Authorial intrusions are typically characterized, and criticized, as interruptions to a narrative that disrupt the illusion of fictional truth to varying degrees. In this way, intrusions highlight by contrast our sense of two formative elements of the novel: its narrative structure, and its referential status. This article argues that the historically variable types and functions of authorial
... [Show full abstract] commentary, together with their critical reception, provide an important means for investigating changing concepts of novelistic realism. It traces a broad terminological shift, from the eighteenth to the twentieth century, in which the common rhetorical practice of digression, or turning away from a narrative, came to be characterized as an intrusion into a narrative. In doing so, it demonstrates the paradoxical role authorial commentary has played in both establishing and challenging the conventions of realist fiction in relation to eighteenth-century theories of probability, nineteenth-century theories of sympathy, and twentieth-century theories of impersonality.