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The Lyricism and religious poems of Um Kulthum
(analytical study)
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Summary of the Research
Introduction:
The Arabic music in general and Egypt in particular /
lyrical music in the first place /where her work mechanism at
the outset of the singing and evolved to become a stand-alone
business /and it is known that the individual was singing until
the end user is the nineteenth century was limited to support the
role of the without a single singer to have a key role in the song/
but the technical developments that have taken place with the
beginnings of the twentieth century were produced by the
evolution of the media /which led to the emergence of a new art
form of singing has changed and produced other forms of
performance /these developments have affected significantly the
interest the collective performance of Egyptian music.
There is no doubt that there is a close link between music
and the floor. The song is one of the most dangerous weapon
proliferation and characteristics influence positive or negative /
depending on their content /not only post the song as a tool for
development /and enjoy leisure time in the recreation of the self/
but they play a role in the formation of individual taste /and the
general mood of society /is the eyes of each song era /musical
life has been defined a number of senior Egyptian singers are all
characterized by a particular style of performance /according to
Helpfully and their talent /and received education /and
experience gained by scientific Famous is Um Kulthum /Laila
Murad /and many other singers.
The Um Kulthum of singers that have a special school in
Arabic singing and what was characterized by the emergence of
the religious have had control of exits and audio mastering the
correct pronunciation of words with words /and by the musical
origins of life and proximity to her father /who usually grab the
standing of many of the songs and poems that have contributed
its inception in the musical /also grew up with her ear to all the
old music /which gave the gift and the immense musical and her
allied to many greatest composers had great impression in
showing her distinct voice techniques which enriches the court
of Arabic music /and such composers like Zakaria Ahmed and
Mohammed al Kasabgy /Mohammed al Moogy /Abdel Wahab
and many others.
Um kalthum was creative in singing all musical formulas
and kind /like nationalistic and social /emotional and religious
types. There fore /the researcher found it necessary to shed light
on the various musical techniques and on the performance of
Um kulthum of the religious poems which marked as great
songs.
The problem of the research
Although the importance of the religious lyricism poems
which considered as a great musical lyricism heritage in the
field of Arabic music which still have the sensitive /artistic and
religious effect.
So that the researcher saw that it is important to spot light on
these works which has artistic and lyricism values that we can
take benefit of them in the (religious) academic field because
that the researchers didn’t approach to that poems which
prompted the researcher to study and analysis these poems to
recognize their multi artistic treasures.
The importance of research
The importance of the research is related to spotlight on the
religious poems which are sang by Um Kulthum of different
poets and composers /which considered as a great musical
lyricism heritage because they have lyricism techniques and
tracks and different transitions keys that work on improving
public taste /and transmit the religious spirit.
The Goal of the research
•Recognizing the artistic account of the religious poems on
its multi stages to Um Kulthum.
•Recognizing the multi artistic treasures which are in these
poems.
The research questions are :
•What is artistic account of the religious poems on its multi
stages to Um Kulthum?
What are the multi artistic treasures which are in these
poems?
Then the research procedures which contains
a) the research system b) research sample
c) the research tools d) the research limits
e) the research terms
The research contains four chapters as follows;-
the first chapter ;- the problem of research and previous studies
includes ;-
the first topic include ;- ( introduction – identifying the
research problem – the importance of the research – the
objectives – the research queries – approach /limits sample /
tools and the research terms).
The second topic ;- presented by the researcher. What he had
read of the previous studies related to the subject of research and
contains eight studies.
The second chapter ;- conceptual framework includes ;-
The first topic ;- the singing poem of Um kulthum
The second topic ;- the artfulness career of Um kulthum
The third topic :. The necessary language techniques for lyrical
Arabic art
Chapter three ;- analytical frame work includes:
Presentation to the religious poems of Um Kulthum and a
Selection of a sample of research and to identify which of
techniques for /and the artistic treasures of these poems and
style of singing of Um kulthum through these religious poems.
Chapter four ;- the research results and recommendations
includes ;-
The conclusions that the researcher has found through this
study and analysis of Um kulthum religious poems and
recognizing the artistic treasurers and the melodic tracks and
maqams transitions inside these poems which considered as a
musical and religious heritage contains many lyricism
techniques and also a special style in composing and this in the
analytical frame work in chapter three.
Then the researcher finished the research with recommendations
proposed /references /letters and summaries of research in both
Arabic and English.