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Rendering a neighbourhood queer

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Abstract

This paper traces, and is the traces of, a collective project to render a neighbourhood queer. It is a project that emerges from queer social relations. Academic research and knowledge generation are approached collaboratively by working with queer-identified residents from west-central neighbourhoods in Toronto, Canada who volunteered with the Queer West ShOUT Youth Program. Within the context of two participant-facilitated discussion events, we discursively and artistically investigate queer world-making in the neighbourhood of West Queen West. Through collective mental mapping and photovoice renderings we interpret the queering of urban space as a queer utopian impulse. We critically examine the ‘concrete utopia’ of Queer West Village and question its resonance in the lives of ShOUT volunteers. Theoretically inspired by Muñoz, our ‘a/r/tographic’ mode of inquiry and critical praxis are a rendering of ‘queer futurity.’ We draw on our past to critique our lived present so as to imagine future potentialities. We do so in order to argue that it is vital that the queerness we individually and collectively strive for at the spatial scale of the neighbourhood, such as the process of place-making itself, is grounded in material experience yet remains provisional and an ideality that motivates us.

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Scholarship on queer geographies has called attention to the active production of space as heterosexualized and has levelled powerful critiques at the implicit heterosexual bias of much geographical theorizing. As a result, critical geographers have begun to remark upon the resistance of gays, lesbians and other sexual subjects to a dominant heterosexuality. But such a liberal framework of oppression and resistance is precisely the sort of mapping that poststructuralist queer theory emerged to write against. So, rather than charting the progress of queer geographies, this article offers a critical reading of the deployment of the notion of `queer space' in geography and highlights an alternative queer approach that is inseparable from feminist, materialist, postcolonial and critical race theories.
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The LGBT agenda for too long has been dominated by pragmatic issues like same-sex marriage and gays in the military. It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist. Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, José Esteban Muñoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O'Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future. In a startling repudiation of what the LGBT movement has held dear, Muñoz contends that queerness is instead a futurity bound phenomenon, a "not yet here" that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.
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In this article, I ask how the theoretical lenses through which we conceptualise LGBQ lives compel a particular categorisation of queer geographies and experiences; namely, through (implicit) hierarchies between the "gay metropolis" and the many small cities and rural places outside of purportedly "welcoming" metropolitan centres. Drawing inspiration from Robinson's (2006) ordinary cities thesis, I argue that our scholarly (and popular) points of reference structure the possibilities of understanding LGBQ lives and place-making outside of metropolitan centres recognised to be "gay friendly". Consequently, the production of knowledge about queer lives still tends to conform to a dominant model in which a metro-centric and hierarchical spatial narrative functions as an implicit referential illusion. Employing oral history narratives from LGBQ women in one small Canadian city, I argue that urban/urban-rural hierarchies are at once embedded in the frameworks used to understand queer lives and practices, and constrain our ability to conceptualise the embodied and emplaced geographies of everyday queer lives in geographically-specific terms. Theorising ordinary sexual subjectivities requires attending to the mutual constitution of subjectivities, process and place in specific geographical contexts. (181 words).
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I consider the iconic place of the urban gay neighborhood across the literature. Noting, but also qualifying, its early preponderance, I trace its relative decline as both an empirical concern and also a theoretical one. I argue that this trend reflects a queer pluralization of 'sexuality' as well as a growing sophistication of how geographers handle place and scale. There has been a resurgence of interest in the 'gayborhood', however, within and beyond geography, and so I consider this counter trend in relation to the changing structurations of sexualities and space, as well as the forces pushing to maintain such zones in the city.
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This book provides an essential insight into the practices and ideas of maps and map-making. It draws on a wide range of social theorists, and theorists of maps and cartography, to show how maps and map-making have shaped the spaces in which we live.
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This paper examines how certain inner city spaces in Toronto, Canada are being transformed in part due to changing sexual and gendered identities, and practices variously described as ‘post-gay’ or ‘post-mo.’ Drawing on a June 2011 Grid article entitled ‘Dawn of a new gay’ and related commentary, I argue that in seeking to understand various spatial transformations underway in Toronto, one element deserving of attention is a so-called growing intergenerational divide amongst and between certain segments of Toronto’s LGBT population. More specifically, new or alternative understandings of same-sex identity, and practices are emerging that are markedly different from those of previous generations. As a result, a self-styled ‘post-mo’ generation is less interested in (or does not frequent as often), Toronto’s traditional gay Village and is utilizing alternative urban spaces in ways that rework the gendered and sexualized meanings of those locations and suggests transformative processes are underway for LGBT social, political and economic life in Toronto.
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While idealised as a private space, the residential home is embedded in public relationships, and a critical aspect of homemaking is managing the public/private boundary. Geographers of sexualities show this is fraught for sexual minorities, with gay men having a heightened need to control the public/private boundary, fearing discrimination from neighbours. This paper re‐examines the ways in which gay men manage the public/private boundary and considers how these practices are entwined with social power and queer politics. Analysing data from research with gay men in Australia, I find diversity in their management of home as a site of both privacy and public connections. Some men do try to seal their homes from neighbours, fearing repercussions if their sexuality is publicised. But others engage with local communities and open their homes to neighbourly visits. This has important reparative effects for social change: by utilising the porosity of domestic borders, these men's homes become sites of queer politics that help reconcile the inequitable social power of the heterosexual/homosexual binary.
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In this article I consider working-class lesbians' views and experiences of commercialized scene space as these venues change in light of social, economic and political developments. Working-class lesbians both participated in and felt excluded from scene spaces, often criticizing them as 'pretentious' and 'unreal' for their cosmopolitan gloss. In this upgrading a politicized perspective was believed to have been sacrificed or in jeopardy, threatened by gendered and classed consumer-based expectations and inhabitations. The reproduction of such space via regeneration and sophistication mediates the construction of lesbian styles, appearances and identities, demarcating boundaries of inclusion across time and place. Interviewees spoke of scene developments and changes with a sense of loss, even nostalgia; their descriptions frequently conjured up binaries of now/then, political/apolitical, marginal/mainstream, metropolitan/provincial — producing an uneasy situation in and out of place. Such positionings illustrate material, embodied and felt exclusions, and tenuous inclusions, as this space is negotiated, contested and rejected.
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Over the past two decades, geographers’ attentions to the ‘visual’ arts have broadened considerably. From a tightly focused study of 18th- and 19th-century landscape paintings this engagement now encompasses: a temporal reorientation towards 20th-century art practices; an opening out of concerns beyond the thematic frame of landscape; the embrace of a wider variety of artistic media beyond painting practices; and a shift in modes of engagement that sees geographers taking up a range of creative practices. In this paper I do not want to further expand the field, but rather to draw attention to how and with what effect these engagements have proceeded. Discussion is framed by Rosalind Krauss’ influential exploration of art’s ‘expanded field’, itself an attempt to rethink art as an analytic object in the face of a multiplication of artistic practices, materials, operations and sites. The body of the paper explores three analytics that mark intersections of art’s expanding field of theory and practice, and geography’s own expanding field of operations: these are, artists’ changing orientations towards ‘site’, a phenomenological critique of the ‘body’, and the ‘materialities’ and ‘practices’ of making (keywords that have usually been articulated as intrinsically geographic, and applied to the art world). Synthesizing these perspectives with current geographical engagements with art and broader disciplinary debates is, I suggest, to affirm the place and value of the study and practice of art within key disciplinary concerns.
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This volume fills a gap in the literature on planning and the development of queer spaces. It highlights the resistance there has been within the planning profession to incorporate gay and lesbian concerns into the planning mainstream. Bringing together leading academic planners and geographers, it reflects on the ways in which issues germane to the lesbian, gay, bisexual, and transgender community have been slowly integrated into the planning mainstream, as well as those topics on which there is more work to do.
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The emergence of creative industries as a productive sector marks a significant transformation in economic life in contemporary Western societies. On the one hand, the opportunities such a development affords in providing career pathways and lucrative opportunities for creative workers in areas like computer games and film might seem like cause for celebration, also enabling humanities disciplines to rebadge themselves in order to attract students within the competitive higher education market. On the other hand, the ways in which creativity is alienated to the capitalist market as an economic commodity does raise particular concerns, particularly in the context of regional communities lacking the scale, resources and critical mass to be successful in this market. This is a speculative (and indeed playful) paper that canvasses ways in which the regions might respond to the emerging economy of the creative industries. It draws on the concept of fields of resonance to suggest how the region might be configured as a creative performance space, open to the world, and ecologically attuned, thereby offering a distinctive response to this emerging cultural and economic force.
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Over the past half century, many visible gay districts emerged in Western inner cities as sites of gay and lesbian residence, commerce, entertainment, culture and politics. Rather than static enclaves, these visibly gay districts are constantly changing, reflecting improved social attitudes towards homosexuality, increasing diversity of social activities and venues, and financial constraints on residential location in the inner city for many lesbians and gay men. This paper revisits Collins’ evolutionary gay district model to examine recent changes around one such inner-city district, Oxford Street in Sydney, Australia. A neoclassical economic perspective, focusing on market forces, consumer preferences and incentives, is used to hypothesise whether these changes are a process of decline, integration or colonisation of gay space. For the Oxford Street district there is growing evidence that various factors have eroded the vibrancy of gay cultural expressions. The paper concludes by discussing the different possible ongoing transformations of inner-city gay districts.
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This paper discusses the socio-cultural processes that shape homosexual leisure space, specifically examining the experiences of lesbians. In doing so, it seeks to contribute to the emergent body of tourism research focusing on gendered and sexualized leisure. Its primary contribution to gender tourism research, however, is to provide further support for the conceptualization of leisure processes and spaces as both heterosexist and androcentric. The paper thus begins by briefly discussing the socio-cultural construction of gay space and the powerful dynamics that underpin its emotional geography. It then briefly discusses the study's methodological approach before presenting and discussing the findings of the research conducted with lesbians in Manchester's gay village – one of the UK's first and most successful gay and lesbian quarters. The paper reveals how sexuality and gender combine to constrain women's consumption of public leisure space and suggests that, whilst homosexual spaces have emotional and psychological importance as empowering places in a heterosexual world, in the case of the Manchester gay village, this homosexual space does not empower lesbians because of the homo-patriarchic power dialectics characterizing its socio-cultural construction. The women interviewed in the study do have territorial ambitions in the village – their own space is important to them, it confirms their place in the village and it supports the development of social networks for lesbians in a hostile, hetero-patriarchic world. Yet, it emerges that lesbian space is an exceptionally difficult homosexual space to claim since the more powerful and more established gay male community in that area does not particularly welcome women.
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All learning is emplaced. It happens somewhere and it involves material things. It is located and situated. This paper focuses on spaces and places outside of the classroom where lessons about ‘self’ and ‘other’ are learnt. Drawing on recent research (‘Space, place and the making of masculinities in primary schools in Ireland’, O Donoghue, Journal of Curriculum and Pedagogy, 2006, volume 3), the paper analyses the stories/narratives of a group of ten and eleven year old boys, stories that tell of how they learn to speak, act and perform masculinities in school spaces and places. These performances, ‘naturalized’ through repetition and regulation, happen in spaces that exert significant effects on boys by opening up/closing off certain behavioural possibilities. The paper makes visible processes of doing and re/presenting research into masculinities and schooling in, with and through art. It argues that a research approach drawing on theories and processes of contemporary art practice offers much for conceptualizing, doing and representing research and provides opportunities that other research methods close off.
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Drawing on and speaking to literatures in geographic information systems (GIS), queer geography, and queer urban history, we chronicle ethnographically our experience as queer geographers using GIS in an action-research project. We made a map of sites of historical significance in Seattle, Washington, with the Northwest Lesbian and Gay History Museum Project. We detail how queer theory/activism and GIS technologies, in tension with one another, made the map successful, albeit imperfect, via five themes: colliding epistemologies, attempts to represent the unrepresentable, productive pragmatics, the contingencies of facts and truths, and power relations. This article thus answers recent calls in the discipline for joining GIS with social-theoretical geographies, as well as bringing a spatial epistemology to queer urban history, and a cartographic one to queer geography.
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The notion of "gay space' is often taken to be synonymous with predominantly gay male residential neighbourhoods in major cities, such as San Francisco. This paper examines some of the spaces that lesbians create. It begins by considering how lesbian structures of meaning are constructed around specific materially ground sites: a residential district and a lesbian institutional base in a provincial UK town. It then moves on to examine how lesbian spaces are produced and claimed through collective imaginings focused upon social networks, specific "lesbian' celebrities and political events. Attention is given to the specific time-space frameworks within which different forms of lesbian space are produced, from relatively fixed to periodic or fleeting. -Author
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Between the late 1960s and the early 1980s, a loose association of gay social spaces consolidated into what is now known as the ‘gay village’ in the Church and Wellesley street areas in downtown Toronto. Scholars argue that, while these residential and commercial districts evolved prior to the formation of organized gay political organizations, they suggest that the emergence of these districts as political and commercial districts was a direct result of deliberate local gay activism. I argue here that contrary to this literature and for much of its history, the gay movement was largely opposed to the existence of specifically gay-identified spaces, particularly those operated by both heterosexual and homosexual businesspersons. Toronto's gay activists, using different ideological frameworks, struggled to constitute a homosexual identity that stood mainly in opposition to the so-called ‘ghetto gay’ and to construct alternative spaces that were seen as more appropriate to the formation of a properly politicized homosexual identity. Nevertheless, by the early 1980s, as the gay village continued to thrive and as the players in gay movement politics changed, the gay ghetto became the gay village and was celebrated as a location of political strength and social necessity. This article explores that material and symbolic transformation.
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This paper offers a pragmatic, principally economic perspective on the body of work analysing the genesis and development of urban 'gay villages'. The Soho Gay Village in central London is presented as a case study. Its evolution and principal features are considered in the light of the existing corpus of research into gay agglomerations and the documented experiences of some other urban gay villages in England. It is suggested that, even with differing historical roots and widely differing levels and forms of municipal support, a recurrent developmental pattern seems to be discernible. This is characterised by an urban area in decline progressing through several broad stages of economic enterprise denoted by: sexual and legal liminality; gay male social and recreational opportunities; a widening service-sector business base; and, ulti-mately, the assimilation of the area into the fashionable mainstream.
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The limited literature on the relationship of lesbians and gay men to urban space is ambiguous about the existence of lesbian spatial concentrations. We sought to establish the existence of spatial concentrations of lesbians and then to characterize the areas within which they were found in an urban area in the US. We found that census tracts where lesbians concentrate had significantly lower levels of rents, proportions of owner-occupied housing, and traditional family households. The lesbian neighbourhood lacks the visibility of its gay male counterpart because lesbians have less acccess to capital with which to transform urban space and are more at risk on public places, rather than because of fundamental gender differences in how men and women relate to space and to urban politics. -Authors
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Earlier studies of Canadian inner-city gentrification, especially in Toronto, project an image of the process as being emancipatory: a middle-class reaction to the oppressive conformity of suburbia, modernist planning and market principles. This paper, a case study of gentrification in South Parkdale, Toronto, questions this image by illustrating the role of local context in theory and policy and the consequences of gentrification for vulnerable inner-city populations. Once a desirable residential neighbourhood, South Parkdale experienced disinvestment following the construction of the Gardiner Expressway in the 1960s and also experienced further problems in the 1970s and 1980s following the deinstitutionalisation of psychiatric patients from adjacent hospitals. Discharged patients suffered from a shortage of affordable housing options, and many ended up in substandard rooming houses and bachelorettes, of which South Parkdale has a disproportionate share in Toronto. The neighbourhood's sporadic gentrification since the mid-1980s has intensified in recent years, as the City of Toronto is regularising and licensing the neighbourhood's low-income housing-a major concern for tenants who fear that landlords will use recent provincial legislation on tenancy to attract wealthier residents into their improved buildings. This paper examines this situation with qualitative evidence and argues that gentrification in South Parkdale, driven and managed by neoliberal policy, is far from an emancipatory process and argues for an interpretation of gentrification that looks beyond the experiences of the middle classes.
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What are the methodological and theoretical issues of doing collective research? While raising questions that speak to the process and point to the high and low lights of a collaborative research approach, my paper addresses issues of representation and shifting power that are central to feminist inquiry, critical pedagogy, critical race theory, and research concerned with social (in)justice and inclusion. Specifically this paper grapples with the possibility of research as a vehicle for social change. journal article
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GLQ: A Journal of Lesbian and Gay Studies 8.1-2 (2002) 183-206 In North American and European cities, gay and lesbian residential and commercial zones have become increasingly visible to and visited by the public at large. Although this trend could readily be attributed to the success of gay civil rights movements and the recognition of gays as a niche market, it has been accompanied by other forms of urban transformation, notably the commodification of space related to a growth in tourism and a shift toward an entrepreneurial form of urban governance. As secondary U.S. cities such as Austin, Texas; Minneapolis, Minnesota; and Portland, Oregon, compete to lure footloose capital in the financial, information, and high-tech industries, they seek to market themselves as centers of culture and consumption. To stake a claim to cosmopolitanism, one of the most desirable forms of contemporary cultural capital, many emphasize their ethnic diversity. In a growing number of instances, "queer space" functions as one form of this ethnic diversity, tentatively promoted by cities both as equivalent to other ethnic neighborhoods and as an independent indicator of cosmopolitanism. The popular press reinforces the queer cachet, noting the gay quotient of clubs and neighborhoods in explorations of the "geography of cool." In an article that serves as a tour guide to the international club scene, highlighting places frequented by "both gays and straights" in European cities such as Paris, Madrid, and Amsterdam, Roger Cohen writes that in Berlin, "a cooler note" can be found at the Greenwich, where In this instance, racial diversity and sexual diversity highlight the establishment's sophisticated allure even as nonwhite and/or queer bodies provide a chic stamp of approval recognized by the reader of the New York Times, assumed to be a cosmopolitan traveler. Although Cohen does not preclude the possibility of queers of color in his description of the nightclub, Asian and African are offered as other, presumably in opposition to whiteness, and homosexual is offered as the other of heterosexual. If bodies are assumed to be heterosexual and white unless otherwise specified, only one axis of difference is presumed, and queers of color are erased from the discourses of cosmopolitanism and globalization, as consumers and commodities. In clubs such as the Greenwich, queers and queer space are consumed by a broader, non-queer-identified public in ways that shape the evolution of these spaces and affect the everyday lives of the gays who inhabit them (whether as residents or as tourists themselves). Whether local residents or visitors to the city, empathetic supporters or scandalized voyeurs, tourists read as straight consume the temporary space of queer festivals and parades or the more enduring spaces of queer neighborhoods. The presence of such tourists disrupts queer space's homogeneity, which is only putative because categories of class, race, and gender are frequently not acknowledged in the abstract construct that is queer space. Yet disruptions based solely on a queer/straight binary further entrench the homogeneous nature of the (white male) queer. This essay explores the history and implications of these disruptions. How has this process of commodification been enabled by changes in the global political economy and in queer space itself? Have tourism and the related commodification of queer space for consumption affected gays who live in and visit these spaces? Might these consumption practices inscribe new or reinforce current exclusionary practices along the lines of race, ethnicity, class, and gender? Finally, are there parallels between the contemporary consumption of queer space and the long history of tourists traveling in search of the other? After reviewing earlier instances of urban tourism centered on a quest for a place-based exotic other, I outline the shift toward urban governance that has paralleled the rise of queer space's visibility. I then briefly survey the literature that describes the...
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Despite its apparent irrelevance as a scale or space of sociocultural organisation, the neighbourhood is back on the political agenda. At an international level, the neighbourhood -- or, more specifically, the 'global neighbourhood' -- is being promoted as a moral space through which to manage the complex economic, political, and ecological problems of the planet. Mirroring this process at a national level, in the United Kingdom the neighbourhood has been rediscovered and now provides the parameters through which a range of antipoverty, welfare, and local democracy programmes are being delivered. In light of its contemporary political popularity, this paper presents a critical reanalysis of the concept of the neighbourhood. In particular, the analysis explores the ideological and political uses of the ideal of neighbourhood, and how these processes relate to a particular 'politics of scale'. In order to unpack the various politics of scales associated with the neighbourhood, the analysis combines theories of scale with Lefebvre's work on the production of space. Drawing on these theoretical insights and the case of neighbourhood politics in the town of Walsall in the United Kingdom, I explore the political narratives and practices through which the neighbourhood scale is produced and contested, and question the ability of neighbourhoods, as they are currently being constructed in the United Kingdom, to offer locally empowering scales of political and social organisation.
Queer and gendered housing: A tale of two neighbourhoods in Vancouver
  • M Bouthillettea