Leonard Chabrowe: Mr. Chabrowe teaches English at Newark College for Engineering. His article on The Iceman is a condensation of a chapter in a forthcoming full-length study of O'Neill.
1. Lazarus Laughed (New York, 1927), title page.
2. "A Dramatist's Notebook," The American Spectator, January 1933, p. 2. This was the last part of an essay on masks published in three monthly installments.
3. See
... [Show full abstract] Clark, Eugene O'Neill, the Man and his Plays (New York, 1947), p. 149.
4. The Iceman Cometh, Act I, in The Plays of Eugene O'Neill (New York, 1951), III, 617. All the other quotes from the plays are from the same edition.
5. Ibid., p. 596.
6. Ibid., p. 623.
7. For Lazarus as a higher man compare especially Act I, Scene 1, I, 276-280, and Act I, Scene 2, 288-290, with Thus Spake Zarathustra, in The Philosophy of Friedrich Nietzsche (New York, 1927), pp. 6-9, 149, 176, and 182-183. For Lazarus' belief in Eternal Recurrence compare especially Act II, Scene 2, p. 324, with Thus Spake Zarathustra, pp. 247-248.
8. The Iceman Cometh, Act IV, III, 727.
9. Lazarus Laughed, Act IV, Scene 1, I, 355-356.
10. The Iceman Cometh, Act IV, III, 716.
11. Lazarus Laughed, Act II, Scene 2, I, 322.
12. Ibid., pp. 313-314, and Act IV, Scene 1, p. 357.
13. The Iceman Cometh, Act II, III, 662.
14. Ibid., Act IV, p. 701.
15. "Mr. O'Neill And the Audible Theatre," The New York Times, March 3, 1929.
16. "Postscript to a Journey," Theatre Arts, XLI (April, 1957), 28.
17. See Archetypal Patterns in Poetry (London, 1934).