The ability to witness the divine in creation has been one of the features that has often distinguished Suf?is from non-Suf?is. One of the most controversial manifestations of this was shahidbazi ("playing the witness"), which was a practice of gazing at the form of young males in order to witness the inner, divine presence. Since medieval times a Persian Suf?i by the name of Aw?ad al-Din Kirmani has been most commonly associated with shahid-bazi (especially during the sama-or the ritual of Suf?i music and dance). The controversy relating to Kirmani seems to have focused on the homoerotic nature of shahid-bazi, yet a close examination of the texts reveal that the criticisms about Kirmani relate to a wide range of Suf?i practices and doctrines. An investigation of the contexts of these criticisms indicate that thirteenth-fourteenth-century Suf?ism was diverse and fluid, and that the systematisation of Suf?ism into brotherhoods (?ariqa) which was taking place in Kirmani's lifetime had not resulted in a bland conformity of faith and practice. .