Article

“Histrionic Zulus”—Photographic Heterotopias at the Catholic Mission Mariannhill in Natal

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Abstract

In this article, I argue that certain photographs of Christian converts at the Catholic Mission station Mariannhill in Natal underwent a process of theatricalization, in the decade just prior to World War I. Foucault identified theater-stages as one of the possible places that may be called heterotopias, and also alluded to mission stations in this regard. I explicate what those spaces may have in common with the performative aspects to the production of photographs and the evocation of faith towards benefactor audiences in Europe.

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* Download Chapter 1 (PDF) at http://www.ingiehovland.net * Publisher's description: In Mission Station Christianity, Ingie Hovland presents an anthropological history of the ideas and practices that evolved among Norwegian missionaries in nineteenth-century colonial Natal and Zululand (Southern Africa). She examines how their mission station spaces influenced their daily Christianity, and vice versa, drawing on the anthropology of Christianity. Words and objects, missionary bodies, problematic converts, and the utopian imagination are discussed, as well as how the Zulus made use of (and ignored) the stations. The majority of the Norwegian missionaries had become theological cheerleaders of British colonialism by the 1880s, and Ingie Hovland argues that this was made possible by the everyday patterns of Christianity they had set up and become familiar with on the mission stations since the 1850s.
Article
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