038038515589301Sociology
Loveday
research-article
2015
Article
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2 Sociology
practice’ (Wetherell, 2012, 2014) of judgement – a key ‘device’ in determining ‘person-
value’ (Skeggs, 2010a, 2011) or ‘person-deficit’. By paying attention to the question of
how ‘social formations grab people’ (Wetherell, 2012: 2), the article seeks to contextual-
ise the profoundly social nature of shame (Chase and Walker, 2013) and the classed and
gendered conditions that coalesce in its production.
The context of the article is higher education (HE) in England, an interesting field for
research on classed relations given that ‘[t]he size of the socio-economic gap in partici-
pation really is substantial’ (Vignoles, 2013: 115). There has been a considerable expan-
sion in the HE sector since the 1960s (see Boliver, 2011) and Widening Participation
initiatives have more recently sought to address further inequitable access to universi-
ties.
1
Working-class participation in HE is represented in policy discourses (see e.g.
Milburn, 2012) as an instrument in the facilitation of social mobility for those working-
class people who are able to participate (see also Loveday, 2014b). Yet Boliver (2011:
240) claims that notwithstanding this expansion in access, ‘social class inequalities in
British higher education have been both maximally and effectively maintained.’ The
Office for Fair Access reported recently that ‘the most advantaged 20 per cent of young
people were 2.5 times more likely to go to higher education ... than the most disadvan-
taged 40 per cent’ (OFFA, 2014: 2), and social class background also affects the type
of institution attended
2
(Reay et al., 2009), retention (Quinn et al., 2005) and overall
outcome (Stuart et al., 2012).
In this article, I take a feminist Bourdieusian approach to social class analysis in order
to explore one particular dimension of the lived experience of staff and students from
working-class backgrounds in English higher education institutions (HEIs): shame.
Skeggs (2010a: 339) notes that: ‘When we examine the historical production of the con-
cept class what we see is how it has operated to conceptualise inequalities of different
kinds, of which identity is only one aspect.’ I am interested here in the subjective experi-
ence of class (as opposed to objective ‘measures’ of social class location), and the mean-
ing actors attribute to their experiences. Through the conceptual troika of habitus, field
and capital (economic, cultural, social and symbolic), Bourdieu provides a dynamic and
relational framework for thinking through how multiple forms of advantage are repro-
duced by some groups at the expense of others, that is, through practices of exclusion
(see also Toscano and Woodcock, forthcoming). Bourdieu (2000: 173) notes:
Because dispositions are the product of the incorporation of objective structures and because
expectations always tend to adjust themselves to chances, the instituted order always tends to
appear, even to the most disadvantaged, if not as self-evident, natural, at least as more necessary,
more self-evident than might be thought.
The use of the concept of habitus – as ‘embodied history’ (Bourdieu, 1990a: 56) acquired
through practice – facilitates an analysis of how relations between actors within delimited
fields of action, as well as the relationship of actors to those fields, may forestall or
foreclose capital accumulation under the guise of the ‘natural’.
While Bourdieu has been critiqued for failing to develop fully the role of gender in his
work, his concepts have been ‘appropriated’ (Moi, 1991) by feminist thinkers concerned
to examine the intersection of class with other processes, such as gender and ‘race’.
3
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Loveday 3
Skeggs’s notion of ‘person-value’ (Skeggs, 2011) is particularly instructive in exploring
how ‘systems of inscription, exchange, valuing, institutionalization and perspective pro-
vide the conditions of possibility for being read by others in the relationships that are
formed between groups’ (Skeggs, 2004a: 2). For example, the inscription of lack – and
the naturalisation of deficiency– in the representation of working-class lives and experi-
ence is well-documented (Charlesworth, 2000; Lawler, 2005, 2014; Loveday, 2014a;
Plummer, 2000; Reay, 2005; Skeggs, 2004a; Skeggs and Loveday, 2012; Tyler, 2008,
2013; Walkerdine, 1997; Walkerdine et al., 2001).
Not surprisingly given his interest in the role of education in reproducing social advan-
tage (Bourdieu and Passeron, 1990), Bourdieu’s concepts have been widely taken up in
the sociology of education.
4
While HE is imagined as a field that has the potential to
confer value through the accrual of different ‘forms of capital’ (Bourdieu, 1986), partici-
pation does not necessarily guarantee legitimacy (Loveday, 2014b; Quinn et al., 2005).
Perceptions of ‘academic culture’ can determine the type of institution students choose to
attend (Read et al., 2003), and ‘fitting in’ (Reay et al., 2010) can be a fraught process once
students arrive at university. Existing studies on working-class participation in HEIs have
explored different strategies and responses of these students to the predominantly middle-
class field of the university (see e.g. Granfield, 1991 on disidentification; Reay et al., 2010
on reflexivity; Abrahams and Ingram, 2013 on the ‘chameleon habitus’).
However, in this article I focus on the relations between classed actors in the field of
HE, where HE is understood as a ‘field of struggles’ (Bourdieu, 1990b) in which partici-
pants must compete for valuable forms of capital, ‘symbolic mastery’ (Bourdieu, 1986)
and ‘person-value’ (Skeggs, 2010a, 2011). Bathmaker et al. (2013) explore emerging
‘processes of capital acquisition’ (p. 727) in HE in the form of extra-curricular activities
and internships. They note that although access to HE might have expanded, ‘advantage
is maintained through a shift in the rules of the game’ (p. 741), which favour some partici-
pants over others. The ability of actors to accrue capital – and ultimately ‘person-value’
(Skeggs, 2011, 2010a) – is contingent; only those whose embodied ‘dispositions’
(Bourdieu, 1990b: 190) are congruent with the field have a ‘feel for the game’ (Bourdieu,
1990b) and so are accepted as legitimate. Existing literature by academics from working-
class backgrounds (see e.g. Mahony and Zmoroczek, 1997) suggests that even those who
ostensibly appear to have accrued a large volume of capital by virtue of their professional
positions may still experience considerable ambivalence about the roles they occupy in
the field, and may also have their positions called into question by others (Hey, 2014).
What role might ‘devices of distinction and differentiation’ (Skeggs and Loveday, 2012)
play in foreclosing attempts to accrue ‘person-value’ (Skeggs, 2010a, 2011)?
I look at judgement here as one such device, which has the capacity to generate shame.
The importance of early work foregrounding the significance of emotion to social class
(Rubin, 1973; Sennett and Cobb, 1972) arguably took some time to be acknowledged,
yet there is now an emerging literature on class and the embodiment of emotion and
affect (Allen, 2014; Charlesworth, 2000; Dicks, 2008; Hey, 2014; Kirk, 2007; Lawler,
2005; Lucey et al., 2003; Reay, 2005; Skeggs, 2010b; Skeggs and Loveday, 2012; Tyler,
2008, 2013; Walkerdine, 2010; Walkerdine and Jiminez, 2012; Walkerdine et al., 2001).
The focus of this article is the lived experience of shame for working-class participants
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4 Sociology
in HE, yet how should shame be theorised? I have chosen to work with Wetherell’s
(2012, 2014) concept of ‘affective practice’ here for two reasons. First, I want to think
about how ‘[p]eople both actively practice and thus are agentic in that limited sense, but
[how] they are also constituted as they practice and through their histories of past prac-
tice’ (Wetherell, 2014: 234). One of the strengths of drawing on this notion of ‘practice’
(see also Bourdieu, 1977, 1990a) is to acknowledge the way in which individuals might
be constrained in their ability to act, yet without completely removing the possibility for
agency, or indeed resistance. Second, while there is some debate as to whether emotion
and affect should be distinguished (Greco and Stenner, 2008; Probyn, 2005), emotions
have the tendency to be recognised as properties of the person, rather than as the result
of social practice. As Probyn phrases it, this is the difference between ‘being affected and
having an emotion’ (2005: 20; emphasis in original). By working here with the concept
of ‘affective practice’, I want to illuminate how it is that shame becomes misrecognised
as a classed and gendered property of individuals, rather than a symptom of inequality.
How is it that a problem of society can so easily be turned into a deficiency of the self?
Below I summarise the empirical context of the article. I then go on to analyse two
examples of classed embodiment in some depth: first, I foreground the example of accent
in order to think through how moral judgment as an ‘affective practice’ precipitates
shame, constructing working-class people as ‘deficient’; second, I explore two of my
participants’ experiences of pregnancy in order to analyse how ‘affective practice’ is both
classed and gendered. I conclude by considering what is at stake in the classed, lived
experience of shame in English HEIs.
Researching the Lived Experience of Class and ‘Affective
Practice’
The concept of ‘lived experience’ underscores the stories presented in this article and has
been informed by what McNay terms as Bourdieu’s ‘social phenomenology’:
[I]t provides a way of placing experience at the centre of social analysis without attributing to
it some kind of apodictic or essential status. The idea of phenomenology as a relational rather
than an ontological style of enquiry avoids the problem of the reification of ‘experience’ that
hampers many kinds of interpretive analysis. (McNay, 2004: 184)
In this sense, I focus on the ‘lived experience’ of the participants in this research not to
take recourse to the ‘evidence of experience’ (Scott, 1991; see also McNay, 2004), but to
think through the social production of experience and, in particular, how relations
between actors in the field of HE are constructed by social and historical ‘categories
of representation’ (McNay, 2004: 179) that have unevenly attributed ‘person-value’
(Skeggs, 2010a, 2011).
The article is based on research conducted as part of a wider project, which sought to
explore how working-class identities are experienced subjectively in English HEIs by
thinking through the processes which might enable or constrain class-based identifica-
tion in this particular field. All of the participants interviewed described themselves
either as ‘working class’ or as coming from ‘working-class backgrounds’ and all were
working and/or studying in English HEIs at the time of the research.
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I had previously been employed by Open Book – a grass-roots Widening Participation
project currently operating in four English HEIs, which supports students from socially
excluded backgrounds. My professional involvement with Open Book sparked my initial
interest in working-class experiences of HE. I had good existing relationships with staff
at Open Book, meaning that eight colleagues volunteered to take part in the research.
I subsequently took the decision to recruit other types of participants in order to widen
the scope of the project. I recruited 11 academic staff and seven students, including a
postgraduate student who was also working as a lecturer. In total, there were 14 female
participants and 12 male, all of whom were from arts, humanities, or social science
disciplines, and ranged in age from their early twenties to mid-fifties. While ‘race’
undoubtedly intersects with class and gender in mediating experiences of HE (see e.g.
Mirza, 2008), all of the participants discussed here are White British, so it has not been
possible to draw comparisons across the experiences of different ethnic groups.
Recruitment involved using a mixture of existing contacts and networks, snowball
sampling and, in the case of the students, an email circulated to academic departments
advertising for participants from ‘working-class backgrounds’.
One of the most important ethical considerations of the research has been to protect
the anonymity of participants who are anxious not to be recognisable in any way.
Biographical details are given where possible to situate the participants’ narratives, but
providing more precise information would in some instances compromise the anonymity
and confidentiality of participants. A further consideration has been the need to think
reflexively about my role as an ‘insider researcher’. As a sociologist working in an
English HEI, I am emplaced within the same field as my participants. Prior to the com-
mencement of the research, some of the project’s participants were known to me person-
ally and professionally; negotiating existing relationships can be challenging (Owton
and Allen-Collinson, 2014), but also beneficial (Taylor, 2011). For example, when asked
if she had spoken to me ‘differently’ because of our existing relationship, Lisa – a post-
graduate student aged in her thirties – responded that our previous conversations about
class had ‘opened a way to talk with you candidly’ (see also Mercer, 2007). In this sense,
it is important to consider ‘what the data are telling me that they might not tell someone
else’ (Srivastava and Hopwood, 2009: 81).
The primary research method was the use of narrative-style interviews, which began
by asking participants to tell the stories of their educational trajectories. While the gen-
eralisability of narrative accounts is contested, in his defence of case study research
Flyvbjerg (2007: 395) claims that ‘formal generalisation is overvalued ... whereas “the
force of example” is underestimated’. An inductive approach to data analysis was taken;
interview transcripts were coded thematically and comparisons were made between
cases. One of the key themes to emerge from the data analysis was the visceral experi-
ence of shame. However, there is some difficulty in adequately capturing the affective
nature of experience whilst using a predominantly interview-based methodology since,
as Walkerdine (2010: 92) notes, the interview ‘does tend to be very language based’. Yet
some of the interviews conducted were deeply affective, and this was particularly exem-
plified in my interviews with Lisa and with Joe (the Open Book Coordinator, who is aged
in his forties). Lisa became unexpectedly quite upset as she spoke and recounted her
initial experiences of HE as a younger woman; at one point she appeared to be on the
verge of tears. As she later explained:
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6 Sociology
[B]ecause we knew each other ... I thought I could just rattle off a few facts about myself and
help you out but I was very surprised to find myself getting so emotional – it’s still so under the
surface and suddenly I felt very strange – exposed and embarrassed that I was suddenly
emotional and so angry.
Asking Lisa to recount her educational story brought to the ‘surface’ a number of painful
‘ugly feelings’ (Ngai, 2005). My interview with Joe was also affectively charged, but in
a different sense. He became increasingly animated throughout our discussion, his voice
raising. Much of his anger was directed towards contemporary discourses that represent
the working classes as: ‘objects of sympathy at best and fucking scorn and derision at
worst’.
I raise these incidences not merely as a means of reflecting on the methodological
limits of the interview, but because they seem to point to the complex operation of social
class at the affective level. As a researcher, I have not been privy to most of the interac-
tions or events described to me by the participants. However, I believe it is a mistake to
imagine that affect is only generated in the moment of a particular encounter or experi-
ence; the process of recollection is in itself a type of ‘affective practice’ (Wetherell, 2012,
2014) and part of the performative capacity of shame seems to be its ability to make itself
felt – sometimes unexpectedly – even years after a specific experience; in Lisa’s inter-
view for example, shame is viscerally re-lived. Yet in his outrage at the negative repre-
sentation of the working classes, Joe conversely seeks to challenge discourses of
devaluation. It is these contingencies of ‘affective practice’ that I explore further below.
‘She Can’t Even Speak Properly’
Moral judgements cast aspersions on who or what is valuable; to be positioned as worth-
less may have a number of external effects (structural, cultural or economic), but this
positioning also often appears to be ‘internalized’ (Sayer, 2005: 153) or embodied by
those who are deemed to be without worth. My interest in shame relates to the way in
which certain actors are framed as ‘valueless’ (Skeggs and Loveday, 2012); in particular,
contemporary representations of the working classes have been shown to be overwhelm-
ingly negative (Skeggs, 2004a; Skeggs and Loveday, 2012; Skeggs and Wood, 2012;
Tyler, 2008, 2013), as Joe articulates above. I want to suggest that ‘shame’ is particularly
pertinent to the cultural analysis of class in that it often masquerades as a naturalised
property of the self, obscuring the crucial role of evaluation within the ‘moral economy’
(Skeggs, 2009), which attributes value to some at the expense of others. This may help
to explain how it is that working-class people may come to believe this story of inade-
quacy themselves.
In this sense, shame is not merely a residual effect of classed relationships; shame is
part of the practice that feeds back into unequal relations, shaping perceptions and action
and, ultimately, helping to reinforce such inequity. As Skeggs (2010a: 49) notes:
… affect is only significant if it is attached to ideas that matter: expressions of ‘just-talk’ and
‘ugly feelings’ make explicit the way value is circulating and attaching in unjust ways in the
dominant symbolic. But they also work out … what is just, who and what is ‘worth it’ and in so
doing, generate a composite of person-value … or worthlessness.
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One of the reasons for conceptualising shame as the product of ‘affective practice’
(Wetherell, 2012, 2014) is in order to think relationally, whilst avoiding imagining that
shame permanently resides within bodies (even if this is how they are sometimes felt).
Anthony – an Open Book employee aged in his thirties – described how the low expecta-
tions that he associated with his class background ‘seep into you’. I have found this
concept of ‘seepage’ to be productive in thinking about the relationality implicated in
‘affective practice’ and the ‘symbiotic relationship between feeling shame and being
shamed’ (Chase and Walker, 2012: 743). How does shame ‘seep’ into some bodies more
effectively than others?
In order to think through how judgement works as an ‘affective practice’ that facili-
tates this ‘seepage’ of shame, I turn now to the example of accent as a particular expres-
sion of classed embodiment. While I did not specifically ask my participants about
accent, it was frequently cited as significant by all of the types of participant whom I
interviewed, from undergraduate student to professor. As Dick explains, when he has to
speak in public at the elite university where he works as a professor in criminology: ‘I’m
well aware of my accent in a way that I’ve never been before in my life.’ In the UK,
accents vary enormously across different regions, but are also significant markers of
social class position (Hey, 1997) and so their evaluation is often far from neutral (Addison
and Mountford, 2015).
Plummer (2000: 43) argues that ‘the all-pervasive social pathology model – inade-
quate working-class homes, language and culture – is still with us’. In sociolinguistics,
there has been a long-standing debate about the relationship between language use, class
and ‘cultural deficiency’, exemplified by Bernstein’s (1971) work on the so-called
‘restricted’ linguistic ‘codes’ of the working classes.
5
Bourdieu (1991: 411) notes:
What is rare, then, is not the capacity to speak ... but rather the competence necessary in order
to speak the legitimate language which, depending on social inheritance, re-translates social
distinctions into the specifically symbolic logic of differential deviations, or, in short,
distinction.
The ‘linguistic habitus’ (Bourdieu, 1991) of a speaker arguably has the potential either to
depreciate value for those who speak ‘out of place’, or conversely to accrue ‘symbolic
mastery’ (Bourdieu, 1986) for those whose speech is congruent with the expectations of
the field, a finding also supported by Addison and Mountford (2015) in their research on
social class, accent and value in HE.
During my time working at Open Book, a student – who spoke with a regional accent
– recounted how one of his lecturers had told him that his accent was ‘disgusting’. Ahmed
(2005: 93) asserts that ‘to name something as disgusting … is performative’. The naming
of an accent as ‘disgusting’ marks it out in this way, and simultaneously reinforces the
distinction of the person who names it as such (see Lawler, 2005). However, this type of
‘naming’ also works in tandem with the extra-linguistic, particularly ‘affective practice’
(Wetherell, 2012, 2014). What has been interesting to me throughout the wider project is
how the ‘affective practice’ implicated in ‘speaking class’ differs. While all of the partici-
pants who mentioned the role of accent are at least implicitly aware of its shaming poten-
tial, this potentiality appears to be experienced in quite contingent ways. For example,
Joe remains defiant in the face of negative evaluation of his Cockney accent: ‘I will
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never change the way I speak for anyone.’ His defiance suggests both a refusal to ‘sub-
mit’ to the ‘demands of the field’ (Skeggs, 2004b: 29, following Bourdieu) and a rejec-
tion of the legitimacy of that field’s dominant values (see also Loveday, 2014b; Skeggs,
2011; Skeggs and Loveday, 2012). Conversely, other participants felt acutely shamed by
their accents, such as in the case of Lisa who recounts actively trying to adapt her regional
accent when she first arrived at university to the point where ‘my voice wasn’t my own’.
Various types of occasion and interaction were described by the participants when
their speech became the locus of ‘affective practice’ (Wetherell, 2012, 2014), and evalu-
ation appears to be key to the precipitation of shame. Two participants originally from
the same area of England – the Midlands – describe how their accents have been posi-
tioned as making them sound ‘stupid’. Ruth, now a professor, recounts an incident expe-
rienced as an undergraduate student:
And one of my seminars was a seminar on language ... and a girl with ... such beautiful received
pronunciation of the like I’d never heard before said she couldn’t stand the local accent and
she’d been to the shop and this is how they spoke and how terrible it was and how stupid people
sounded. And I was just paralysed because I thought, ‘that’s me’.
Hannah – an undergraduate student in her early twenties – tells a similar story to that of
Ruth:
I have to work hard to speak ... And people ... start talking to you like you’re dumb when you’ve
got a bit of an accent ... it lowers their opinion of you ... Certain words sound kind of stupid.
Everyone starts taking the piss [teasing] a bit.
While Ruth is ‘paralysed’ as she recognises her peer’s evaluation of the local accent,
Hannah gestures towards the performative capacity of this type of assessment; while she
explains that people assume she is ‘dumb’ and sometimes tease her, the ‘affective practice’
(Wetherell, 2012, 2014) of these judgements also leads to self-evaluation. She continues
on to imagine how it must be that others appraise her accent when she comments: ‘they’re
like, “she can’t even talk properly”’. Fiona is an Open Book employee, with a master’s
degree in History of Art, aged in her forties and raised in southeast London. In our inter-
view she feels that she has been perceived as ‘aggressive’ within the university environ-
ment, because of her Cockney accent. She discusses the result of this type of ‘feedback’:
for me it’s about trying to present myself in a way that’s the most perfect way I could present
myself ... so I’ve been in a constant editorial process with myself.
Self-regulation here may foreclose the potential for shame; in order to avoid the shame
associated with being marked out as ‘aggressive’, Fiona engages in an ‘editorial process’
to present an ‘acceptable’ version of herself to others, a process similar to that described
by Hannah above, who has ‘to work hard’ when she speaks.
The imagined moral evaluation of one’s self-worth – or the ‘fear of being summoned
before some hidden bar of judgement’ (Sennett and Cobb, 1972: 33), appears to have as
powerful an effect as the real gaze of a judgemental Other. It may also act as a type of
self-regulatory force, such as in the cases of Hannah and Fiona above. Chase and Walker
(2012: 740) elaborate on the ‘co-construction’ of shame as:
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… combining an internal judgement of one’s own inabilities; an anticipated assessment of how
one will be judged by others; and the actual verbal or symbolic gestures of others who consider,
or are deemed to consider, themselves to be socially and/or morally superior to the person
sensing shame.
Calculations of ‘person-value’ (Skeggs, 2010a, 2011) are fundamental to this ‘co-con-
struction’ of shame. Wetherell’s (2012, 2014) notion of ‘affective practice’ is helpful
here as it allows for the consideration of what affects such as shame do (Ahmed, 2004: 4).
It is not surprising that to be told that your accent is ‘disgusting’, or that you sound
‘stupid’, is potentially shaming. Yet the ways in which the participants react to judge-
ment are significant. Below, I want to consider the stories of Tina and Lisa, in order to
think through further the significant role that gender plays in the ‘affective practice’ of
judgement and the corresponding experience of classed, embodied shame.
‘A Symbol of Shame’
In our interview, Lisa contrasts her own class identification to that of her partner. In par-
ticular, she notes that he ‘wants to hold on to that working-class background’, yet for
Lisa, this is a potentially fraught strategy as class ‘pride’ carries with it the potential for
shaming, which Lisa articulates when she worries that ‘he’s showing me up’. This
response simultaneously makes her feel ‘ashamed’:
I’m talking about how I would feel if somebody judged me like that and … I’d be mortified.
In this sense, disidentification is a response to the shaming potential of class that accompa-
nies devaluation (see Skeggs, 1997). As Sayer (2005: 160) notes: ‘the desire to be respect-
able and recognized as such is a shame response dependent on some degree of positive
feeling towards what is lacked’. The ‘hidden bar of judgment’ (Sennett and Cobb, 1972: 33)
that Lisa invokes is a strategy for avoiding the shame that she feels will be generated if she
is exposed, by association, as being working class. While Lisa – as a social science student
– is well aware of the social processes that determine ‘person-value’ (Skeggs, 2010a, 2011),
the ‘affective practice’ (Wetherell, 2012, 2014) of judgement is still a real source of anxiety
for her and she fears the negative valuation associated with being positioned as a working-
class woman. I have previously explored male strategies of working-class identification,
which refute the legitimacy of the ‘dominant symbolic’ (Loveday, 2014a; see also Skeggs
and Loveday, 2012). What is it, then, about being a working-class woman that may specifi-
cally engender the potential for shame? While the vast majority of the male participants in
my research did not fear being recognised as ‘working class’ – and indeed some partici-
pants, such as Joe and Neil (Open Book) and Steve (a PhD student/lecturer) describe
actively attempting to be recognised as such – a greater proportion of the female partici-
pants expressed ambivalent feelings as to their class position. This, in turn, feeds into the
‘affective practice’ (Wetherell, 2012, 2014) of class positioning. While participants were
certainly aware that they were sometimes judged negatively, this was no guarantee that
shame would be ‘internalized’ (Sayer, 2005: 153); it seemed that the women in my research
were more likely to have experienced feelings of shame associated with their class posi-
tioning and would then accordingly judge themselves more harshly. The intersection of
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gender with class appears to shape the practices involved in positive working-class identi-
fication (see also Skeggs, 1997).
It was interesting to me that two participants provided accounts of their pregnancies
in the interviews I conducted, and these were not only rooted in gender, but also in their
classed positioning. I refer to these two cases not in an attempt to generalise the specific-
ity of these experiences to all working-class women in HE, but in order to explore how
these participants make sense of their positioning in this particular field. I want to think
through the story of Tina (an academic) in order to consider the intersection of class and
gender in the ‘affective practice’ (Wetherell, 2012, 2014) of judgement. A significant part
of Tina’s narrative was an unexpected pregnancy, which occurred during her PhD. Tina
describes informing her supervisor (whom she describes as ‘posh’):
She was furious about me being pregnant, absolutely furious. And she said: ‘You’re the reason
women ..., women like you shouldn’t get funding’.
Although what the supervisor means by the phrase ‘women like you’ is not made explicit,
this statement is profoundly judgemental: implicit in this response is an idea about the
nature of a deserving, or worthy, woman. Tina and women ‘like her’ are accordingly
shamed and de-valued. Tina understands this scenario in terms of her class positioning,
so that her class is projected onto this interaction. Tina describes how ‘any ability to pass’
– that is, to be (mis)recognised as middle class in the university in order to engender
respectability – was ‘blown out the window’. The appearance of her pregnancy made
Tina feel as if her body had been both visually classed and gendered, an exposure which
she describes as ‘a symbol of shame’ within the university. She describes this experience
as ‘being put back into your body all the time’. Walkerdine et al. (2001: 187) state:
The pressures of the fecund female body present a problematic path through education and life,
whatever the class position. What is important is how the fecundity is regulated and lived. For
middle-class young women it is their inscription as the bourgeois subject that counterposes
fecundity in a way that simply does not allow the possibility of pregnancy.
Becoming pregnant as a PhD student is for Tina a visible and embodied display of her
class positioning. Tina is marked out by her ‘fecundity’ (Ussher, 2006; Walkerdine et al.,
2001), as are all women like her. The pregnancy prevents Tina from completing her PhD,
but despite this she subsequently takes on an academic role involving a heavy load of
teaching and administration. However, her failure to have completed the PhD impacts
upon her negotiation of the workplace, a negotiation which Tina experiences as classed:
[Not finishing the PhD] became this incredible source of shame for me, that was tied up with
class and, partly my shame at feeling ashamed. It became this, kind of, circle of shame, I felt
ashamed that I didn’t have a PhD, so, on all the minutes for the committees I’d be ‘Ms’ and
everyone else would be ‘Dr’ and I thought that reinforced this narrative round me that I was
the one who did all the teaching. I was the one, people said to me: ‘Oh, you’re really fantastic
at admin.’ But it was like I was repositioned, as a body, with the secretaries ... I had the same
accent as all the secretaries ... I was literally aligned with their bodies and I was seen as a sort
of blip.
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Loveday 11
Lacking a PhD when she begins her career impacts her status, but Tina also perceives her
body as being classed through its conceptual ‘alignment’ with the secretaries. Returning
to the significance of accent in ‘affective practice’ (Wetherell, 2012, 2014) once more,
Tina speaks with a local accent unlike the other academics in her department. This, in a
sense, ‘emplaces’ her body, whilst ‘othering’ her and making her feel like a ‘blip’. As
Tina is ‘named’ as a type of glorified administrator – ‘Oh, you’re really fantastic at
admin’, this becomes performative and she experiences her shame as being tied up with
embodied classed and gendered markers in this particular field.
Lisa was the second participant to discuss her pregnancy, which also took place dur-
ing the course of her PhD. She explains experiencing a feeling of discomfort on the vis-
ibility of her pregnant body:
I can say that in the academic environment I felt intensely uncomfortable when my body began
to appear obviously pregnant and why was this? It was odd, I felt something akin to guilt.
Munt (2008: 8) contrasts guilt and shame by noting that ‘in the former one knows one has
committed a wrong (guilt), and because of it, one has entered a state of disgrace (shame)’.
Yet why does Lisa have this affective reaction? She speculates:
I think this was because of the feelings of entitlement – or lack of it – that relate to my journey
from a working-classed background into this academic environment.
Entitlement relates to legitimacy here: who has the capacity to accrue valuable forms of
capital (Bourdieu, 1986)? A congruence between the ‘dispositions’ of actors and the
‘demands of the field’ (Skeggs, 2004b) determines who is seen to have ‘person-value’
(Skeggs, 2010a, 2011) and this is so often misrecognised as ‘natural’, and so legitimate
(see also Reay et al., 2005: 67, following Bourdieu). If the working-class body is poten-
tially ‘disruptive’, then the embodiment of ‘feminine excess’ and ‘unruly fecundity’
(Ussher, 2006: 161) seems to be doubly disturbing in this environment.
I have been arguing that certain forms of embodiment (such as accented speech or
pregnancy) challenge established boundaries of ‘appropriateness’, so that the mere pres-
ence of a body creates a feeling of disorder within a specific social field. Lisa notes how
she felt as if her body became ‘disruptive’ while she was pregnant:
when I was in academic environments such as campus, a day conference and the academic
groups I’m a member of, I felt so awkward – disruptive somehow ... why did I feel this way?
Overall, people were overwhelmingly positive and warm but my embodied feeling ... was one
of apology.
Why should the experience of being pregnant in academic environments have generated
for both of these women a range of ambivalent emotions? I want to argue that this is tied
up with how they understand their class positioning in HE, as well as social conceptions
of the female body. While it is true that many women have the ‘potentiality for birth’
(Tyler, 2000: 292), the young, female working-class body is viewed as particularly
excessive and overtly sexual; pregnancy becomes the ultimate symbol of uncontainable
‘feminine excess’ (Ussher, 2006: 161), but in the context of this particular field, also a
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12 Sociology
symbol of classed excess and ‘abjection’ (Ussher, 2006: 161). For Lisa and Tina, their
pregnant bodies visibly disrupted the dominant norms of the field and this disruption is
experienced as shameful. I want to conclude below by arguing that the ‘affective practice’
(Wetherell, 2012, 2014) described in this article is not only the effect of inequality in this
field, but is a mechanism that feeds back into classed relationships, variously shoring up
notions of (il)legitimacy by contributing to processes of valuation.
Conclusion
This article has explored the role of shame in mediating the experience of working-class
staff and students in English HEIs through the use of two different examples of embodi-
ment: accent and pregnancy. The findings presented here are based on a small-scale
empirical study and so are not generalisable. However, the stories presented point to the
different ways that the participants have made sense of their classed and gendered identi-
ties in this field, and how shame has constrained and affected action. Building on
Bourdieu’s concepts of habitus, field and capital, I have sought to present a feminist read-
ing of embodiment, practice and value. I have attempted to demonstrate that judgement
– as part of a nexus of what Wetherell (2012, 2014) refers to as ‘affective practice’ –
deflects analysis from the root causes of devaluation in a highly classed field, such as
English HE, by shaming certain actors. ‘To be found out’ – that is, to be exposed as work-
ing class through certain classified forms of taste or behaviour (Bourdieu, 1984) –
equated to being ‘humiliated’ for Lisa as a younger woman, and she understands this
shame as ‘stick[ing] to your bones’. I have sought to highlight how the ‘stickiness’
(Ahmed, 2010; Munt, 2008) of shame not only has an enduring bodily presence as it
acquired through practice over time, but might also act to shape the impression that
working-class people have of themselves, as well as the types of relationships that they
are able to form with people and environments.
Through an exploration of classed relationships in HE, I have sought to explore the
conditions under which judgement has precipitated shame for the participants discussed in
this article and how, over time, ‘affective practice’ (Wetherell, 2012, 2014) becomes per-
formative. In this sense, shame has two sociologically significant roles. First, shame feeds
back into legitimated schemas of valuation, reinforcing the ‘deficit’ view of working-class
culture and identities (Plummer, 2000). Second, the participants here have described how
shame is experienced by them as embodied, that is, how it becomes a part of the habitus
acquired through ‘affective practice’. In this sense, shame naturalises person-deficit. By
examining the ‘affective practice’ (Wetherell, 2012, 2014) of judgement, I have argued that
a focus on the lived experience of shame helps to explain how deficiency becomes embod-
ied, naturalising privilege and obscuring the ‘moral economy’ (Skeggs, 2009). In this con-
text, shame works on bodies in their relationality to other bodies as actors ‘struggle’ over
valuable forms of capital (Bourdieu, 1986) at stake in the educational field. It is the funda-
mentally relational nature of social class – as it intersects with other social processes, such
as gender – that makes class itself into an ‘affective practice’.
Acknowledgements
I would like to thank all of the participants discussed in this article, as well as the anonymous
reviewers for their detailed comments.
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Loveday 13
Funding
The article draws on research supported by the ESRC (grant number ES/F022387/1).
Notes
1. Widening Participation departments, funded by the Higher Education Council for England,
have been established within English HE institutions to widen access to university for under-
represented groups.
2. OFFA (2014: 2) notes that ‘the most advantaged 20 per cent of young people’ were 6.3 times
more likely to go to HEIs with the highest entry requirements than ‘the most disadvantaged
40 per cent’ in 2011/12.
3. See, for example, the collection of chapters in Adkins and Skeggs (2004).
4. See Reay (2004) on the use of ‘habitus’ in educational research.
5. See Keddie (1973); Labov (1979); Rosen (1972) for critical analysis of the ‘deficit’ perspec-
tive; see Jones (2013) for an overview of the debate.
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Vik Loveday is a lecturer in the Department of Sociology at Goldsmiths, University of London. She
is interested in higher education and the cultural analysis of class, and her previous research has
explored memory, upward mobility and symbolic indebtedness. She is currently conducting
research on academic identities and casualisation in English higher education.
Date submitted July 2014
Date accepted April 2015
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